Entertainment
U2: The Joshua Tree Tour 2017
Published
9 years agoon
LOS ANGELES — Live Nation today announced that U2 will return to select stadiums this year with U2: The Joshua Tree Tour 2017, in celebration of the 30th anniversary of the band’s classic album. Each show will include a performance of The Joshua Tree in its entirety, with support from one of a number of special guests including Mumford & Sons, OneRepublic and The Lumineers in North America and Noel Gallagher’s High Flying Birds in Europe.
Released to universal acclaim on March 9th,1987 and featuring hit singles “With Or Without You”,”I Still Haven’t Found What I’m Looking For” and “Where The Streets Have No Name”, The Joshua Tree was U2’s first #1 album in the U.S., topping the charts globally including the U.K. and Ireland, selling in excess of 25 million albums worldwide, and catapulting Bono, The Edge, Adam Clayton and Larry Mullen Jr “… from heroes to superstars” (Rolling Stone). Time Magazine put U2 on its cover in April 1987, proclaiming them “Rock’s Hottest Ticket” in a defining year for the band that saw their arena dates roll into stadium shows to accommodate escalating demand – setting them on course to become one of the greatest live acts in the world today. The 12 months that followed saw the band create now-iconic moments: the traffic-stopping Grammy Award-winning music video on the roof of a Los Angeles liquor store, winning a BRIT Award and two Grammys – including Album of the Year – their first of 22 received to date, distinguishing U2 as the most awarded rock band in Grammy history.
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U2 announces The Joshua Tree Tour 2017
U2 announces The Joshua Tree Tour 2017
U2 announces The Joshua Tree Tour 2017
U2’s fifth studio album The Joshua Tree was produced by Brian Eno and Daniel Lanois, and featured iconic artwork which cemented the career of photographer and director Anton Corbijn. Recording took place in Dublin at Windmill Lane Studios and Danesmoate, the house which subsequently became bassist Adam Clayton’s home.
“It seems like we have come full circle from when The Joshua Tree songs were originally written, with global upheaval, extreme right wing politics and some fundamental human rights at risk. To celebrate the album – as the songs seem so relevant and prescient of these times too – we decided to do these shows, it feels right for now. We’re looking forward to it.” – The Edge
“Recently I listened back to The Joshua Tree for the first time in nearly 30 years… it’s quite an opera. A lot of emotions which feel strangely current, love, loss, broken dreams, seeking oblivion, polarisation… all the greats… I’ve sung some of these songs a lot… but never all of them. I’m up for it, if our audience is as excited as we are… it’s gonna be a great night.”- Bono
“We are off to play a few shows with U2! It’s the 30th anniversary of The Joshua Tree – one of the greatest albums ever made, in our opinion, and something well worth a good celebration. It’s a record that did so much for us all when we discovered it individually and if ever a record stands the test of time it’s that one. So when the lads gave us a call to invite us to play a few gigs opening for them it was our great honour to accept. It’s gonna be such a good few nights… ” – Mumford & Sons
“I can remember covering the U2 song “One” in bars back in NYC 10 years ago, with Jer on drums. A lot has changed since then, but still – I NEVER thought we’d get the chance to open for such a legendary band, on such a legendary album – The Joshua Tree. Their songs are so timeless and transcendent, it’s impossible to imagine a time when they didn’t exist. That type of songwriting has always been the mountaintop for us – songs that can transcend generations.” – Wesley Schultz, The Lumineers
“The Joshua Tree is the first album I ever heard from U2 because it came out when I had just started my love affair with music as a young kid… it’s the album that made me want to write songs and start a band. Joining them for this tour will be the experience of a lifetime, leaving the bucket list fully checked.” – Ryan Tedder, OneRepublic
“It will be both a pleasure and an honour to play my part in what still remains the greatest show on earth.” – Noel Gallagher
Following the groundbreaking iNNOCENCE + eXPERIENCE Tour’s arena shows in 2015, U2: The Joshua Tree Tour 2017 will see the band return to the stadium stage for the first time since 2009-2011’s record-shattering U2 360° Tour, the most successful tour in history seen by over 7.3 million fans worldwide.
