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Deal Reached in Suit Alleging James Franco Sexual Misconduct

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FILE - This Sept. 5, 2019 file photo shows James Franco at the premiere of HBO's "The Deuce" third and final season in New York. A settlement deal has been reached in a lawsuit that alleged James Franco intimidated students at an acting and film school he founded into exploitative sexual situations. A filing in Los Angeles Superior Court said a settlement had been reached in the class-action suit brought by former students at the now-defunct Studio 4. The document was filed on Feb. 11, but has not previously been reported. (Charles Sykes/Invision/AP, File)

LOS ANGELES (AP) — A tentative settlement has been reached in a lawsuit that alleged James Franco intimidated students at an acting and film school he founded into gratuitous and exploitative sexual situations, attorneys for the plaintiffs said Saturday.

The two sides filed a joint status report in Los Angeles Superior Court telling a judge a settlement had been reached in the class-action lawsuit brought by former students at the now-defunct school, Studio 4, though elements of the lawsuit may live on.

The document was filed on Feb. 11, but the settlement has not previously been reported.

Actresses and ex-students Sarah Tither-Kaplan and Toni Gaal, who first filed the lawsuit in 2019, have agreed to drop their individual claims under the agreement, according to the court filing. Their lawsuit said Franco pushed his students into performing in increasingly explicit sex scenes on camera in an “orgy type setting” that went far beyond those acceptable on Hollywood film sets.

It alleged that Franco “sought to create a pipeline of young women who were subjected to his personal and professional sexual exploitation in the name of education,” and that students were led to believe roles in Franco’s films would be available to those who went along.

The lawsuit said the incidents occurred in a master class on sex scenes that Franco taught at Studio 4, which opened in 2014 and closed in 2017.

The two sides had been in discussions on a settlement for several months, and the lawsuit’s progress had been paused while they talked.

Plaintiffs’ attorneys from the firm of Valli Kane & Vagnini, LLP, confirmed the agreement in a statement to The Associated Press on Saturday night, adding that it will be “further memorialized in a Joint Stipulation of Settlement to be filed with the Court at a later date,” but giving no further comment or details.

After-hours emails seeking comment from attorneys for the defendants were not immediately returned.

In a previous court filing, Franco’s attorneys, while praising the #MeToo movement that helped inspire the lawsuit, called its claims “false and inflammatory, legally baseless and brought as a class action with the obvious goal of grabbing as much publicity as possible for attention-hungry Plaintiffs.” They pointed out that Tither-Kaplan had previously expressed gratitude for the opportunity to work with Franco.

The lawsuit also names Franco’s production company Rabbit Bandini and his partners including Vince Jolivette and Jay Davis as defendants.

The sexual exploitation allegations of other plaintiffs in the class action will be dismissed without prejudice, meaning they may be re-filed, the joint status report said.

Fraud allegations brought by those plaintiffs will be “subjected to limited release,” the document says, without further details or explanation.

The document does not reveal how much money may be involved in the deal.

Before filing the lawsuit, Tither-Kaplan aired her allegations of sexual misconduct against Franco along with other women in the Los Angeles Times after Franco won a Golden Globe Award for “The Disaster Artist” in early 2018, when the wave of the #MeToo movement was sweeping across Hollywood.

In a subsequent interview on “The Late Show with Stephen Colbert,” Franco called the sexual misconduct stories about him inaccurate, but said, “If I’ve done something wrong, I will fix it. I have to.”

Franco, 42, best known for starring in comedies with Seth Rogen, has generally kept a low-profile since the allegations arose in what had been a highly productive period that culminated in the acclaimed “Disaster Artist.”

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Entertainment

‘SPAMALOT’ Joins Dr. Phillips Center’s 2026-27 Broadway in Orlando Season

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Tony Award-winning musical will play Walt Disney Theater Nov. 3-5, 2026

ORLANDO, Fla. (FNN NEWS) — Dr. Phillips Center for the Performing Arts is expanding its 2026-27 Broadway in Orlando season with the addition of SPAMALOT, the Tony Award-winning Best Musical, scheduled for Nov. 3-5, 2026, at Walt Disney Theater.

Inspired by the classic comedy Monty Python and the Holy Grail, SPAMALOT brings Monty Python’s distinctly British humor to the stage through a comedic adventure following King Arthur and his quest for the Holy Grail.

The production comes to Orlando following a celebrated 2023 Broadway revival at the St. James Theatre, directed and choreographed by Josh Rhodes.

Monty Python Comedy Comes to Orlando

Described as “lovingly ripped” from Monty Python and the Holy Grail, the musical features British royalty, flying cows, dancing girls, shrubbery and the Lady of the Lake.

The 14-time Tony Award-nominated musical features well-known numbers including “Always Look on the Bright Side of Life,” “The Song That Goes Like This” and “Find Your Grail.”

SPAMALOT features a book and lyrics by Eric Idle, with music by John Du Prez and Idle.

Cast Announced for Orlando Production

The cast features Major Attaway, whose credits include Aladdin, as King Arthur; Sean Bell (Harmony) as Sir Robin; Chris Collins-Pisano (Forbidden Broadway) as Sir Lancelot; Ellis C. Dawson III (Hamilton) as Sir Bedevere; Leo Roberts (Les Misérables) as Sir Galahad; Amanda Robles as the Lady of the Lake; Blake Segal (Mary Poppins) as Patsy; and Steven Telsey (The Book of Mormon) as the Historian and Prince Herbert.

