Entertainment
46th Annie Award Nominations Announced Animation’s Biggest Night Set for Saturday, Feb. 2, 2019 at UCLA’s Royce Hall
Published
8 years agoon
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Willie DavidBURBANK, CA. – Nominations for the 46th annual Annie Awards were announced on Dec. 3, 2018 and winners will be revealed on Feb. 2, 2018 at UCLA’s Royce Hall in Los Angeles, California. Pixar’s “Incredibles 2,” which is the frontrunner at the Oscars, leads with 11 nominations while Disney’s “Ralph Breaks the Internet” is right behind with 10. The Annie Awards cover 32 categories and are presented by the Hollywood chapter of the International Animated Film Association.
In addition to the competitive awards, honorary Windsor McKay awards will be presented honoring career achievement and exceptional contributions to animation by director, animator and art director Ralph Eggleston, voice director and voice actress Andrea Romano and, posthumously, to Frank Braxton, the first African-American animator, animation director and guild president. The Ub Iwerks Award will be presented to Ton Roosendaal for developing Blender Open Source Animation Software while the June Foray Award will be presented posthumously to animator Adam Burke.
2019 Annie Awards Nominations List:
PRODUCTION CATEGORIES
Best Animated Feature
“Early Man”
“Incredibles 2”
“Isle Of Dogs”
“Ralph Breaks The Internet”
“Spider-Man: Into the Spider-Verse”
Best Animated Independent Feature
“Ce Magnifique Gâteau!”
“MFKZ”
“Mirai”
“Ruben Brandt, Collector”
“Tito and the Birds”
Best Animated Special Production
“Back to the Moon”
“Mary Poppins Returns”
“The Emperor’s Newest Clothes”
“The Highway Rat”
Best Animated Short Subject
“Grandpa Walrus”
“Lost & Found”
“SOLAR WALK”
“Untravel”
“Weekends”
Best Virtual Reality Production
“Age of Sail”
“Battlescar”
“Crow: The Legend”
“Mind Palace”
“Moss”
Best Animated Television/Broadcast Commercial
“Goldfish at the Fair”
“Greenpeace ‘There’s a Rang-Tan In My Bedroom’”
“Grinch / 40 / Olympics Spot”
“JD.com, ‘Joy and Heron’”
“The Fearless Are Here”
Best Animated Television/Broadcast Production For Preschool Children
“Ask the StoryBots,” episode: “How Do Computers Work?”
“Dinotrux: Supercharged,” episode: “Crabcavator”
“Hey Duggee,” episode: “The Singing Badge”
“PJ Masks,” episode: “Wacky Floats”
“Tumble Leaf,” episode: “Moonlight Mermaid/Hedge’s Hatchlings”
Best Animated Television/Broadcast Production For Children
“Hilda,” episode: “Chapter 1: The Hidden People”
“Kung Fu Panda: The Paws of Destiny,” episode: “Enter the Dragon Master”
“Little Big Awesome,” episode: “Puppy Shower”
“Rise of the Teenage Mutant Ninja Turtles,” episode: “Mystic Mayhem”
“Tales of Arcadia: Trollhunters,” episode: “The Eternal Knight Pt. 2”
Best General Audience Animated Television/Broadcast Production
“Big Mouth”
“Bob’s Burgers,” episode: “The Bleakening, Parts 1 and 2”
“BoJack Horseman,” episode: “The Dog Days are Over”
“Human Kind Of,” episode: “Desperately Seeking Social Skills”
“The Venture Bros.,” episode: “The Saphrax Protocol”
Best Student Film
“A Blink of An Eye”
“Best Friend”
“FACING IT”
“Hors Piste”
“Sister”
INDIVIDUAL ACHIEVEMENT CATEGORIES
Animated Effects in an Animated Television/Broadcast Production
“DreamWorks Theatre Presents Kung Fu Panda”
“Rise of the Teenage Mutant Ninja Turtles,” episode: “Mystic Mayhem”
“SuperMansion,” episode: “Debbie Does Devizo”
“Tales of Arcadia: Trollhunters,” episode: “The Eternal Knight Pt. 2”
“Watership Down,” episode: “The Journey”
Animated Effects in an an Animated Feature Production
“Early Man”
“Hotel Transylvania 3: Summer Vacation”
“Incredibles 2”
“Next Gen”
“Ralph Breaks The Internet”
Character Animation in an Animated Television / Broadcast Production
