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‘Frozen – Live at the Hyperion,’ a New Stage Musical, Premieres at Disney California Adventure Park

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ANAHEIM, Calif., (FNN NEWS) — “Frozen – Live at the Hyperion,” a new theatrical adaptation based on Disney’s animated blockbuster film, opens May 27 at the Hyperion Theater at Disney California Adventure Park in Southern California.

This new theatrical interpretation for the stage immerses audiences in the beloved world of Frozen and takes audiences on the heartwarming journey of Anna and Elsa, with all of the excitement of live theater. Under the direction of Tony Award® nominated Director Liesl Tommy, the show features elaborate costumes and sets, stunning special effects, and show-stopping production numbers. An exceptionally large production, the show features an opening cast and crew of more than 200, six full musical numbers and a 2,200 square foot video wall which combine for an unforgettable theatrical experience.

Disney Creative Entertainment, the arm of Walt Disney Imagineering responsible for live theatrical entertainment at Disney Parks, has produced this new stage interpretation of “Frozen – Live at the Hyperion” with all of the creativity and resources of its predecessor “Aladdin – A Musical Spectacular” which ran for a remarkable 13 years at the 2,000 seat Hyperion Theater.

As would be expected from Walt Disney Imagineering and Disney Parks, new technologies – especially with projections, fabrics and special effects — will delight audiences in new and unexpected ways. Guests are immersed in the world of “Frozen” from the moment they enter the theater and are surrounded by a specially lit “Aurora” curtain. As the musical unfolds, the scenic design and large moving set pieces create a cinema-style energy enhanced by state-of-the-art projections that create dynamic environments for the performers. Custom sound design envelops the audience in music and audio effects. And, of course, there will be snow throughout the interior of the theater – on stage and over the audience.

“Frozen – Live at the Hyperion” is based on the Walt Disney Animation Studios “Frozen,” which is the number one animated feature of all time. It is the winner of two Academy Awards (2014) for Best Animated Feature and Best Original Song.

“While our production of ‘ Frozen’ stays true to the heart and soul of the film, we have adapted it for the stage so it’s truly a musical theater production that befits our beautiful Hyperion Theater,” said Dana Harrel, creative entertainment executive with Walt Disney Imagineering. “The goal of this creative team is to take all audiences – including those who know the film, and those new to these characters­ – on this exciting and touching adventure with Anna and Elsa.

“We know that for many in the audience — adults and children alike – this production will be a first or rare theater-going experience, and we want to make it as magical as possible.”

The new adaptation features music and lyrics by the creators of the film score, Kristen Anderson-Lopez (“In Transit,” “Up Here”) and Robert Lopez (“Avenue Q,” “The Book of Mormon,” “Up Here”), and is adapted from the screenplay by four-time Tony Award® nominee Chad Beguelin (“Aladdin – A Musical Spectacular” at Hyperion Theater; Broadway: “Gotta Dance,” “Aladdin,” “The Wedding Singer,” “Elf”).

“Frozen – Live at the Hyperion” is directed by Tommy, who was recently nominated for a Tony Award® for her Broadway show “Eclipsed.” The choreographer is Christopher Windom and this is his seventh collaboration with Tommy. The musical supervisor/arranger/adaptor is Jason Michael Webb, whose Broadway credits include “The Color Purple,” “Motown: The Musical,” “Violet,” and “Memphis.” Clint Ramos, the principal costume designer, was also nominated this year for a Tony Award® for his work on “Eclipsed.”

“I am approaching ‘Frozen’ as I would any new work – to search the story for what resonates most emotionally, which is the story of the relationship between Anna and Elsa, their coming of age and conquering their worst fears,” explains Director Tommy. “It’s what made the movie so intensely satisfying and fresh. The theatrical version of ‘Frozen’ that my designers and I are creating for the Hyperion builds on the film’s emotional intensity using beautiful performances, thrilling choreography and the most cutting-edge design elements.”

A great amount of creative energies have been employed to bring “Frozen – Live at the Hyperion” to the stage. Harrel and Tommy have assembled a team of creative talent from both Broadway and Disney to create this production. The principal designers are Robert Brill (scenery), Charles Lapointe (wigs), David Weiner (lighting), Aaron Rhyne (projections) and Broken Chord (audio), and Ramos (costumes).

The challenge of bringing the animated non-human characters of Sven and Olaf to the stage was assigned to master puppet designer Michael Curry, who co-designed with director Julie Taymor the animal creations of “The Lion King” on Broadway, the magic mirror in “Snow White: An Enchanted Musical” at Fantasyland Theatre, and many other Disney parades, shows and projects, as well as projects for Cirque du Soleil and the Metropolitan Opera. Curry’s intricate designs created for Olaf and Sven allow the performers to connect with the characters and bring them to life on stage in new ways.

