Articles
2015 Florida Film Festival: ‘The Case of the Three-Sided Dream’ Sheds Light on Little-Known Jazz Revolutionary [Review]
Published
10 years agoon

by Mellissa Thomas
Does the name Rahsaan Roland Kirk ring a bell? If it does, you’re among a rare population of music lovers and historians. If you are among the millions that have never heard of him, consider yourself introduced. The Case of the Three-Sided Dream chronicles the enigmatic blind multi-instrumentalist’s life and his eccentric approach to jazz, or as he called it, “Black Classical Music.” As the Florida Film Festival synopsis of the documentary states, “That Kirk has somehow fallen through the cracks of musical history is a crime, but this doc makes a convincing case to fix that.”
The Story
The Case of the Three-Sided Dream
Directed and Written by: Adam Kahan
USA, 2014, 88 minutes
Rated NR
The film features live television interviews with Kirk in the sixties and seventies, including BBC Television and WNET New York, and stirring sound bites from his live performances paired with delightful animated images and text. The film also showcases archived footage from his childhood and stirring live performances, courtesy of his wife Dorthaan Kirk. His band mates, wife, best friend, and son take viewers on the emotional and oftentimes quirky journey through his life.
The film’s title stems directly from Kirk’s life and inspiration. He explained that he first got into professional music through dreams of himself playing multiple instruments at the same time, and he literally realized them to such expert degree he was pegged a gimmick. He graced every stage with his thick neck heavy from hanging saxophones and sometimes other wind instruments such as a recorder or flute; a nose flute or whistle, and sometimes a harmonica. He simultaneously played his five or six instruments to incredible effect, and his band mates supported him with finesse and impeccable improvisation.
His strong conviction about America’s racial issues and his personal experience as a blind man in society led him to become a revolutionary. He not only spoke out politically during his interviews, but during his performances as well. “If somebody’s with me, people will ask the person that’s with me about me, as if I’m not there,” Kirk said during his WNET interview about his blindness. “It’s [disrespectful] to me because I’m a man. I’m a man first, and a man who can’t see too well second.”
Kirk drew his musical inspiration from African music, old spirituals, R&B, Gospel, and Blues, and married elements of them all into his own work as a way of preserving those genres for the new generation to hear. He noticed that jazz, which he felt was America’s oldest genre of music, was hitting the back burner in place of pop, more modern R&B, and others. Few jazz artists could get booked for live television performances, and he changed that by forming the Jazz and People’s Movement. The Civil Rights Movement was well underway by then, and he took cues from strikes and sit-ins to devise his own form of protest.
He, his friends, and his band would attend live television nightly talk shows (the Dick Cavett Show was his first target), wait for a certain point in the show, and then suddenly strike by blowing whistles, forcing the show to go to commercial, and forcing talk show hosts to finally have the conversation about giving more jazz artists airtime.
Kirk’s fighting spirit and passion for music is the thread of the entire documentary, even through what should have been a traumatic medical emergency, all the way up to his death. His story is more than just a miraculously obscure chunk of music history, but an inspirational tale of perseverance and possibility for our generation.
Kirk, like many others with disabilities, lived with no boundaries on himself. He accomplished what he did because it never occurred to him that he could not. His life forces us to once again ask ourselves: What would I do if I had no limits?
Even without the compelling story, Kirk’s music featured in “Three-Sided Dream” is engrossing. This film gets 4.5 stars.
Articles
Mister Rogers’ Week of Kindness Coming March 2023
Published
2 years agoon
November 30, 2022By
Mike Brodsky
WINTER PARK, Fla. (Florida National News) – Mister Rogers’ Week of Kindness, inspired by the children’s TV host and icon, comes to Orlando in March 2023. This week-long series of events was announced today at the Edyth Bush Charitable Foundation in Winter Park.
“Fred McFeely Rogers devoted his entire life to reminding us of some of the most important ideas of what it means to be human among humans: love, respect and kindness,” explained Buena Vista Events & Management President & CEO Rich Bradley. “Many of us find that nearly 20 years after Fred’s passing, it is important to focus on his teachings once again, perhaps now more than ever. This is a week to re-engage with his massive body of work with some folks, and to introduce his teachings to others.”
Mister Rogers’ Week of Kindness begins March 20, 2023, the date which would have been Fred’s 95th birthday, and concludes on Saturday, March 26 with the Red Sweater Soiree, a community dinner to recognize ten ordinary members of the community who inspire and exemplify the affinity that Fred Rogers had for showing kindness to our “Neighbors”.

Mister Rogers Week of Kindness coming March 20-26, 2023. Photo Credit: Mike Brodsky (Florida National News)
Activities planned for the week will include early childhood education activities and faculty training, as well as events open to the public.
“The events will be offered free or at low cost,” continued Bradley. “This week-long celebration is not a series of fundraisers, but rather about once again remembering and sharing some of the great work that Fred Rogers created, not only in early childhood education, but in reminding us that we are all part of one big ‘neighborhood’. Fred taught us the importance of accepting our Neighbors just the way they are and engaging in kindness with our interactions. I can’t think of another period in my lifetime where we needed to reflect on those messages again more than today.”
“There are three ways to ultimate success,” Fred Rogers was once quoted as saying. “The first way is to be kind. The second way is to be kind. The third way is to be kind. Imagine what our neighborhoods would be like if each of us offered, as a matter of course, just one kind word to another person.”
