Entertainment
2019 Tony Award® Nominations Announced
Published
7 years agoon
New York, NY (April 30, 2019) – Nominations in 26 competitive categories for the American Theatre Wing’s 73rd Annual Antoinette Perry “Tony” Awards® were announced today by Tony Award-winning actress Bebe Neuwirth, Tony-nominated actor Brandon Victor Dixon and CBS This Morning co-host Gayle King, at the Tony Award Nominations ceremony, held at the New York Public Library for the Performing Arts at Lincoln Center. The nominees were selected by an independent committee of 42 theatre professionals appointed by the Tony Awards Administration Committee. The 2019 Tony Awards are presented by The Broadway League and the American Theatre Wing. (The list of nominations follows.)
Marking 73 years of excellence on Broadway, The Tony Awards, hosted by James Corden, will be broadcast live from the Radio City Music Hall on CBS, on Sunday, June 9th, 8:00 – 11:00 p.m. (ET/PT time delay).
Legitimate theatrical productions opening in any of the 41 eligible Broadway theatres during the current season may be considered for Tony nominations. The 2018/2019 eligibility season began April 27, 2018 and ended April 25, 2019. The Tony Awards will be voted in 26 competitive categories by 831 designated Tony voters within the theatre community.
As previously announced, the 2019 Special Tony Awards for Lifetime Achievement in the Theatre will be presented to Rosemary Harris, Terrence McNally and Harold Wheeler. The 2019 Tony Honors for Excellence in the Theatre will be presented to Broadway Inspirational Voices founded by Michael McElroy; long time Vice President of Theatre Operations for The Shubert Organization, Peter Entin; Founder and President, Scenic Art Studios, Inc. Joseph Blakely Forbes and FDNY Engine 54 / Ladder 4 / Battalion 9. The Isabelle Stevenson Tony Award will be presented to Judith Light for her advocacy work for HIV/AIDS and LGBTQ+. The 2019 Special Tony Awards will be presented to Sonny Tilders and Creature Technology Company the creators of the character/puppet “Kong” for King Kong; musical director and arranger Jason Michael Webb and the late actress and advocate Marin Mazzie.
Each year, the Tony Awards Administration Committee presents a Tony Award to a regional theatre on the recommendation of the American Theatre Critics Association. The 2019 Regional Theatre Tony Award will be presented to the TheatreWorks Silicon Valley, in Palo Alto, California.
The 2018-2019 Tony Award Nominating Committee consists of Emily Altman, Bob Alwine, Milly Barranger, Suzy Benzinger, Brenda Braxton, Luis Castro, Dawn Chiang, Patricia Cruz, Eisa Davis, Jerry Dixon, Edgar Dobie, Judith Dolan, Scott Elliott, John Erman, Scott Frankel, Maija Garcia, Mason Granger, Ann Harada, Peter Hedges, JoAnn Hunter, Branden Jacobs-Jenkins, Michael Kantor, Anne Keefe, Michael John LaChiusa, Priscilla Lopez, Martyna Majok, John Mauceri, Tony Meola, Jessica Molaskey, Sheila Nevins Peter Parnell, Rosalba Rolón, Daphne Ruben-Vega, Paul Rudnick, Don Scardino, Kimberly Senior, Mikki Shepard, Randy Skinner, Ellen Sorrin, Jessica Stone, Mark Wendland and. Evan Yionoulis
The Antoinette Perry “Tony” Awards are bestowed annually on theatre professionals for distinguished achievement. The Tony is one of the most coveted awards in the entertainment industry and the annual telecast is considered one of the most prestigious programs on television.
The 2019 American Theatre Wing’s Tony Awards are presented by The Broadway League and the American Theatre Wing. At The Broadway League, Thomas Schumacher is Chairman and Charlotte St. Martin is President. At the American Theater Wing, David Henry Hwang is Chairman and Heather A. Hitchens is President & CEO.
For the CBS broadcast, Ricky Kirshner and Glenn Weiss/White Cherry Entertainment are Executive Producers. Weiss also serves as Director.
Tickets for the 2019 Tony Awards will go on sale on April 30th at 9:00 AM ET through TonyAwards.com and TicketMaster.com.
Sponsors for the 2019 Tony Awards include: Carnegie Mellon University – the first-ever, exclusive higher education partner; City National – official bank of the Tony Awards and presenting sponsor of the Creative Arts Awards; Sofitel New York – the official hotel of the Tony Awards; Rainbow Room – official partner of the Tony Nominee Luncheon; United Airlines – the official airline of the Tony Awards for the last 19 years and People/Entertainment Weekly – official magazine partners of the Tony Awards.