An entirely separate two-act Broadway production of “Frozen” is currently being prepared by Disney Theatrical Productions and is slated to join Disney Theatrical’s New York productions of “Aladdin” and “The Lion King” for spring 2018 at a theater to be announced. It will have a pre-Broadway engagement starting in summer 2017 in Denver.

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160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

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160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

DAYTONA BEACH, Fla. (FNN) — Music set times have been released for the 15th anniversary of Welcome To Rockville, Florida’s largest rock, metal and punk festival, set for May 7–10, 2026 at Daytona International Speedway.

Produced by Danny Wimmer Presents, the four-day event will feature more than 160 bands performing across five stages, marking the festival’s largest lineup to date.

HEADLINERS AND DAILY LINEUP

This year’s festival will be headlined by Foo Fighters, My Chemical Romance, Guns N’ Roses and Bring Me The Horizon.

  • Thursday, May 7: Guns N’ Roses, Five Finger Death Punch, Godsmack, Staind
  • Friday, May 8: Foo Fighters, Turnstile, The Offspring, Parkway Drive
  • Saturday, May 9: Bring Me The Horizon, Breaking Benjamin, Motionless in White, Lamb of God
  • Sunday, May 10: My Chemical Romance, A Day To Remember, Rise Against, Yellowcard

FESTIVAL EXPANSION AND NEW FEATURES

Organizers announced several enhancements for 2026 aimed at improving the fan experience. A new “Pit Stop” fan zone near the Apex Stage will feature artist interviews, special performances and interactive experiences.

In addition, the Garage Stage will be fully tented for the first time, offering expanded shade coverage and upgraded production for attendees.

SPECIAL EVENTS AND EXPERIENCES

Festivalgoers can kick off the week with a pre-party on May 6 featuring performances by Fuel, Local H and others.

A new crossover event, “Blood4Blood,” will also take place at the Ocean Center, combining live music with bare-knuckle fighting, including a headline bout featuring Alex Terrible of Slaughter to Prevail.

TICKETS, ACCESS AND ATTENDANCE

Festival gates will open daily at 11:30 a.m. Organizers are offering a range of ticket options, including single-day, weekend, VIP and camping packages. A new Camp to Coast shuttle will provide transportation between the speedway and nearby beaches.

With expanded attractions, including rides, themed bars and interactive zones, Welcome To Rockville 2026 is expected to draw tens of thousands of fans to Daytona Beach, reinforcing its role as a major driver of Florida’s tourism and live entertainment economy.

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Orlando International Fashion Week Partners with Orlando Fringe Festival for 35th Anniversary Avant-Garde Showcase

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Orlando International Fashion Week

ORLANDO, Fla. (FNN)Orlando International Fashion Week (OIFW) has announced a new creative partnership with the Orlando International Fringe Theatre Festival as the festival celebrates its 35th anniversary this May.

As part of the collaboration, OIFW will present a special avant-garde fashion showcase on Saturday, May 16, 2026, from 5:30 p.m. to 6:30 p.m., during the two-week festival. The curated runway will feature bold, experimental designs that reflect Fringe’s spirit of artistic freedom, individuality and innovation.

PARTNERSHIP CELEBRATES CREATIVE COLLABORATION

Organizers say the partnership reflects a natural alignment between two nonprofit organizations committed to supporting artists and expanding access to creative spaces.

“Fringe and OIFW share a commitment to creating platforms where artists can take risks and express themselves freely,” said Rob Henlon, executive director and co-founder of OIFW. “This collaboration allows fashion to exist within a broader artistic conversation.”

John Payne-Rios, an OIFW advisory board member, added that the partnership strengthens Orlando’s creative ecosystem by bringing together fashion, theater and community engagement.

Festival organizers echoed that sentiment, noting the addition of fashion enhances the Outdoor Stage experience and introduces new artistic energy to the event.

DESIGNER CALL AND MODEL CASTING UNDERWAY

In conjunction with the partnership, OIFW has opened its designer registration call for creatives interested in participating in the Fringe showcase.

Designers are encouraged to submit collections that emphasize:

  • Avant-garde concepts
  • Artistic storytelling
  • Bold, experimental design

Models can also audition for both the Fringe showcase and upcoming OIFW runway shows. Casting calls are scheduled for April 12 and April 19 at CityArts Gallery in downtown Orlando from 11 a.m. to 3 p.m. The casting is open to ages 4 and up, with no prior experience required.

