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All in for riches: World Series of Poker marks 50th run

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LAS VEGAS (AP) – Tens of thousands of professional and amateur poker players go on a pilgrimage to Las Vegas every summer in hopes of returning home richer, owning a gold bracelet and having considerable bragging rights.

They are young and old and overwhelmingly male. They are college dropouts and accountants, entrepreneurs and CEOs, actors and athletes, psychologists and comedians. And they all have a chance of becoming world champions.

At the World Series of Poker — now marking its 50th edition — everything is possible.

“The beauty of poker is anyone can enter and anyone can win,” said Ty Stewart, the series’ executive director. “We all love the stories of overcoming challenges, at defying the odds. This occurs regularly at the World Series of Poker.”

Cowboy gambler Benny Binion probably wouldn’t recognize the tournament today. He started it in 1970 as an invitation-only event with a few men gathered at his casino in downtown Las Vegas. They were all elite players, and Johnny Moss was declared the winner by the other men at the table.

Moss got a trophy. There was no multimillion-dollar prize pool, no constant television coverage and definitely no smoking ban.

It has transformed into a phenomenon that has paid almost $3 billion in prizes — minting millionaires, airing live on ESPN and streaming online.

The series is well positioned to set an attendance record this year, with 122,473 entries so far. Its marquee contest, the $10,000 buy-in no-limit Texas Hold ’em main event, kicks off Wednesday. The no-limit betting rules mean players can wager all their chips at any time.

The tournament this year runs through July 16 at the Rio All-Suite Hotel and Casino, off the Las Vegas Strip. It features different poker variations, with buy-ins for the events ranging from $400 to $100,000.

The series saw a record 123,865 contestants in 2018, when the prize pool of over $266 million was divided among 18,105 participants. Twenty-eight of them earned at least $1 million. Every champion received a gold bracelet under a tradition started in 1976.

“When we started out, there were very few people from outside the United States that were playing with us,” said T.J. Cloutier, 79, a six-time bracelet winner from Richardson, Texas. “And now there’s a ton of people, and they are from all over.”

More than 100 countries were represented in last year’s tournament.

Poker’s popularity in the U.S. erupted in 2003, when Tennessee accountant Chris Moneymaker entered a $39 online poker satellite contest, won an entry to the main event and emerged victorious, earning $2.5 million and inspiring other amateur players. Many had been honing their skills — and building a bankroll — through online games.

A year earlier, so-called hole-card cameras were introduced to the series’ broadcasts, allowing viewers to see the cards participants were holding and play armchair quarterback.

“When you watched it on TV, it was like watching paint dry,” said Cloutier, who has finished the main event twice as runner-up and once each in third and fifth place. “Now, you could actually watch the tournament and know what was going on.”

Entries to the 2004 tournament increased by 85%. By 2006, the main event got a record number of players. But then poker began to lose steam in the U.S.

Participants in the series’ main event fell by 28% in 2007, when the government cracked down on online wagers. The Department of Justice in April 2011 then delivered a stronger blow when it seized the domain names of the largest offshore poker sites catering to U.S. customers.

While participation in the series has set records since 2013, the main event has remained below the 2006 record. The overall increase is tied to the addition of events with smaller buy-ins.

“There are events for a wider group of people,” poker pro Daniel Negreanu said. “What that does is it attracts a much wider skill set of players. You have your hometown hero who comes out to Las Vegas to give it a shot as well as, of course, all the top professionals in the world.”

Series owner Caesars Interactive Entertainment is holding an awards ceremony Saturday to celebrate the 50th milestone. The company allowed fans to choose some players being recognized, including fan favorite player, the series’ “favorite bad boy” and the four most important players in the tournament’s history.

A panel of media and industry experts also revealed this week a list of the 50 greatest poker players in history, including Cloutier and Negreanu.

Jacksonville Jaguars defensive lineman Calais Campbell and record-setting Jeopardy contestant James Holzhauer are celebrities who have played this year. Other contestants could become famous overnight.

Many of those who remember watching Moneymaker’s storybook victory as teenagers and the ensuing poker boom are now competing and winning.

“I played all throughout middle school, even as a kid. I was always a big fan, and the personalities in the game were kind of what made it great,” said Scott Blumstein, who won $8.1 million as a 25-year-old in 2017′s main event. “As a kid, I used to definitely look up to these people, and it’s really cool being a part of it now because I definitely watched it and was a fan.”

