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Big Tech Grapples with Russian State Media, Propaganda

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FILE - This combination of images shows logos for companies from left, Twitter, YouTube and Facebook. Russia's invasion of Ukraine is forcing big tech companies to decide how to handle state-controlled media outlets that spread propaganda and misinformation on behalf of the invaders. (AP Photo/File)

WASHINGTON (AP) — As Russia’s war in Ukraine plays out for the world on social media, big tech platforms are moving to restrict Russian state media from using their platforms to spread propaganda and misinformation.

After the European Union’s president called for a ban on Russian state media, a wave of tech companies blocked the channels from their platforms.

Google announced Tuesday that it’s blocking the YouTube channels of those outlets in Europe “effective immediately” but acknowledged “it’ll take time for our systems to fully ramp up.” Russia’s RT and Sputnik accounts were also disabled in Europe on China’s TikTok, a video-sharing platform, a company spokesperson confirmed Tuesday. The actions followed Meta’s announcement that it would bar the state media from its platforms, Instagram and Facebook.

Tech companies have also offered more modest changes in other parts of the world so far: limiting the Kremlin’s reach, labeling more of this content so that people know it originated with the Russian government, and cutting Russian state organs off from whatever ad revenue they were previously making.

The changes are a careful balancing act intended to slow the Kremlin from pumping propaganda into social media feeds without angering Russian officials to the point that they yank their citizens’ access to platforms during a time of war, said Katie Harbath, a former public policy director for Facebook.

“They’re trying to walk this very fine line; they’re doing this dance,” said Harbath, who now serves as director of technology and democracy at the International Republican Institute. “We want to stand up to Russia, but we also don’t want to get shut down in the country. How far can we push this?”

Banning RT and Sputnik won’t shut off the well of disinformation around the war in Ukraine that’s flowing into social media feeds from everyday users, pundits or the Kremlin’s vast network of Facebook pages, trolls and reporters.

But unlike the EU, the U.S. government has not cut off one of the most obvious supplies of wartime propaganda by sanctioning Russian state media or calling on tech companies to ban it, leaving the American-owned tech companies to wrestle with it on their own.

The results have been mixed.

RT and other Russian-state media accounts are still active on Facebook in the U.S. Twitter announced Monday that after seeing more than 45,000 tweets daily from users sharing Russian state-affiliated media links in recent days, it will add labels to content from the Kremlin’s websites. The company also said it would not recommend or direct users to Russian-affiliated websites in its search function.

Over the weekend, the Menlo Park, California-based company announced it was banning ads from Russian state media and had removed a network of 40 fake accounts, pages and groups that published pro-Russian talking points. The network used fictitious persons posing as journalists and experts, but didn’t have much of an audience.

Facebook began labeling state-controlled media outlets in 2020.

Meanwhile, Microsoft announced it wouldn’t display content or ads from RT and Sputnik, or include RT’s apps in its app store. And Google’s YouTube restricted Russian-state media from monetizing the site through ads, although the outlets are still uploading videos every few minutes on the site.

On TikTok, a Chinese platform popular in the U.S. for short, funny videos, state-affiliated media is not labeled as such. And pro-Russian propaganda and misinformation around the war has flourished on its site.

One recent video posted to RT’s TikTok channel, which is still active in the U.S., features a clip of Steve Bannon, a former top adviser to ex-President Donald Trump who now hosts a podcast with a penchant for misinformation and conspiracy theories.

“Ukraine isn’t even a country. It’s kind of a concept,” Bannon said in the clip, echoing a claim by Russian President Vladimir Putin. “So when we talk about sovereignty and self-determination it’s just a corrupt area where the Clintons have turned into a colony where they can steal money.”

Already, Facebook’s efforts to limit Russian state media’s reach have drawn ire from Russia. Last week, Meta officials said they had rebuffed Russia’s request to stop fact-checking or labeling posts made by Russian state media. Kremlin officials responded by restricting access to Facebook.

The company has also denied requests from Ukrainian officials who have asked Meta to remove access to its platforms in Russia. That would prevent everyday Russians from using the platforms to learn about the war, voice their views or organize protests, according to Nick Clegg, recently named the company’s vice president of global affairs

“We believe turning off our services would silence important expression at a crucial time,” Clegg wrote on Twitter Sunday.

