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Review: A Marvel villain comes into focus in ‘Ant-Man 3’

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This image released by Disney shows Paul Rudd, from left, Kathryn Newton and Evangeline Lilly in a scene from "Ant-Man and the Wasp: Quantumania." (Disney/Marvel Studios via AP)
This image released by Disney shows Paul Rudd, from left, Kathryn Newton and Evangeline Lilly in a scene from "Ant-Man and the Wasp: Quantumania." (Disney/Marvel Studios via AP)

Peyton Reed’s “Ant-Man” films have generally served as a kind of palate cleanser to the world-ending stakes of the larger Marvel Cinematic Universe. Paul Rudd’s Scott Lang is just an ordinary dude, or so they keep telling us, who still can’t really believe that he’s part of the Avengers at all. He gets to be the wide-eyed middle-aged fanboy of the group in those films. In his own films, he’s just living a blue-sky life in San Francisco as an affable single dad and ex-con who was once fired from Baskin Robbins and who has occasional enemies to defeat.

In this third film, “ Ant-Man and The Wasp: Quantumania,” in theaters Thursday, he’s coasting on his own post-Blip celebrity with a best-selling memoir out, lots of fans around town and a generally sunny disposition — when he’s not breaking his teenage daughter Cassie (now played by Kathryn Newton, always an enjoyable presence) out of jail for civil disobedience.

There is a fun, light, sitcom-y touch to these early scenes in which he and his makeshift family, Hope Van Dyne (Evangeline Lilly), Janet Van Dyne (Michelle Pfeiffer) and Hank Pym (Michael Douglas) sit around the table for takeout pizza. They use their particle technology to blow up the tiny pie.

“I just saved us $8,” Pym declares proudly.

But Ant-Man is part of the larger chess board of the MCU, so naturally he’s doomed to be sucked into the multiverse mess, setting up pieces for more Avengers films to come with the introduction of a new villain, Kang (played with a maniacal sorrow by the great Jonathan Majors). And the results are mixed. Reed has returned to direct with a new writer, Jeff Loveness, who has also been tapped to write “Avengers: The Kang Dynasty” and it’s hard not to empathize with both for the logic gymnastics required to back Ant-Man and his gang into this conflict.

Loveness, who cut his teeth in comedy and has an affinity for comic book and B-movie absurdities, gives Ant-Man his own “Star Wars”-adjacent adventure. There’s quite a bit of unrest in the Quantum Realm, with scrappy rebels battling against a powerful ruler with an army of faceless soldiers. But he takes that conceit further and gives the rebels some personality and humor, including William Jackson Harper as the mind-reading Quaz. The villain’s a killing machine, M.O.D.O.K., that looks (knowingly) straight out of a “Mystery Science Theater 3000” movie and it is quite entertaining. It’s both a nod to the fun of the ridiculousness in sci-fi and a reminder that Serious Superhero Films are sometimes just one crazy special effect away from being Silly Superhero Films.

“Quantumania” also gives Pfeiffer a lot more to do as we, and Hank and Hope, learn a little bit more about Janet’s 30 years in the Quantum Realm and the various compromises and allegiances she made to stay alive. Pfeiffer is an unambiguous delight and the real center of the movie despite what the title might claim. Ant-Man just finds himself in the middle of the mess, which starts to drag on in a muddle of sci-fi furnishings that individually are probably quite inspired and interesting but together just blend into a dreary mess.

It’s a shame because Reed’s films are generally so crisp and styled and are best when focused on characters, not worlds and Quantum Realms. “Quantumania” shines when it is keeping things light and quippy.

But Kang, for what we can assume are bigger story needs, needs to be more serious. Majors is certainly chilling and captivating, but Kang seems like a mismatched foe for a standalone Ant-Man film and the result is a “Quantumania” that is trying to be too many things. One thing it is not is a Wasp movie, though. Lilly gets a lot to do but not a lot of — or any — character development.

“Quantumania” sticks the ending, however. Without giving anything away, we’ll just say that Reed and Rudd get to return to their sweet spot, with a bit of a twist.

“Ant-Man and the Wasp: Quantumania,” a Walt Disney release in theaters Thursday, is rated PG-13 by the Motion Picture Association for “some sci-fi action violence.” Running time: 122 minutes. Two and a half stars out of four.