Nominations for the 2019 American Theatre Wing’s Tony Awards®
Presented by The Broadway League and the American Theatre Wing
Best Play
Choir Boy
Author: Tarell Alvin McCraney
Producers: Manhattan Theatre Club, Lynne Meadow, Barry Grove
The Ferryman
Author: Jez Butterworth
Producers: Sonia Friedman Productions, Neal Street Productions, Ronald Frankel, Gavin Kalin Productions, Roy Furman/Benjamin Lowy, Scott M. Delman, Stephanie P. McClelland, Tulchin Bartner Productions, Ron Kastner, Starry Night Entertainment, Kallish Weinstein Creative, Scott Landis, Steve Traxler, Richard Winkler, Rona Delves Broughton/Bill Damaschke, 1001 Nights, Burnt Umber Productions, Rupert Gavin, Scott Rudin, Jamie deRoy/Catherine Adler, Sam Levy/Lauren Stevens, Ramin Sabi/Christopher Ketner
Gary: A Sequel to Titus Andronicus
Author: Taylor Mac
Producers: Scott Rudin, Barry Diller, Eli Bush, Eric Falkenstein, Suzanne Grant, No Guarantees, Universal Theatrical Group, James L. Nederlander, Columbia Live Stage, John Gore Organization, Spring Sirkin, Jay Alix & Una Jackman, Jamie deRoy, Wendy Federman, Barbara Manocherian, Al Nocciolino, Bruce Robert Harris & Jack W. Batman, Adam Rodner, Joey Parnes, Sue Wagner, John Johnson
Ink
Author: James Graham
Producers: Manhattan Theatre Club, Lynne Meadow, Barry Grove, The Almeida Theatre, Rupert Goold, Denise Wood, Sonia Friedman Productions, Diane Benjamin
What the Constitution Means to Me
Author: Heidi Schreck
Producers: Diana DiMenna, Aaron Glick, Matt Ross, Madeleine Foster Bersin, Myla Lerner/Jon Bierman, Jenna Segal/Catherine Markowitz, Jana Shea/Maley-Stolbun-Sussman, Rebecca Gold/Jose Antonio Vargas, Level Forward, Cornice Productions, Lassen Wyse Balsam, Nederlander Presentations/Kate Lear, Clubbed Thumb, True Love Productions, New York Theatre Workshop
Best Musical
Ain’t Too Proud – The Life and Times of the Temptations
Producers: Ira Pittelman & Tom Hulce, Berkeley Repertory Theatre, Sony/ATV Music Publishing, EMI Entertainment World, Inc., Josh Berger, Ken Schur, Ron Simons, Stephen Byrd, Alia Jones, Ruth & Stephen Hendel, Cheryl Wiesenfeld, Harriet Newman Leve, Jeffrey Finn, Stephen & Nancy Gabriel, Darren Bagert, David Binder, Wendy Federman, Susan Quint Gallin, Mickey Liddell, Robert Ahrens, Christopher Maring, David Mirvish, Stacy Jacobs, Marianne Mills, Loraine Alterman Boyle, deRoy-Winkler, Karmazin-McCabe, Koenigsberg-Krauss, Zell-Kierstead, Deborah Barrera, Robyn & Larry Gottesdiener, The Araca Group, Rashad V. Chambers, Mike Evans, Hani Farsi, John Gore Organization, Mike Karns, Willette & Manny Klausner, Gabrielle Palitz, No Guarantees, Sheldon Stone, Stuart Weitzman, Universal Music Theatrical
Beetlejuice
Producers: Warner Bros. Theatre Ventures, Langley Park Productions, Jeffrey Richards, Jam Theatricals, IMG Original Content, Rebecca Gold, Benjamin Lowy, James L. Nederlander, Warner/Chappell Music Inc., ZenDog Productions, deRoy Federman Productions/42nd.club, Latitude Link, Mary Lu Roffe, Terry Schnuck, Marc Bell & Jeff Hollander, Jane Bergère, Joanna Carson, Darren DeVerna & Jere Harris, Mark S. Golub & David S. Golub, The John Gore Organization, Ruth & Steve Hendel, LHC Theatrical Fund, Scott H. Mauro, Networks Presentations, No Guarantees, Gabrielle Palitz, Pierce Friedman Productions, Iris Smith, Triptyk Studios
Hadestown
Producers: Mara Isaacs, Dale Franzen, Hunter Arnold, Tom Kirdahy, Carl Daikeler, Five Fates, Willette & Manny Klausner, No Guarantees, Sing Out, Louise! Productions, Stone Arch Theatrical, Benjamin Lowy/Adrian Salpeter, Meredith Lynsey Schade, 42nd.club, Craig Balsam, Broadway Strategic Return Fund, Concord Theatricals, Laurie David, Demar Moritz Gang, Getter Entertainment, Deborah Green, Harris Rubin Productions, Sally Cade Holmes, Marguerite Hoffman, Hornos Moellenberg, Independent Presenters Network, Jam Theatricals, Kalin Levine Dohr Productions, Phil & Claire Kenny, Mike Karns, Kilimanjaro Theatricals, Lady Capital, LD Entertainment, Sandi Moran, Tom Neff, MWM Live, Patti Sanford Roberts & Michael Roberts, Schroeder Shapiro Productions, Seriff Productions, Stage Entertainment, Kenneth & Rosemary Willman, KayLavLex Theatricals, Tyler Mount, Jujamcyn Theaters, The National Theatre, New York Theatre Workshop