More aggressive labeling of state media and moves to de-emphasize their content online might help reduce the spread of harmful material without cutting off a key information source, said Alexandra Givens, CEO of the Center for Democracy and Technology, a Washington non-profit.

“These platforms are a way for dissidents to organize and push back,” Givens said. “The clearest indication of that is the regime has been trying to shut down access to Facebook and Twitter.”

Russia has spent years creating its sprawling propaganda apparatus, which boasts dozens of sites that target millions of people in different languages. That preparation is making it hard for any tech company to mount a rapid response, said Graham Shellenberger at Miburo Solutions, a firm that tracks misinformation and influence campaigns.

“This is a system that has been built over 10 years, especially when it comes to Ukraine,” Shellenberger said. “They’ve created the channels, they’ve created the messengers. And all the sudden now, we’re starting to take action against it.”

Redfish, a Facebook page that is labeled as Russian-state controlled media, has built up a mostly U.S. and liberal-leaning audience of more than 800,000 followers over the years.

The page has in recent days posted anti-U.S. sentiment and sought to downplay Russian’s invasion of Ukraine, calling it a “military operation” and dedicating multiple posts to highlighting anti-war protests across Russia.

One Facebook post also used a picture of a map to highlight airstrikes in other parts of the world.

“Don’t let the mainstream media’s Eurocentrism dictate your moral support for victims of war,” the post read.

Last week, U.S. Sen. Mark Warner of Virginia sent letters to Google, Meta, Reddit, Telegram, TikTok and Twitter urging them to curb such Russian influence campaigns on their websites.

“In addition to Russia’s established use of influence operations as a tool of strategic influence, information warfare constitutes an integral part of Russian military doctrine,” Warner wrote.

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U.S. Hispanic Chamber of Commerce Brings 47th Annual National Conference to Fort Worth Sept. 14-16

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FORT WORTH, Texas (FNN NEWS) — The United States Hispanic Chamber of Commerce will bring its 47th Annual National Conference to Fort Worth, Texas, Sept. 14-16, 2026, convening Hispanic business leaders, corporate executives, policymakers and entrepreneurs from across the country.

The three-day conference will be held at the Fort Worth Convention Center and is expected to serve as a major national platform for business development, networking, economic opportunity and deal-making.

Nearly five decades after its launch, the USHCC National Conference has grown into what the organization describes as the nation’s largest gathering of Hispanic business decision-makers.

The selection of Fort Worth highlights the North Texas city’s growing position as a center for business, entrepreneurship and culture while providing a national stage for Hispanic-owned businesses and their economic impact.

Fort Worth Selected to Host 2026 National Conference

USHCC announced Fort Worth as the 2026 host following its 46th Annual National Conference in Atlanta.

“We are thrilled to bring the USHCC National Conference to Fort Worth in 2026,” said Jackie Puente, vice president of external affairs at Comcast and chairwoman of the United States Hispanic Chamber of Commerce. “This city showcases the innovation, diversity, and economic impact of Hispanic-owned businesses nationwide. At Comcast, we are proud to support the USHCC’s mission of opening doors and creating opportunities for our community to thrive.”

Fort Worth business leaders also welcomed the opportunity to host the national gathering.

“Fort Worth is proud to host the USHCC National Conference in 2026,” said Ericka Garza, president and CEO of the Fort Worth Hispanic Chamber of Commerce. “This event highlights our city’s vibrant culture and the impact of Hispanic-owned businesses in driving economic growth.”

Connecting Hispanic Businesses With Opportunities

Connection building will be a major focus of the 2026 conference, with programming designed to bring business owners directly together with corporate executives, policymakers, industry leaders and potential partners.

Through curated networking opportunities and informal gatherings, participants will have opportunities to establish relationships that could lead to collaborations, contracts, partnerships and long-term business growth.

The conference also provides companies and organizations seeking to expand their engagement with Hispanic-owned businesses an opportunity to connect with entrepreneurs and business leaders from markets across the United States.

National Leaders Take the Main Stage

The conference’s main-stage sessions will feature influential leaders and nationally recognized voices discussing major issues affecting business, entrepreneurship and economic advancement.

Sessions are expected to provide perspectives on economic trends, public policy, market opportunities and emerging challenges facing businesses.

The discussions are designed to help entrepreneurs and executives better understand changing markets and position their organizations for future opportunities.