U2: The Joshua Tree Tour 2017 will kick off in Vancouver on 12th May for a run of dates across North America and Europe, and will include U2’s first ever U.S. festival headline appearance at the Bonnaroo Music & Arts Festival this summer, as well as a hometown show in Dublin’s Croke Park on 22nd July.
Tickets for the U2: The Joshua Tree Tour 2017 are on sale Monday, January 16th in Ireland, the UK and Europe and Tuesday, January 17th in the US and Canada. As usual, there is an exclusive priority presale for U2 Subscribers at U2.com from Wednesday, January 11th (9am) through Friday, January 13th (5pm) local times. Tickets will be general admission on the floor and reserved seating in the stands. There will be a 4 ticket limit for subscriber purchases and a 6 ticket limit commencing with public sales. In North America, all floor tickets will be paperless unless otherwise noted.
U2: The Joshua Tree Tour is produced by Live Nation Global Touring. UPS is the Official Logistics Provider of the tour.
For complete tour and ticket information, visit: www.u2.com & www.livenation.com
NORTH AMERICAN TOUR DATES:
SUPPORT:
May 12
Vancouver, BC
BC Place
Mumford & Sons
May 14
Seattle, WA
CenturyLink Field
Mumford & Sons
May 17
Santa Clara, CA
Levi’s Stadium
Mumford & Sons
May 20
Los Angeles, CA
Rose Bowl
The Lumineers
May 24
Houston, TX
NRG Stadium
The Lumineers
May 26
Dallas, TX
AT&T Stadium
The Lumineers
June 3
Chicago, IL
Soldier Field
The Lumineers
June 7
Pittsburgh, PA
Heinz Field
The Lumineers
June 8-11
Manchester, TN
Bonnaroo Festival
Multi-Artist
June 11
Miami, FL
Hard Rock Stadium
OneRepublic
June 14
Tampa, FL
Raymond James Stadium
OneRepublic
June 18
Philadelphia, PA
Lincoln Financial Field
The Lumineers
June 20
Washington DC
FedExField
The Lumineers
June 23
Toronto, ON
Rogers Centre
The Lumineers
June 25
Boston, MA
Gillette Stadium
The Lumineers
June 28
East Rutherford, NJ
MetLife Stadium
The Lumineers
July 1
Cleveland, OH
FirstEnergy Stadium
OneRepublic
EUROPEAN TOUR DATES:
SUPPORT:
July 8
London, UK
Twickenham
Noel Gallagher’s High Flying Birds
July 12
Berlin, DE
Olympic Stadium
Noel Gallagher’s High Flying Birds
July 15
Rome, IT
Olympic Stadium
Noel Gallagher’s High Flying Birds
July 18
Barcelona, ES
Olympic Stadium
Noel Gallagher’s High Flying Birds
July 22
Dublin, IE
Croke Park
Noel Gallagher’s High Flying Birds
July 25
Paris, FR
Stade de France
Noel Gallagher’s High Flying Birds
July 29
Amsterdam, NE
Amsterdam Arena
Noel Gallagher’s High Flying Birds
August 1
Brussels, BE
Stade Roi Baudouin
Noel Gallagher’s High Flying Birds
Central Florida News
FNN Honors Teen Reporter Isabella Schmitt as She Graduates and Pursues Communications Degree
Published
2 weeks agoon
May 15, 2026ORLANDO, Fla. (FNN) — Florida National News proudly celebrates Isabella Schmitt as she marks an important milestone with her high school graduation and prepares to begin an exciting new chapter pursuing Communications in college.
Over the years, Isabella has represented the next generation of young voices with professionalism, creativity, determination, and passion.
Through reporting opportunities, community involvement, and media experiences, she has continued to shine both on and off camera while inspiring others through her dedication and work ethic.
Jenny Rosario, Vice President of Florida National News, praised Isabella’s accomplishments and bright future ahead.
“Watching Isabella grow both personally and professionally has been truly inspiring,” Rosario said. “She represents the future of journalism, communications, and storytelling. Her passion, confidence, and commitment to making a positive impact through media are remarkable, and we are incredibly proud of all she has accomplished.”
Rosario added that Isabella’s decision to pursue Communications in college is a natural next step for someone with such strong talent and determination.