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Central Florida News

FNN Honors Teen Reporter Isabella Schmitt as She Graduates and Pursues Communications Degree

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ORLANDO, Fla. (FNN) — Florida National News proudly celebrates Isabella Schmitt as she marks an important milestone with her high school graduation and prepares to begin an exciting new chapter pursuing Communications in college.

Over the years, Isabella has represented the next generation of young voices with professionalism, creativity, determination, and passion.

Through reporting opportunities, community involvement, and media experiences, she has continued to shine both on and off camera while inspiring others through her dedication and work ethic.

Jenny Rosario, Vice President of Florida National News, praised Isabella’s accomplishments and bright future ahead.

“Watching Isabella grow both personally and professionally has been truly inspiring,” Rosario said. “She represents the future of journalism, communications, and storytelling. Her passion, confidence, and commitment to making a positive impact through media are remarkable, and we are incredibly proud of all she has accomplished.”

Rosario added that Isabella’s decision to pursue Communications in college is a natural next step for someone with such strong talent and determination.

“The world of media and communications needs more young voices like Isabella’s,” Rosario said. “We know this is only the beginning of many great accomplishments to come.”

Florida National News congratulates Isabella Schmitt and the entire Class of 2026 on this exciting achievement.

“Keep dreaming big and telling stories that matter,” Rosario added.

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Entertainment

How Orlando International Fashion Week Builds Confidence: A Belonging-Driven Casting Experience

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By Dr. Jessica Henlon | Education Contributor for Florida National News

At Orlando International Fashion Week (OIFW), the runway does not begin on show day. It begins at casting.

Over two weekends this April, OIFW welcomed hundreds of aspiring and experienced models to CityArts Gallery in Downtown Orlando for official casting calls ahead of the June 6 runway shows. What unfolded was more than an audition process. It was a carefully designed experience rooted in a powerful truth: when people feel seen, supported, and welcomed, they are more likely to show up with confidence.

From first-time participants to returning talent, families, creatives, and industry professionals, the casting experience reflected what makes OIFW different. It was not just about selecting models. It was about creating a space where people felt confident enough to try.

Belonging First, Performance Second

In educational psychology, belonging is not a soft concept. It is a driver of motivation, persistence, and self-efficacy. Research in postsecondary education has consistently linked students’ sense of belonging to academic outcomes, engagement, and persistence (Fong et al., 2024; Gopalan & Brady, 2020). While OIFW is not a classroom, the same human principles apply. People perform differently when they feel safe, valued, and connected.

This also aligns with my doctoral research on online first-generation college students. In that study, participants described virtual extracurricular activities as affirming spaces that supported leadership development, motivation, self-efficacy, and belonging (Henlon, 2025). The findings affirmed that engagement spaces are not “extra.” They can be essential to how people build identity, confidence, and persistence.

OIFW reflects this same principle in a creative industry setting. People come back because of how they are treated.

Designing a Confidence-Building Experience

The atmosphere inside CityArts Gallery was intentional.

Models of all ages and backgrounds moved through the casting process in a space that felt structured, supportive, and human. Team members gave clear direction, answered questions, and offered encouragement in real time. Families felt comfortable. First-time participants felt included. Returning models felt valued.

Those details matter.

Social Cognitive Theory suggests that individuals build confidence through observation, encouragement, and successful participation in meaningful environments (Bandura, 1986). When a model sees others walk, receive feedback, and try again, the room becomes a learning space. Confidence is not simply demanded. It is modeled, practiced, and reinforced.

That approach also connects to the modeling and fashion curriculum I developed for youth and emerging talent, where self-esteem, work ethic, body language, preparation, and reflection were built directly into the learning experience. The curriculum framed self-esteem as confidence in one’s own worth and abilities, while encouraging participants to celebrate success, develop talents, practice positive self-talk, and treat themselves well. That same foundation was visible at casting: confidence grows when people are given structure, encouragement, and room to develop.

A Creative Ecosystem in Motion

Casting weekends brought together more than models.

Photographers, videographers, designers, media professionals, artists, families, and community members shared the same creative space. More than 20 photographers and videographers were present capturing content, building portfolios, and documenting the energy of the experience. Florida National News was also on-site, conducting interviews and helping tell the story of the event.

This kind of creative ecosystem matters because learning and confidence often grow through participation, not observation alone. Research on connected arts learning emphasizes the importance of linking creative practice to supportive relationships, cultural relevance, and opportunity pathways (Peppler et al., 2022). In other words, creative spaces become more powerful when they connect people to each other and to what comes next.

At OIFW, casting is not hidden behind closed doors. It is visible, collaborative, and alive. This is where relationships are built.

