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2016 Oscar Winners: The Full List from Spotlight to Leonardo DiCaprio

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Hollywood, Calif (FNN NEWS) – “Spotlight” wins best picture Oscar, Leonardo DiCaprio wins best actor Oscar for “The Revenant,” Brie Larson wins best actress Oscar for “Room,” and Alejandro Gonzalez Inarritu wins best director Oscar for “The Revenant” during the 88th Annual Academy Awards on Sunday, February 28, 2016 in Hollywood, California.

Mad Max: Fury Road had 10 nominations and took home the most awards with 6 Oscar wins!

Here’s the list of nominees for the 88th Academy Awards. Winners are noted in bold.

Best picture
“The Big Short”

“Bridge of Spies”

“Brooklyn”

“Mad Max: Fury Road”

“The Martian”

“The Revenant”

“Room”

“Spotlight” (WINNER)

Best actor
Bryan Cranston, “Trumbo”

Matt Damon, “The Martian”

Leonardo DiCaprio, “The Revenant” (WINNER)

Michael Fassbender, “Steve Jobs”

Eddie Redmayne, “The Danish Girl”

Best actress
Cate Blanchett, “Carol”

Brie Larson, “Room” (WINNER)

Jennifer Lawrence, “Joy”

Charlotte Rampling, “45 Years”

Saoirse Ronan, “Brooklyn”

Best supporting actor
Christian Bale, “The Big Short”

Tom Hardy, “The Revenant”

Mark Ruffalo, “Spotlight”

Mark Rylance, “Bridge of Spies” (WINNER)

Sylvester Stallone, “Creed”

Best supporting actress
Jennifer Jason Leigh, “The Hateful Eight”

Rooney Mara, “Carol”

Rachel McAdams, “Spotlight”

Alicia Vikander, “The Danish Girl” (WINNER)

Kate Winslet, “Steve Jobs”

Best director
“The Big Short,” Adam McKay

“Mad Max: Fury Road,” George Miller

“The Revenant,” Alejandro G. Iñárritu (WINNER)

“Room,” Lenny Abrahamson

“Spotlight,” Tom McCarthy

Best original screenplay
“Bridge of Spies,” by Matt Charman and Ethan Coen & Joel Coen

“Ex Machina,” by Alex Garland

“Inside Out,” by Pete Docter, Meg LeFauve and Josh Cooley; original story by Pete Docter and Ronnie del Carmen

“Spotlight,” by Josh Singer and Tom McCarthy (WINNER)

“Straight Outta Compton,” by Jonathan Herman and Andrea Berloff; story by S. Leigh Savidge & Alan Wenkus and Andrea Berloff

Best adapted screenplay
“The Big Short,” Charles Randolph and Adam McKay (WINNER)

“Brooklyn,” Nick Hornby

“Carol,” Phyllis Nagy

“The Martian,” Drew Goddard

“Room,” Emma Donoghue

Best costume design
“Carol,” Sandy Powell

“Cinderella,” Sandy Powell

“The Danish Girl,” Paco Delgado

“Mad Max: Fury Road,” Jenny Beavan (WINNER)

“The Revenant,” Jacqueline West

Best production design
“Bridge of Spies,” production design by Adam Stockhausen; set decoration by Rena DeAngelo and Bernhard Henrich

“The Danish Girl,” production design by Eve Stewart; set decoration by Michael Standish

“Mad Max: Fury Road,” production design by Colin Gibson; set decoration by Lisa Thompson (WINNER)

“The Martian,” production design by Arthur Max; set decoration by Celia Bobak

“The Revenant,” production design by Jack Fisk; set decoration by Hamish Purdy

Best makeup and hairstyling
“Mad Max: Fury Road,” Lesley Vanderwalt, Elka Wardega and Damian Martin (WINNER)

“The 100-Year-Old Man Who Climbed out the Window and Disappeared,” Love Larson and Eva von Bahr

“The Revenant,” Siân Grigg, Duncan Jarman and Robert Pandini

Best cinematography
“Carol,” Ed Lachman

“The Hateful Eight,” Robert Richardson

“Mad Max: Fury Road,” John Seale

“The Revenant,” Emmanuel Lubezki (WINNER)