“The world of media and communications needs more young voices like Isabella’s,” Rosario said. “We know this is only the beginning of many great accomplishments to come.”
Florida National News congratulates Isabella Schmitt and the entire Class of 2026 on this exciting achievement.
“Keep dreaming big and telling stories that matter,” Rosario added.
Entertainment
How Orlando International Fashion Week Builds Confidence: A Belonging-Driven Casting Experience
Published
2 weeks agoon
May 9, 2026By Dr. Jessica Henlon | Education Contributor for Florida National News
At Orlando International Fashion Week (OIFW), the runway does not begin on show day. It begins at casting.
Over two weekends this April, OIFW welcomed hundreds of aspiring and experienced models to CityArts Gallery in Downtown Orlando for official casting calls ahead of the June 6 runway shows. What unfolded was more than an audition process. It was a carefully designed experience rooted in a powerful truth: when people feel seen, supported, and welcomed, they are more likely to show up with confidence.
From first-time participants to returning talent, families, creatives, and industry professionals, the casting experience reflected what makes OIFW different. It was not just about selecting models. It was about creating a space where people felt confident enough to try.
Belonging First, Performance Second
In educational psychology, belonging is not a soft concept. It is a driver of motivation, persistence, and self-efficacy. Research in postsecondary education has consistently linked students’ sense of belonging to academic outcomes, engagement, and persistence (Fong et al., 2024; Gopalan & Brady, 2020). While OIFW is not a classroom, the same human principles apply. People perform differently when they feel safe, valued, and connected.
This also aligns with my doctoral research on online first-generation college students. In that study, participants described virtual extracurricular activities as affirming spaces that supported leadership development, motivation, self-efficacy, and belonging (Henlon, 2025). The findings affirmed that engagement spaces are not “extra.” They can be essential to how people build identity, confidence, and persistence.
OIFW reflects this same principle in a creative industry setting. People come back because of how they are treated.
Designing a Confidence-Building Experience
The atmosphere inside CityArts Gallery was intentional.
Models of all ages and backgrounds moved through the casting process in a space that felt structured, supportive, and human. Team members gave clear direction, answered questions, and offered encouragement in real time. Families felt comfortable. First-time participants felt included. Returning models felt valued.
Those details matter.
Social Cognitive Theory suggests that individuals build confidence through observation, encouragement, and successful participation in meaningful environments (Bandura, 1986). When a model sees others walk, receive feedback, and try again, the room becomes a learning space. Confidence is not simply demanded. It is modeled, practiced, and reinforced.
That approach also connects to the modeling and fashion curriculum I developed for youth and emerging talent, where self-esteem, work ethic, body language, preparation, and reflection were built directly into the learning experience. The curriculum framed self-esteem as confidence in one’s own worth and abilities, while encouraging participants to celebrate success, develop talents, practice positive self-talk, and treat themselves well. That same foundation was visible at casting: confidence grows when people are given structure, encouragement, and room to develop.
A Creative Ecosystem in Motion
Casting weekends brought together more than models.
Photographers, videographers, designers, media professionals, artists, families, and community members shared the same creative space. More than 20 photographers and videographers were present capturing content, building portfolios, and documenting the energy of the experience. Florida National News was also on-site, conducting interviews and helping tell the story of the event.
This kind of creative ecosystem matters because learning and confidence often grow through participation, not observation alone. Research on connected arts learning emphasizes the importance of linking creative practice to supportive relationships, cultural relevance, and opportunity pathways (Peppler et al., 2022). In other words, creative spaces become more powerful when they connect people to each other and to what comes next.
At OIFW, casting is not hidden behind closed doors. It is visible, collaborative, and alive. This is where relationships are built.
Inclusion as Strategy, Not Statement
OIFW continues to prioritize an inclusive casting approach that welcomes models across ages, sizes, backgrounds, and experience levels. This is more than a value statement. It is part of the structure.
Research on organized activities shows that participation in supportive group settings can help young people build social capital, strengthen relationships, and develop confidence through meaningful interaction (Boat et al., 2024). Similarly, studies of extracurricular activities have found that participation can strengthen self-efficacy, identity, and skill development when activities are structured with purpose and support (Griffiths et al., 2021).
