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Review: ‘Avatar: The Way of Water’ is a big screen blast

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It is impossible to talk about “Avatar: The Way of Water” without sounding hyperbolic. But James Cameron’s sequel is a truly dazzling cinematic experience that will have you floating on a blockbuster high.

No matter if you’ve spent a second of your life in the past 13 years thinking about what’s happening on Pandora or how Jake Sully (Sam Worthington) and Neytiri (Zoe Saldaña) are getting on, assuming you remember their characters’ names. “The Way of Water” will make awe-struck believers out of even “Avatar” agnostics like me, at least for three hours and 12 minutes. The film isn’t just visually compelling, either, it’s spiritually rich as well — a simple but penetrating story about family and the natural world that is galaxies better than the first.

About that run time: Three hours and 12 minutes sounds excessive, but there is something decidedly decadent about really committing that much time to a movie in a theater. When the filmmaker is purposeful with that time, as Cameron is and many others have been before him, it’s a uniquely rewarding experience. In other words, it’s not a big ask. And you’ll forget all about checking the time from the first shot of Pandora and Jake’s earnest exposition about what’s been going on in the past decade.

He and Neytiri have three kids now, Neteyam (Jamie Flatters), Lo’ak (Britain Dalton), Tuk (Trinity Jo-Li Bliss) and an adopted teenage daughter, Kiri (Sigourney Weaver), and they’re happy living in the forest. “Happiness is simple,” he says. “Who ever thought that a jughead like me could crack the code?” So, of course, it can’t last. The humans are on the hunt for Jake, with a familiar antagonist leading the charge. And soon his family is on the run, taking up home in another part of Pandora, on the water with a new tribe led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis) who reluctantly grant them refuge and try to teach them how to live on the water.

It’s worth noting that Cameron has not stuffed the film with mind-numbing, wall-to-wall action and needlessly complicated plot. There are long stretches of movie where we’re simply exploring the environment with the characters, delighting in the intricacies of a reef or basking in the beauty of giant sea creatures. Sometimes we’re just sitting in the water with Kiri who is also sitting in the water. It is not advancing the action in any obvious way. It is not even really developing characters. It just is, and it’s serene. You imagine that anyone without his clout would have a hard time justifying something similar.

The action is there, too, of course, and it’s exciting because you’ve become invested in the family and worried about the kids who are never where they’re supposed to be and are often in danger because of it. And though we know there are more sequels coming, and one already wrapped, this is not the kind of franchise where anyone is guaranteed to get a fake superhero death. Sure there is some “Avatar” silliness, including the fact that the word “bro” is uttered about 8,000 times, but there is something admirable about the straightforward dialogue and emotions at play, too. No one is snarking their way through this ordeal.

“Never doubt James Cameron” has become a bit of a rallying cry lately, at least among those left on Twitter. It’s all the more extraordinary as the once-mythical sequels had become a kind of joke in the years since the first movie. Even as “The Way of Water” release date actually approached the “who cares?” chorus intensified. Had anyone really thought twice about “Avatar”? But Cameron knows his way around a thrilling sequel, and the water for that matter (and references his own greatest hits in this film, too).

But then people saw it and the tune changed. There is something comforting about the fact that we are capable of intense, collective cultural whiplash. That “who cares?” can turn to uncynical amazement in an instant. Is that the magic of the movies? Of continuing to push the bounds of the big screen experience? Of betting big on weird-sounding stories about giant blue environmentalists instead of superheroes every so often? Maybe it’s just the magic of James Cameron.

“Avatar: The Way of Water,” a 20th Century Studios release in theaters Thursday, is rated PG-13 by the Motion Picture Association for “partial nudity, intense action, sequences of strong violence, some strong language.” Running time: 192 minutes. Three and a half stars out of four.

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Tom Cruise Brings Hollywood Star Power to Daytona as ‘Days of Thunder’ Sequel Energizes NASCAR

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Hollywood superstar Tom Cruise waves to fans during his appearance at Daytona International Speedway during the 2026 Coke Zero Sugar 400 weekend. Cruise visited Daytona as excitement builds around his return as Cole Trickle in the upcoming Days of Thunder sequel. Source: Arthur Dell Morgan / Florida National News

Cruise’s Daytona appearance puts NASCAR in the global entertainment spotlight as Cole Trickle prepares to return to the track in 2028

DAYTONA BEACH, Fla. (FNN SPORTS) — Tom Cruise brought Hollywood star power to Daytona International Speedway, energizing the NASCAR garage and putting one of racing’s most recognizable movie characters back on the starting grid.

