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Controversy, frivolity mark day one of Paris Fashion Week

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PARIS (AP) — The pioneering Black performer Josephine Baker — who left the United States to find global fame in Paris in the 1920s — was Dior’s muse for an old school spring couture collection of archetypal classicism.

With her caressing velvets and silks, embroideries, sequins and tiny silver studs, designer Maria Grazia Chiuri may not have reinvented the wheel, but she certainly embellished it beautifully on the first day Monday of Paris Fashion Week.

Yet the event’s first day wasn’t without controversy after Dior was criticized for inviting a Russia influencer sanctioned by Ukraine. Moreover, Schiaparelli was the subject of online ire for glamorizing trophy hunting after featuring a fake lion’s head.

Here are some highlights of the first day of spring-summer haute couture displays:

DIOR’S BAKER

Lining the perfume-scented interiors of an annex inside the Rodin Museum gardens were giant images by African American artist Mickalene Thomas of Baker alongside other female Black American icons.

The stark tableaux photographs documented Baker’s extraordinary life and her many roles: as member of the French Resistance, civil rights activist and humanist as well as dancer and performer.

Guests took their seats, curious and excited.

According to Dior, a series of coats, a take on bathrobe styles depicted “the cozy, intimate dressing room that precedes (Baker’s) entrance on stage.” In couture terms they were undeniably beautiful, if somewhat restrained. The first came in silk velvet; its black diamond lapels hung with a dramatic weight. It was worn over delicately smocked satin swimwear in a take on the 1950s. Elsewhere, knit-like mesh made of silk and steel beads cut a fine vintage style on one ensemble, while also evoking a quiet female power. It was worn on a gleaming, crushed velvet evening robe to suggest intimacy.

Later, Chiuri slightly let her hair down and got her fringe on. Baker’s heyday was evoked in a steel beaded mesh skirt trimmed with sparkling fringe.

Although the theme created an expectation the Dior clothes themselves may offer some powerful exploration of racism or being Black, the collection itself remained very Parisian. It was only a veiled homage to the Black pioneer who fought battles against race, gender and nationality all her life.

That being said, it was admirable how many models of color walked the show — in over half the 60 looks — especially because of the fact Paris Fashion Week, and the luxury industry as a whole, have wrestled with persistent accusations of being white-centric.

MAISIE WILLIAMS PLAYS DIOR’S SISTER

“Game of Thrones” star Maisie Williams looked every bit the part posing against images of stars such as Earth Kitt, Nina Simone and Baker with pixie hairstyle and Dior bustier to flashes of photographers’ lenses.

Williams called coming to the show “such a dream,” in part because she has just played Dior’s sister, Catherine Dior, in the highly anticipated Apple TV drama series “The New Look” — which center on the bitter rivalry between the couturier and Gabrielle “Coco” Chanel.

Williams, who found fame playing the feisty Arya Stark, told Te Associated Press that “I find the Dior woman to be something to really aspire to,” calling the clothes “powerful” for women.

“The women that I love to play have qualities that align,” she said.

SANCTIONED RUSSIAN INFLUENCER INVITED

Dior provoked criticism online for extending a Paris couture show invitation to a Russian TV presenter called Yana Rudkovskaya, who was sanctioned by Ukrainian President Volodymyr Zelenskyy in Jan. 15 for her connections to Russian President Vladimir Putin. Other houses have reportedly refused to allow Rudkovskaya, who is an influencer, into their shows.

Rudkovskaya posted a photo of her Dior couture invitation on Instagram. Some journalists asked how many “other sanctioned Russians are attending Paris Haute Couture?”

SCHIAPARELLI MAKES SURREAL TWISTS

Glamorous frivolity, exaggerated silhouettes and surreal takes on classics harking from the 1930s heyday of house founder Elsa Schiaparelli.

That was the mood at the first spring-summer couture show of the season — and what a start! — with its lashings of gold, intricate embellishments and rollcall of front row VIPs inside the lofty gilded atrium of the Petit Palais.

Designer Daniel Roseberry was on top form Monday — taking classical styles and giving them unexpected twists. A dark tuxedo with stiff oversize shoulders was transformed into a minimalist, space-age jumpsuit.

A bronze bustier reimagined as a giant oyster shell rose up like a fan that obscured the model’s face. Its incredible pearl embellishments were rendered in organic, crystallized layers showing off the deftness of the house atelier.

Myriad embellished baubles — almost resembling wet pearls — organically dripped off a blown-up bolero jacket that cut a beautiful silhouette, and had perhaps belonged to some underwater princess.

