Entertainment
Famed Australian Indigenous Actor David Gulpilil Dies at 68
Published
5 years agoon
CANBERRA, Australia (AP) — Australia’s most acclaimed Indigenous actor, David Gulpilil, has died of lung cancer, a government leader said on Monday. He was 68 years old.
Gulpilil found his widest audiences with his roles in the 1986 hit film “Crocodile Dundee” and in director Baz Luhrmann’s 2008 epic “Australia” in a career that spanned five decades. He was often described as a bridge between Indigenous Australia and the outside world who never fit comfortably in either place.
“It is with deep sadness that I share with the people of South Australia the passing of an iconic, once-in-a-generation artist who shaped the history of Australian film and Aboriginal representation on screen,” South Australia state Premier Steven Marshall said.
An accomplished didgeridoo player, Gulpilil mixed with Jimi Hendrix and Bob Marley. He was feted in New York and Paris. He also spent periods of his life as an itinerant drinking and sleeping in parks in the northern Australian city of Darwin and stints in prison for alcohol-fueled offenses.
Gulpilil was born on tribal land in the sparsely populated wilds of the Australian northern frontier in the early 1950s, his friend and caregiver Mary Hood said. His date of birth was recorded as July 1, 1953, a guesswork date set by local missionaries.
First contacts between Indigenous Australians and the outside world were becoming rare but continued in the remote Outback for another 30 years from the time of Gulpilil’s birth. Family groups followed in nomadic traditions unaware their land had been colonized by Britain two centuries earlier.
Gulpilil said he never saw a European Australian until he was 8 years old and considered English his sixth language, his biographer Derek Rielly wrote. The other 13 were Indigenous dialects. Gulpilil’s Christian name was foisted upon him at school.
Gulpilil was a 16-year-old ceremonial dancer performing in the Indigenous mission of Maningrida in 1969 when he met British director Nicolas Roeg, who was scouting for filming locations. Gulpilil starred in Roeg’s acclaimed 1971 movie “Walkabout” as a lone youth wandering the Outback as part of a tribal rite of passage, who comes across and rescues two lost British children. The British siblings were played by a teenage Jenny Agutter, who later found fame in Hollywood, and the director’s 7-year-old son, Lucien.
Roles followed in popular movies “Storm Boy” in 1976 and “The Last Wave” in 1977.
His final role was the remake of “Storm Boy” in 2019, in which he played the father of the central character in the original, Fingerbone Bill.
Gulpilil recalled learning to binge on alcohol and drugs from counter-culture icon Dennis Hopper, who played the starring role in the 1976 movie about a nineteenth-century Australian outlaw, “Mad Dog Morgan.” The 22-year-old Indigenous actor had third billing on the film after Hopper and Jack Thompson, a stalwart in Australian cinema.
Gulpilil won multiple best-actor awards for the 2002 Rolf de Herr-directed movie “The Tracker,” in which he played one of the many Indigenous men that Australian police routinely used as trackers of fugitives in the Outback.
Weeks before the movie was released, journalists visited him in the small Indigenous community of Ramingining on his crocodile-infested tropical tribal land. He was living in a hut with his then-partner, Indigenous painter Robyn Djunginy, without power or running water.
They cooked kangaroo meat and fish over an open fire beneath a scrap iron roof. Hunting spears were slung from a rafter and Gulpilil kept a wooden Indigenous fighting club known as a nulla nulla for self-protection.
“I was brought up in a tin shed. I wandered all over the world — Paris, New York — now I’m back in a tin shed,” Gulpilil said.
He presented himself as a victim of his own celebrity and his own people’s misunderstanding of his position in the wider world.
“People say to me: You’re a big name. You have money. Why don’t you buy yourself a house; get out of Ramingining?” he said.
“This is my country. I belong here, and I’m broke,” he added.
Exactly why he was broke was not clear. He was vague about how much he earned over the years, and wealth in Australian Indigenous society is communal, tending to permeate through relatives and friends.
Back then, Gulpilil liked to drink beer, smoke marijuana and take kava. But because all three were banned in Ramingining, he avoided some of the temptations of city life excesses.
Gulpilil’s friend and caregiver, Hood, first met him in 2006 at the Darwin premiere of “Ten Canoes,” the first feature-length movie in an Australian Indigenous language.
Gulpilil narrated the movie and his son, Jamie Gulpilil, was part of the cast that was mostly drawn from Ramingining.
“When I first met him, I saw a real kindness,” Hood said. She acknowledged there was also a “dark” side.
A Darwin judge sentenced Gulpilil in 2011 to a year in prison for breaking the arm of his then-partner, indigenous artist Miriam Ashley, during a drunken argument in a Darwin home. He used his time in prison to turn his life away from alcohol and cannabis.
Hood regularly visited Gulpilil in prison. He was released to live with her and, for a time, Ashley at Hood’s Darwin home while on parole. He eventually followed Hood to Murray Bridge in South Australia state, 3,500 kilometers (2,200 miles) from Ramingining and his traditional country.
