Cannes Film Festival
2019 Cannes Film Festival: Pioneer Lebanese Oscar-Nominated Director Talks Women in Motion
Published
5 years agoon
CANNES, France (FNN NEWS) – Nadine Labaki made history last year as the first Lebanese female filmmaker to ever be nominated for an Oscar in the best foreign language film category for Capernaum. This year, she is president of the prestigious Un Certain Regard competition at the 72nd Cannes Film Festival, which runs parallel with the competition for the coveted Palm d’Or. She spoke about what it means to be a woman in film for luxury brand group Kering’s “Women In Motion” event Thursday.
Kering, an official partner of the Cannes Film Festival, launched “Women In Motion” five years ago to highlight women’s contribution to the film industry. This year, Kering, which owns iconic international luxury brands including Gucci, Balenciaga, Yves Saint Laurent and Alexander McQueen, offered its sincere thanks to all the award winners, along with the extraordinary women and men who have made it a platform of choice for those who wish to change people’s mindsets.
Only 5 women have been nominated for best director since each of these awards were created.
- Only one woman has won the Oscar for Best Director in 91 years: Kathryn Bigelow for The Hurt Locker (2010)
- Only one woman has won the Palme d’Or in 71 years: Jane Campion for The Piano (1993)
- Only one woman has won the Golden Globe for Best Director in 76 years: Barbara Streisand for Yentl (1984)
- Only one woman has won the César for Best Director in 44 years: Tonie Marshall for Vénus Beauté (Institut) (2000)
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Patience Eding is Publisher of Another Concept Magazine, an international affiliate with Florida National News. She is on location in Cannes for the 2019 Cannes Film Festival. | social@floridanationalnews.com
Cannes Film Festival
PHOTOS: The Big Winners from the 2023 Cannes Film Festival
Published
10 months agoon
May 28, 2023CANNES, France (FNN) – The world’s most glamorous red carpet and festival finally wrapped up Sunday. Here’s the list of the big winners from this year’s Cannes Film Festival.
Palme d’Or: Anatomie d’Une Chute (Anatomy of a Fall) by Justine Triet
Grand Prix: The Zone of Interest by Jonathan Glazer
Best Director: Hûng Tran Anh for La Passion de Godin Bouffant
Prix du Jury (Jury Prize): Les Feuilles Mortes, directed by Aki Kaurismaki
Best Screenplay: Yuji Sakamoto for Monster, directed by Hirokazu Kore Eda
Best Performance by an Actress: Merve Dizdar in Les Herbes Eches, directed by Nuri Bilge Ceylan
Best Performance by an Actor: Yakusho Koji in Perfect Days, directed by Wim WENDERS
Palme d’Honneur: Michael Douglas and Harrison Ford
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Mellissa Thomas and international correspondent Patience Eding contributed to this report. | info@floridanationalnews.com
Cannes Film Festival
Sharon Stone Channels Her Inner Greek Goddess at Cannes Film Festival Closing Night
Published
3 years agoon
July 18, 2021CANNES, Fr. (FNN) – The 74th annual Cannes Film Festival came to an end Saturday, July 17 and veteran actress Sharon Stone met the occasion with a shimmering Dolce & Gabbana dress and smile to match.
The actress, 63, boasted a sweeping look featured a glittering, silver bodice as well as a one-shouldered sash and a thigh-high slit.
Stone rounded out the dazzling look with sparkly drop earrings, strappy heels, and gelled-back curly hair.
Stone attended the closing film ‘OSS 117: From Africa with Love,’ but her fabulous dress wasn’t for that–but for the closing film awards show, where Cannes’ demand for the finest glamour reaches its peak as filmmakers receive recognition for their groundbreaking work.
Stone wore high fashion all festival long, wearing a Dolce & Gabbana halter dress for the amfAR Gala Friday and a 3D floral dress earlier in the festival. She also brought her 21-year-old son Roan to join the festivities with her.
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Mellissa Thomas is Editor for Florida National News. | mellissa.thomas@floridanationalnews.com
Cannes Film Festival
‘Titane’ Wins Top Cannes Honor, 2nd Ever for Female Director
Published
3 years agoon
July 17, 2021By
FNN NEWSCANNES, Fr. (AP) – Julia Ducournau’s “Titane,” a wild body-horror thriller featuring sex with a car and a surprisingly tender heart, won the Palme d’Or at the Cannes Film Festival, making Ducournau just the second female filmmaker to win the festival’s top honor in its 74 year history.
The win on Saturday was mistakenly announced by jury president Spike Lee at the top of the closing ceremony, broadcast in France on Canal+, unleashing a few moments of confusion. Ducournau, a French filmmaker, didn’t come to the stage to accept the award until the formal announcement at the end of the ceremony. But the early hint didn’t diminish from her emotional response.