“Sicario,” Roger Deakins

Best film editing
“The Big Short,” Hank Corwin

“Mad Max: Fury Road,” Margaret Sixel (WINNER)

“The Revenant,” Stephen Mirrione

“Spotlight,” Tom McArdle

“Star Wars: The Force Awakens,” Maryann Brandon and Mary Jo Markey

Best sound editing
“Mad Max: Fury Road,” Mark Mangini and David White (WINNER)

“The Martian,” Oliver Tarney

“The Revenant,” Martin Hernandez and Lon Bender

“Sicario,” Alan Robert Murray

“Star Wars: The Force Awakens,” Matthew Wood and David Acord

Best sound mixing
“Bridge of Spies,” Andy Nelson, Gary Rydstrom and Drew Kunin

“Mad Max: Fury Road,” Chris Jenkins, Gregg Rudloff and Ben Osmo (WINNER)

“The Martian,” Paul Massey, Mark Taylor and Mac Ruth

“The Revenant,” Jon Taylor, Frank A. Montaño, Randy Thom and Chris Duesterdiek

“Star Wars: The Force Awakens,” Andy Nelson, Christopher Scarabosio and Stuart Wilson

Best visual effects
“Ex Machina,” Andrew Whitehurst, Paul Norris, Mark Ardington and Sara Bennett (WINNER)

“Mad Max: Fury Road,” Andrew Jackson, Tom Wood, Dan Oliver and Andy Williams

“The Martian,” Richard Stammers, Anders Langlands, Chris Lawrence and Steven Warner

“The Revenant,” Rich McBride, Matthew Shumway, Jason Smith and Cameron Waldbauer

“Star Wars: The Force Awakens,” Roger Guyett, Patrick Tubach, Neal Scanlan and Chris Corbould

Best animated short film
“Bear Story,” Gabriel Osorio and Pato Escala (WINNER)

“Prologue,” Richard Williams and Imogen Sutton

“Sanjay’s Super Team,” Sanjay Patel and Nicole Grindle

“We Can’t Live without Cosmos,” Konstantin Bronzit

“World of Tomorrow,” Don Hertzfeldt

Best animated feature film
“Anomalisa,” Charlie Kaufman, Duke Johnson and Rosa Tran

“Boy and the World,” Alê Abreu

“Inside Out,” Pete Docter and Jonas Rivera (WINNER)

“Shaun the Sheep Movie,” Mark Burton and Richard Starzak

“When Marnie Was There,” Hiromasa Yonebayashi and Yoshiaki Nishimura

Best documentary, short subject
“Body Team 12,” David Darg and Bryn Mooser

“Chau, Beyond the Lines,” Courtney Marsh and Jerry Franck

“Claude Lanzmann: Spectres of the Shoah,” Adam Benzine

“A Girl in the River: The Price of Forgiveness,” Sharmeen Obaid-Chinoy (WINNER)

“Last Day of Freedom,” Dee Hibbert-Jones and Nomi Talisman

Best documentary feature
“Amy,” Asif Kapadia and James Gay-Rees (WINNER)

“Cartel Land,” Matthew Heineman and Tom Yellin

“The Look of Silence,” Joshua Oppenheimer and Signe Byrge Sørensen

“What Happened, Miss Simone?” Liz Garbus, Amy Hobby and Justin Wilkes

“Winter on Fire: Ukraine’s Fight for Freedom,” Evgeny Afineevsky and Den Tolmor

Best live-action short film
“Ave Maria,” Basil Khalil and Eric Dupont

“Day One,” Henry Hughes

“Everything Will Be Okay (Alles Wird Gut),” Patrick Vollrath

“Shok,” Jamie Donoughue

“Stutterer,” Benjamin Cleary and Serena Armitage (WINNER)

Best foreign-language film
“Embrace of the Serpent,” Colombia

“Mustang,” France

“Son of Saul,” Hungary (WINNER)

“Theeb,” Jordan

“A War,” Denmark

Best original song
“Earned It” from “Fifty Shades of Grey”

Music and lyric by Abel Tesfaye, Ahmad Balshe, Jason Daheala Quenneville and Stephan Moccio

“Manta Ray” from “Racing Extinction”

Music by J. Ralph and lyric by Antony Hegarty

“Simple Song #3” from “Youth”

