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‘SPAMALOT’ Joins Dr. Phillips Center’s 2026-27 Broadway in Orlando Season

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Tony Award-winning musical will play Walt Disney Theater Nov. 3-5, 2026

ORLANDO, Fla. (FNN NEWS) — Dr. Phillips Center for the Performing Arts is expanding its 2026-27 Broadway in Orlando season with the addition of SPAMALOT, the Tony Award-winning Best Musical, scheduled for Nov. 3-5, 2026, at Walt Disney Theater.

Inspired by the classic comedy Monty Python and the Holy Grail, SPAMALOT brings Monty Python’s distinctly British humor to the stage through a comedic adventure following King Arthur and his quest for the Holy Grail.

The production comes to Orlando following a celebrated 2023 Broadway revival at the St. James Theatre, directed and choreographed by Josh Rhodes.

Monty Python Comedy Comes to Orlando

Described as “lovingly ripped” from Monty Python and the Holy Grail, the musical features British royalty, flying cows, dancing girls, shrubbery and the Lady of the Lake.

The 14-time Tony Award-nominated musical features well-known numbers including “Always Look on the Bright Side of Life,” “The Song That Goes Like This” and “Find Your Grail.”

SPAMALOT features a book and lyrics by Eric Idle, with music by John Du Prez and Idle.

Cast Announced for Orlando Production

The cast features Major Attaway, whose credits include Aladdin, as King Arthur; Sean Bell (Harmony) as Sir Robin; Chris Collins-Pisano (Forbidden Broadway) as Sir Lancelot; Ellis C. Dawson III (Hamilton) as Sir Bedevere; Leo Roberts (Les Misérables) as Sir Galahad; Amanda Robles as the Lady of the Lake; Blake Segal (Mary Poppins) as Patsy; and Steven Telsey (The Book of Mormon) as the Historian and Prince Herbert.

The company also includes Lindsay Lee Alhady, Delaney Benson, Jack Brewer, Connor Coughlin, L’ogan J’ones, Graham Keen, Claire Kennard, Ben Lanham, Nathaniel Mahone, Maddie Mossner, Emilie Renier, Mark Tran Russ and Meridien Terrell.

Creative Team

The production’s creative team includes scenic and projection designer Paul Tate dePoo III, costume designer Jen Caprio, lighting designer Cory Pattak, sound designers Kai Harada and Haley Parcher, and wig designer Tom Watson.

John Bell serves as music supervisor, with Jonathan Gorst as musical director and conductor.

Derek Kolluri is associate director, Michael Fatica is associate choreographer and casting is by Geoff Josselson, CSA. RCI Theatricals serves as general manager, and Jeffrey Finn is the producer.

Tickets on Sale Now

Single tickets for SPAMALOT are on sale now through Dr. Phillips Center.

Performances: Nov. 3-5, 2026
Venue: Walt Disney Theater at Dr. Phillips Center for the Performing Arts
Location: Orlando, Florida

Tickets and additional information are available through the Dr. Phillips Center website.

 

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Tom Cruise Announces ‘Days of Thunder’ 2 With Anne Hathaway, Surprises NASCAR Fans at Daytona

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DAYTONA BEACH, Fla. (FNN SPORTS) — Hollywood megastar Tom Cruise brought movie-star electricity to Daytona International Speedway, surprising NASCAR fans, meeting drivers and officially putting Cole Trickle back on the starting grid.

More than three decades after Cruise raced onto movie screens in the NASCAR classic “Days of Thunder,” the 64-year-old actor returned to the “World Center of Racing” during the 2026 Coke Zero Sugar 400 weekend to announce that he will reprise his iconic role in the highly anticipated sequel.

The new Paramount Pictures film is scheduled to race into theaters June 2, 2028, nearly 38 years after the original. Academy Award-winning actress Anne Hathaway will star opposite Cruise as a NASCAR team owner and engineer.

But Cruise did more than announce another Hollywood blockbuster at Daytona.

Florida National News cameras captured the excitement and energy surrounding Cruise’s surprise appearance, including the megastar connecting with NASCAR fans, posing for photos and selfies, sharing hugs and spending time around the racing community.

For fans who arrived expecting the speed and drama of the Coke Zero Sugar 400, suddenly seeing — and even talking with — one of Hollywood’s biggest stars became a dream-of-a-lifetime moment.

Cole Trickle Is Coming Back

Cruise first played talented but hotheaded NASCAR driver Cole Trickle in the original “Days of Thunder,” released in 1990.

Now, Cole Trickle is coming back.

Cruise announced the sequel from Daytona on Saturday, Aug. 29, hours before the NASCAR Cup Series regular-season finale.

Cruise will star and produce alongside longtime collaborator Jerry Bruckheimer and Tommy Harper. Bruckheimer also produced the original film.