Hood became his caregiver after he was diagnosed with inoperable lung cancer in 2017.
He is survived by his sisters Mary and Evonne, daughters Makia and Phoebe, and sons Jamie and Jida. Director Peter Weir said during an interview in New York in 1977 while promoting his supernatural thriller “The Last Wave” that Gulpilil had created untold personal tensions by straddling two disparate cultures.
“He’s enigmatic. He’s an actor, a dancer, a musician. He’s a tribal man, initiated in the tribal ways,” Weir said. “He has a foot in both cultures. It’s an enormous strain on the man.”
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Entertainment
Dr. Phillips Center’s Free Frontyard Holiday Festival Returns to Downtown Orlando Nov. 27
Published
3 days agoon
August 26, 2026
ORLANDO, Fla. (FNN) — The holidays are returning to downtown Orlando as the Dr. Phillips Center for the Performing Arts brings back its free Frontyard Holiday Festival, transforming the Frontyard and Seneff Arts Plaza into a holiday destination from Nov. 27 through Dec. 31.
The Frontyard Holiday Festival at Dr. Phillips Center, supported by AdventHealth, will feature nightly snowfall, live entertainment, holiday movies, themed nights, firepits, seasonal food and beverages, interactive experiences, light displays and performances by local artists and community groups.
Admission is free.
“This festival is part of our vision to create more free experiences in the Frontyard, one of the 1,000 annual free events planned as part of our master plan,” Dr. Phillips Center President and CEO Kathy Ramsberger said. “These events are designed to bring our community together while creating new opportunities that attract visitors and contribute to Orlando’s vibrant tourism economy.”
Nightly Snowfall Returns to Downtown Orlando
The festival opens Friday, Nov. 27, and runs through New Year’s Eve, giving Central Florida residents and visitors more than a month to experience the celebration.
Nightly snowfall will return as one of the festival’s signature attractions, along with holiday movie screenings and seasonal performances.
A rare musical attraction will also return this year: the only transportable carillon in North America.
The instrument features nearly four tons of bronze bells and will bring traditional holiday sounds to the outdoor festival.
Free Holiday Experience for Orlando Families
Organizers said the festival is part of the Dr. Phillips Center’s broader effort to increase free arts and cultural programming while creating a gathering place for residents and visitors in downtown Orlando.
AdventHealth returns as a major supporter of the event.
“The holidays invite us to slow down, reconnect and make memories with the people who matter most,” said Sharon Line Clary, AdventHealth’s senior vice president of community impact and partnership engagement.
Clary said the partnership is designed to help create a welcoming community space centered on celebration and connection.
Holiday Shows Coming Inside Dr. Phillips Center
The outdoor festival will coincide with a separate lineup of holiday entertainment inside the performing arts center.
The 2026 holiday schedule includes Lindsey Stirling, “The Nutcracker,” Vienna Light Orchestra, Irish Christmas in America, Straight No Chaser and “A Very Broadway Christmas.”
Other scheduled productions include “The Unauthorized Hallmarkish Parody” and “Adam Biner: A Jewish Boy’s Love Letter to Christmas.”
The lineup includes dance, orchestral music, comedy and other live performances throughout the holiday season.
More Festival Programming Coming
Additional details about performances, themed nights, movie screenings and interactive experiences are expected to be announced as the opening date approaches.
The festival is supported by AdventHealth, the city of Orlando’s Downtown Development Board, The Main Law Firm, OUC — The Reliable One, Massey Services Inc. and a donation from Neal and Jan Dempsey.
The project also receives funding from Orange County government through its Arts & Cultural Affairs Program.
Event Details
What: Frontyard Holiday Festival at Dr. Phillips Center supported by AdventHealth
When: Nov. 27-Dec. 31, 2026
Where: Dr. Phillips Center for the Performing Arts, Frontyard and Seneff Arts Plaza, downtown Orlando
Admission: Free
Entertainment
‘SPAMALOT’ Joins Dr. Phillips Center’s 2026-27 Broadway in Orlando Season
Published
3 weeks agoon
August 10, 2026
Tony Award-winning musical will play Walt Disney Theater Nov. 3-5, 2026
ORLANDO, Fla. (FNN NEWS) — Dr. Phillips Center for the Performing Arts is expanding its 2026-27 Broadway in Orlando season with the addition of SPAMALOT, the Tony Award-winning Best Musical, scheduled for Nov. 3-5, 2026, at Walt Disney Theater.
Inspired by the classic comedy Monty Python and the Holy Grail, SPAMALOT brings Monty Python’s distinctly British humor to the stage through a comedic adventure following King Arthur and his quest for the Holy Grail.
The production comes to Orlando following a celebrated 2023 Broadway revival at the St. James Theatre, directed and choreographed by Josh Rhodes.
Monty Python Comedy Comes to Orlando
Described as “lovingly ripped” from Monty Python and the Holy Grail, the musical features British royalty, flying cows, dancing girls, shrubbery and the Lady of the Lake.