“Age of Sail”
“Back to the Moon”
“Hilda”
“Rapunzel’s Tangled Adventure”
“Tumble Leaf”
Character Animation in an Animated Feature Production
“Early Man”
“Incredibles 2”
“Isle of Dogs”
“Ralph Breaks The Internet”
“Spider-Man: Into the Spider-Verse”
Character Animation in a Live Action Production
“Avengers: Infinity War”
“Christopher Robin”
“Mary Poppins Returns”
“Paddington 2”
“The Nutcracker and the Four Realms”
Character Animation in a Video Game
“God of War”
“GRIS”
“Marvel’s Spider-Man”
“Moss”
“Shadow of The Tomb Raider”
Character Design in an Animated Television / Broadcast Production
“Age of Sail”
“Niko and the Sword of Light”
“Rapunzel’s Tangled Adventure”
“The Adventures of Rocky and Bullwinkle” (two nominations)
Character Design in an Animated Feature Production
“Incredibles 2”
“Mary Poppins Returns”
“Next Gen”
“Ralph Breaks The Internet”
“Spider-Man: Into the Spider-Verse”
Directing in an Animated Television / Broadcast Production
“Ask the StoryBots,” Evan Spiridellis; episode: “What Is Electricity?”
“Disney Mickey Mouse,” Eddie Trigueros; episode: “Feed the Birds”
“Niko and the Sword of Light,” Sung Jin Ahn; episode: “The Thorn of Contention”
“SuperMansion,” Nick Simotas; episode: “Sympathy For Black Saturn”
“Tales of Arcadia: 3Below,” Guillermo del Toro and Rodrigo Blaas; episode: “Terra Incognita Part One”
Directing in an Animated Feature Production
“Early Man,” Nick Park
“Hotel Transylvania 3: Summer Vacation,” Genndy Tartakovsky
“Incredibles 2,” Brad Bird
“Ralph Breaks The Internet,” Rich Moore and Phil Johnston
“Spider-Man: Into the Spider-Verse,” Bob Persichetti, Rodney Rothman and Peter Ramsey
Music in an Animated Television / Broadcast Production
“Back to the Moon,” Mathieu Alvado
“Disney Mickey Mouse,” Christopher Willis
“Elena of Avalor,” Tony Morales, John Kavanaugh, Craig Gerber, Silvia Olivas, Rachel Ruderman
“Tangled: The Series,” Alan Menken, Glenn Slater, Kevin Kliesch
“The Tom and Jerry Show,” Vivek Maddala
Music in an Animated Feature Production
“Dr. Seuss’ The Grinch,” Danny Elfman, Tyler The Creator
“Early Man,” Harry Gregson-Williams, Tom Howe
“Incredibles 2,” Michael Giacchino
“Ralph Breaks The Internet,” Henry Jackman, Alan Menken, Phil Johnston, Tom MacDougall, Dan Reynolds
“Smallfoot,” Heitor Pereira, Karey Kirkpatrick, Wayne Kirkpatrick
Production Design in an Animated Television / Broadcast Production
“Age of Sail”
“Disney Mickey Mouse”
“Little Big Awesome”
“Niko and the Sword of Light”
“The Adventures of Rocky and Bullwinkle”
Production Design in an Animated Feature Production
“Early Man”
“Hotel Transylvania 3: Summer Vacation”
“Isle of Dogs”
“Mary Poppins Returns”
“Spider-Man: Into the Spider-Verse”
Storyboarding in an Animated Television / Broadcast Production
“Ben 10”
“Big Hero 6: The Series”
“Disney Mickey Mouse”
“Rise of the Teenage Mutant Ninja Turtles”
“Star vs. The Forces of Evil”
Storyboarding in an Animated Feature Production
“Dr. Seuss’ The Grinch”
“Incredibles 2” (two nominations)
“Mary Poppins Returns”
“Ralph Breaks The Internet”
Voice Acting in an Animated Television / Broadcast Production
“BoJack Horseman,” Will Arnett
“F is for Family,” Debi Derryberry
“Pete the Cat,” Juliette Donenfeld
“Skylanders Academy,” Patrick Warburton
“Unikitty,” Tara Strong
Voice Acting in an Animated Feature Production
“Early Man,” Eddie Redmayne
“Incredibles 2,” Holly Hunter
“Isle of Dogs,” Bryan Cranston
“Next Gen,” Charlyne Yi
“Ralph Breaks The Internet,” Sarah Silverman
Writing in an Animated Television / Broadcast Production
“Big Mouth”
“Craig of the Creek”
“Hilda”
“Star vs. The Forces of Evil”
“We Bare Bears”
Writing in an Animated Feature Production
“Incredibles 2”
“Mirai”
“Ralph Breaks The Internet”