Jonathan Levine, whose directing credits include “50/50,” “Warm Bodies” and “Long Shot,” is set to direct from a screenplay by Will Staples.

The film is being developed for a major theatrical release, including IMAX and other premium formats.

Paramount’s promotional materials currently call the film simply “Days of Thunder,” although the project is widely being referred to as “Days of Thunder 2.”

 

Anne Hathaway Joins Cruise at Daytona

Cruise won’t return to the NASCAR world alone.

Academy Award-winning actress Anne Hathaway will co-star as a NASCAR team owner and engineer, marking the first major on-screen collaboration between the two Hollywood stars.

Hathaway joined Cruise at Daytona for the announcement, with the two posing beside a green-and-yellow race car carrying Cole Trickle’s name and “Days of Thunder” branding.

Hathaway is known for blockbuster and critically acclaimed films including “The Devil Wears Prada,” “Les Misérables,” “The Dark Knight Rises,” “Interstellar” and “The Princess Diaries.”

Plot details remain under wraps, including where audiences will find Cole Trickle nearly four decades after the original movie.

Cruise Meets NASCAR Drivers

Cruise didn’t simply announce the movie and leave.

He attended the NASCAR Cup Series pre-race drivers’ meeting ahead of the Coke Zero Sugar 400, addressing a room filled with NASCAR drivers and racing industry figures.

Bruckheimer, Harper and Staples also attended.

Cruise reflected on filming the original movie at Daytona, including the risks of shooting racing sequences at high speeds.

He also made clear that the sequel will be about more than cars traveling nearly 200 mph.

Cruise told the NASCAR community that the original “Days of Thunder” sought to capture something special about racers and the culture surrounding them.

For the new film, Cruise said the filmmakers want audiences to understand NASCAR as a team, a community and a culture, while also experiencing the speed, excitement and danger of the sport.

That message could prove central to the sequel as Cruise and the filmmakers attempt to introduce a new generation of moviegoers to NASCAR.

Cruise Honors Late NASCAR Champion Kyle Busch

One of Cruise’s most poignant Daytona moments came during the drivers’ meeting.

Cruise sat beside an empty chair bearing the name of late two-time NASCAR Cup Series champion Kyle Busch, who died in May.

Photos from the gathering showed Cruise reaching over and patting the empty seat before looking down in a quiet gesture of respect.

The moment resonated with NASCAR fans as tributes to Busch have continued throughout the racing community.

It also carried an added connection to Cruise’s racing movie legacy: “Days of Thunder” was reportedly one of Busch’s favorite racing films.

Amid the excitement surrounding a major Hollywood announcement, Cruise’s simple gesture provided a solemn moment of remembrance for one of NASCAR’s biggest stars.

FNN Captures Cruise Showing NASCAR Fans Love

Outside the drivers’ meeting, Cruise’s interaction with fans became one of the most memorable parts of his Daytona appearance.

Florida National News video and photo coverage captured Cruise up close as he greeted NASCAR fans, stopped for selfies, shared hugs and talked with spectators.

The reaction was immediate.

Phones went up. Fans gathered. Smiles spread through the crowd.

Cruise wasn’t simply a Hollywood celebrity watching the race from a distance. Fans got an opportunity to see one of the world’s most recognizable movie stars up close.

Some got photographs.

Others got a handshake, a hug or a few words with the megastar.

For longtime Cruise fans who have watched him on movie screens for decades, suddenly standing face-to-face with him at Daytona transformed an already memorable NASCAR weekend into something personal.

A selfie. A hug. A handshake. A conversation with Tom Cruise.

For many, it was the kind of dream-of-a-lifetime encounter they never expected when they arrived at Daytona International Speedway.

And FNN cameras were there to capture it.

Cruise Takes in the NASCAR Experience

Cruise immersed himself in NASCAR’s pre-race atmosphere after addressing the drivers.

He made his way toward the starting grid for pre-race ceremonies, getting an up-close look at the drivers, teams, cars and crews preparing for one of NASCAR’s biggest nights.

The experience offered Cruise and the filmmakers another opportunity to observe modern NASCAR firsthand as they prepare to bring Cole Trickle back to the big screen.

That authenticity could become especially important for a movie Cruise says will focus not only on racing, but also on the people and teamwork behind it.

From ‘Risky Business’ to ‘Top Gun: Maverick’

Cruise’s Daytona appearance brought one of the world’s most successful movie stars directly into the heart of NASCAR.

Over more than four decades, Cruise has starred in some of Hollywood’s most recognizable films, including:

  • “Risky Business”
  • “Top Gun”
  • “Rain Man”
  • “A Few Good Men”
  • “Jerry Maguire”
  • the blockbuster “Mission: Impossible” franchise
  • “Top Gun: Maverick”
  • and “Days of Thunder.”

His reputation for high-energy action movies and performing ambitious practical stunts makes his return to a racing film particularly intriguing.

