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Review: ‘Matrix Resurrections’ rewires its programming

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How deep does the rabbit hole go? Deep enough, it turns out, to accommodate at least four movies, several videogames, a comic and countless pairs of sunglasses.

In the 22 years since the “The Matrix” debuted, it has never left us — or depending on your pill of choice, we have never left it. Despite two largely disappointing sequels, “The Matrix” still hasn’t quite gone out of style — neither its long leather jackets nor its sci-fi vision of an illusive reality beyond what’s in front of us. It’s gotten easier and easier to think maybe Morpheus really was onto something about that whole simulation business.

So when green lines of code again rain down across the screen in the opening of “The Matrix Resurrections,” it’s a little like a warm bath. If we’re going to be stuck inside a simulation, at least we have one with Keanu Reeves.

But much has also changed in the 18 years since the last big-screen chapter, “Matrix: Resolutions.” This is the first one directed solely by Lana Wachowski, without her sister Lilly. They both had long resisted the idea of another “Matrix” movie, but the death of their parents left Lana craving the comfort of Neo (Reeves) and Trinity (Carrie-Anne Moss), she has said. The movie is dedicated to mom and dad.

And for a long time, “Resurrections” seems to be arguing with itself. Neo is now a dispirited videogame designer, famed for creating the “Matrix” game and struggling to make anything that will capture the same cultural connection. This is maybe not so different for the Wachowskis, visionary filmmakers whose dense, elaborate fantasies (“Jupiter Ascending,” “Cloud Atlas”) have sometimes sagged under the weight of their baroque architectures and muddled metaphysics. Even the legacy of “The Matrix” is up for debate in this very self-analytical sequel.

“We kept some kids entertained,” shrugs Neo, no longer sounding much like “the one.” He’s now going by his old identity, Thomas A. Anderson.

A sequel to the game, though, is ordered up by the parent company: Warner Bros., which is the studio behind these movies, too. The meta boardroom scene in which this is discussed isn’t nearly as fresh as the filmmakers seem to think. It’s part of the movie’s overwrought first half where new levels of reality are opened and occasionally loop back to the first “Matrix.” Familiar scenes are spied again, but this time from a different, unclear vantage point. There’s a blue-haired hacker shifting between realms named Bugs (Jessica Henwick, a fine addition) and a kind of Morpheus stand-in played by Yahya Abdul-Mateen II. Laurence Fishburne isn’t in this one, and it’s not hard to spend the film’s 148-minute running time lamenting his colossal absence.

There’s a lot to process in the movie’s first half but a few basic points: Thomas/Neo is living quietly, dourly in a simulation where he and Trinity (Moss) are strangers to one another. But Neo sees her at a coffee shop (“Simulatte”), and there’s a powerful, hard-to-explain connection. Reeves and Moss still have a potent chemistry, and one of the movie’s chief charms is the resurrection of the less-seen Moss. But in this warped world, Trinity goes by Tiffany and is married with kids. Her husband, cruelly, is even named Chad. Whatever Neo’s disquietude, he’s pacified by his therapist (Neil Patrick Harris). This “Matrix” movie isn’t feverish with newness like the innovative original but pulls from a later chapter in life: the midlife malaise of feeling like you took a wrong turn somewhere long ago.

Realigning all the layers of truth and illusion takes quite some time in “Resurrections,” which Wachowski wrote with David Mitchell and Aleksandar Hemon. The first 90 minutes or so are so overloaded with exposition and explanation that by the time Jada Pinkett Smith’s underground rebel leader Niobe pops up and tells Neo, “We have to talk” — you may find yourself murmuring “Please no” and reaching for the nearest blue pill. A lot of sequels and reboots can be criticized for being undercooked; “Resurrections” suffers more from being overthought.

And yet it’s often compelling to watch Wachowski interrogate and reconsider her most beloved creation. This is a kind of personal blockbuster-making seldom made and that, flaws and all, I would take over many more slickly composed, more blatantly corporate products.

More than ever, “The Matrix” plays as an allegory not for analog and digital worlds but something more intimate revolving around despondency and self-realization. In its cocktail of pills, therapy and flights off rooftops, “Resurrections” makes an elaborate science-fiction tapestry of medication, depression and suicide. While Neo and Trinity’s heterosexual romance drives the franchise (yes, along with those cool, slow-mo bullets), “The Matrix” is about stepping out of normative existence — saying goodbye to old code, to “Chad” — and being reborn in a rule-less, decidedly queer universe. It’s a fitting irony that the climax of “Resurrections” features a menacing speech about “sheeple” from Neil Patrick Harris.