Yet the collection was also reverential to the house founder whose unique brand of frivolity charmed audiences around the world. A giant lion’s head — replete with fangs and bushy mane — modeled by Irina Shayk added a bite to this collection. It was an inventive nod to Surrealism, but also a statement about the absurdity of the use of fur.

Kylie Jenner, who sat front row at Schiaparelli also wearing a 3-D lion’s head and a gold snakeskin bag, was later criticized online amid accusations of glamorizing animal cruelty.

IRIS VAN HERPEN GOES DIGITAL

Against the grain of Paris Fashion Week, which is turning its back on digital, Dutch Wunderkind said of her latest couture offering that she “is proud to announce that… instead of a traditional runway show, the brand shows a digital presentation that allows for more creative freedom and storytelling.”

An in-person presentation accompanied the collection film “Carte Blanche,”in which she teamed up with a French artists called Julie Gautier — exploring how female beauty can be used as a form of control.

A limp red dress, with sinews revealing inches of flesh, resembled a poisonous sea creature, while interlocking circles evoked spiky but precious coral. Billowing blue and silver portions of generous fabric on a gown flowed like an underwater generous — touching on the signature organic inspiration from the award-winning couturier who has designed for artists such as Bjork.

VALLI GIRLS IN BLOSSOM

Spring was truly in the air at Giambattisata Valli, whose powder pinks, canary yellows and pale turquoises mixed with the wafting floral perfume to crown this season gloriously.

In this collection, the lauded Italian couturier lopped off elements of the classical wardrobe or else made unexpected takes on gowns.

A regal ballgown that ballooned with voluminous whooshes, sleeves and train, was imagined shoulderless and revealed inches of leg. An exaggeratedly proportioned mermaid down flared out dramatically from the knee — ready for a spring wedding. It a nice disruption to the style, it was twinned with a stiff sleeveless crop top that revealed the midriff in a sporty way.

Flowers were also a touchstone.

Cuffs were embellished in giant roses, which reappeared in another look above the shoulder as if to cushion the model’s head. While, teeming embroideries and tulle banding accompanied stylized hair to evoke a take on Arabic dress — with the ubiquitous giant pearl earrings seeming to evoke the famous ancient traditions of Kosovar brides.

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Politics

CARICOM Launches Online Platform for 51st Heads of Government Meeting Gros Islet, Saint Lucia conference set for July 5-8, 2026

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GEORGETOWN, Guyana (FNN NEWS) — The Caribbean Community (CARICOM) Secretariat has launched a dedicated online platform for the upcoming 51st Regular Meeting of the Conference of Heads of Government of CARICOM, scheduled to take place in Gros Islet, Saint Lucia, from July 5-8, 2026.

Central Hub for Meeting Information

The online platform will serve as the primary source of information for media representatives, government officials, stakeholders, and the public leading up to and during the conference.

Available at CARICOM 51st Heads of Government Meeting Platform, the website features:

  • Information on the Opening Ceremony speakers
  • A detailed program of events
  • A profile of the incoming CARICOM Chair
  • Daily news updates
  • Photo and video galleries
  • Livestreams of the Opening Ceremony
  • Livestreams of the Closing Media Conference

The official Meeting Communiqué, summarizing decisions and outcomes from the conference, will also be published on the platform following the conclusion of the meeting.

Media Encouraged to Bookmark Platform

CARICOM officials are encouraging members of the media and other stakeholders to bookmark the website and visit regularly for updates throughout the conference.

The Secretariat also invited users to follow and engage with CARICOM’s social media channels using the hashtag #51HGC for real-time updates and coverage.

About CARICOM

Caribbean Community (CARICOM) was established on July 4, 1973, with the signing of the Treaty of Chaguaramas. The treaty was revised in 2001 to facilitate the creation of the CARICOM Single Market and Economy (CSME).

CARICOM comprises 15 Member States and six Associate Members, representing approximately 16 million citizens across the Caribbean region. Nearly 60 percent of the Community’s population is under the age of 30.

The organization’s work is centered on four primary pillars:

  • Economic integration
  • Foreign policy coordination
  • Human and social development
  • Security cooperation

CARICOM’s vision is to build an integrated, inclusive, and resilient Caribbean Community driven by knowledge, innovation, excellence, and productivity while promoting human rights, social justice, and sustainable economic prosperity.

Headquartered in Georgetown

The principal administrative organ of the Community, the CARICOM Secretariat, is headquartered in Georgetown and coordinates the implementation of regional policies and initiatives among Member States.

CARICOM remains one of the most successful examples of regional integration in the developing world.

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US NATIONAL NEWS

Rubio, Jaishankar Discuss Strait of Hormuz Security During Diplomatic Call

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Secretary of State Marco Rubio and Indian External Affairs Minister Subrahmanyam Jaishankar discussed maritime security, commercial shipping and recent developments in the Strait of Hormuz.