Music and lyric by David Lang

“Til It Happens To You” from “The Hunting Ground”

Music and lyric by Diane Warren and Lady Gaga

“Writing’s on the Wall” from “Spectre”

Music and lyric by Jimmy Napes and Sam Smith

Best original score
“Bridge of Spies,” Thomas Newman

“Carol,” Carter Burwell

“The Hateful Eight,” Ennio Morricone

“Sicario,” Jóhann Jóhannsson

“Star Wars: The Force Awakens,” John Williams

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Mister Rogers’ Week of Kindness Coming March 2023

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WINTER PARK, Fla. (Florida National News) – Mister Rogers’ Week of Kindness, inspired by the children’s TV host and icon, comes to Orlando in March 2023. This week-long series of events was announced today at the Edyth Bush Charitable Foundation in Winter Park.

“Fred McFeely Rogers devoted his entire life to reminding us of some of the most important ideas of what it means to be human among humans: love, respect and kindness,” explained Buena Vista Events & Management President & CEO Rich Bradley. “Many of us find that nearly 20 years after Fred’s passing, it is important to focus on his teachings once again, perhaps now more than ever. This is a week to re-engage with his massive body of work with some folks, and to introduce his teachings to others.”

Mister Rogers’ Week of Kindness begins March 20, 2023, the date which would have been Fred’s 95th birthday, and concludes on Saturday, March 26 with the Red Sweater Soiree, a community dinner to recognize ten ordinary members of the community who inspire and exemplify the affinity that Fred Rogers had for showing kindness to our “Neighbors”.

Mister Rogers Week of Kindness coming March 20-26, 2023. Photo Credit: Mike Brodsky (Florida National News)

Activities planned for the week will include early childhood education activities and faculty training, as well as events open to the public.

“The events will be offered free or at low cost,” continued Bradley. “This week-long celebration is not a series of fundraisers, but rather about once again remembering and sharing some of the great work that Fred Rogers created, not only in early childhood education, but in reminding us that we are all part of one big ‘neighborhood’. Fred taught us the importance of accepting our Neighbors just the way they are and engaging in kindness with our interactions. I can’t think of another period in my lifetime where we needed to reflect on those messages again more than today.”

“There are three ways to ultimate success,” Fred Rogers was once quoted as saying. “The first way is to be kind. The second way is to be kind. The third way is to be kind. Imagine what our neighborhoods would be like if each of us offered, as a matter of course, just one kind word to another person.”

Many of the activities of Mister Rogers’ Week of Kindness will be attended by members of the cast and crew of Mister Rogers Neighborhood, which ran from 1968 – 1975, and again from 1979 – 2001. David Newell, known as “Mr. McFeely,” the “Speedy Delivery” man, appeared at today’s media conference via video, and looks forward to visiting Central Florida next March.

David Newell, “Mr. McFeely.” Photo Credit: Mike Brodsky (Florida National News)

Mister Rogers’ Week of Kindness is supported by the McFeely-Rogers Foundation, the Fred Rogers Institute, and Fred Rogers Productions. Details regarding the specific activities and venues will be released over the next few weeks.

For more information on the events, visit https://www.BuenaVistaEvents.com or https://www.MisterRogersWeekofKindness.com.

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A Quick Primer on the Team Solving Orange County’s Affordable Housing Crisis

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Orange County’s Housing for All Task Force held its introductory meeting on April 12, 2019 at the Board of County Commissioner Chambers. Photo: Orange County Government.

ORLANDO, Fla. (FNN NEWS) – Orange County faces a growing affordable housing crisis, and Mayor Jerry Demings has taken notice–and action. Shortly after his inauguration, he formed Housing For All, an affordable housing task force to face the challenge head-on.

The Housing For All task force doesn’t meet monthly like the County Commission–in fact, their next meeting won’t be until October 4, 2019–but they do work when they’re not meeting. The task force is made up of three subcommittees, Design and Infrastructure Subcommittee, Accessibility and Opportunity Subcommittee and Innovation and Sustainability Subcommittee. These three subcommittees meet twice a month to come up with ideas and plans to fix the affordable housing problem.