But if defying one’s heteronormative programming and entering the Matrix was once a balletic finesse, in “Resurrections” the battle is blunter and the tone less exultant. Personal freedom here requires mounting a defense from an alarming onslaught. In the grim culmination of “Resurrections,” Neo and Trinity (no longer Tiffany) flee beneath a chilling deluge of bodies robotically controlled to swarm any anomaly. “The Matrix Resurrections” may be a bumpy ride but it’s still a trip.

“The Matrix Resurrections,” a Warner Bros. release, is rated PG-13 by the Motion Picture Association of America for violence and some language. Running time: 148 minutes. Two and a half stars out of four.

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Entertainment

Kym Whitley, Yvette Nicole Brown to Headline First Ladies Health Initiative Brain Health Luncheon

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Side-by-side headshots of actresses Yvette Nicole Brown and Kym Whitley, speakers at the First Ladies Health Initiative brain health and caregiving luncheon.
Emmy-nominated actresses Yvette Nicole Brown, left, and Kym Whitley will participate in the First Ladies Health Initiative’s “Mindful of the Memories: A Path to Better Brain Health” luncheon Sept. 19 in Marina del Rey, California.

The Sept. 19 luncheon in Marina del Rey will spotlight Alzheimer’s, dementia, caregiving and brain health as the First Ladies Health Initiative celebrates new grant support for programs empowering girls.

LOS ANGELES, Calif. (FNN) — Emmy-nominated actresses Kym Whitley and Yvette Nicole Brown will headline a First Ladies Health Initiative luncheon focused on Alzheimer’s disease, dementia, caregiving and brain health on Saturday, Sept. 19, in Marina del Rey.

The First Ladies Health Initiative, or FLHI, will host its leaders summit luncheon, “Mindful of the Memories: A Path to Better Brain Health,” beginning at 11 a.m. at The Ritz-Carlton, Marina del Rey.

Whitley, whose credits include Act Your Age and Raising Whitley, and Brown, known for Community, Act Your Age and The Mayor, will participate in a fireside conversation moderated by Dr. Shalonda “Sunshine” Crawford, co-pastor of Experience Christian Ministries.

The discussion will address the experiences of families affected by Alzheimer’s and dementia, including the demands placed on caregivers and the challenges of balancing caregiving with careers and other responsibilities.

Personal Experiences Bring Caregiving Into Focus

FLHI Co-Executive Director Marquisé Alston-Allison said Whitley and Brown were selected in part because both have personal experience caring for their fathers.

“Alzheimer’s disease has a devastating impact on the African American community, where individuals are approximately twice as likely to develop Alzheimer’s or other forms of dementia,” Alston-Allison said in the organization’s announcement.

The luncheon takes place two days before World Alzheimer’s Day on Sept. 21.

Brain Health and Prevention Take Center Stage

FLHI is also partnering with the INSPIRE-Faith program at Charles R. Drew University of Medicine and Science, led by neurologists Drs. Dean and Ayesha Sherzai.

The program emphasizes lifestyle factors associated with brain and overall health, including nutrition, physical activity, sleep, stress management and social connections.

The initiative brings prevention-focused health education into faith and community settings while addressing conditions such as dementia, diabetes, hypertension, heart disease and stroke.

Luncheon to Feature Music and Special Honors

Radio personality Aundrae Russell of 102.3 KJLH-FM will serve as emcee, with a musical performance by recording artist David Daughtry.

FLHI will also pay tribute to its founding president, Tracey Alston, who died last year.

Dr. Betty Ruth Price, former first lady, co-founder and matriarch of Crenshaw Christian Center, will also be honored during the event.

FLHI Among Organizations Receiving Girls Opportunity Alliance Support

The event comes as FLHI celebrates its selection for support through the Obama Foundation’s Girls Opportunity Alliance.

According to the announcement, a total of $500,000 will be distributed among 10 organizations working to empower girls, with FLHI among the selected recipients.

FLHI is currently led by second-generation co-executive directors Marquisé Alston-Allison and Taylor Alston-Cleveland, alongside co-founder and National Chair Jamell Meeks of Salem Baptist Church in Chicago and Los Angeles Chair Crawford.