“I’m sorry, I keep shaking my head,” said Ducournau, catching her breath. “Is this real? I don’t know why I’m speaking English right now because I’m French. This evening has been so perfect because it was not perfect.”
After several false starts, Lee implored Sharon Stone to make the Palme d’Or announcement, explaining: “She’s not going to mess it up.” The problems started earlier when Lee was asked to say which prize would be awarded first. Instead, he announced the evening’s final prize, as fellow juror Mati Diop plunged her head into her hands and others rushed to stop him.
Lee, himself, spent several moments with his head in his hands before apologizing profusely for taking a lot of the suspense out of the evening.
“I have no excuses,” Lee told reporters afterward. “I messed up. I’m a big sports fan. It’s like the guy at the end of the game who misses the free throw.”
“I messed up,” he added. “As simple as that.”
Ducournau’s win was a long-awaited triumph. The only previous female filmmaker to win Cannes’ top honor — among the most prestigious awards in cinema — was Jane Campion for “The Piano” in 1993. In recent years, frustration at Cannes’ gender parity has grown, including in 2018, when 82 women — including Agnes Varda, Cate Blanchett and Salma Hayek — protested gender inequality on the Cannes red carpet. Their number signified the movies by female directors selected to compete for the Palme d’Or — 82 compared to 1,645 films directed by men. This year, four out of 24 films up for the Palme were directed by women.
In 2019, another genre film — Boon Joon Ho’s “Parasite” — took the Palme before going on to win best picture at the Academy Awards, too. That choice was said to be unanimous by the jury led by Alejandro González Iñárritu, but the award for “Titane” — an extremely violent film — this year’s jury said came out of a democratic process of conversation and debate. Juror Maggie Gyllenhaal said they didn’t agree unanimously on anything.
“The world is passion,” said Lee. “Everyone was passionate about a particular film they wanted and we worked it out.”
In “Titane,” which like “Parasite” will be distributed in the U.S. by Neon, Agathe Rousselle plays a serial killer who flees home. As a child, a car accident leaves her with a titanium plate in her head and a strange bond with automobiles. In possibly the most-talked-about scene at the festival, she’s impregnated by a Cadillac. Lee called it a singular experience.
“This is the first film ever where a Cadillac impregnates a woman,” said Lee, who said he wanted to ask Ducournau what year the car was. “That’s genius and craziness together. Those two things often match up.”
On stage, Ducournau thanked the jury “for letting the monsters in.” Afterward, she acknowledged to reporters her place in history, but also said she “can’t be boiled down to just being a woman.”
“Quite frankly, I hope that the prize I received has nothing to do with being a woman,” said Ducournau. “As I’m the second woman to receive this prize, I thought a lot about Jane Campion and how she felt when she won.”
More women will come after her, Ducournau said. “There will be a third, there will be a fourth, there will be a fifth.”
Cannes’ closing ceremony capped 12 days of red-carpet premieres, regular COVID-19 testing for many attendees and the first major film festival to be held since the pandemic began in almost its usual form. With smaller crowds and mandated mask-wearing in theaters, Cannes pushed forward with an ambitious slate of global cinema. Last year’s festival was completely canceled by the pandemic.
The slate, assembled as a way to help stir movies after a year where movies shrank to smaller screens and red carpets grew cobwebs, was widely considered to be strong, and featured many leading international filmmakers. The awards were spread out widely.
The grand prize was split between Asghar Farhadi’s Iranian drama “A Hero” and Finnish director Juho Kuosmanen’s “Compartment No. 6.”
Best director was awarded to Leos Carax for “Annette,” the fantastical musical starring Adam Driver and Marion Cotillard that opened the festival. The award was accepted by the musical duo Sparks, Ron and Russell Mael, who wrote the script and music for the film.
Jurors also split the jury prize. That was awarded to both Nadav Lapid’s “Ahed’s Knee,” an impassioned drama about creative freedom in modern Isreal; and to Thai filmmaker Apichatpong Weerasthakul’s “Memoria,” a meditative film starring Tilda Swinton.
Caleb Landry Jones took home the best actor prize for his performance as an Australian mass killer in the fact-based “Nitram” by Justin Kurzel. Renate Reinsve won best actress for Joachim Trier’s “The Worst Person in the World.” Best screenplay went to Ryusuke Hamaguchi’s “Drive My Car,” a Haruki Murakami adaptation he penned with Takamasa Oe.
The Croatian coming-of-age drama “Murina,” by Antoneta Alamat Kusijanović, took the Camera d’Or award, a non-jury prize, for best first feature. Kusijanović was absent from the ceremony after giving birth a day earlier.
Lee was the first Black jury president at Cannes. His fellow jury members were: Gyllenhaal, Mélanie Laurent, Song Kang-ho, Tahar Rahim, Mati Diop, Jessica Hausner, Kleber Mendonça Filho and Mylène Farmer.