The Prom
Producers: Bill Damaschke, Dori Berinstein, Jack Lane, James & Catherine Berges, Nelda Sue Yaw, Natasha Davison, Joe Grandy, Kimberlee Garris, Lisa Morris, Terry Schnuck, Jane Dubin, Rosalind Productions, Inc., FAHS Productions, Seth A. Goldstein, Mike Kriak, Don & Nancy Ross, Pamela Hurst-Della Pietra & Stephen Della Pietra, Cliff Hopkins, Masie Productions, Vivek Shah, Three Belles & A Bob, Arment-Tackel, Armstrong-Manocherian, Fakler-Silver, Fox Theatricals-Mosbacher-Lonow, Palitz-Stern-Smedes, Nancy & Ken Kranzberg/David Lyons, Larry & Elizabeth Lenke/Elizabeth L. Green, Iris Smith/Instone Productions, Kuhlman-Ketner/Wallace-ATxRandomProductions, The John Gore Organization, The Shubert Organization, Independent Presenters Network, Margot Astrachan, Darren P. DeVerna & Jeremiah J. Harris, Reagan Silber
Tootsie
Producers: Scott Sanders, Carol Fineman, Unibail-Rodamco-Westfield, Columbia Live Stage, Sally Horchow, James L. Nederlander, Benjamin Lowy, Cindy and Jay Gutterman/Marlene and Gary Cohen, Judith Ann Abrams Productions, Robert Greenblatt, Stephanie P. McClelland, Candy Spelling, Jam Theatricals, Roy Furman, Michael Harrison/David Ian, Jamie deRoy/Catherine Adler/Wendy Federman/Heni Koenigsberg, JAA Productions/Stella LaRue/Silva Theatrical Group, Toho Co. Ltd., Jonathan Littman, Peter May, Janet and Marvin Rosen, Seriff Productions, Iris Smith, Bob Boyett Thomas L. Miller, Larry J. Kroll/Douglas L. Meyer, Victoria Lang/Scott Mauro, Brunish/Caiola/Fuld, Jr./Epic Theatricals, Ted Liebowitz/Lassen Blume Baldwin, The John Gore Organization, Ronald Frankel, Char-Park Productions, Chris and Ashlee Clarke, Fakston Productions, The Woodland Hills Broadway Group, 2 Js and an A. Inc., Tom McGrath/42nd.club, Drew Hodges and Peter Kukielski, Jim Fantaci, Frederike and Bill Hecht, Brad Lamm, Independent Presenters Network
Best Revival of a Play
Arthur Miller’s All My Sons
Producers: Roundabout Theatre Company, Todd Haimes, Julia C. Levy, Sydney Beers, Steve Dow
The Boys in the Band
Author: Mart Crowley
Producers: David Stone, Scott Rudin, Patrick Catullo, Aaron Glick, Ryan Murphy
Burn This
Producers: David Binder, Ruth Hendel, Big Beach, Sharon Karmazin, OHenryGS Productions, Ken Schur, Jayne Baron Sherman, Cynthia Stroum, Barbara Whitman, Richard Willis, Adam Zotovich, The Shubert Organization, Ambassador Theatre Group, Eric Schnall, Wendy Orshan, Jeffrey M. Wilson
Torch Song
Author: Harvey Fierstein
Producers: Richie Jackson, Eric Kuhn & Justin Mikita, Stephanie P. McClelland, Ken Fakler, David Mirvish, Lassen Blume/Karmen Boyz Productions, CJC & Priest/Judith Ann Abrams, Burnt Umber/True Love Productions, Caiola Productions/Torchbearers, Jujamcyn Theaters, Second Stage Theater, Carole Rothman, Casey Reitz
The Waverly Gallery
Author: Kenneth Lonergan
Producers: Scott Rudin, Eli Bush, The John Gore Organization, Len Blavatnik, Columbia Live Stage, Stephanie P. McClelland, James L. Nederlander, Universal Theatrical Group, Eric Falkenstein, Suzanne Grant, Benjamin Lowy, Peter May, Al Nocciolino, Tulchin Bartner Productions, Patty Baker, Bob Boyett, Wendy Federman, Barbara H. Freitag, Heni Koenigsberg, David Mirvish, True Love Productions, Roxanne Seeman & Jamie deRoy, Jason Blum, The Shubert Organization, Joey Parnes, Sue Wagner, John Johnson
Best Revival of a Musical
Kiss Me, Kate
Producers: Roundabout Theatre Company, Todd Haimes, Julia C. Levy, Sydney Beers, Steve Dow
Rodgers & Hammerstein’s Oklahoma!
