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2014 Orlando International Fashion Week Kicked-Off With Ms. International World Jenny Rosario and X-Factor Music Diva Lillie McCloud

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ORLANDO – The phrase “fashion show” usually conjures up images of malls, large hotel halls, clubs, and perhaps even large warehouses ornately transformed for the occasion. However, Fierce Entertainment Management, the team behind Orlando International Fashion Week, took a totally different angle. In the vein of its culture-rich spring show, Florida Fashion Weekend, which took place at Jai Art Gallery, the team partnered with the Orlando Museum of Art to host the Week’s Kickoff Press Party and Show Sunday, November 2, 2014 to a record-breaking 600 attendees. According to OMA staff, that’s the most people they’ve ever hosted at one time.

OIFW takes its “International” name seriously.

Ms. International World Jenny Rosario, who is also the Week’s ambassador, emceed the event, which featured a diverse five-designer showcase in the Rotunda and a live concert featuring stellar local indie artists in the Auditorium: Ackera Williams, Katherine Beltran, Danielle Whitehead, Daniel Stewart, and Brianna Abregano.

German pianist Fabo Piano and guitarist Buddy Blues provided live tunes in the Rotunda between designers and during intermission. And at one point late in the show, shortly before the final designer presented her line, Rosario actually broke into fluent German conversation with Fabo, igniting the crowd.

The multicultural exhibition wasn’t lost on the attendees, either. Jorge Alvarado, media personality and host of “The Jorge Show” in Tampa, loved the press party:

“I looked out at the crowd and loved seeing the diversity – since fashion is sometimes seen as meant for only a certain group of people, when it’s really not. This says a lot about the diversity of Orlando, and ultimately the nation.”

After the indie music concert in the Auditorium, the showcase continued with Frank Gay’s Rodeo Design line, which featured menswear stitched with rare expensive exotic furs, skins, and fabric accents. Gay, who has been designing clothing for over fifteen years (and more consistently within the last two), drew inspiration from his travels to South of France. He fell in love with the drapery he saw there. “I paid $3,500 for fabric I used in [tonight’s] show,” he noted. “It was originally a gift from the premier in India to the U.S. Ambassador to England.”

Rodeo Designs menswear combines tailored suits with rare, exotic fabrics. Source: Hashim Haskins.

Rosemary Vargas’s Le Maison De La Rosse line featured elegant Oriental-themed gowns and evening dresses of polyester, chiffon, and silk, some offering diaphanous sashes, making the models look ready to float out of the room.

Rosemary Vargas aimed for a Polynesian flair with long, flowing gowns. Source: Hashim Haskins.

Isabel Tse’s Pletora women’s line, inspired by the eccentric but confident and functional fashions she encountered in Hong Kong, offered playful prints and fun-loving ensembles.

Pletora's appeal marries practicality and boldness. Source: Isabel Tse.

Rosalia Beautie’s Boca-Raton-based Athyntiq closed the show with irresistibly sexy women’s wear boasting bandage dresses, geometric designs, cutouts, and catchy prints, including the dress below.

Athyntiq model wears a black, red, and orange cross-cut dress.

The Stars of the Night

In addition to Miss International World Jenny Rosario and “The Jorge Show” host Jorge Alvarado, who also brought his lovely co-host Chanel Kissa and 104.5’s Viva Lakoi with him, OIFW brought out the brightest from all corners of Florida, including Miss Teen Horizonte USA Ivanimarie Torres Quiles (below), who modeled in the show.

Miss Teen Horizonte Ivanimarie Torres Quiles models for Rosemary Vargas's La Maison De La Rosse. Source: Brion Price.

The night’s biggest star was Fox X-Factor diva Lillie Nicole McCloud, who briefly shared her story with the audience and graced everyone with a powerful spine-tingling a cappella performance of what’s to come on her forthcoming album. Fierce Entertainment Management CEO Rob Henlon said she “practically sang the art off the walls.”

McCloud currently has two songs currently available on iTunes: “What About the Beautiful Children” and “The Other Part of Me.” She plans to let her community, or “angels” as she calls them, choose the album title based on the song list she’ll reveal at a later date.

She briefly discussed her X-Factor experience with OFM.

“[It was] very stressful,” she said with a laugh. “We had to be ready by 6 a.m. for pickup, seven days a week. We only got about four to five hours of sleep. But it was amazing to work with Kelly Rowland, and everything you’ve heard about Simon is true. What you see is exactly how he is.”

She noted that X-Factor was “a great launching ground.” She has since been on Christian Television Network, and has received several new opportunities, including being ambassador to Koske, Slovakia and a movie offer to portray Billie Holiday. She is scheduled to head to Atlanta next.