Each subcommittee has a specific focus on ways to help solve the problem of affordable housing. The Design and Infrastructure Subcommittee is focused on the design of new affordable housing projects, the renovation of current affordable housing that might need fixing and land development for affordable housing units. The Accessibility and Opportunity Subcommittee is focused on making sure affordable housing is accessible to the major economic zones of the city, develop partnerships with groups and focus on outreach in the county. The Innovation and Sustainability Subcommittee is focused on finding ways to increase the supply of affordable housing and how to preserve affordable housing.

At their next meeting in October these subcommittees will update the county on what they have accomplished and what they plan to do in the future. For information from previous Housing for All Task Force meetings or the meeting schedule, visit the Orange County Government website.

________________________________________________________

Leyton Blackwell is a photojournalist and Florida National News contributor. | info@floridanationalnews.com

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Opening Biopic ‘Te Ata’ Sets High Bar for 2016 Orlando Film Festival

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ORLANDO: Chickasaw Nation Biopic 'Te Ata' Sets Stage for Orlando Film Festival.

ORLANDO (FNN NEWS) – Orlando Film Festival kicked off at Cobb Theaters in Downtown Orlando Wednesday night. The red carpet came alive with excited filmmakers and actors ready to showcase their projects to the Orlando community and, in some cases, to the world at large, including Nathan Frankowski, director of this year’s opening feature Te Ata.

About Te Ata

Frankowski’s biopic feature chronicles the true story of Chickasaw actress and storyteller Mary Frances Thompson, whose love of stories and the Chickasaw Nation fueled her to share the Chickasaw culture with new audiences in the early 1900s, a time when the United States was still growing as a nation and clashed with Native American peoples in the process.

Viewers are immediately swept into the saga from the film’s opening scene with a voice-over folk tale told by Mary Thompson’s father, T.B. Thompson (played by Gil Birmingham). Ironically, though his storytelling places the seed of inspiration in her, it slowly becomes a source of friction between them as she ages.

What makes the film engrossing is the sprawling backdrop upon which Thompson’s journey takes place. While young Te Ata (which means “The Morning”) flourishes with each solo performance and eventually sets her sights on Broadway, the Chickasaw Nation is fighting to secure the funding due them from the U.S. government in the face of ethnocentrism and religious bigotry–to the point that the government passed a law forbidding the sale of traditional Native American textiles and creations, which caused further financial struggle for the Chickasaw Nation. Viewers even experience the Thompsons’ fish-out-of-water feeling as the Chickasaw people’s territory, Tishomingo, shrinks significantly to become part of the newborn state of Oklahoma.

The political tensions are counterbalanced with Te Ata’s experience. Te Ata does her first performances among family, but chooses to leave home for the first time in her life to attend the Oklahoma College for Women (known today as University of Science and Arts of Oklahoma), despite her father’s wishes for her to find a job at home. Viewers immediately empathize with Te Ata’s awkward experience upon her arrival at the predominantly Caucasian-attended College, but cheer her on when that one connection is made, because all it ever takes is one.

Te Ata’s jumping off point occurs when she meets drama teacher Frances Dinsmore Davis, who encourages her to join her class and to share the Chickasaw stories for her senior presentation instead of the usual Shakespeare recitation. From there, Te Ata’s career blossoms from one serendipitous connection to another, taking her performances across the country. She eventually makes it to New York City, hustling to find her place on Broadway, and finds love in the process while performing privately for Eleanor Roosevelt, whose husband was then Governor of New York. The heroine’s journey continues with well-placed highs and lows, keeping the viewer visually and emotionally engaged.

Te Ata is touchingly channeled through lead actress Q’orianka Kilcher who, like Te Ata, has stage experience, and brought it to bear in the role. Kilcher’s magnetic singing, with the help of the film’s sweeping score and indigenous songs, imprints the true Te Ata’s passion for her people onto the viewer’s heart.

Frankowski, who worked closely with the Chickasaw Nation in creating the film, honors Te Ata’s memory and legacy in a cohesive, sweeping tale that will edify audiences everywhere.

 

 

Florida National News Editor Mellissa Thomas is an author and journalist, as well as a decorated U.S. Navy veteran with degrees in Entertainment Business and Film. She also helps business owners, CEOs, executives, and speakers double their income and clinch the credibility they deserve by walking them step by step through the process of developing, completing, marketing, and publishing their first book.

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