Producers: Eva Price, Level Forward, Abigail Disney, Barbara Manocherian & Carl Moellenberg, James L. Nederlander, David Mirvish, Mickey Liddell & Robert Ahrens, BSL Enterprises & MagicSpace Entertainment, Berlind Productions, John Gore Organization, Cornice Productions, Bard Fisher/R. Gold, LAMF/J. Geller, T. Narang/ZKM Media, R/F/B/V Group, Araca/IPN, St. Ann’s Warehouse, Tamar Climan, Bard Summerscape
Best Book of a Musical
Ain’t Too Proud – The Life and Times of the Temptations
Dominique Morisseau
Beetlejuice
Scott Brown & Anthony King
Hadestown
Anaïs Mitchell
The Prom
Bob Martin & Chad Beguelin
Tootsie
Robert Horn
Best Original Score (Music and/or Lyrics) Written for the Theatre
Be More Chill
Music & Lyrics: Joe Iconis
Beetlejuice
Music & Lyrics: Eddie Perfect
Hadestown
Music & Lyrics: Anaïs Mitchell
The Prom
Music: Matthew Sklar
Lyrics: Chad Beguelin
To Kill a Mockingbird
Music: Adam Guettel
Tootsie
Music & Lyrics: David Yazbek
Best Performance by an Actor in a Leading Role in a Play
Paddy Considine, The Ferryman
Bryan Cranston, Network
Jeff Daniels, To Kill a Mockingbird
Adam Driver, Burn This
Jeremy Pope, Choir Boy
Best Performance by an Actress in a Leading Role in a Play
Annette Bening, Arthur Miller’s All My Sons
Laura Donnelly, The Ferryman
Elaine May, The Waverly Gallery
Janet McTeer, Bernhardt/Hamlet
Laurie Metcalf, Hillary and Clinton
Heidi Schreck, What the Constitution Means to Me
Best Performance by an Actor in a Leading Role in a Musical
Brooks Ashmanskas, The Prom
Derrick Baskin, Ain’t Too Proud – The Life and Times of the Temptations
Alex Brightman, Beetlejuice
Damon Daunno, Rodgers & Hammerstein’s Oklahoma!
Santino Fontana, Tootsie
Best Performance by an Actress in a Leading Role in a Musical
Stephanie J. Block, The Cher Show
Caitlin Kinnunen, The Prom
Beth Leavel, The Prom
Eva Noblezada, Hadestown
Kelli O’Hara, Kiss Me, Kate
Best Performance by an Actor in a Featured Role in a Play
Bertie Carvel, Ink
Robin De Jesús, The Boys in the Band
Gideon Glick, To Kill a Mockingbird
Brandon Uranowitz, Burn This
Benjamin Walker, Arthur Miller’s All My Sons
Best Performance by an Actress in a Featured Role in a Play
Fionnula Flanagan, The Ferryman
Celia Keenan-Bolger, To Kill a Mockingbird
Kristine Nielsen, Gary: A Sequel to Titus Andronicus
Julie White, Gary: A Sequel to Titus Andronicus
Ruth Wilson, King Lear
Best Performance by an Actor in a Featured Role in a Musical
André De Shields, Hadestown
Andy Grotelueschen, Tootsie
Patrick Page, Hadestown
Jeremy Pope, Ain’t Too Proud – The Life and Times of the Temptations
Ephraim Sykes, Ain’t Too Proud – The Life and Times of the Temptations
Best Performance by an Actress in a Featured Role in a Musical
Lilli Cooper, Tootsie
Amber Gray, Hadestown
Sarah Stiles, Tootsie
Ali Stroker, Rodgers & Hammerstein’s Oklahoma!
Mary Testa, Rodgers & Hammerstein’s Oklahoma!
Best Scenic Design of a Play
Miriam Buether, To Kill a Mockingbird
Bunny Christie, Ink
Rob Howell, The Ferryman
Santo Loquasto, Gary: A Sequel to Titus Andronicus
Jan Versweyveld, Network
Best Scenic Design of a Musical
Robert Brill and Peter Nigrini, Ain’t Too Proud – The Life and Times of the Temptations
Peter England, King Kong
Rachel Hauck, Hadestown
Laura Jellinek, Rodgers & Hammerstein’s Oklahoma!