WASHINGTON (FNN NEWS) — U.S. Secretary of State Marco Rubio spoke with Indian External Affairs Minister Subrahmanyam Jaishankar to discuss recent developments in the Strait of Hormuz, according to a State Department readout released Friday.

According to Principal Deputy Spokesperson Tommy Pigott, the conversation focused on maritime security and commercial shipping in one of the world’s most strategically important waterways.

Focus on Maritime Security

During the call, Rubio stressed that commercial vessels operating in the Strait of Hormuz should immediately comply with instructions issued by U.S. forces as they work to maintain regional peace and security.

The secretary also emphasized U.S. concerns regarding the transportation of Iranian oil and warned that violations of U.S. enforcement measures would not be tolerated.

Critical Global Waterway

The Strait of Hormuz serves as a vital shipping route connecting the Persian Gulf to international markets and is one of the world’s most important energy transit corridors. Any disruption to commercial traffic through the region can have significant implications for global energy supplies and international trade.

The call highlights continued diplomatic coordination between the United States and India on regional security issues and freedom of navigation in key international waterways.

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Tech

NASA’s Artemis II Astronauts Begin Historic Journey Around the Moon After Key Orion Engine Burn

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Earth's crescent is seen from a solar array camera on the Orion spacecraft on the first flight day of the Artemis II mission. Credit: NASA

CAPE CANAVERAL, Fla. (FNN) — For the first time in more than 50 years, astronauts on a NASA mission are headed around the Moon after successfully completing a critical burn of the Orion spacecraft’s main engine.

The approximately six-minute firing of Orion’s service module engine Thursday — known as the translunar injection burn — accelerated the spacecraft and its crew beyond Earth’s orbit, placing them on a trajectory toward the Moon.

Aboard the spacecraft are NASA astronauts Reid Wiseman, Victor Glover and Christina Koch, along with Canadian Space Agency astronaut Jeremy Hansen.

“Today, for the first time since Apollo 17 in 1972, humans have departed Earth orbit,” said Dr. Lori Glaze, acting associate administrator for NASA’s Exploration Systems Development Mission Directorate. “Reid, Victor, Christina and Jeremy now are on a precise trajectory toward the Moon. Orion is operating with crew for the first time in space, and we are gathering critical data and learning from each step.”

NASA’s Space Launch System rocket and Orion spacecraft lifted off from Launch Pad 39B at Kennedy Space Center at 6:35 p.m. EDT on April 1, beginning a planned 10-day test mission around the Moon and back.

Successful Launch and Spacecraft Activation

Shortly after reaching space, Orion deployed its four solar array wings, allowing the spacecraft to generate power from the Sun. The crew and mission controllers then began transitioning the spacecraft from launch to normal flight operations while checking critical onboard systems.

About 49 minutes into the flight, the rocket’s upper stage fired to place Orion into an elliptical orbit around Earth. A second burn propelled the spacecraft — named “Integrity” by the crew — into a high Earth orbit extending roughly 46,000 miles above the planet for nearly 24 hours of system testing.

Following the maneuver, Orion separated from the upper stage and began flying independently.

System Tests and Crew Operations in Space

During the early phase of the mission, the astronauts conducted a manual piloting demonstration to evaluate Orion’s handling capabilities using the Interim Cryogenic Propulsion Stage as a docking target.

After the test, Orion executed an automated departure burn to safely move away from the stage. The propulsion stage later performed a disposal burn before re-entering Earth’s atmosphere over a remote area of the Pacific Ocean.

Before its re-entry, four small CubeSats were deployed from the rocket’s Orion stage adapter to conduct separate scientific missions.

Mission teams also transitioned communications to NASA’s Deep Space Network while the crew adjusted to the space environment. Astronauts completed their first rest periods, performed onboard exercise routines, restored the spacecraft’s toilet to normal operations and prepared the spacecraft for the translunar injection burn.

Lunar Flyby and Artemis Program Goals

The crew is scheduled to conduct a lunar flyby Monday, April 6, when astronauts will capture high-resolution images and make observations of the Moon’s surface — including portions of the lunar far side rarely seen directly by humans.

Although the far side will only be partially illuminated during the flyby, the lighting conditions are expected to cast long shadows across the terrain, highlighting ridges, slopes and crater rims that are difficult to observe under full sunlight.

After completing the flyby, the astronauts will return to Earth and splash down in the Pacific Ocean off the coast of San Diego.

The mission marks a major milestone for NASA’s Artemis program, which aims to send astronauts on increasingly ambitious missions to explore the Moon, advance scientific discovery, stimulate economic growth and prepare for the first crewed missions to Mars.

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