Cruise even recalled at Daytona how dangerous filming the original could become, describing an incident in which the race car he was driving caught fire while cameras were rolling.

 

‘Days of Thunder’ Became a NASCAR Favorite

Directed by the late Tony Scott, the original “Days of Thunder” followed Trickle as he entered NASCAR and learned to harness his raw talent and aggression with the help of veteran crew chief Harry Hogge, played by Robert Duvall.

The movie also starred Nicole Kidman, Randy Quaid, Michael Rooker, Cary Elwes and John C. Reilly.

Although its initial critical reception was mixed, the movie developed an enduring following, particularly among NASCAR fans.

More than three decades later, Cole Trickle, his No. 46 race car and the movie’s depiction of NASCAR remain recognizable pieces of racing pop culture.

Can Cruise Repeat the ‘Top Gun: Maverick’ Magic?

Cruise’s decision to return as Cole Trickle inevitably draws comparisons with another enormously successful return to one of his signature roles.

In 2022, Cruise returned as Capt. Pete “Maverick” Mitchell in “Top Gun: Maverick,” 36 years after the original “Top Gun.”

The sequel became a worldwide blockbuster and the biggest box-office success of Cruise’s career.

Now Cruise and Bruckheimer are returning to another movie from their past.

“Days of Thunder” will arrive nearly 38 years after the original — giving Cruise another opportunity to introduce an iconic character to a new generation while bringing longtime fans back to the theater.

Daytona Provides the Perfect Stage

Few places could have provided a more fitting backdrop for Cruise’s announcement than Daytona International Speedway.

Daytona played an important role in the original movie, and Cruise filmed racing sequences at the legendary track.

Nearly four decades later, he returned to the “World Center of Racing” to tell NASCAR that Cole Trickle is coming back.

Cruise met drivers, addressed the NASCAR community, honored Kyle Busch and connected personally with race fans before the Coke Zero Sugar 400.

Hours later, the real racing delivered its own Hollywood-style ending as Ryan Preece captured the Coke Zero Sugar 400 in overtime, earning his first points-paying NASCAR Cup Series victory.

From Daytona Back to the Big Screen

Many questions about the new “Days of Thunder” remain unanswered.

The complete cast has not been announced. The storyline remains under wraps. NASCAR’s precise role in the production has not been fully detailed.

But several major pieces are now on the starting grid:

Tom Cruise is returning as Cole Trickle.

Anne Hathaway is joining him as a NASCAR team owner and engineer.

Jerry Bruckheimer is producing.

Jonathan Levine is directing.

And “Days of Thunder” is scheduled to race into theaters June 2, 2028.

For NASCAR fans at Daytona, however, the movie announcement was only part of the story.

They got Tom Cruise in person.

They watched one of Hollywood’s biggest stars step into their racing world, meet NASCAR drivers, honor a fallen champion and show fans some love.

For some, the unexpected opportunity to see, hug, photograph or simply exchange a few words with Cruise became a memory of a lifetime.

And Florida National News was on the scene to capture the excitement, energy and star power as Hollywood met NASCAR at Daytona.

 

WATCH FNN VIDEO: Hollywood megastar Tom Cruise connects with NASCAR fans at Daytona International Speedway as he announces the highly anticipated return of “Days of Thunder.”

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Entertainment

Dr. Phillips Center’s Free Frontyard Holiday Festival Returns to Downtown Orlando Nov. 27

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ORLANDO, Fla. (FNN) — The holidays are returning to downtown Orlando as the Dr. Phillips Center for the Performing Arts brings back its free Frontyard Holiday Festival, transforming the Frontyard and Seneff Arts Plaza into a holiday destination from Nov. 27 through Dec. 31.

The Frontyard Holiday Festival at Dr. Phillips Center, supported by AdventHealth, will feature nightly snowfall, live entertainment, holiday movies, themed nights, firepits, seasonal food and beverages, interactive experiences, light displays and performances by local artists and community groups.

Admission is free.

“This festival is part of our vision to create more free experiences in the Frontyard, one of the 1,000 annual free events planned as part of our master plan,” Dr. Phillips Center President and CEO Kathy Ramsberger said. “These events are designed to bring our community together while creating new opportunities that attract visitors and contribute to Orlando’s vibrant tourism economy.”

Nightly Snowfall Returns to Downtown Orlando

The festival opens Friday, Nov. 27, and runs through New Year’s Eve, giving Central Florida residents and visitors more than a month to experience the celebration.

Nightly snowfall will return as one of the festival’s signature attractions, along with holiday movie screenings and seasonal performances.

A rare musical attraction will also return this year: the only transportable carillon in North America.

The instrument features nearly four tons of bronze bells and will bring traditional holiday sounds to the outdoor festival.