The organization also acknowledged support from Charles R. Drew University of Medicine and Science, Healthy Mind Initiatives, Black Girl Vitamins and The Ritz-Carlton.

For additional information, visit First Ladies Health Initiative.

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Central Florida News

Orlando International Fashion Week 2026 Opens Early Bird Pass Sales for November Runway Shows

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OIFW returns Nov. 8-15 with fashion, entertainment and cultural events across Orlando, culminating in a runway weekend at Caribe Royale Orlando.

ORLANDO, Fla. (FNN) — Orlando International Fashion Week is opening early bird access for its Fall 2026 “The Shows Pass,” giving guests an opportunity to secure admission to the event’s final weekend runway experiences before individual show tickets go on sale.

Orlando International Fashion Week, or OIFW, returns Nov. 8-15, 2026, with a week of fashion, art, music, entertainment, runway shows and cultural experiences throughout Orlando.

Select events will be invitation-only, while public ticketed programming will be offered throughout the week. The celebration will culminate with runway programming at Caribe Royale Orlando, the host hotel for OIFW’s final weekend experiences.

Early Bird Shows Passes

The Shows Pass is designed for guests seeking early access to OIFW’s featured runway experiences during the final weekend.

Early bird options include:

  • 2-Day General Access — Nov. 14-15: $275
  • 2-Day Preferred Access — Nov. 14-15: $425
  • 2-Day Front Row Access — Nov. 14-15: $650
  • 3-Day Front Row Access — Nov. 13-15: $750

Two-day passes include access to featured OIFW runway experiences on Saturday, Nov. 14, and Sunday, Nov. 15, at Caribe Royale Orlando.

Select three-day pass options also include FEN Social on Friday, Nov. 13, at Society Orlando, along with the final weekend runway experiences.

Individual show tickets are expected to be released at a later date.

Fashion, Entertainment and Tourism Come Together

“Orlando International Fashion Week continues to grow as a platform where fashion, entertainment, culture, and tourism come together,” said Rob Henlon, co-founder of Fierce Entertainment Management. “The Shows Pass gives our audience a first opportunity to be part of the final weekend experience as we prepare to announce more designers, models, featured guests, vendors, and special programming.”

OIFW is a Fierce Entertainment initiative produced and coordinated by Fierce Entertainment Management LLC.

Fall 2026 Model Casting Set for Sept. 26-27

Ahead of fashion week, OIFW will hold its Fall 2026 Model Casting on Sept. 26-27 in continued collaboration with the Global Peace Film Festival.

The casting will give models an opportunity to be considered for fashion, media, festival, promotional, live-event and runway opportunities connected to the Global Peace Film Festival and OIFW’s November 2026 shows.

Fierce Entertainment Management will manage and coordinate the casting.

Vendor Opportunities Available

Vendor opportunities are also available for select Fall 2026 events, including FEN Social at Society Orlando and the OIFW runway weekend at Caribe Royale Orlando.

Participation is subject to approval, space availability, venue guidelines and production needs.

OIFW Vendor Registration

Additional designers, models, featured guests, performers, vendors, partners and special experiences will be announced as details are finalized.

Early bird Shows Passes are available through the Orlando International Fashion Week official website.

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Chaka Khan, Q Parker to Lead Living Legends Foundation’s 35th Anniversary Gala in Atlanta

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Chaka Khan and Q Parker, honorary ambassador and honorary gala chair for the Living Legends Foundation’s 35th Anniversary Awards Dinner & Gala.
Ten-time Grammy Award winner Chaka Khan, left, will serve as honorary ambassador, while Grammy-winning singer and founding 112 member Q Parker will serve as honorary gala chair for the Living Legends Foundation’s 35th Anniversary Awards Dinner & Gala on Oct. 2, 2026, in Atlanta. Chaka Khan photo: Nick Nelson; Q Parker photo: Quadir Thomas

Milestone celebration will recognize the executives, radio personalities, entrepreneurs and cultural leaders who helped shape Black music and entertainment

ATLANTA, Ga. (FNN) — Ten-time Grammy Award winner Chaka Khan will serve as honorary ambassador and Grammy-winning singer and founding 112 member Q Parker as honorary gala chair for the Living Legends Foundation’s 35th Anniversary Awards Dinner & Gala, the organization announced.