Inclusion as Strategy, Not Statement

OIFW continues to prioritize an inclusive casting approach that welcomes models across ages, sizes, backgrounds, and experience levels. This is more than a value statement. It is part of the structure.

Research on organized activities shows that participation in supportive group settings can help young people build social capital, strengthen relationships, and develop confidence through meaningful interaction (Boat et al., 2024). Similarly, studies of extracurricular activities have found that participation can strengthen self-efficacy, identity, and skill development when activities are structured with purpose and support (Griffiths et al., 2021).

That is why inclusive casting matters. When a young person, a first-time model, or a returning participant sees a range of people welcomed into the process, the message is clear: there is room for you here.

For families, this creates trust.
For designers, it creates range.
For sponsors and media, it tells a deeper story.
For participants, it builds confidence.

Safety, Structure, and Trust

With a strong presence of youth participants, OIFW maintains clear expectations around professionalism, age-appropriate presentation, and safety. Families can trust that the environment is monitored, structured, and designed with care.

That trust is part of why participants return season after season.

In youth development research, positive experiences in organized activities are strongest when young people experience supportive relationships, clear expectations, and opportunities to build skills (Boat et al., 2024; Heath et al., 2022). OIFW’s casting model reflects that kind of intentional design. The goal is not only to prepare people for the runway. It is to help them feel prepared to step into the room.

More Than a Casting Call

What happened over these two weekends was not only about who made the runway.

It was about creating a space where people felt confident enough to try, supported enough to grow, and inspired enough to return. It was about helping participants move from nervousness to possibility. It was about making sure that the first step toward the runway felt welcoming, not intimidating.

Creative participation can support well-being, identity development, and self-expression, especially when the environment is inclusive and relational (Mak & Fancourt, 2019; Peppler et al., 2022). OIFW’s casting experience shows how arts and fashion spaces can function as confidence-building environments when they are designed with care.

That is the OIFW difference.

Confidence is not built through pressure alone. It is built through belonging, visibility, preparation, and meaningful interaction.

Looking Ahead

Orlando International Fashion Week continues to build toward its summer season:

May 16, 2026: Avant Garde Showcase at Orlando Fringe Festival
June 5, 2026: VIP Mixer at Morse Code Lounge
June 6, 2026: “626 Euphoria” Runway Shows at Winter Park Events Center

Tickets are available at www.OIFW.org.

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Entertainment

160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

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160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

DAYTONA BEACH, Fla. (FNN) — Music set times have been released for the 15th anniversary of Welcome To Rockville, Florida’s largest rock, metal and punk festival, set for May 7–10, 2026 at Daytona International Speedway.

Produced by Danny Wimmer Presents, the four-day event will feature more than 160 bands performing across five stages, marking the festival’s largest lineup to date.

HEADLINERS AND DAILY LINEUP

This year’s festival will be headlined by Foo Fighters, My Chemical Romance, Guns N’ Roses and Bring Me The Horizon.

  • Thursday, May 7: Guns N’ Roses, Five Finger Death Punch, Godsmack, Staind
  • Friday, May 8: Foo Fighters, Turnstile, The Offspring, Parkway Drive
  • Saturday, May 9: Bring Me The Horizon, Breaking Benjamin, Motionless in White, Lamb of God
  • Sunday, May 10: My Chemical Romance, A Day To Remember, Rise Against, Yellowcard

FESTIVAL EXPANSION AND NEW FEATURES

Organizers announced several enhancements for 2026 aimed at improving the fan experience. A new “Pit Stop” fan zone near the Apex Stage will feature artist interviews, special performances and interactive experiences.

In addition, the Garage Stage will be fully tented for the first time, offering expanded shade coverage and upgraded production for attendees.

SPECIAL EVENTS AND EXPERIENCES

Festivalgoers can kick off the week with a pre-party on May 6 featuring performances by Fuel, Local H and others.

A new crossover event, “Blood4Blood,” will also take place at the Ocean Center, combining live music with bare-knuckle fighting, including a headline bout featuring Alex Terrible of Slaughter to Prevail.

TICKETS, ACCESS AND ATTENDANCE

Festival gates will open daily at 11:30 a.m. Organizers are offering a range of ticket options, including single-day, weekend, VIP and camping packages. A new Camp to Coast shuttle will provide transportation between the speedway and nearby beaches.

With expanded attractions, including rides, themed bars and interactive zones, Welcome To Rockville 2026 is expected to draw tens of thousands of fans to Daytona Beach, reinforcing its role as a major driver of Florida’s tourism and live entertainment economy.

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