Breakout Sessions Focus on Business Growth

Attendees will also have access to industry-focused breakout sessions featuring subject-matter experts addressing specific business challenges and opportunities.

The interactive sessions are designed to provide participants with practical strategies, tools and information they can apply to their companies and organizations.

Topics and speakers for the 2026 conference are expected to be announced as the event approaches.

Hispanic Businesses Take Center Stage in Fort Worth

The conference comes as Hispanic-owned businesses continue to play an increasingly important role in entrepreneurship, job creation and economic development across the United States.

For Fort Worth, hosting the national conference provides an opportunity to showcase the city’s business community while connecting local entrepreneurs with corporate and government decision-makers from across the country.

47th Annual USHCC National Conference
Dates: Sept. 14-16, 2026
Location: Fort Worth Convention Center
City: Fort Worth, Texas

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Historic Casements to Debut Mateo Blanco’s ‘Rockefeller Flag’ During The American Legacy Exhibition

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ORMOND BEACH, Fla. (FNN NEWS) — The Casements, the historic Ormond Beach residence where industrialist John D. Rockefeller spent the final years of his life, will host “The American Legacy,” a new exhibition by American artist Mateo Blanco opening Saturday, Aug. 1.

The exhibition brings together painting and photography to explore themes of American history, material, memory, innovation and the ideas that continue to shape the nation’s identity during its Semiquincentennial.

Public Premiere of Rockefeller Flag

The centerpiece of the exhibition is the public debut of “Rockefeller Flag,” a new oil-on-canvas painting created exclusively for The Casements.

Rather than depicting Rockefeller himself, the work examines the relationship between industry, history and artistic tradition. Executed entirely in black oil paint on canvas, Rockefeller Flag draws its conceptual inspiration from petroleum—the natural resource that transformed American industry and helped redefine the modern world.

Blanco notes that petroleum also returns to its artistic origins through oil paint, the medium that has shaped Western painting for more than five centuries, creating an intersection between industrial innovation and artistic expression.

Installed inside Rockefeller’s historic residence, the painting encourages visitors to reflect not only on one of America’s most influential business leaders but also on the broader themes of vision, enterprise, stewardship and the legacy each generation leaves behind.

“For many people, The Casements represents the final chapter of John D. Rockefeller’s life,” Blanco said. “For me, it represents the beginning of another conversation—one about legacy. Every generation inherits ideas, opportunities and responsibilities created by those who came before. What ultimately defines us is what we choose to build with that inheritance.”

Museum Exhibition Highlights

The exhibition also features paintings previously exhibited at The Butler Institute of American Art alongside a curated selection of photographs celebrating the American landscape, its people and the cultural narratives that have shaped the nation across generations.

Together, the works represent one of Blanco’s most comprehensive museum presentations to date, combining painting and photography in a reflection on the American experience.

According to exhibition organizers, The American Legacy is intended as a cultural reflection rather than a political statement, highlighting creativity, craftsmanship, imagination, innovation and the enduring ability of individuals to transform ideas and materials into lasting contributions.

By returning petroleum to the language of oil painting, Blanco creates a dialogue between one of America’s defining industrial achievements and one of the oldest artistic traditions in history.

About Mateo Blanco

Mateo Blanco is an American multidisciplinary artist whose work explores material transformation, cultural memory and the evolving narrative of American identity. Working across painting, photography, sculpture and mixed media, Blanco examines how everyday materials become symbols of history, belonging and collective memory.

His work has been exhibited by museums and cultural institutions throughout the United States, including The Butler Institute of American Art, the Orlando Museum of Art, the Boca Raton Museum of Art, the Museum of Art – DeLand, the Armory Art Center, the Cornell Art Museum and the Brick Store Museum.

His artwork is included in the permanent collections of several American museums, reflecting continued institutional recognition of his contributions to contemporary American art.

Blanco is represented by Rosenbaum Contemporary, with gallery locations in Palm Beach, Boca Raton and Hollywood, Florida.

Exhibition Information

The American Legacy: Featuring the Public Premiere of Rockefeller Flag

Opening Reception
Saturday, Aug. 1, 2026

3–7 p.m.

