Entertainment

Comedy Screenwriter-Director Elaine May to Receive WGAW’s 2016 Laurel Award for Screenwriting Achievement

Published

10 years ago

January 21, 2016

Los Angeles, CA. (FNN NEWS) – Acclaimed comedy screenwriter-director-actress Elaine May (Heaven Can Wait, Primary Colors) is set to receive the Writers Guild of America, West’s 2016 Laurel Award for Screenwriting Achievement, honoring her extraordinary career and body of work, at the 2016 Writers Guild Awards L.A. ceremony to be held on Saturday, February 13.

“Elaine May defines the phrase ‘smart and funny.’ From the Compass Players to Nichols & May to A New Leaf and The Heartbreak Kid and Mikey and Nicky, she invented a strain of knowing, painful, ironic humor that quickly became central to what we now think of as comedy. She’s received Oscar nominations and WGA nominations and Writers Guild Awards, all well-deserved; but it is time to recognize, plainly and simply, the debt that all of us owe to her brave, groundbreaking, fiercely intelligent, deeply human, relentlessly honest, scorchingly funny work,” said WGAW President Howard A. Rodman.

A WGAW member since 1962, May received her first Writers Guild Award nomination (Screen: Adapted Comedy) for her 1971 debut film, A New Leaf (Based on Jack Ritchie’s Short Story, “A Green Heart”), which she also directed and memorably co-starred as the sky heiress “Henrietta Lowell” opposite Walter Matthau.

Later that decade, May earned a Writers Guild Award (Screen: Adapted Comedy) and an Oscar nomination (Best Writing, Screenplay Based on Material from Another Medium) for co-penning 1978’s Warren Beatty-starring hit comedy Heaven Can Wait (Screenplay for Elaine May and Warren Beatty, Based Upon a Play by Harry Segall), which was remade years later as 2001’s Down to Earth, starring Chris Rock.

She also received a Writers Guild Award nomination (Adapted Screenplay) for 1996’s The Birdcage, the U.S. remake of the French farce La Cage Aux Folles, starring Robin Williams and Gene Hackman (Based Upon the Play “La Cage Aux Folles” by Jean Poiret and the Script Written by Francis Veber, Edouard Molinaro, Marcello Danon, and Jean Poiret).

Next, she won a BAFTA Award for Best Adapted Screenplay, as well as received 1999 Academy and Writers Guild Award Adapted Screenplay nominations, for her screenplay for the political satire Primary Colors (Based on the Novel by Anonymous).

Her other screenwriting credits include 1971’s Such Good Friends (written under the pseudonym “Esther Dale,” adaptation by David Shaber), 1976’s Mikey and Nicky, which she also directed, and 1987’s big-budget Warren Beatty/Dustin Hoffman buddy comedy Ishtar, which she directed. May also directed the 1972 romantic comedy The Heartbreak Kid, which garnered two Oscar nominations for the film’s co-stars, Eddie Albert and Jeannie Berlin.

As an actress, May has made several scene-stealing appearances in numerous films during her career, including roles in Enter Laughing (1967), California Suite (1978), In the Spirit (1990), and co-starring opposite Woody Allen in Small Time Crooks (2000), which earned her a National Film Critics Society Award for Best Supporting Actress.

In 1994, she received the American Comedy Awards’ Lifetime Achievement Award in Comedy. In 2000, she shared the U.S. Comedy Arts Festival’s Career Tribute award with her frequent collaborator over the years, director Mike Nichols.

Most recently, she was awarded the National Medal of Arts by President Barack Obama in 2013.

Awarded to a Writers Guild member who has advanced the literature of motion pictures and made outstanding contributions to the profession of the screenwriter, past recipients of the WGAW’s Laurel Award for Screenwriting Achievement include screenwriters David Mamet, Lawrence Kasdan, Robert Benton, Barry Levinson, Steven Zaillian, Eric Roth, Tom Stoppard, Paul Mazursky, and Harold Ramis.

Entertainment

160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

Published

2 weeks ago

April 15, 2026

Willie David

160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

DAYTONA BEACH, Fla. (FNN) — Music set times have been released for the 15th anniversary of Welcome To Rockville, Florida’s largest rock, metal and punk festival, set for May 7–10, 2026 at Daytona International Speedway.

Produced by Danny Wimmer Presents, the four-day event will feature more than 160 bands performing across five stages, marking the festival’s largest lineup to date.