David Korins, Beetlejuice
Best Costume Design of a Play
Rob Howell, The Ferryman
Toni-Leslie James, Bernhardt/Hamlet
Clint Ramos, Torch Song
Ann Roth, Gary: A Sequel to Titus Andronicus
Ann Roth, To Kill a Mockingbird
Best Costume Design of a Musical
Michael Krass, Hadestown
William Ivey Long, Beetlejuice
William Ivey Long, Tootsie
Bob Mackie, The Cher Show
Paul Tazewell, Ain’t Too Proud – The Life and Times of the Temptations
Best Lighting Design of a Play
Neil Austin, Ink
Jules Fisher + Peggy Eisenhauer, Gary: A Sequel to Titus Andronicus
Peter Mumford, The Ferryman
Jennifer Tipton, To Kill a Mockingbird
Jan Versweyveld and Tal Yarden, Network
Best Lighting Design of a Musical
Kevin Adams, The Cher Show
Howell Binkley, Ain’t Too Proud – The Life and Times of the Temptations
Bradley King, Hadestown
Peter Mumford, King Kong
Kenneth Posner and Peter Nigrini, Beetlejuice
Best Sound Design of a Play
Adam Cork, Ink
Scott Lehrer, To Kill a Mockingbird
Fitz Patton, Choir Boy
Nick Powell, The Ferryman
Eric Sleichim, Network
Best Sound Design of a Musical
Peter Hylenski, Beetlejuice
Peter Hylenski, King Kong
Steve Canyon Kennedy, Ain’t Too Proud – The Life and Times of the Temptations
Drew Levy, Rodgers & Hammerstein’s Oklahoma!
Nevin Steinberg and Jessica Paz, Hadestown
Best Direction of a Play
Rupert Goold, Ink
Sam Mendes, The Ferryman
Bartlett Sher, To Kill a Mockingbird
Ivo van Hove, Network
George C. Wolfe, Gary: A Sequel to Titus Andronicus
Best Direction of a Musical
Rachel Chavkin, Hadestown
Scott Ellis, Tootsie
Daniel Fish, Rodgers & Hammerstein’s Oklahoma!
Des McAnuff, Ain’t Too Proud – The Life and Times of the Temptations
Casey Nicholaw, The Prom
Best Choreography
Camille A. Brown, Choir Boy
Warren Carlyle, Kiss Me, Kate
Denis Jones, Tootsie
David Neumann, Hadestown
Sergio Trujillo, Ain’t Too Proud – The Life and Times of the Temptations
Best Orchestrations
Michael Chorney and Todd Sickafoose, Hadestown
Simon Hale, Tootsie
Larry Hochman, Kiss Me, Kate
Daniel Kluger, Rodgers & Hammerstein’s Oklahoma!
Harold Wheeler, Ain’t Too Proud – The Life and Times of the Temptations
Recipients of Awards and Honors in Non-competitive Categories
Special Tony Awards for Lifetime Achievement in the Theatre
Rosemary Harris
Terrence McNally
Harold Wheeler
Special Tony Awards
Marin Mazzie
Sonny Tilders and Creature Technology Company
Jason Michael Webb
Regional Theatre Tony Award
TheatreWorks Silicon Valley
Palo Alto, CA
Isabelle Stevenson Tony Award
Judith Light
Tony Honors for Excellence in the Theatre
Broadway Inspirational Voices – Michael McElroy, Founder
Peter Entin
FDNY Engine 54, Ladder 4, Battalion 9
Joseph Blakely Forbes
Tony Nominations by Production
Hadestown – 14
Ain’t Too Proud – The Life and Times of the Temptations – 12
Tootsie – 11
The Ferryman – 9
To Kill a Mockingbird – 9
Beetlejuice – 8
Rodgers & Hammerstein’s Oklahoma! – 8
Gary: A Sequel to Titus Andronicus – 7
The Prom – 7
Ink – 6
Network – 5
Choir Boy – 4
Kiss Me, Kate – 4
Arthur Miller’s All My Sons – 3
Burn This – 3
The Cher Show – 3
King Kong – 3
Bernhardt/Hamlet – 2
The Boys in the Band – 2
Torch Song – 2
The Waverly Gallery – 2
What the Constitution Means to Me – 2
Be More Chill – 1
Hillary and Clinton – 1
King Lear – 1
Entertainment
Chaka Khan, Q Parker to Lead Living Legends Foundation’s 35th Anniversary Gala in Atlanta
Published
17 hours agoon
September 12, 2026Milestone celebration will recognize the executives, radio personalities, entrepreneurs and cultural leaders who helped shape Black music and entertainment
ATLANTA, Ga. (FNN) — Ten-time Grammy Award winner Chaka Khan will serve as honorary ambassador and Grammy-winning singer and founding 112 member Q Parker as honorary gala chair for the Living Legends Foundation’s 35th Anniversary Awards Dinner & Gala, the organization announced.
The milestone celebration is scheduled for Friday, Oct. 2, in Atlanta and will bring together artists, music executives, radio personalities, creatives, entrepreneurs and cultural leaders to recognize the people whose work has helped shape Black music, media and entertainment.
For Khan, the role marks a return to an organization that recognized her more than three decades ago. She was among the artists honored by the Living Legends Foundation in 1992.
“When you cross a bridge, you don’t think about all the hands that built it. Some of the most important contributions are the ones we never see,” Khan said in the announcement. “Thank you, Living Legends Foundation, for seeing that every story matters and for honoring those hands and hearts that helped build the way for all of us.”