The global superstar’s appearance during the Coke Zero Sugar 400 weekend was more than a celebrity visit. Cruise came to Daytona to reconnect with NASCAR, meet today’s drivers and team owners, and introduce the next chapter of Days of Thunder, with Cruise returning as Cole Trickle and Anne Hathaway joining the franchise.

Florida National News was at Daytona capturing Cruise’s interaction with drivers, teams and fans as Hollywood and NASCAR came together at the World Center of Racing.

Cruise Brings Hollywood Star Power to Daytona

Cruise’s presence immediately became one of the biggest stories surrounding the NASCAR weekend.

The actor attended the pre-race drivers meeting and spent time with competitors and team owners as he learned more about how NASCAR has changed since the original Days of Thunder was released in 1990.

Cruise told NASCAR competitors that he wants the new movie to capture more than racing. His interest extends to the teams, people and culture surrounding the sport — an approach that could give NASCAR significant exposure beyond its traditional fan base.

For NASCAR, that star power matters.

Cruise is one of the world’s most recognizable movie stars, and a major theatrical production built around stock-car racing could introduce NASCAR’s drivers, teams and tracks to audiences who may rarely, if ever, watch a Cup Series race.

Tom Cruise and Anne Hathaway pose alongside a “Cole Trickle” Days of Thunder race car in a promotional image for Days of Thunder 2.
Photo Credit: Courtesy Photo: Tom Cruise’s X social media

‘Days of Thunder’ Returns for a New NASCAR Generation

Cruise will reprise his role as Cole Trickle, the fearless young driver at the center of the original movie.

Hathaway will co-star as a race-team owner and engineer. Jonathan Levine is set to direct from a screenplay by Will Staples, while Cruise, Jerry Bruckheimer and Tommy Harper are producing.

Paramount Pictures has scheduled the movie for June 2, 2028.

The sequel arrives nearly four decades after the original Days of Thunder brought NASCAR racing to movie theaters around the world.

The 1990 film starred Cruise alongside Robert Duvall, Nicole Kidman, Michael Rooker, Randy Quaid and Cary Elwes. Real NASCAR personalities were also incorporated into the production, establishing a connection between Hollywood fiction and the actual racing community.

Now Cruise is returning to a NASCAR that is dramatically different from the sport Cole Trickle entered in 1990.

NASCAR Drivers Already Want In

Cruise’s Daytona appearance also created another storyline: Which NASCAR stars will make it into the movie?

Three-time Cup Series champion Joey Logano, along with Chase Briscoe and Kyle Larson, has expressed interest in appearing in the sequel. Production is expected to begin in early 2027, leaving casting and potential NASCAR cameos among the major developments still ahead.

Their enthusiasm illustrates the cultural reach of the original film within NASCAR itself.

Many of today’s drivers grew up in an era when Days of Thunder had already become part of racing’s popular culture. Appearing alongside Cruise could now give a new generation of NASCAR competitors the opportunity once held by drivers who appeared in the original movie.

Dale Earnhardt Jr. Helps Connect Hollywood With Modern NASCAR

NASCAR’s involvement may extend well beyond cameos.

Dale Earnhardt Jr. has said he has been communicating with people developing the story, including discussions about how the movie can authentically portray today’s NASCAR while respecting what made the original memorable.

That input could prove valuable.

NASCAR has changed dramatically since 1990 — from its race cars and safety technology to team operations, media coverage and the way fans experience the sport. Capturing modern NASCAR while preserving the personality of the original movie will be one of the sequel’s central challenges.

Rick Hendrick Sees a Major Opportunity for NASCAR

Few people have a stronger connection to both chapters than legendary NASCAR team owner Rick Hendrick.

Hendrick Motorsports provided technical support for the original movie, beginning a relationship among Hendrick, Cruise and producer Jerry Bruckheimer that stretches back decades.

Hendrick believes the sequel could provide a significant boost for NASCAR, saying the movie could do the sport “a tremendous amount of good.”