Free Holiday Experience for Orlando Families

Organizers said the festival is part of the Dr. Phillips Center’s broader effort to increase free arts and cultural programming while creating a gathering place for residents and visitors in downtown Orlando.

AdventHealth returns as a major supporter of the event.

“The holidays invite us to slow down, reconnect and make memories with the people who matter most,” said Sharon Line Clary, AdventHealth’s senior vice president of community impact and partnership engagement.

Clary said the partnership is designed to help create a welcoming community space centered on celebration and connection.

Holiday Shows Coming Inside Dr. Phillips Center

The outdoor festival will coincide with a separate lineup of holiday entertainment inside the performing arts center.

The 2026 holiday schedule includes Lindsey Stirling, “The Nutcracker,” Vienna Light Orchestra, Irish Christmas in America, Straight No Chaser and “A Very Broadway Christmas.”

Other scheduled productions include “The Unauthorized Hallmarkish Parody” and “Adam Biner: A Jewish Boy’s Love Letter to Christmas.”

The lineup includes dance, orchestral music, comedy and other live performances throughout the holiday season.

More Festival Programming Coming

Additional details about performances, themed nights, movie screenings and interactive experiences are expected to be announced as the opening date approaches.

The festival is supported by AdventHealth, the city of Orlando’s Downtown Development Board, The Main Law Firm, OUC — The Reliable One, Massey Services Inc. and a donation from Neal and Jan Dempsey.

The project also receives funding from Orange County government through its Arts & Cultural Affairs Program.

Event Details

What: Frontyard Holiday Festival at Dr. Phillips Center supported by AdventHealth
When: Nov. 27-Dec. 31, 2026
Where: Dr. Phillips Center for the Performing Arts, Frontyard and Seneff Arts Plaza, downtown Orlando
Admission: Free

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Central Florida News

Dr. Phillips Center Generates $227.6 Million Annual Economic Impact, Supports Nearly 2,500 Central Florida Jobs

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ORLANDO, Fla. (FNN NEWS) — The Dr. Phillips Center for the Performing Arts generated $227.6 million in annual economic impact, supporting 2,483 jobs and producing $13.2 million in state and local tax revenue, according to a newly released independent study by Tourism Economics.

The analysis, conducted by Tourism Economics, an Oxford Economics company specializing in economic impact and tourism research, measured the direct, indirect and induced economic activity generated by the arts center’s operations, performances, visitors and related spending throughout Central Florida.

The findings underscore the Dr. Phillips Center’s role as both a premier performing arts destination and a major contributor to the region’s economy.

“For more than a decade, we’ve seen firsthand how the arts inspire people, bring communities together and create lasting value,” said Kathy Ramsberger, president and CEO of Dr. Phillips Center for the Performing Arts. “This study confirms that our impact reaches far beyond our stages—supporting thousands of jobs, driving business growth, attracting visitors from around the world and helping position Central Florida as a more vibrant, competitive and connected region.”

Economic Impact by the Numbers

According to the Tourism Economics report, the Dr. Phillips Center generated:

  • $227.6 million in annual economic output
  • 2,483 jobs supported across Central Florida
  • $70.8 million in total labor income in Orange County
  • $13.2 million in state and local tax revenue
  • $73.1 million in off-site spending by event attendees, performers and production crews
  • 61,600 hotel room nights generated annually

The study highlights the ripple effect created by visitors attending performances, benefiting nearby hotels, restaurants, retailers and other local businesses.

A Global Destination for Arts and Entertainment

Now in its 11th year, the Dr. Phillips Center welcomes more than 910,000 guests annually, attracting visitors from all 50 states and more than 80 countries.

Since opening in 2014, the venue has hosted:

  • More than 6.2 million guests
  • More than 6,200 performances and events
  • Programming presented 99% of the year
  • Venue occupancy rates ranging from 82% to 97%

The center has become one of the world’s busiest performing arts destinations while helping position downtown Orlando as a leading hub for arts, culture and entertainment.

Community Investment Beyond the Stage

In addition to its economic impact, the Dr. Phillips Center continues investing in arts education, community outreach and cultural programming throughout Central Florida.

According to the organization, it has:

  • Served 935,920 students and community participants
  • Supported and hosted 202 regional arts organizations
  • Received support from 24,085 donors
  • Benefited from $256 million in philanthropic contributions since its inception

Through partnerships with schools, nonprofit organizations, community groups and touring productions, the center continues to expand access to the performing arts while strengthening the region’s cultural and economic vitality.

Looking Ahead

Eleven years after opening, the Dr. Phillips Center continues to demonstrate that investment in arts and culture produces measurable returns through tourism, employment, education and community engagement.

As Central Florida continues to grow, the independent analysis reinforces the performing arts center’s importance as both a cultural landmark and an economic engine for the region.

Additional information about the economic impact study is available through the Dr. Phillips Center for the Performing Arts.

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