Chaka Khan Returns for Milestone Anniversary
Living Legends Foundation Chairman David C. Linton said Khan’s connection to the organization makes her participation especially significant during its 35th anniversary.
“Having Chaka Khan serve as our Honorary Ambassador during this milestone year is incredibly meaningful,” Linton said. “Chaka’s history with the Foundation reaches back to our earliest years, and her extraordinary career represents the excellence, longevity and cultural impact we have worked to celebrate for 35 years.”
Khan’s appearance also comes as she prepares for another chapter in her recording career. According to the foundation’s announcement, her new album, “Chakzilla,” is scheduled for release Sept. 18. The project, described as her first full-length album in seven years, includes collaborations with Sia, Snoop Dogg and Lenny Kravitz.
The combination of Khan’s new music and her honorary role highlights one of the gala’s central themes: connecting the legacy of Black music with the people continuing to move the industry forward.
Q Parker to Serve as Honorary Gala Chair
Joining Khan is Q Parker, a founding member of Grammy-winning R&B group 112. Parker will serve as honorary gala chair and help promote the foundation’s work recognizing and supporting music industry professionals.
“Black music has given me a career, a community, and an opportunity to use my gifts to impact people around the world, so serving as Honorary Chair for the Living Legends Foundation’s 35th anniversary is truly an honor,” Parker said.
Parker said the industry’s success extends far beyond the artists audiences see on stage.
“This organization understands that our industry is bigger than the names we see on the marquee,” Parker said. “There are countless people behind the scenes who have dedicated their lives to moving our culture forward.”
Parker recently released the single “Stare,” from his forthcoming album, “Evolution of Romance, Volume Two,” expected this fall, according to the announcement.
Honoring the People Behind Black Music and Culture
Founded in 1991, the Living Legends Foundation has built its mission around recognizing professionals whose work has helped bring Black music and culture to audiences around the world.
Beyond its annual honors, the nonprofit provides support to music industry professionals with confirmed needs and invests in future generations through mentorship, scholarships and other assistance.
The anniversary gala will continue that mission by placing executives, broadcasters, advocates, entrepreneurs and other behind-the-scenes leaders alongside some of the most recognizable figures in entertainment.
2026 Living Legends Foundation Honorees
This year’s honorees include:
- Ray Harris Lifetime Achievement Award: Louis Carr, president of BET
- A.D. Washington Chairman’s Award: Black Promoters Collective
- Jerry Boulding Radio Executive Award: Kenny Smoov, vice president of urban programming, Cumulus
- Frankie Crocker Radio Personality Award: Greg Street, air personality, V-103 Atlanta
- Impact Player Award: Juliette Jones, COO, Alamo Records
- Music Executive Award: Tim Reid, senior vice president, repertoire and marketing, BMG Recorded Music
- Mike Bernardo Female Executive Award: Phylicia Fant, global director, Black Music + Culture, Amazon Music
- Kendall Minter Entertainment Advocate Award: James McMillan, Esq., CEO, ART@WAR Entertainment
- Hip-Hop Visionary Award: Ted Lucas, founder and CEO, Slip-N-Slide Records
- Entrepreneur Award: Ralph McDaniels, executive producer, “Video Music Box”
Why the 35th Anniversary Matters
The anniversary reflects more than three decades of recognizing people whose contributions to Black music and entertainment have not always received the same public attention as the artists they helped build, promote and sustain.
That history is reflected in Khan’s return. After being recognized by the foundation in its early years, she will now help honor another generation of industry leaders.
The 35th Anniversary Awards Dinner & Gala will continue the Living Legends Foundation’s tradition of celebrating achievement, leadership, innovation and service while preserving the stories of the people who helped build the business and culture surrounding Black music.
Entertainment
Regan Hutsell of Texas Crowned Miss America 2027 in West Palm Beach
Published
6 days agoon
September 7, 2026The former Radio City Rockette and Birmingham Royal Ballet performer captured the national title in West Palm Beach after winning preliminary fitness and talent awards.
WEST PALM BEACH, Fla. (FNN) — Regan Hutsell, representing Texas, has been crowned the 99th Miss America, capturing the national title following several days of competition in West Palm Beach.
Hutsell emerged from a field of 52 delegates representing the 50 states, the District of Columbia and Puerto Rico. Her victory makes her the fourth Miss Texas to win the Miss America title in the organization’s 105-year history, according to the Miss America Organization.
The final competition was held at the Palm Beach County Convention Center.
From Radio City Rockette to Miss America
Hutsell entered the competition with an extensive professional dance background.
At 18, she began her professional dance career as a Radio City Rockette and later performed internationally with the Birmingham Royal Ballet, traveling throughout Europe.
Her dance background proved significant during Miss America competition. Hutsell captured preliminary awards in both fitness and talent, earning the talent honor for her jazz dance performance to “Le Jazz Hot.”