HEADLINERS AND DAILY LINEUP

This year’s festival will be headlined by Foo Fighters, My Chemical Romance, Guns N’ Roses and Bring Me The Horizon.

Thursday, May 7: Guns N’ Roses, Five Finger Death Punch, Godsmack, Staind
Friday, May 8: Foo Fighters, Turnstile, The Offspring, Parkway Drive
Saturday, May 9: Bring Me The Horizon, Breaking Benjamin, Motionless in White, Lamb of God
Sunday, May 10: My Chemical Romance, A Day To Remember, Rise Against, Yellowcard

FESTIVAL EXPANSION AND NEW FEATURES

Organizers announced several enhancements for 2026 aimed at improving the fan experience. A new “Pit Stop” fan zone near the Apex Stage will feature artist interviews, special performances and interactive experiences.

In addition, the Garage Stage will be fully tented for the first time, offering expanded shade coverage and upgraded production for attendees.

SPECIAL EVENTS AND EXPERIENCES

Festivalgoers can kick off the week with a pre-party on May 6 featuring performances by Fuel, Local H and others.

A new crossover event, “Blood4Blood,” will also take place at the Ocean Center, combining live music with bare-knuckle fighting, including a headline bout featuring Alex Terrible of Slaughter to Prevail.

TICKETS, ACCESS AND ATTENDANCE

Festival gates will open daily at 11:30 a.m. Organizers are offering a range of ticket options, including single-day, weekend, VIP and camping packages. A new Camp to Coast shuttle will provide transportation between the speedway and nearby beaches.

With expanded attractions, including rides, themed bars and interactive zones, Welcome To Rockville 2026 is expected to draw tens of thousands of fans to Daytona Beach, reinforcing its role as a major driver of Florida’s tourism and live entertainment economy.

Entertainment

Orlando International Fashion Week Partners with Orlando Fringe Festival for 35th Anniversary Avant-Garde Showcase

Published

3 weeks ago

April 12, 2026

FNN NEWS

Orlando International Fashion Week

ORLANDO, Fla. (FNN) — Orlando International Fashion Week (OIFW) has announced a new creative partnership with the Orlando International Fringe Theatre Festival as the festival celebrates its 35th anniversary this May.

As part of the collaboration, OIFW will present a special avant-garde fashion showcase on Saturday, May 16, 2026, from 5:30 p.m. to 6:30 p.m., during the two-week festival. The curated runway will feature bold, experimental designs that reflect Fringe’s spirit of artistic freedom, individuality and innovation.

PARTNERSHIP CELEBRATES CREATIVE COLLABORATION

Organizers say the partnership reflects a natural alignment between two nonprofit organizations committed to supporting artists and expanding access to creative spaces.

“Fringe and OIFW share a commitment to creating platforms where artists can take risks and express themselves freely,” said Rob Henlon, executive director and co-founder of OIFW. “This collaboration allows fashion to exist within a broader artistic conversation.”

John Payne-Rios, an OIFW advisory board member, added that the partnership strengthens Orlando’s creative ecosystem by bringing together fashion, theater and community engagement.

Festival organizers echoed that sentiment, noting the addition of fashion enhances the Outdoor Stage experience and introduces new artistic energy to the event.

DESIGNER CALL AND MODEL CASTING UNDERWAY

In conjunction with the partnership, OIFW has opened its designer registration call for creatives interested in participating in the Fringe showcase.

Designers are encouraged to submit collections that emphasize:

Avant-garde concepts
Artistic storytelling
Bold, experimental design

Models can also audition for both the Fringe showcase and upcoming OIFW runway shows. Casting calls are scheduled for April 12 and April 19 at CityArts Gallery in downtown Orlando from 11 a.m. to 3 p.m. The casting is open to ages 4 and up, with no prior experience required.

FRINGE FESTIVAL MARKS 35 YEARS OF ARTISTIC FREEDOM

For 35 years, the Orlando International Fringe Theatre Festival has provided an inclusive platform for artists to present original work in an unjuried and uncensored environment. The festival is the longest-running Fringe festival in the United States and returns 100% of ticket sales directly to artists.

Each May, the festival transforms Orlando into a hub of live performances, visual art, music and interactive experiences that celebrate diverse voices and creative expression.

What’s Next for OIFW?