By Mellissa Thomas | FNN / Orlando Fashion Magazine

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Central Florida News

FNN Honors Teen Reporter Isabella Schmitt as She Graduates and Pursues Communications Degree

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ORLANDO, Fla. (FNN) — Florida National News proudly celebrates Isabella Schmitt as she marks an important milestone with her high school graduation and prepares to begin an exciting new chapter pursuing Communications in college.

Over the years, Isabella has represented the next generation of young voices with professionalism, creativity, determination, and passion.

Through reporting opportunities, community involvement, and media experiences, she has continued to shine both on and off camera while inspiring others through her dedication and work ethic.

Jenny Rosario, Vice President of Florida National News, praised Isabella’s accomplishments and bright future ahead.

“Watching Isabella grow both personally and professionally has been truly inspiring,” Rosario said. “She represents the future of journalism, communications, and storytelling. Her passion, confidence, and commitment to making a positive impact through media are remarkable, and we are incredibly proud of all she has accomplished.”

Rosario added that Isabella’s decision to pursue Communications in college is a natural next step for someone with such strong talent and determination.

“The world of media and communications needs more young voices like Isabella’s,” Rosario said. “We know this is only the beginning of many great accomplishments to come.”

Florida National News congratulates Isabella Schmitt and the entire Class of 2026 on this exciting achievement.

“Keep dreaming big and telling stories that matter,” Rosario added.

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Entertainment

How Orlando International Fashion Week Builds Confidence: A Belonging-Driven Casting Experience

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By Dr. Jessica Henlon | Education Contributor for Florida National News

At Orlando International Fashion Week (OIFW), the runway does not begin on show day. It begins at casting.

Over two weekends this April, OIFW welcomed hundreds of aspiring and experienced models to CityArts Gallery in Downtown Orlando for official casting calls ahead of the June 6 runway shows. What unfolded was more than an audition process. It was a carefully designed experience rooted in a powerful truth: when people feel seen, supported, and welcomed, they are more likely to show up with confidence.

From first-time participants to returning talent, families, creatives, and industry professionals, the casting experience reflected what makes OIFW different. It was not just about selecting models. It was about creating a space where people felt confident enough to try.

Belonging First, Performance Second

In educational psychology, belonging is not a soft concept. It is a driver of motivation, persistence, and self-efficacy. Research in postsecondary education has consistently linked students’ sense of belonging to academic outcomes, engagement, and persistence (Fong et al., 2024; Gopalan & Brady, 2020). While OIFW is not a classroom, the same human principles apply. People perform differently when they feel safe, valued, and connected.

This also aligns with my doctoral research on online first-generation college students. In that study, participants described virtual extracurricular activities as affirming spaces that supported leadership development, motivation, self-efficacy, and belonging (Henlon, 2025). The findings affirmed that engagement spaces are not “extra.” They can be essential to how people build identity, confidence, and persistence.

OIFW reflects this same principle in a creative industry setting. People come back because of how they are treated.

Designing a Confidence-Building Experience

The atmosphere inside CityArts Gallery was intentional.

Models of all ages and backgrounds moved through the casting process in a space that felt structured, supportive, and human. Team members gave clear direction, answered questions, and offered encouragement in real time. Families felt comfortable. First-time participants felt included. Returning models felt valued.

Those details matter.

Social Cognitive Theory suggests that individuals build confidence through observation, encouragement, and successful participation in meaningful environments (Bandura, 1986). When a model sees others walk, receive feedback, and try again, the room becomes a learning space. Confidence is not simply demanded. It is modeled, practiced, and reinforced.

That approach also connects to the modeling and fashion curriculum I developed for youth and emerging talent, where self-esteem, work ethic, body language, preparation, and reflection were built directly into the learning experience. The curriculum framed self-esteem as confidence in one’s own worth and abilities, while encouraging participants to celebrate success, develop talents, practice positive self-talk, and treat themselves well. That same foundation was visible at casting: confidence grows when people are given structure, encouragement, and room to develop.

A Creative Ecosystem in Motion

Casting weekends brought together more than models.

Photographers, videographers, designers, media professionals, artists, families, and community members shared the same creative space. More than 20 photographers and videographers were present capturing content, building portfolios, and documenting the energy of the experience. Florida National News was also on-site, conducting interviews and helping tell the story of the event.

This kind of creative ecosystem matters because learning and confidence often grow through participation, not observation alone. Research on connected arts learning emphasizes the importance of linking creative practice to supportive relationships, cultural relevance, and opportunity pathways (Peppler et al., 2022). In other words, creative spaces become more powerful when they connect people to each other and to what comes next.