The 14-time Tony Award-nominated musical features well-known numbers including “Always Look on the Bright Side of Life,” “The Song That Goes Like This” and “Find Your Grail.”
SPAMALOT features a book and lyrics by Eric Idle, with music by John Du Prez and Idle.
Cast Announced for Orlando Production
The cast features Major Attaway, whose credits include Aladdin, as King Arthur; Sean Bell (Harmony) as Sir Robin; Chris Collins-Pisano (Forbidden Broadway) as Sir Lancelot; Ellis C. Dawson III (Hamilton) as Sir Bedevere; Leo Roberts (Les Misérables) as Sir Galahad; Amanda Robles as the Lady of the Lake; Blake Segal (Mary Poppins) as Patsy; and Steven Telsey (The Book of Mormon) as the Historian and Prince Herbert.
The company also includes Lindsay Lee Alhady, Delaney Benson, Jack Brewer, Connor Coughlin, L’ogan J’ones, Graham Keen, Claire Kennard, Ben Lanham, Nathaniel Mahone, Maddie Mossner, Emilie Renier, Mark Tran Russ and Meridien Terrell.
Creative Team
The production’s creative team includes scenic and projection designer Paul Tate dePoo III, costume designer Jen Caprio, lighting designer Cory Pattak, sound designers Kai Harada and Haley Parcher, and wig designer Tom Watson.
John Bell serves as music supervisor, with Jonathan Gorst as musical director and conductor.
Derek Kolluri is associate director, Michael Fatica is associate choreographer and casting is by Geoff Josselson, CSA. RCI Theatricals serves as general manager, and Jeffrey Finn is the producer.
Tickets on Sale Now
Single tickets for SPAMALOT are on sale now through Dr. Phillips Center.
Performances: Nov. 3-5, 2026
Venue: Walt Disney Theater at Dr. Phillips Center for the Performing Arts
Location: Orlando, Florida
Tickets and additional information are available through the Dr. Phillips Center website.
Central Florida News
Dr. Phillips Center Generates $227.6 Million Annual Economic Impact, Supports Nearly 2,500 Central Florida Jobs
Published
4 weeks agoon
July 30, 2026
ORLANDO, Fla. (FNN NEWS) — The Dr. Phillips Center for the Performing Arts generated $227.6 million in annual economic impact, supporting 2,483 jobs and producing $13.2 million in state and local tax revenue, according to a newly released independent study by Tourism Economics.
The analysis, conducted by Tourism Economics, an Oxford Economics company specializing in economic impact and tourism research, measured the direct, indirect and induced economic activity generated by the arts center’s operations, performances, visitors and related spending throughout Central Florida.
The findings underscore the Dr. Phillips Center’s role as both a premier performing arts destination and a major contributor to the region’s economy.
“For more than a decade, we’ve seen firsthand how the arts inspire people, bring communities together and create lasting value,” said Kathy Ramsberger, president and CEO of Dr. Phillips Center for the Performing Arts. “This study confirms that our impact reaches far beyond our stages—supporting thousands of jobs, driving business growth, attracting visitors from around the world and helping position Central Florida as a more vibrant, competitive and connected region.”
Economic Impact by the Numbers
According to the Tourism Economics report, the Dr. Phillips Center generated:
- $227.6 million in annual economic output
- 2,483 jobs supported across Central Florida
- $70.8 million in total labor income in Orange County
- $13.2 million in state and local tax revenue
- $73.1 million in off-site spending by event attendees, performers and production crews
- 61,600 hotel room nights generated annually
The study highlights the ripple effect created by visitors attending performances, benefiting nearby hotels, restaurants, retailers and other local businesses.
A Global Destination for Arts and Entertainment
Now in its 11th year, the Dr. Phillips Center welcomes more than 910,000 guests annually, attracting visitors from all 50 states and more than 80 countries.
Since opening in 2014, the venue has hosted:
- More than 6.2 million guests
- More than 6,200 performances and events
- Programming presented 99% of the year
- Venue occupancy rates ranging from 82% to 97%
The center has become one of the world’s busiest performing arts destinations while helping position downtown Orlando as a leading hub for arts, culture and entertainment.
Community Investment Beyond the Stage
In addition to its economic impact, the Dr. Phillips Center continues investing in arts education, community outreach and cultural programming throughout Central Florida.
According to the organization, it has:
- Served 935,920 students and community participants
- Supported and hosted 202 regional arts organizations
- Received support from 24,085 donors
- Benefited from $256 million in philanthropic contributions since its inception
Through partnerships with schools, nonprofit organizations, community groups and touring productions, the center continues to expand access to the performing arts while strengthening the region’s cultural and economic vitality.
Looking Ahead
Eleven years after opening, the Dr. Phillips Center continues to demonstrate that investment in arts and culture produces measurable returns through tourism, employment, education and community engagement.
As Central Florida continues to grow, the independent analysis reinforces the performing arts center’s importance as both a cultural landmark and an economic engine for the region.
Additional information about the economic impact study is available through the Dr. Phillips Center for the Performing Arts.
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