The Fringe collaboration serves as a lead-in to OIFW’s signature summer event, Orlando International Fashion Week Presents: 626 Euphoria, scheduled for June 6, 2026, at the Winter Park Events Center.

Organizers say the upcoming season will continue to focus on:

Expanding fashion as a cultural platform
Strengthening cross-industry partnerships
Elevating emerging and diverse designers

Entertainment

Trick Daddy Threatens Tiffany Moore Russell Mayoral Race After AKA Show Shut Down

Published

3 weeks ago

April 9, 2026

Willie David

ORLANDO, Fla. (FNN) — A performance by Miami street legend rapper Trick Daddy ended abruptly Friday night during the 73rd South Atlantic Regional Conference of Alpha Kappa Alpha Sorority, Incorporated after event organizers said the artist ignored agreed-upon performance guidelines.

The incident, which occurred after the conference’s Step and Stroll competition, has sparked debate online about event vetting, audience expectations, and artistic responsibility.

The event was overseen by South Atlantic Regional Director Tiffany Moore Russell, who also serves as the elected Clerk of Courts for Orange County, Florida and is currently a candidate for Orange County mayor.

Conference Performance Ends Early

Conference attendees from across the South Atlantic region gathered in Orlando for the sorority’s five-day leadership and networking event.

Friday evening’s program featured step teams and strolling performances before transitioning to live entertainment. Organizers booked Trick Daddy, the Miami rapper known for hits including “Nann” and “Thug Matrimony,” to perform a curated list of songs.

However, the performance ended mid-set after organizers said the rapper used language and lyrics that violated previously discussed guidelines.

Russell addressed the incident in a statement distributed to conference attendees.

“We met several times with him and his team to detail our requirements, including attire, language, and specific songs,” Russell said. “Unfortunately, our requirements were ignored. The language, lyrics, and comments made by the artist were not acceptable. I ended the performance because of the disrespect for our organization and our brand.”

Trick Daddy’s performance during an Alpha Kappa Alpha conference was shut down early due to “disrespect for our organization and our brand” pic.twitter.com/AX8xsELyP4
— philip lewis (@Phil_Lewis_) April 4, 2026

Viral Video Fuels Online Debate

Videos posted on social media showed audience members reacting with surprise and discomfort during the performance.

In one clip, attendees could be seen leaving the room as the rapper used explicit language and interacted with the crowd in a manner some attendees described as inappropriate for the event.

The video quickly spread online, fueling debate over whether the performer or the event organizers were responsible for the mismatch between the artist and the audience.

Some critics argued the booking itself raised questions about vetting.

Questions About Booking and Vetting

The controversy has prompted broader discussion about event planning and audience expectations.

Alpha Kappa Alpha Sorority, Incorporated is one of the nation’s oldest historically Black sororities, known for its emphasis on scholarship, leadership, and community service.

Critics on social media questioned why an artist known for explicit hip-hop lyrics was booked for a conference audience largely composed of professional women and long-time sorority members.

Supporters of the organizers say the issue was not the booking itself but whether the performer honored the agreed-upon content guidelines.

Russell emphasized that the step teams and conference participants represented “creativity, discipline, and excellence,” adding that she regretted the performance overshadowed their work.

Trick Daddy Responds: “They Booked Me, Trick Daddy Dollars” [VIDEO]

Following the incident, Trick Daddy posted a video response denying that he violated the agreement and accusing organizers of damaging his reputation.

Trick Daddy video responding to AKA Director statement telling her not to give him a playlist, this isn’t her wedding and not to defame his characte, according to the video.

the video further that he states that anybody in there that was saddity and sanctified should not have been in there once I grabbed the MF’in mic.

He also referenced Russell’s political ambitions, saying: “I heard you’re running for some type of office or something. I’ll get on you every day until you don’t win. Don’t play with me.”

The comments intensified the controversy as the incident shifted from a performance dispute to a potential political crisis for Russell’s Orange County mayoral campaign.

What Happens Next? Reputation, Politics and Public Reaction

For Trick Daddy, the dispute raises questions about how the controversy could affect his public image and performance bookings.

For Tiffany Moore Russell, the issue arrives as she prepares for a campaign for mayor in Orange County, Florida, potentially drawing political scrutiny to the situation.

Whether the rapper follows through on his pledge to publicly attrack Russell’s mayoral campaign remains unclear.

For now, the moment stands as a cautionary tale about entertainment programming at professional events—where audience expectations, artist identity, and brand reputation must align.