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Entertainment

Bad Bunny’s Halftime Show Was a Master Class in American Culture

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Bad Bunny appears on stage during the Super Bowl LX Pregame & Apple Music Super Bowl LIX Halftime Show Press Conference on Feb. 5, 2026, in San Francisco (Kevin Mazur/Getty Images for Roc Nation)

A reminder that diversity is not a threat — it is America’s strength.

By The Honorable Rick Singh
Former Orange County Property Appraiser

Bad Bunny’s halftime performance reminded us of something every American needs to hear right now:

We may come from different places, but we share far more in common than we sometimes realize. Our greatest strength has always been our willingness to embrace diversity — not fear it.

As an elected official, I delivered many speeches over the years. But one of the most meaningful moments of my public service was speaking to newly sworn American citizens — individuals who had taken their oath of citizenship just minutes before I addressed them.

I can tell you this: they were some of the proudest Americans I have ever encountered — men and women from every corner of the world, united by one oath and one dream.

For many, English was a second language. For some, this was the first country they had ever traveled to. But the pride in their eyes was unmistakable.

Watching them always brought me back to my own story.

I still remember arriving in America as a 10-year-old after spending my first decade of life in tropical Guyana — and experiencing so many things for the first time: winter in New York City without a coat, running water, electricity, trains, cars, and even an escalator, which absolutely terrified me.

I shared those experiences with them. I also shared my mother’s journey — her strength and sacrifice — which inspired me and reminded me of what so many immigrant families endure with quiet courage.

And I reminded those new Americans of something important:

Be proud of your culture.
Be proud of your food.
Be proud of your faith.
Be proud of your music.

Not only be proud of it — share it.

Share it with your American neighbors and friends, because that’s how we foster harmony and understanding.

When we share our traditions, we don’t just celebrate who we are — we educate. We break down stereotypes. We replace fear with familiarity. And we turn strangers into neighbors.

That is how we grow closer. That is how we build community.

And that brings me back to Bad Bunny.

His performance spoke powerfully to the idea of diversity — and to the universal language that connects all people: music. In many ways, it was world culture presented on one of America’s biggest stages.

It was also a master class in Puerto Rican culture — which I must remind some people is American culture.

Like so much of Latin America and the Caribbean, it also carried a deeper story: slavery and the legacy of indentured laborers, including those brought from India, who cut sugar cane and planted crops that fueled global empires.

When I saw the sugar cane fields in the performance visuals, I was reminded of where I was born — Guyana — where I spent my first ten years of life. My parents were humble sugar cane farmers.

The coconut stand selling fresh coconuts reminded me of Bourda Market in Georgetown.

And the vibrant Latin music took me right back to my childhood in the Bronx — hearing legends like El Gran Combo de Puerto Rico, Tito Puente, Eddie Palmieri, and Iris Chacón playing from apartment windows or speakers on fire escapes.

Different cultures.
Different rhythms.
Different drums from different lands.

But one shared spirit.

That’s America.

And when we embrace that truth, we don’t become weaker — we become stronger.

Because the reality is simple:

Together, we are all American.

Across Latin America and the Caribbean — regardless of language, flag, or heritage — we share lived experiences shaped by common history: agricultural roots, multi-generational homes, the neighborhood bodega or corner shop, struggle and resilience, rhythm and resistance, elders playing dominoes, and families gathering around food and music.

It’s not geography.
It’s identity.

It’s music.

In the end, Bad Bunny delivered something meaningful — not just for Puerto Ricans, but for every immigrant and every family with a story like mine.

His performance wasn’t just music and spectacle. It was a reflection of who we are, where we come from, and what we’ve overcome.

It reminded millions that being American isn’t about looking a certain way or speaking a certain language. It’s about owning your story, celebrating your roots, and contributing that richness to the shared tapestry of this country.

Boricua love, baby — you’ve got to love it.

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Central Florida News

Three-Time Grammy Winner Miranda Lambert Performs for 100,000 Fans at Daytona 500

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Country Music Star Miranda Lambert Performs Live Ahead of the 2026 Daytona 500 at Daytona International Speedway. Photos by Harry Castiblanco / Florida National News

DAYTONA BEACH, Fla. (FNN SPORTS) — Miranda Lambert delivered a high-energy pre-race concert Sunday ahead of the 68th running of the Daytona 500, performing for a crowd of more than 100,000 fans at Daytona International Speedway.