Personal Journey Inspires Service Initiative
Hutsell has also publicly discussed overcoming an eating disorder and struggles involving perfectionism and body image while pursuing her professional dance career.
Those experiences became the foundation for her community service initiative, “Your Body Is Your Home.”
Through the initiative, Hutsell seeks to encourage positive self-worth, healthier internal dialogue and the message that a person’s value should not be determined by physical appearance.
Her personal experience gives the initiative a direct connection to the challenges she encountered while working in elite performing arts.
Hutsell Marks Historic Milestone
According to the Miss America Organization, Hutsell also made history as the first woman of color to win the Miss America crown while wearing her natural hair.
The milestone adds another chapter to the evolution of a competition that has increasingly emphasized education, service, leadership and professional development alongside its longstanding traditions.
Hutsell received a distinctive crown featuring red and blue stones commemorating America’s semiquincentennial, the nation’s 250th anniversary.
Nearly $90,000 in Scholarships
Education will remain a major component of Hutsell’s year as Miss America.
According to the organization, she has earned nearly $90,000 in scholarships through the Miss America Opportunity.
Hutsell is pursuing a Bachelor of Science in health sciences and plans to become a physical therapist.
“Miss America has always represented hope and inspiration,” Hutsell said in a statement.
She said she looks forward to using the title to encourage people “to walk boldly in their purpose, pursue their wildest dreams, and never give up on themselves.”
Louisiana’s Shelby Bordelon Finishes First Runner-Up
Hutsell advanced to the Top 5 alongside four finalists:
- Shelby Bordelon, Louisiana — First runner-up
- Kate Dimmett, Illinois — Second runner-up
- Sharlize True Trujillo, California — Third runner-up
- Evelyn Smith, District of Columbia — Fourth runner-up
The semifinalists were Carly Yoshida of Hawaii, Erika Dalton of Utah, Madison Oh of New York, Lindsay Jones of South Carolina, McKenzie Kerry of Iowa and Jane Granberry of Mississippi.
Celebrity Panel Selects Miss America
The final night was hosted by Jennifer Hale and Billy Gilman.
The celebrity judging panel included Kate Shindle, former U.S. Surgeon General Dr. Regina Benjamin, Vicki Vlahos, Hal Rubenstein, Ubah Hassan and Ellen Latham.
The competition followed two nights of preliminary events before the field was narrowed for the final rounds.
Scholarships Remain Central to Miss America
The Miss America Organization says its national, state and local programs provide more than $5 million in tuition scholarships annually, along with an additional $35 million in in-kind scholarship opportunities.
Hutsell’s nearly $90,000 in scholarship earnings will help support her health sciences education as she works toward her goal of becoming a physical therapist.
What’s Next for the New Miss America?
As Miss America, Hutsell begins a year of appearances, community engagement and advocacy centered on the organization’s mission of “Empowering Women to Lead with Purpose.”
Her year of service is also expected to expand the reach of Your Body Is Your Home, combining her personal experience with her focus on self-worth and healthy body image.
From professional dancer to national titleholder, Hutsell now takes her message to a national audience while representing Miss America during its 105th anniversary era.
Follow Florida National News for continuing coverage from West Palm Beach and major entertainment, lifestyle and cultural events across Florida.
Entertainment
Tom Cruise Brings Hollywood Star Power to Daytona as ‘Days of Thunder’ Sequel Energizes NASCAR
Published
6 days agoon
September 6, 2026Cruise’s Daytona appearance puts NASCAR in the global entertainment spotlight as Cole Trickle prepares to return to the track in 2028
DAYTONA BEACH, Fla. (FNN SPORTS) — Tom Cruise brought Hollywood star power to Daytona International Speedway, energizing the NASCAR garage and putting one of racing’s most recognizable movie characters back on the starting grid.
The global superstar’s appearance during the Coke Zero Sugar 400 weekend was more than a celebrity visit. Cruise came to Daytona to reconnect with NASCAR, meet today’s drivers and team owners, and introduce the next chapter of Days of Thunder, with Cruise returning as Cole Trickle and Anne Hathaway joining the franchise.
Florida National News was at Daytona capturing Cruise’s interaction with drivers, teams and fans as Hollywood and NASCAR came together at the World Center of Racing.
Cruise Brings Hollywood Star Power to Daytona
Cruise’s presence immediately became one of the biggest stories surrounding the NASCAR weekend.
The actor attended the pre-race drivers meeting and spent time with competitors and team owners as he learned more about how NASCAR has changed since the original Days of Thunder was released in 1990.
Cruise told NASCAR competitors that he wants the new movie to capture more than racing. His interest extends to the teams, people and culture surrounding the sport — an approach that could give NASCAR significant exposure beyond its traditional fan base.
For NASCAR, that star power matters.
Cruise is one of the world’s most recognizable movie stars, and a major theatrical production built around stock-car racing could introduce NASCAR’s drivers, teams and tracks to audiences who may rarely, if ever, watch a Cup Series race.