The company also includes Lindsay Lee Alhady, Delaney Benson, Jack Brewer, Connor Coughlin, L’ogan J’ones, Graham Keen, Claire Kennard, Ben Lanham, Nathaniel Mahone, Maddie Mossner, Emilie Renier, Mark Tran Russ and Meridien Terrell.

Creative Team

The production’s creative team includes scenic and projection designer Paul Tate dePoo III, costume designer Jen Caprio, lighting designer Cory Pattak, sound designers Kai Harada and Haley Parcher, and wig designer Tom Watson.

John Bell serves as music supervisor, with Jonathan Gorst as musical director and conductor.

Derek Kolluri is associate director, Michael Fatica is associate choreographer and casting is by Geoff Josselson, CSA. RCI Theatricals serves as general manager, and Jeffrey Finn is the producer.

Tickets on Sale Now

Single tickets for SPAMALOT are on sale now through Dr. Phillips Center.

Performances: Nov. 3-5, 2026
Venue: Walt Disney Theater at Dr. Phillips Center for the Performing Arts
Location: Orlando, Florida

Tickets and additional information are available through the Dr. Phillips Center website.

 

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Central Florida News

Dr. Phillips Center Generates $227.6 Million Annual Economic Impact, Supports Nearly 2,500 Central Florida Jobs

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ORLANDO, Fla. (FNN NEWS) — The Dr. Phillips Center for the Performing Arts generated $227.6 million in annual economic impact, supporting 2,483 jobs and producing $13.2 million in state and local tax revenue, according to a newly released independent study by Tourism Economics.

The analysis, conducted by Tourism Economics, an Oxford Economics company specializing in economic impact and tourism research, measured the direct, indirect and induced economic activity generated by the arts center’s operations, performances, visitors and related spending throughout Central Florida.

The findings underscore the Dr. Phillips Center’s role as both a premier performing arts destination and a major contributor to the region’s economy.

“For more than a decade, we’ve seen firsthand how the arts inspire people, bring communities together and create lasting value,” said Kathy Ramsberger, president and CEO of Dr. Phillips Center for the Performing Arts. “This study confirms that our impact reaches far beyond our stages—supporting thousands of jobs, driving business growth, attracting visitors from around the world and helping position Central Florida as a more vibrant, competitive and connected region.”

Economic Impact by the Numbers

According to the Tourism Economics report, the Dr. Phillips Center generated:

  • $227.6 million in annual economic output
  • 2,483 jobs supported across Central Florida
  • $70.8 million in total labor income in Orange County
  • $13.2 million in state and local tax revenue
  • $73.1 million in off-site spending by event attendees, performers and production crews
  • 61,600 hotel room nights generated annually

The study highlights the ripple effect created by visitors attending performances, benefiting nearby hotels, restaurants, retailers and other local businesses.

A Global Destination for Arts and Entertainment

Now in its 11th year, the Dr. Phillips Center welcomes more than 910,000 guests annually, attracting visitors from all 50 states and more than 80 countries.

Since opening in 2014, the venue has hosted:

  • More than 6.2 million guests
  • More than 6,200 performances and events
  • Programming presented 99% of the year
  • Venue occupancy rates ranging from 82% to 97%

The center has become one of the world’s busiest performing arts destinations while helping position downtown Orlando as a leading hub for arts, culture and entertainment.

Community Investment Beyond the Stage

In addition to its economic impact, the Dr. Phillips Center continues investing in arts education, community outreach and cultural programming throughout Central Florida.

According to the organization, it has:

  • Served 935,920 students and community participants
  • Supported and hosted 202 regional arts organizations
  • Received support from 24,085 donors
  • Benefited from $256 million in philanthropic contributions since its inception

Through partnerships with schools, nonprofit organizations, community groups and touring productions, the center continues to expand access to the performing arts while strengthening the region’s cultural and economic vitality.

Looking Ahead

Eleven years after opening, the Dr. Phillips Center continues to demonstrate that investment in arts and culture produces measurable returns through tourism, employment, education and community engagement.

As Central Florida continues to grow, the independent analysis reinforces the performing arts center’s importance as both a cultural landmark and an economic engine for the region.

Additional information about the economic impact study is available through the Dr. Phillips Center for the Performing Arts.

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Entertainment

Blue Man Group Orlando Launches $25 Kids Ticket Offer at ICON Park Through Dec. 31

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ORLANDO, Fla. (FNN NEWS) — Families can enjoy Blue Man Group Orlando for less this summer and fall thanks to a new ticket promotion that allows children to attend performances for $25 with the purchase of a full-priced adult ticket.

The limited-time offer is available for online purchases through Dec. 31, 2026, making one of Orlando’s newest live entertainment attractions more affordable for families.

Special Kids Ticket Offer

Under the promotion, guests who purchase a full-priced adult ticket may purchase a children’s ticket for $25.

The offer is valid for performances:

  • Monday through Thursday
  • Fridays at 5 p.m.

The promotion is not valid for:

  • Saturday performances
  • Sunday performances
  • Fridays at 8 p.m.

New Orlando Production at ICON Park

Blue Man Group opened its new resident production at ICON Park in May inside a custom-built theater located along Orlando’s International Drive entertainment district.

The production blends music, comedy, technology and audience participation, while featuring many of the signature moments fans expect from Blue Man Group alongside new material created exclusively for the Orlando production.

Global Entertainment Phenomenon

Since debuting in 1991 at New York’s Astor Place Theatre, Blue Man Group has entertained more than 50 million people worldwide through resident productions and international tours.

The show continues to expand with performances in Orlando, Las Vegas, touring productions across North America and an upcoming tour in Japan.

Blue Man Group is owned and operated by Cirque du Soleil Entertainment Group.

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