That assessment gets to the larger significance of Cruise’s Daytona appearance.

A Days of Thunder sequel isn’t simply another Hollywood production using racing as a backdrop. If NASCAR teams, drivers and tracks become part of the production, the movie could function as a global showcase for the sport.

From ‘Top Gun’ to ‘Days of Thunder’

Cruise has already demonstrated the potential of revisiting a signature movie decades later.

Top Gun: Maverick introduced the Top Gun franchise to a new generation while bringing longtime fans back to theaters. There is no guarantee Days of Thunder will duplicate that success, but NASCAR offers many of the elements associated with Cruise’s biggest action films — speed, technology, competition, danger and spectacle.

The difference this time is that NASCAR itself could share the spotlight.

Cruise isn’t simply returning to the fictional world of Cole Trickle. He is immersing himself in the real NASCAR garage before cameras begin rolling.

Daytona Becomes the Starting Line

That makes Daytona an important part of the sequel’s developing story.

Daytona International Speedway represents generations of NASCAR history. Cruise’s decision to bring Days of Thunder back into that environment connected the original film, today’s NASCAR and Hollywood’s upcoming sequel in one place.

For longtime NASCAR fans, Cruise’s return revives memories of Cole Trickle.

For younger audiences, the new film could provide their first introduction to the character — and potentially their first meaningful exposure to NASCAR.

For the sport itself, the possibilities are considerably larger.

Cruise and Hathaway give the production international star power. NASCAR provides the speed, personalities, rivalries and authenticity. Daytona provided the stage where those worlds came together.

And NASCAR drivers are already lining up to become part of it.

What’s Next for ‘Days of Thunder’

Attention now turns toward production, which is expected to begin in early 2027. Additional casting, filming locations, participating NASCAR organizations and driver cameos remain among the biggest unanswered questions.

The finished movie is scheduled to arrive in theaters June 2, 2028.

Between now and then, NASCAR has an unusual opportunity: allow one of Hollywood’s biggest stars to take audiences behind the wheel and into the culture of American stock-car racing.

At Daytona, Cruise provided the first taste of what that combination could generate.

The thunder is coming back — and NASCAR could be one of its biggest stars.

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Miss Utah’s Teen Elle Anderson Crowned Miss America’s Teen 2027

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Miss Utah’s Teen Elle Anderson celebrates onstage after being crowned Miss America’s Teen 2027 in West Palm Beach, Florida. Anderson made history as the first Miss Utah’s Teen to capture the national title, emerging from a field of 52 delegates. Source: Miss America

Anderson makes history as Utah’s first Miss America’s Teen winner, earning the national crown after preliminary wins in talent and evening wear

WEST PALM BEACH, Fla. (FNN) — Miss Utah’s Teen Elle Anderson was crowned Miss America’s Teen 2027 on Saturday, becoming the first representative from Utah to win the national title and the 21st young woman to wear the Miss America’s Teen crown.

Anderson emerged from a field of 52 state delegates representing all 50 states, the District of Columbia and Puerto Rico during the national competition in West Palm Beach.

Her victory follows preliminary awards in talent and evening wear. Anderson earned the talent recognition for her violin performance of “Czardas” by Vittorio Monti.

Elle Anderson Makes History for Utah

Anderson’s victory marks a milestone for the Miss Utah organization as its first Miss America’s Teen national title.

Beyond competition, Anderson has focused her platform on youth leadership, service and emergency preparedness.

Her Community Service Initiative, Every Beat Matters, was created in honor of her late brother and promotes teen-focused CPR training and emergency readiness.

The initiative centers on three principles — Confidence, Preparation and Rescue — with the goal of giving young people practical skills that could help save lives.

More Than $40,000 in Scholarships

Anderson has earned more than $40,000 in scholarships through the Miss America Opportunity.

She is enrolled at Brigham Young University, where she plans to study journalism and business. Anderson also plans to pursue law school.

Her combination of academic goals, community service and performing arts experience helped distinguish her throughout the national competition.

Anderson: ‘You Don’t Need a Crown to Be a Leader’

As Miss America’s Teen 2027, Anderson will serve as a national ambassador for the program, traveling and encouraging young women to pursue leadership and community service.

“I want every young person I meet this year to walk away knowing that their voice matters, their choices matter, and most importantly, they matter,” Anderson said in a statement.