At OIFW, casting is not hidden behind closed doors. It is visible, collaborative, and alive. This is where relationships are built.

Inclusion as Strategy, Not Statement

OIFW continues to prioritize an inclusive casting approach that welcomes models across ages, sizes, backgrounds, and experience levels. This is more than a value statement. It is part of the structure.

Research on organized activities shows that participation in supportive group settings can help young people build social capital, strengthen relationships, and develop confidence through meaningful interaction (Boat et al., 2024). Similarly, studies of extracurricular activities have found that participation can strengthen self-efficacy, identity, and skill development when activities are structured with purpose and support (Griffiths et al., 2021).

That is why inclusive casting matters. When a young person, a first-time model, or a returning participant sees a range of people welcomed into the process, the message is clear: there is room for you here.

For families, this creates trust.
For designers, it creates range.
For sponsors and media, it tells a deeper story.
For participants, it builds confidence.

Safety, Structure, and Trust

With a strong presence of youth participants, OIFW maintains clear expectations around professionalism, age-appropriate presentation, and safety. Families can trust that the environment is monitored, structured, and designed with care.

That trust is part of why participants return season after season.

In youth development research, positive experiences in organized activities are strongest when young people experience supportive relationships, clear expectations, and opportunities to build skills (Boat et al., 2024; Heath et al., 2022). OIFW’s casting model reflects that kind of intentional design. The goal is not only to prepare people for the runway. It is to help them feel prepared to step into the room.

More Than a Casting Call

What happened over these two weekends was not only about who made the runway.

It was about creating a space where people felt confident enough to try, supported enough to grow, and inspired enough to return. It was about helping participants move from nervousness to possibility. It was about making sure that the first step toward the runway felt welcoming, not intimidating.

Creative participation can support well-being, identity development, and self-expression, especially when the environment is inclusive and relational (Mak & Fancourt, 2019; Peppler et al., 2022). OIFW’s casting experience shows how arts and fashion spaces can function as confidence-building environments when they are designed with care.

That is the OIFW difference.

Confidence is not built through pressure alone. It is built through belonging, visibility, preparation, and meaningful interaction.

Looking Ahead

Orlando International Fashion Week continues to build toward its summer season:

May 16, 2026: Avant Garde Showcase at Orlando Fringe Festival
June 5, 2026: VIP Mixer at Morse Code Lounge
June 6, 2026: “626 Euphoria” Runway Shows at Winter Park Events Center

Tickets are available at www.OIFW.org.

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Entertainment

160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

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160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

DAYTONA BEACH, Fla. (FNN) — Music set times have been released for the 15th anniversary of Welcome To Rockville, Florida’s largest rock, metal and punk festival, set for May 7–10, 2026 at Daytona International Speedway.

Produced by Danny Wimmer Presents, the four-day event will feature more than 160 bands performing across five stages, marking the festival’s largest lineup to date.

HEADLINERS AND DAILY LINEUP

This year’s festival will be headlined by Foo Fighters, My Chemical Romance, Guns N’ Roses and Bring Me The Horizon.

  • Thursday, May 7: Guns N’ Roses, Five Finger Death Punch, Godsmack, Staind
  • Friday, May 8: Foo Fighters, Turnstile, The Offspring, Parkway Drive
  • Saturday, May 9: Bring Me The Horizon, Breaking Benjamin, Motionless in White, Lamb of God
  • Sunday, May 10: My Chemical Romance, A Day To Remember, Rise Against, Yellowcard

FESTIVAL EXPANSION AND NEW FEATURES

Organizers announced several enhancements for 2026 aimed at improving the fan experience. A new “Pit Stop” fan zone near the Apex Stage will feature artist interviews, special performances and interactive experiences.

In addition, the Garage Stage will be fully tented for the first time, offering expanded shade coverage and upgraded production for attendees.

SPECIAL EVENTS AND EXPERIENCES

Festivalgoers can kick off the week with a pre-party on May 6 featuring performances by Fuel, Local H and others.

A new crossover event, “Blood4Blood,” will also take place at the Ocean Center, combining live music with bare-knuckle fighting, including a headline bout featuring Alex Terrible of Slaughter to Prevail.

TICKETS, ACCESS AND ATTENDANCE

Festival gates will open daily at 11:30 a.m. Organizers are offering a range of ticket options, including single-day, weekend, VIP and camping packages. A new Camp to Coast shuttle will provide transportation between the speedway and nearby beaches.

With expanded attractions, including rides, themed bars and interactive zones, Welcome To Rockville 2026 is expected to draw tens of thousands of fans to Daytona Beach, reinforcing its role as a major driver of Florida’s tourism and live entertainment economy.

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