The three-time Grammy Award winner took the stage before the green flag, setting the tone for NASCAR’s most prestigious event with a performance that blended country hits and fan favorites.

Country Music Star Miranda Lambert Performs Live Ahead of the 2026 Daytona 500 at Daytona International Speedway. Photo by Harry Castiblanco / Florida National News

Star Power on NASCAR’s Biggest Stage

Speedway President Frank Kelleher said Lambert’s presence elevated the atmosphere surrounding the race.

“To have this level of talent with an artist such as Miranda Lambert performing our pre-race concert adds an incredible amount of energy for the 68th running of the DAYTONA 500,” Kelleher said.

The pre-race concert has become a signature part of the Daytona 500 experience, drawing major national recording artists each year.

Country Music Star Miranda Lambert Performs Live Ahead of the 2026 Daytona 500 at Daytona International Speedway. Photo by Harry Castiblanco / Florida National News

Continuing a Tradition of Big-Name Performers

Lambert joins a lineup of recent headliners who have performed at the annual event, including Pitbull in 2024, Dierks Bentley in 2023 and Florida Georgia Line in 2016.

The performances add entertainment value to a race weekend already known for its pageantry, celebrity appearances and patriotic tributes.

Country Music Star Miranda Lambert Performs Live Ahead of the 2026 Daytona 500 at Daytona International Speedway. Photo by J Willie David, III / Florida National News

 

A Crowd of More Than 100,000

With grandstands packed and the infield buzzing, Lambert’s concert energized fans before drivers took to the 2.5-mile superspeedway for “The Great American Race.”

The Daytona 500 remains NASCAR’s premier event, combining elite competition with large-scale entertainment — and Lambert’s performance underscored the spectacle that defines race day in Daytona Beach.

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Entertainment

WATCH: FNN News Podcast en Español, Tuesdays at 6:30pm EST

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ORLANDO, Fla. (FNN) – Tuesdays at 6:30 PM, Florida National News’ Spanish-language platform, FNN News Podcast en Español, kicks off 2026 with powerful conversations on the issues that matter most to our Spanish-speaking communities in Florida and beyond.
Hosted by Monica Hoyos, Javier Garcia, Maria del Carmen Rodriguez, and Rosarito Jordan, the podcast dives into today’s hottest topics—news, politics, community issues, culture, business, and stories that impact our everyday lives.
This podcast is more than a show—it’s a community forum. Our mission is to inform, empower, and elevate Latino voices, creating a trusted space where perspectives are heard, questions are asked, and solutions are explored together.
We want to hear from you.
Community leaders, entrepreneurs, advocates, creatives, and everyday changemakers are invited to join the conversation and be a guest on the show. Your voice matters, and your story can inspire others.
Expect more in 2026—more dialogue, more representation, deeper conversations, and a stronger connection to the communities we serve.
– FNN News Podcast en Español
– Tuesdays | 6:30 PM
– Your voice. Your community. Your news.
FNN SPAINSH
Los martes a las 6:30 p. m., la plataforma en español de Florida National News, FNN News Podcast en Español, da inicio al 2026 con conversaciones poderosas sobre los temas que más importan a nuestras comunidades hispanohablantes en Florida y más allá.
Conducido por Mónica Hoyos, Javier García, María del Carmen Rodríguez y Rosarito Jordan, el podcast aborda los temas más relevantes del momento, incluyendo noticias, política, asuntos comunitarios, cultura, negocios y las historias que impactan nuestra vida diaria.
Este podcast es más que un programa: es un foro comunitario. Nuestra misión es informar, empoderar y elevar las voces latinas, creando un espacio confiable donde se escuchan las perspectivas, se plantean preguntas y se construyen soluciones en conjunto.
Queremos escucharte.
Líderes comunitarios, empresarios, defensores, creativos y agentes de cambio están invitados a sumarse a la conversación y ser invitados especiales del programa. Tu voz importa y tu historia puede inspirar a otros.
Espera más en este 2026: más diálogo, más representación, conversaciones más profundas y una conexión más fuerte con las comunidades a las que servimos.
– FNN News Podcast en Español
– Martes | 6:30 p. m.
– Tu voz. Tu comunidad. Tus noticias.

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