Many of the activities of Mister Rogers’ Week of Kindness will be attended by members of the cast and crew of Mister Rogers Neighborhood, which ran from 1968 – 1975, and again from 1979 – 2001. David Newell, known as “Mr. McFeely,” the “Speedy Delivery” man, appeared at today’s media conference via video, and looks forward to visiting Central Florida next March.
Mister Rogers’ Week of Kindness is supported by the McFeely-Rogers Foundation, the Fred Rogers Institute, and Fred Rogers Productions. Details regarding the specific activities and venues will be released over the next few weeks.
For more information on the events, visit https://www.BuenaVistaEvents.com or https://www.MisterRogersWeekofKindness.com.
Articles
A Quick Primer on the Team Solving Orange County’s Affordable Housing Crisis
Published
6 years agoon
July 23, 2019
ORLANDO, Fla. (FNN NEWS) – Orange County faces a growing affordable housing crisis, and Mayor Jerry Demings has taken notice–and action. Shortly after his inauguration, he formed Housing For All, an affordable housing task force to face the challenge head-on.
The Housing For All task force doesn’t meet monthly like the County Commission–in fact, their next meeting won’t be until October 4, 2019–but they do work when they’re not meeting. The task force is made up of three subcommittees, Design and Infrastructure Subcommittee, Accessibility and Opportunity Subcommittee and Innovation and Sustainability Subcommittee. These three subcommittees meet twice a month to come up with ideas and plans to fix the affordable housing problem.
Each subcommittee has a specific focus on ways to help solve the problem of affordable housing. The Design and Infrastructure Subcommittee is focused on the design of new affordable housing projects, the renovation of current affordable housing that might need fixing and land development for affordable housing units. The Accessibility and Opportunity Subcommittee is focused on making sure affordable housing is accessible to the major economic zones of the city, develop partnerships with groups and focus on outreach in the county. The Innovation and Sustainability Subcommittee is focused on finding ways to increase the supply of affordable housing and how to preserve affordable housing.
At their next meeting in October these subcommittees will update the county on what they have accomplished and what they plan to do in the future. For information from previous Housing for All Task Force meetings or the meeting schedule, visit the Orange County Government website.
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Leyton Blackwell is a photojournalist and Florida National News contributor. | info@floridanationalnews.com
Articles
Opening Biopic ‘Te Ata’ Sets High Bar for 2016 Orlando Film Festival
Published
9 years agoon
October 19, 2016
ORLANDO (FNN NEWS) – Orlando Film Festival kicked off at Cobb Theaters in Downtown Orlando Wednesday night. The red carpet came alive with excited filmmakers and actors ready to showcase their projects to the Orlando community and, in some cases, to the world at large, including Nathan Frankowski, director of this year’s opening feature Te Ata.
About Te Ata
Frankowski’s biopic feature chronicles the true story of Chickasaw actress and storyteller Mary Frances Thompson, whose love of stories and the Chickasaw Nation fueled her to share the Chickasaw culture with new audiences in the early 1900s, a time when the United States was still growing as a nation and clashed with Native American peoples in the process.
Viewers are immediately swept into the saga from the film’s opening scene with a voice-over folk tale told by Mary Thompson’s father, T.B. Thompson (played by Gil Birmingham). Ironically, though his storytelling places the seed of inspiration in her, it slowly becomes a source of friction between them as she ages.
What makes the film engrossing is the sprawling backdrop upon which Thompson’s journey takes place. While young Te Ata (which means “The Morning”) flourishes with each solo performance and eventually sets her sights on Broadway, the Chickasaw Nation is fighting to secure the funding due them from the U.S. government in the face of ethnocentrism and religious bigotry–to the point that the government passed a law forbidding the sale of traditional Native American textiles and creations, which caused further financial struggle for the Chickasaw Nation. Viewers even experience the Thompsons’ fish-out-of-water feeling as the Chickasaw people’s territory, Tishomingo, shrinks significantly to become part of the newborn state of Oklahoma.
The political tensions are counterbalanced with Te Ata’s experience. Te Ata does her first performances among family, but chooses to leave home for the first time in her life to attend the Oklahoma College for Women (known today as University of Science and Arts of Oklahoma), despite her father’s wishes for her to find a job at home. Viewers immediately empathize with Te Ata’s awkward experience upon her arrival at the predominantly Caucasian-attended College, but cheer her on when that one connection is made, because all it ever takes is one.
Te Ata’s jumping off point occurs when she meets drama teacher Frances Dinsmore Davis, who encourages her to join her class and to share the Chickasaw stories for her senior presentation instead of the usual Shakespeare recitation. From there, Te Ata’s career blossoms from one serendipitous connection to another, taking her performances across the country. She eventually makes it to New York City, hustling to find her place on Broadway, and finds love in the process while performing privately for Eleanor Roosevelt, whose husband was then Governor of New York. The heroine’s journey continues with well-placed highs and lows, keeping the viewer visually and emotionally engaged.
Te Ata is touchingly channeled through lead actress Q’orianka Kilcher who, like Te Ata, has stage experience, and brought it to bear in the role. Kilcher’s magnetic singing, with the help of the film’s sweeping score and indigenous songs, imprints the true Te Ata’s passion for her people onto the viewer’s heart.
Frankowski, who worked closely with the Chickasaw Nation in creating the film, honors Te Ata’s memory and legacy in a cohesive, sweeping tale that will edify audiences everywhere.
Florida National News Editor Mellissa Thomas is an author and journalist, as well as a decorated U.S. Navy veteran with degrees in Entertainment Business and Film. She also helps business owners, CEOs, executives, and speakers double their income and clinch the credibility they deserve by walking them step by step through the process of developing, completing, marketing, and publishing their first book.
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