Location
The Casements

25 Riverside Drive

Ormond Beach, FL 32176

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Essence Magazine Co-Founder Jonathan Blount Dies at 84, Leaving Enduring Legacy in Civil Rights and Black Media

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ORLANDO, Fla. (FNN NEWS) — Jonathan Sebastian Blount Dunn Morse, a visionary entrepreneur, one of the four founders of Essence magazine, pioneering civil rights activist, Black business leader, publisher, and community advocate, died peacefully Monday, July 20, 2026, at his Orlando home surrounded by family after a courageous battle with prostate cancer that later spread to his bones and liver. He was 84.

For more than seven decades, Morse dedicated his life to advancing civil rights, expanding opportunities for Black-owned businesses, strengthening independent Black media, and empowering communities through economic opportunity, education, and public service.

His life’s work stretched from the front lines of the Civil Rights Movement in North Carolina to the boardrooms of Wall Street and, ultimately, to the neighborhoods of Central Florida, where he remained a tireless advocate until his final days.

Jonathan Morse at a Glance

1930s–1940s

  • Born in Monroe, North Carolina.
  • Adopted and raised by Carrie Blount.

1950s

  • Civil Rights activist under Robert F. Williams.
  • Survived an attempted lynching while challenging segregation.

Late 1960s

  • Conceived the vision that became Essence magazine.

1970

  • Co-founded Essence magazine.
  • Became its first President and Chairman of the Board.

1970s–1990s

  • Helped raise more than $1 million in Wall Street investment capital.
  • Founded additional Black publications.
  • Consulted nationally with Black-owned businesses.

2000s–2026

  • Relocated to Orlando.
  • Founded the African American Art and Heritage Museum.
  • Led Operation Clean Sweep.
  • Mentored Caribbean American Passport News Magazine and celebrated its evolution into CAP Village.

July 20, 2026

  • Passed away at age 84.

A Vision That Changed Black Media

Morse is best known as one of the four founders of Essence magazine, the publication that forever changed how Black women were represented in American media.

While history remembers him as a co-founder, Morse often smiled and described himself as the magazine’s “ideational and conceptual founder,” explaining that the original vision for a fashion and lifestyle publication devoted specifically to Black women was his.

That vision became Essence, now one of the world’s most influential media brands serving Black women.

Known affectionately by many as “The Father of Essence,” Morse served as the publication’s first President and Chairman of the Board, helping transform an ambitious idea into a nationally recognized institution.

Under his leadership, the founders became among the first Black-owned businesses to raise more than $1 million on Wall Street, an unprecedented accomplishment during an era when Black entrepreneurs faced enormous barriers to investment capital.

Although philosophical differences over preserving majority Black ownership eventually led Morse and fellow founder Cecil Hollingsworth to leave the company, he remained proud of the publication’s continued success.

Years later, fellow founder Clarence O. Smith publicly acknowledged that Morse had been right in advocating for Essence to remain Black-owned.

A Freedom Fighter Before He Was a Publisher

Long before changing American media, Jonathan Morse was risking his life for civil rights.

Growing up in Monroe, North Carolina, he came under the mentorship of legendary civil rights leader Robert F. Williams, whom Morse affectionately called “Uncle Rob.”

Together with other young activists, Morse helped defend Monroe’s Black neighborhoods from Ku Klux Klan violence while challenging segregation.

At only 14 years old, he nearly lost his life after participating in an effort to integrate a segregated county swimming pool, surviving an encounter with a lynch mob.

More than six decades later, in 2022, the North Carolina African American Heritage Commission honored Morse and his fellow activists with a historical marker recognizing their courage and sacrifice.

Building Black Business

Following his years with Essence, Morse continued creating opportunities for Black entrepreneurs.

He launched several publishing ventures, including:

  • In Advance
  • Eagle and Swan
  • Élan

He later became one of the nation’s most respected consultants to Black-owned businesses and advertising firms.

Among the accomplishments he valued most was helping secure what was then the largest contract ever awarded to a Black advertising agency—a $10 million U.S. Census Bureau contract.

Economic empowerment remained one of his life’s defining passions.

His favorite Frederick Douglass quotation became his guiding philosophy:

“Power concedes nothing without demand.”

Transforming Orlando

When Morse made Orlando his home, he quickly became one of Central Florida’s most recognizable community advocates.