“Spider-Man: Into the Spider-Verse”
“Teen Titans Go! to the Movies”
Editorial in an Animated Television / Broadcast Production
“Big Hero 6: The Series”
“Puppy Dog Pals”
“Tales of Arcadia: 3Below”
“The Epic Tales of Captain Underpants”
Editorial in an Animated Feature Production
“Dr. Seuss’ The Grinch”
“Incredibles 2”
“Ralph Breaks The Internet”
“Ruben Brandt, Collector”
“Spider-Man: Into the Spider-Verse”
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Entertainment
‘SPAMALOT’ Joins Dr. Phillips Center’s 2026-27 Broadway in Orlando Season
Published
4 days agoon
August 10, 2026Tony Award-winning musical will play Walt Disney Theater Nov. 3-5, 2026
ORLANDO, Fla. (FNN NEWS) — Dr. Phillips Center for the Performing Arts is expanding its 2026-27 Broadway in Orlando season with the addition of SPAMALOT, the Tony Award-winning Best Musical, scheduled for Nov. 3-5, 2026, at Walt Disney Theater.
Inspired by the classic comedy Monty Python and the Holy Grail, SPAMALOT brings Monty Python’s distinctly British humor to the stage through a comedic adventure following King Arthur and his quest for the Holy Grail.
The production comes to Orlando following a celebrated 2023 Broadway revival at the St. James Theatre, directed and choreographed by Josh Rhodes.
Monty Python Comedy Comes to Orlando
Described as “lovingly ripped” from Monty Python and the Holy Grail, the musical features British royalty, flying cows, dancing girls, shrubbery and the Lady of the Lake.
The 14-time Tony Award-nominated musical features well-known numbers including “Always Look on the Bright Side of Life,” “The Song That Goes Like This” and “Find Your Grail.”
SPAMALOT features a book and lyrics by Eric Idle, with music by John Du Prez and Idle.
Cast Announced for Orlando Production
The cast features Major Attaway, whose credits include Aladdin, as King Arthur; Sean Bell (Harmony) as Sir Robin; Chris Collins-Pisano (Forbidden Broadway) as Sir Lancelot; Ellis C. Dawson III (Hamilton) as Sir Bedevere; Leo Roberts (Les Misérables) as Sir Galahad; Amanda Robles as the Lady of the Lake; Blake Segal (Mary Poppins) as Patsy; and Steven Telsey (The Book of Mormon) as the Historian and Prince Herbert.
The company also includes Lindsay Lee Alhady, Delaney Benson, Jack Brewer, Connor Coughlin, L’ogan J’ones, Graham Keen, Claire Kennard, Ben Lanham, Nathaniel Mahone, Maddie Mossner, Emilie Renier, Mark Tran Russ and Meridien Terrell.
Creative Team
The production’s creative team includes scenic and projection designer Paul Tate dePoo III, costume designer Jen Caprio, lighting designer Cory Pattak, sound designers Kai Harada and Haley Parcher, and wig designer Tom Watson.
John Bell serves as music supervisor, with Jonathan Gorst as musical director and conductor.
Derek Kolluri is associate director, Michael Fatica is associate choreographer and casting is by Geoff Josselson, CSA. RCI Theatricals serves as general manager, and Jeffrey Finn is the producer.
Tickets on Sale Now
Single tickets for SPAMALOT are on sale now through Dr. Phillips Center.
Performances: Nov. 3-5, 2026
Venue: Walt Disney Theater at Dr. Phillips Center for the Performing Arts
Location: Orlando, Florida
Tickets and additional information are available through the Dr. Phillips Center website.
Central Florida News
Dr. Phillips Center Generates $227.6 Million Annual Economic Impact, Supports Nearly 2,500 Central Florida Jobs
Published
2 weeks agoon
July 30, 2026ORLANDO, Fla. (FNN NEWS) — The Dr. Phillips Center for the Performing Arts generated $227.6 million in annual economic impact, supporting 2,483 jobs and producing $13.2 million in state and local tax revenue, according to a newly released independent study by Tourism Economics.