The milestone celebration is scheduled for Friday, Oct. 2, in Atlanta and will bring together artists, music executives, radio personalities, creatives, entrepreneurs and cultural leaders to recognize the people whose work has helped shape Black music, media and entertainment.

For Khan, the role marks a return to an organization that recognized her more than three decades ago. She was among the artists honored by the Living Legends Foundation in 1992.

“When you cross a bridge, you don’t think about all the hands that built it. Some of the most important contributions are the ones we never see,” Khan said in the announcement. “Thank you, Living Legends Foundation, for seeing that every story matters and for honoring those hands and hearts that helped build the way for all of us.”

Chaka Khan Returns for Milestone Anniversary

Living Legends Foundation Chairman David C. Linton said Khan’s connection to the organization makes her participation especially significant during its 35th anniversary.

“Having Chaka Khan serve as our Honorary Ambassador during this milestone year is incredibly meaningful,” Linton said. “Chaka’s history with the Foundation reaches back to our earliest years, and her extraordinary career represents the excellence, longevity and cultural impact we have worked to celebrate for 35 years.”

Khan’s appearance also comes as she prepares for another chapter in her recording career. According to the foundation’s announcement, her new album, “Chakzilla,” is scheduled for release Sept. 18. The project, described as her first full-length album in seven years, includes collaborations with Sia, Snoop Dogg and Lenny Kravitz.

The combination of Khan’s new music and her honorary role highlights one of the gala’s central themes: connecting the legacy of Black music with the people continuing to move the industry forward.

Q Parker to Serve as Honorary Gala Chair

Joining Khan is Q Parker, a founding member of Grammy-winning R&B group 112. Parker will serve as honorary gala chair and help promote the foundation’s work recognizing and supporting music industry professionals.

“Black music has given me a career, a community, and an opportunity to use my gifts to impact people around the world, so serving as Honorary Chair for the Living Legends Foundation’s 35th anniversary is truly an honor,” Parker said.

Parker said the industry’s success extends far beyond the artists audiences see on stage.

“This organization understands that our industry is bigger than the names we see on the marquee,” Parker said. “There are countless people behind the scenes who have dedicated their lives to moving our culture forward.”

Parker recently released the single “Stare,” from his forthcoming album, “Evolution of Romance, Volume Two,” expected this fall, according to the announcement.

Honoring the People Behind Black Music and Culture

Founded in 1991, the Living Legends Foundation has built its mission around recognizing professionals whose work has helped bring Black music and culture to audiences around the world.

Beyond its annual honors, the nonprofit provides support to music industry professionals with confirmed needs and invests in future generations through mentorship, scholarships and other assistance.

The anniversary gala will continue that mission by placing executives, broadcasters, advocates, entrepreneurs and other behind-the-scenes leaders alongside some of the most recognizable figures in entertainment.

2026 Living Legends Foundation Honorees

This year’s honorees include:

  • Ray Harris Lifetime Achievement Award: Louis Carr, president of BET
  • A.D. Washington Chairman’s Award: Black Promoters Collective
  • Jerry Boulding Radio Executive Award: Kenny Smoov, vice president of urban programming, Cumulus
  • Frankie Crocker Radio Personality Award: Greg Street, air personality, V-103 Atlanta
  • Impact Player Award: Juliette Jones, COO, Alamo Records
  • Music Executive Award: Tim Reid, senior vice president, repertoire and marketing, BMG Recorded Music
  • Mike Bernardo Female Executive Award: Phylicia Fant, global director, Black Music + Culture, Amazon Music
  • Kendall Minter Entertainment Advocate Award: James McMillan, Esq., CEO, ART@WAR Entertainment
  • Hip-Hop Visionary Award: Ted Lucas, founder and CEO, Slip-N-Slide Records
  • Entrepreneur Award: Ralph McDaniels, executive producer, “Video Music Box”

Why the 35th Anniversary Matters

The anniversary reflects more than three decades of recognizing people whose contributions to Black music and entertainment have not always received the same public attention as the artists they helped build, promote and sustain.

That history is reflected in Khan’s return. After being recognized by the foundation in its early years, she will now help honor another generation of industry leaders.

The 35th Anniversary Awards Dinner & Gala will continue the Living Legends Foundation’s tradition of celebrating achievement, leadership, innovation and service while preserving the stories of the people who helped build the business and culture surrounding Black music.

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