Tom Cruise and Anne Hathaway pose alongside a “Cole Trickle” Days of Thunder race car in a promotional image for Days of Thunder 2.
Photo Credit: Courtesy Photo: Tom Cruise’s X social media
‘Days of Thunder’ Returns for a New NASCAR Generation
Cruise will reprise his role as Cole Trickle, the fearless young driver at the center of the original movie.
Hathaway will co-star as a race-team owner and engineer. Jonathan Levine is set to direct from a screenplay by Will Staples, while Cruise, Jerry Bruckheimer and Tommy Harper are producing.
Paramount Pictures has scheduled the movie for June 2, 2028.
The sequel arrives nearly four decades after the original Days of Thunder brought NASCAR racing to movie theaters around the world.
The 1990 film starred Cruise alongside Robert Duvall, Nicole Kidman, Michael Rooker, Randy Quaid and Cary Elwes. Real NASCAR personalities were also incorporated into the production, establishing a connection between Hollywood fiction and the actual racing community.
Now Cruise is returning to a NASCAR that is dramatically different from the sport Cole Trickle entered in 1990.
NASCAR Drivers Already Want In
Cruise’s Daytona appearance also created another storyline: Which NASCAR stars will make it into the movie?
Three-time Cup Series champion Joey Logano, along with Chase Briscoe and Kyle Larson, has expressed interest in appearing in the sequel. Production is expected to begin in early 2027, leaving casting and potential NASCAR cameos among the major developments still ahead.
Their enthusiasm illustrates the cultural reach of the original film within NASCAR itself.
Many of today’s drivers grew up in an era when Days of Thunder had already become part of racing’s popular culture. Appearing alongside Cruise could now give a new generation of NASCAR competitors the opportunity once held by drivers who appeared in the original movie.
Dale Earnhardt Jr. Helps Connect Hollywood With Modern NASCAR
NASCAR’s involvement may extend well beyond cameos.
Dale Earnhardt Jr. has said he has been communicating with people developing the story, including discussions about how the movie can authentically portray today’s NASCAR while respecting what made the original memorable.
That input could prove valuable.
NASCAR has changed dramatically since 1990 — from its race cars and safety technology to team operations, media coverage and the way fans experience the sport. Capturing modern NASCAR while preserving the personality of the original movie will be one of the sequel’s central challenges.
Rick Hendrick Sees a Major Opportunity for NASCAR
Few people have a stronger connection to both chapters than legendary NASCAR team owner Rick Hendrick.
Hendrick Motorsports provided technical support for the original movie, beginning a relationship among Hendrick, Cruise and producer Jerry Bruckheimer that stretches back decades.
Hendrick believes the sequel could provide a significant boost for NASCAR, saying the movie could do the sport “a tremendous amount of good.”
That assessment gets to the larger significance of Cruise’s Daytona appearance.
A Days of Thunder sequel isn’t simply another Hollywood production using racing as a backdrop. If NASCAR teams, drivers and tracks become part of the production, the movie could function as a global showcase for the sport.
From ‘Top Gun’ to ‘Days of Thunder’
Cruise has already demonstrated the potential of revisiting a signature movie decades later.
Top Gun: Maverick introduced the Top Gun franchise to a new generation while bringing longtime fans back to theaters. There is no guarantee Days of Thunder will duplicate that success, but NASCAR offers many of the elements associated with Cruise’s biggest action films — speed, technology, competition, danger and spectacle.
The difference this time is that NASCAR itself could share the spotlight.
Cruise isn’t simply returning to the fictional world of Cole Trickle. He is immersing himself in the real NASCAR garage before cameras begin rolling.
Daytona Becomes the Starting Line
That makes Daytona an important part of the sequel’s developing story.
Daytona International Speedway represents generations of NASCAR history. Cruise’s decision to bring Days of Thunder back into that environment connected the original film, today’s NASCAR and Hollywood’s upcoming sequel in one place.
For longtime NASCAR fans, Cruise’s return revives memories of Cole Trickle.
For younger audiences, the new film could provide their first introduction to the character — and potentially their first meaningful exposure to NASCAR.
For the sport itself, the possibilities are considerably larger.
Cruise and Hathaway give the production international star power. NASCAR provides the speed, personalities, rivalries and authenticity. Daytona provided the stage where those worlds came together.
And NASCAR drivers are already lining up to become part of it.
What’s Next for ‘Days of Thunder’
Attention now turns toward production, which is expected to begin in early 2027. Additional casting, filming locations, participating NASCAR organizations and driver cameos remain among the biggest unanswered questions.
The finished movie is scheduled to arrive in theaters June 2, 2028.
Between now and then, NASCAR has an unusual opportunity: allow one of Hollywood’s biggest stars to take audiences behind the wheel and into the culture of American stock-car racing.
At Daytona, Cruise provided the first taste of what that combination could generate.
The thunder is coming back — and NASCAR could be one of its biggest stars.
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