“You don’t need a crown to be a leader. You don’t need a title to serve. You don’t need to wait for someone to tell you that you’re ready. You are ready,” she added.

Anderson said she wants to spend her year as Miss America’s Teen reinforcing that message to young women across the country.

Miss America’s Teen 2027 Top Five

Anderson secured the crown after advancing through multiple rounds of competition and reaching the Top 5.

Madalyn Sullivan of Mississippi was named first runner-up, followed by Zoe Zogleman of Texas as second runner-up, Natalia Yurecko of Minnesota as third runner-up and Logan Wells of South Carolina as fourth runner-up.

Semifinalists included Melony Tidmore of Georgia, Aria Christensen of Oregon, Tianna Lei Wailehua of Hawaii, Camdyn Lee of North Carolina, Lucille Esler of New York and Kendall Laroche of New Hampshire.

A New National Role Begins

With the crown, Anderson begins a yearlong national role representing Miss America’s Teen and promoting her Every Beat Matters initiative.

Her historic victory combines several elements of the Miss America Opportunity — scholarship, talent, service, education and leadership — while giving Utah its first Miss America’s Teen national title.

For Anderson, the crown also provides a national platform for a deeply personal mission: helping young people develop the confidence and preparation to respond when someone’s life may depend on them.

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Miss Texas, Miss Utah and Miss New Jersey Win 2026 Miss America Preliminary Talent Awards

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Photo: Miss America

Miss Texas, Miss Utah and Miss New Jersey earn Miss America talent honors as national competition heads into championship weekend

WEST PALM BEACH, Fla. (FNN) — The Miss America Organization announced the 2026 Miss America and Miss America’s Teen Kawai Pianos Preliminary Talent Award winners following the Miss America’s Got Talent competition at the Kravis Center for the Performing Arts in West Palm Beach.

The Sept. 3 competition showcased the talents of delegates competing for the Miss America and Miss America’s Teen titles, with performances spanning a range of artistic disciplines.

Miss America preliminary talent winners Miss Texas Regan Hutsell, Miss Utah Erika Dalton and Miss New Jersey Kylie Gene Wright celebrate after receiving Kawai Pianos Preliminary Talent Awards during the Miss America’s Got Talent competition in West Palm Beach, Florida. Source Miss America

 

Miss America Preliminary Talent Award Winners

Three Miss America delegates received Kawai Pianos Preliminary Talent Awards, with each winner earning a $3,000 scholarship:

  • Miss Texas Regan Hutsell
  • Miss Utah Erika Dalton
  • Miss New Jersey Kylie Gene Wright

The awards recognize artistry, creativity, discipline and dedication demonstrated during the preliminary talent competition.

Miss America’s Teen preliminary talent winners Miss Utah’s Teen Elle Anderson, Miss Oregon’s Teen Aria Christensen and Miss New Hampshire’s Teen Kendall Laroche celebrate with their Kawai Pianos Preliminary Talent Awards during the national competition in West Palm Beach, Florida.

Miss America’s Teen Preliminary Talent Award Winners

Three Miss America’s Teen delegates also earned preliminary talent honors. Each receives a $1,500 scholarship:

  • Miss Utah’s Teen Elle Anderson
  • Miss Oregon’s Teen Aria Christensen
  • Miss New Hampshire’s Teen Kendall Laroche

The six preliminary awards provide a combined $13,500 in scholarships.

Seven Judges Evaluate Miss America Talent Competition

The preliminary talent performances were evaluated by a seven-member judging panel representing entertainment and the performing arts.

Judges included Alida Michal, Brooklyn Mack, Jill Twiss, J. Harrison Ghee, Lora Drasner, Shelly Bramhall and Marisha Wallace.

The talent competition remains a central component of the Miss America program, giving delegates an opportunity to demonstrate performance ability while competing for scholarship awards.

Miss America Championship Weekend Continues in West Palm Beach

The national competition continues Saturday, Sept. 5, with the Miss America’s Teen Final at 7 p.m.

The Miss America Final follows Sunday, Sept. 6, at 7 p.m., when the organization is scheduled to crown the 99th Miss America.

Both events are being held at the Kravis Center for the Performing Arts in West Palm Beach as The Palm Beaches hosts the national competition.

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