The analysis, conducted by Tourism Economics, an Oxford Economics company specializing in economic impact and tourism research, measured the direct, indirect and induced economic activity generated by the arts center’s operations, performances, visitors and related spending throughout Central Florida.
The findings underscore the Dr. Phillips Center’s role as both a premier performing arts destination and a major contributor to the region’s economy.
“For more than a decade, we’ve seen firsthand how the arts inspire people, bring communities together and create lasting value,” said Kathy Ramsberger, president and CEO of Dr. Phillips Center for the Performing Arts. “This study confirms that our impact reaches far beyond our stages—supporting thousands of jobs, driving business growth, attracting visitors from around the world and helping position Central Florida as a more vibrant, competitive and connected region.”
Economic Impact by the Numbers
According to the Tourism Economics report, the Dr. Phillips Center generated:
- $227.6 million in annual economic output
- 2,483 jobs supported across Central Florida
- $70.8 million in total labor income in Orange County
- $13.2 million in state and local tax revenue
- $73.1 million in off-site spending by event attendees, performers and production crews
- 61,600 hotel room nights generated annually
The study highlights the ripple effect created by visitors attending performances, benefiting nearby hotels, restaurants, retailers and other local businesses.
A Global Destination for Arts and Entertainment
Now in its 11th year, the Dr. Phillips Center welcomes more than 910,000 guests annually, attracting visitors from all 50 states and more than 80 countries.
Since opening in 2014, the venue has hosted:
- More than 6.2 million guests
- More than 6,200 performances and events
- Programming presented 99% of the year
- Venue occupancy rates ranging from 82% to 97%
The center has become one of the world’s busiest performing arts destinations while helping position downtown Orlando as a leading hub for arts, culture and entertainment.
Community Investment Beyond the Stage
In addition to its economic impact, the Dr. Phillips Center continues investing in arts education, community outreach and cultural programming throughout Central Florida.
According to the organization, it has:
- Served 935,920 students and community participants
- Supported and hosted 202 regional arts organizations
- Received support from 24,085 donors
- Benefited from $256 million in philanthropic contributions since its inception
Through partnerships with schools, nonprofit organizations, community groups and touring productions, the center continues to expand access to the performing arts while strengthening the region’s cultural and economic vitality.
Looking Ahead
Eleven years after opening, the Dr. Phillips Center continues to demonstrate that investment in arts and culture produces measurable returns through tourism, employment, education and community engagement.
As Central Florida continues to grow, the independent analysis reinforces the performing arts center’s importance as both a cultural landmark and an economic engine for the region.
Additional information about the economic impact study is available through the Dr. Phillips Center for the Performing Arts.
Entertainment
Blue Man Group Orlando Launches $25 Kids Ticket Offer at ICON Park Through Dec. 31
Published
1 month agoon
July 6, 2026ORLANDO, Fla. (FNN NEWS) — Families can enjoy Blue Man Group Orlando for less this summer and fall thanks to a new ticket promotion that allows children to attend performances for $25 with the purchase of a full-priced adult ticket.
The limited-time offer is available for online purchases through Dec. 31, 2026, making one of Orlando’s newest live entertainment attractions more affordable for families.
Special Kids Ticket Offer
Under the promotion, guests who purchase a full-priced adult ticket may purchase a children’s ticket for $25.
The offer is valid for performances:
- Monday through Thursday
- Fridays at 5 p.m.
The promotion is not valid for:
- Saturday performances
- Sunday performances
- Fridays at 8 p.m.
New Orlando Production at ICON Park
Blue Man Group opened its new resident production at ICON Park in May inside a custom-built theater located along Orlando’s International Drive entertainment district.
The production blends music, comedy, technology and audience participation, while featuring many of the signature moments fans expect from Blue Man Group alongside new material created exclusively for the Orlando production.
Global Entertainment Phenomenon
Since debuting in 1991 at New York’s Astor Place Theatre, Blue Man Group has entertained more than 50 million people worldwide through resident productions and international tours.
The show continues to expand with performances in Orlando, Las Vegas, touring productions across North America and an upcoming tour in Japan.
Blue Man Group is owned and operated by Cirque du Soleil Entertainment Group.
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