FRINGE FESTIVAL MARKS 35 YEARS OF ARTISTIC FREEDOM

For 35 years, the Orlando International Fringe Theatre Festival has provided an inclusive platform for artists to present original work in an unjuried and uncensored environment. The festival is the longest-running Fringe festival in the United States and returns 100% of ticket sales directly to artists.

Each May, the festival transforms Orlando into a hub of live performances, visual art, music and interactive experiences that celebrate diverse voices and creative expression.

What’s Next for OIFW?

The Fringe collaboration serves as a lead-in to OIFW’s signature summer event, Orlando International Fashion Week Presents: 626 Euphoria, scheduled for June 6, 2026, at the Winter Park Events Center.

Organizers say the upcoming season will continue to focus on:

  • Expanding fashion as a cultural platform
  • Strengthening cross-industry partnerships
  • Elevating emerging and diverse designers

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Trick Daddy Threatens Tiffany Moore Russell Mayoral Race After AKA Show Shut Down

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ORLANDO, Fla. (FNN) — A performance by Miami street legend rapper Trick Daddy ended abruptly Friday night during the 73rd South Atlantic Regional Conference of Alpha Kappa Alpha Sorority, Incorporated after event organizers said the artist ignored agreed-upon performance guidelines.

The incident, which occurred after the conference’s Step and Stroll competition, has sparked debate online about event vetting, audience expectations, and artistic responsibility.

The event was overseen by South Atlantic Regional Director Tiffany Moore Russell, who also serves as the elected Clerk of Courts for Orange County, Florida and is currently a candidate for Orange County mayor.

Conference Performance Ends Early

Conference attendees from across the South Atlantic region gathered in Orlando for the sorority’s five-day leadership and networking event.

Friday evening’s program featured step teams and strolling performances before transitioning to live entertainment. Organizers booked Trick Daddy, the Miami rapper known for hits including “Nann” and “Thug Matrimony,” to perform a curated list of songs.

However, the performance ended mid-set after organizers said the rapper used language and lyrics that violated previously discussed guidelines.

Russell addressed the incident in a statement distributed to conference attendees.

“We met several times with him and his team to detail our requirements, including attire, language, and specific songs,” Russell said. “Unfortunately, our requirements were ignored. The language, lyrics, and comments made by the artist were not acceptable. I ended the performance because of the disrespect for our organization and our brand.”

Viral Video Fuels Online Debate

Videos posted on social media showed audience members reacting with surprise and discomfort during the performance.

In one clip, attendees could be seen leaving the room as the rapper used explicit language and interacted with the crowd in a manner some attendees described as inappropriate for the event.

The video quickly spread online, fueling debate over whether the performer or the event organizers were responsible for the mismatch between the artist and the audience.

Some critics argued the booking itself raised questions about vetting.

Questions About Booking and Vetting

The controversy has prompted broader discussion about event planning and audience expectations.

Alpha Kappa Alpha Sorority, Incorporated is one of the nation’s oldest historically Black sororities, known for its emphasis on scholarship, leadership, and community service.

Critics on social media questioned why an artist known for explicit hip-hop lyrics was booked for a conference audience largely composed of professional women and long-time sorority members.

Supporters of the organizers say the issue was not the booking itself but whether the performer honored the agreed-upon content guidelines.

Russell emphasized that the step teams and conference participants represented “creativity, discipline, and excellence,” adding that she regretted the performance overshadowed their work.

Trick Daddy Responds: “They Booked Me, Trick Daddy Dollars” [VIDEO]

Following the incident, Trick Daddy posted a video response denying that he violated the agreement and accusing organizers of damaging his reputation.

Trick Daddy video responding to AKA Director statement telling her not to give him a playlist, this isn’t her wedding and not to defame his characte, according to the video.

the video further that he states that anybody in there that was saddity and sanctified should not have been in there once I grabbed the MF’in mic.

He also referenced Russell’s political ambitions, saying: “I heard you’re running for some type of office or something. I’ll get on you every day until you don’t win. Don’t play with me.”

The comments intensified the controversy as the incident shifted from a performance dispute to a potential political crisis for Russell’s Orange County mayoral campaign.

What Happens Next? Reputation, Politics and Public Reaction

For Trick Daddy, the dispute raises questions about how the controversy could affect his public image and performance bookings.

For Tiffany Moore Russell, the issue arrives as she prepares for a campaign for mayor in Orange County, Florida, potentially drawing political scrutiny to the situation.

Whether the rapper follows through on his pledge to publicly attrack Russell’s mayoral campaign remains unclear.

For now, the moment stands as a cautionary tale about entertainment programming at professional events—where audience expectations, artist identity, and brand reputation must align.

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