Among his many accomplishments, he:

  • Founded the African American Art and Heritage Museum.
  • Organized Operation Clean Sweep.
  • Served as President of the Parramore Business Association.
  • Created a community tool library.
  • Coordinated free paint and home improvement supplies.
  • Helped secure the first corporate funding for Orlando’s SALT hygiene program.
  • Successfully challenged diversity issues within public broadcasting.
  • Helped relocate Orlando’s Martin Luther King Jr. Parade onto Orange Avenue’s Main Street.

Whether attending City Council meetings, neighborhood forums, NAACP events, or nonprofit gatherings, Jonathan Morse became known as someone who consistently showed up—not for recognition, but to serve.

A Champion of Independent Black Journalism

Journalism remained one of Jonathan Morse’s greatest passions.

He became a trusted mentor and advisor to Caribbean American Passport News Magazine, working closely with founders Sam and Guenet Roberts as the publication expanded throughout Central Florida and the Caribbean diaspora.

He later celebrated its transformation into CAP Village, where he proudly participated in filming portions of his own documentary.

Morse believed independent Black media preserved history, amplified underrepresented voices, and held institutions accountable.

He encouraged young journalists to pursue difficult stories, ask challenging questions, and never underestimate the value of community journalism.

Family First

Despite a remarkable public career, Jonathan Morse considered family his greatest achievement.

He rarely missed a grandchild’s recital, athletic event, school performance, Easter program, or talent show.

Opening night at the Central Florida Fair became a cherished annual tradition shared with his family.

To Morse, family extended far beyond blood relatives.

Many who knew him referred to him as a brother whose friendship, wisdom, and generosity changed their lives forever.

Courage Through Every Challenge

Later in life, Morse publicly shared his diagnosis of bipolar disorder, hoping his openness would encourage others to seek treatment without fear or shame.

During his battle with cancer, he again chose transparency, believing honesty could inspire hope and reduce stigma for others facing serious illness.

His willingness to discuss deeply personal challenges reflected the same courage that defined his life’s work.

Finding His Roots

Born in Monroe, North Carolina, Morse was adopted at birth by Carrie Blount.

After her passing, he began searching for his biological family through an appeal published in Jet magazine.

That search ultimately reunited him with his birth parents and siblings, completing a deeply personal chapter that remained among the most meaningful experiences of his life.

Comments and Reflections

Family Statement

“Jonathan believed every generation has a responsibility to leave the world better than it found it. We will forever cherish his love, wisdom, humor, and unwavering commitment to family, community, and justice.”

Florida National News

“Jonathan Morse leaves behind more than an extraordinary résumé. He leaves stronger institutions, empowered communities, inspired journalists, successful entrepreneurs, and generations of leaders who benefited from his mentorship. His impact will continue to be felt wherever courageous journalism and community leadership thrive.”

Community Reflection

“Jonathan never measured success by titles or recognition. He measured it by how many people he helped, how many doors he opened, and whether the next generation had greater opportunities than his own.”

Why Jonathan Morse Still Matters

Jonathan Morse’s vision remains remarkably relevant today.

Long before diversity became a corporate priority, he insisted Black voices deserved their own media platforms.

Long before conversations about media ownership became commonplace, he warned of the importance of preserving Black ownership of Black institutions.

Long before community journalism faced unprecedented economic pressures, he championed independent local news organizations as essential pillars of democracy.

His ideas continue to shape conversations about journalism, entrepreneurship, civil rights, economic opportunity, and community empowerment.

Life and Legacy

Jonathan Sebastian Blount Dunn Morse helped shape modern Black America.

He stood against segregation as a teenager.

He helped create one of America’s most influential Black-owned media companies.

He championed Black entrepreneurship.

He strengthened independent journalism.

He revitalized Orlando neighborhoods.

He mentored generations of journalists, civic leaders, entrepreneurs, and community advocates.

His influence extended from Monroe to Manhattan, from Wall Street to Washington, and from Central Florida to communities across the nation.

His legacy is measured not only by the organizations he helped build, but by the countless lives he inspired.

As Jonathan Morse often demonstrated, history is not written only by those who hold public office or corporate titles—it is written by those with the courage to imagine a better future and the determination to build it.

Rest in Peace and Power, Jonathan Sebastian Blount Dunn Morse.

Thank you for believing that ordinary people, united by courage, conviction, and compassion, truly can change the world.

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