That is why inclusive casting matters. When a young person, a first-time model, or a returning participant sees a range of people welcomed into the process, the message is clear: there is room for you here.
For families, this creates trust.
For designers, it creates range.
For sponsors and media, it tells a deeper story.
For participants, it builds confidence.
Safety, Structure, and Trust
With a strong presence of youth participants, OIFW maintains clear expectations around professionalism, age-appropriate presentation, and safety. Families can trust that the environment is monitored, structured, and designed with care.
That trust is part of why participants return season after season.
In youth development research, positive experiences in organized activities are strongest when young people experience supportive relationships, clear expectations, and opportunities to build skills (Boat et al., 2024; Heath et al., 2022). OIFW’s casting model reflects that kind of intentional design. The goal is not only to prepare people for the runway. It is to help them feel prepared to step into the room.
More Than a Casting Call
What happened over these two weekends was not only about who made the runway.
It was about creating a space where people felt confident enough to try, supported enough to grow, and inspired enough to return. It was about helping participants move from nervousness to possibility. It was about making sure that the first step toward the runway felt welcoming, not intimidating.
Creative participation can support well-being, identity development, and self-expression, especially when the environment is inclusive and relational (Mak & Fancourt, 2019; Peppler et al., 2022). OIFW’s casting experience shows how arts and fashion spaces can function as confidence-building environments when they are designed with care.
That is the OIFW difference.
Confidence is not built through pressure alone. It is built through belonging, visibility, preparation, and meaningful interaction.
Looking Ahead
Orlando International Fashion Week continues to build toward its summer season:
May 16, 2026: Avant Garde Showcase at Orlando Fringe Festival
June 5, 2026: VIP Mixer at Morse Code Lounge
June 6, 2026: “626 Euphoria” Runway Shows at Winter Park Events Center
Tickets are available at www.OIFW.org.
Entertainment
160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience
Published
1 month agoon
April 15, 2026By
Willie DavidDAYTONA BEACH, Fla. (FNN) — Music set times have been released for the 15th anniversary of Welcome To Rockville, Florida’s largest rock, metal and punk festival, set for May 7–10, 2026 at Daytona International Speedway.
Produced by Danny Wimmer Presents, the four-day event will feature more than 160 bands performing across five stages, marking the festival’s largest lineup to date.
HEADLINERS AND DAILY LINEUP
This year’s festival will be headlined by Foo Fighters, My Chemical Romance, Guns N’ Roses and Bring Me The Horizon.
- Thursday, May 7: Guns N’ Roses, Five Finger Death Punch, Godsmack, Staind
- Friday, May 8: Foo Fighters, Turnstile, The Offspring, Parkway Drive
- Saturday, May 9: Bring Me The Horizon, Breaking Benjamin, Motionless in White, Lamb of God
- Sunday, May 10: My Chemical Romance, A Day To Remember, Rise Against, Yellowcard
FESTIVAL EXPANSION AND NEW FEATURES
Organizers announced several enhancements for 2026 aimed at improving the fan experience. A new “Pit Stop” fan zone near the Apex Stage will feature artist interviews, special performances and interactive experiences.
In addition, the Garage Stage will be fully tented for the first time, offering expanded shade coverage and upgraded production for attendees.
SPECIAL EVENTS AND EXPERIENCES
Festivalgoers can kick off the week with a pre-party on May 6 featuring performances by Fuel, Local H and others.
A new crossover event, “Blood4Blood,” will also take place at the Ocean Center, combining live music with bare-knuckle fighting, including a headline bout featuring Alex Terrible of Slaughter to Prevail.
TICKETS, ACCESS AND ATTENDANCE
Festival gates will open daily at 11:30 a.m. Organizers are offering a range of ticket options, including single-day, weekend, VIP and camping packages. A new Camp to Coast shuttle will provide transportation between the speedway and nearby beaches.
With expanded attractions, including rides, themed bars and interactive zones, Welcome To Rockville 2026 is expected to draw tens of thousands of fans to Daytona Beach, reinforcing its role as a major driver of Florida’s tourism and live entertainment economy.