Movies
How not to break the bank on streaming services
Published
7 years agoon
NEW YORK (AP) — With more TV streaming services than ever before, from newcomers like Disney Plus to stalwarts like Netflix, consumers may feel the ideal viewing experience is finally at hand.
Americans have, on average, three streaming video subscription services, according to a recent study of digital media trends by Deloitte. While some have dropped cable and its average bill of around $100 a month altogether, about 43% have both pay TV and streaming subscriptions.
Yet patching together a variety of services to get just what one wants isn’t always seamless. Families and individuals can still find themselves with service that doesn’t perfectly suit their viewing habits. And those monthly subscriptions can add up fast.
“It doesn’t make sense to pay for a bunch of content you have no interest in watching,” said Bruce McClary, vice president of marketing for the National Foundation for Credit Counseling. “Finding a service that lets you scale your channel lineup based on your interests can also help you avoid paying for things you don’t need.”
A little research on which services are best for you can help save big bucks.
FOR FAMILIES
Disney is making the biggest play for family viewership. The owner of Disney Channel, the Star Wars franchise and most recently Fox’s entertainment business is betting its mix of family-friendly franchises and beloved animated classics, along with original programming, will make the Disney Plus service irresistible to families, even if they already subscribe to other services. The service, launching Nov. 12, will cost $7 a month initially.
For some kids, there may be no substitute for watching Disney’s “Frozen” over and over again. But other services that families might already subscribe to have a lot of family-friendly programming too. Amazon Prime ($119 per year or $13 per month for Prime loyalty program membership; Prime Video alone costs $9 a month), Hulu ($6 to $12 per month), and Netflix ($9 to $16 per month) all offer kids programming.
Another choice for parents: HBO Now ($15 a month) is the home for the classic kids TV show “Sesame Street.” And for spendthrifts, YouTube’s free Kids channel offers an endless stream of kid-friendly fare, although quality varies widely.
FOR MOVIE BUFFS
Movie fans will soon have to work a bit harder to find movies to stream. As Disney, Fox, Universal and Warner Brothers and others offer their own streaming services, they will all eventually pull their content from Netflix. But niche services are there to fill the void.
Classic movies can be difficult to find streaming. Movie fans suffered a loss when AT&T, which bought Time Warner last year, decided to discontinue FilmStruck, a streaming service that was a collaboration between Turner Classic Movies and the Criterion Collection. But a similar service called The Criterion Channel that offers 1,000 classic and contemporary films is stepping up to fill the void. It costs $11 a month or $99 for a year.
Other movie-centric streaming services include Fandor ($6 per month or $50 per year) or Mubi ($11 per month). Both offer a curated selection of movies.
Those on a budget can try Kanopy, a streaming service that works with public libraries and universities to offer library card holders streaming movies for free.
FOR SPORTS FANS
Sports fans do have streaming options, but they cost more since sports must be watched live. Basic live TV options are cheaper but may not include sports channels. Which service you choose depends on which sport or which team you want to watch.
There are a variety of live TV streaming services that offer a wide range of sports, but they’ve recently been raising their prices . Fubo TV offers more than 85 channels including ones that broadcast football, baseball, soccer and other sports. It costs $45 for the first month, then $55 a month after that. DirecTV Now costs $50 a month for the cheapest tier. Sling TV costs $25 to $40 a month. Hulu raised the price for its live-TV service in February, by $5, to $45. Sony’s PlayStation Vue costs $45 to $80 a month. Google’s YouTube TV is increasing its monthly fee to $50. It launched at $35 and has raised prices as it added more channels. Most of the live TV services offer the major sports channels such as Fox Sports and NBC Sports Network, as well as games broadcast on network TV. But ESPN, for example, is on Hulu Live and YouTube TV but not Fubo TV, so fans of a specific team or sport should examine the channel listings for each service.
There’s no budget offering for watching high profile sporting events. But Disney’s ESPN Plus costs $5 a month or $50 for the year. It offers some live games, including some hockey, soccer and baseball games, as well as content about sports like ESPN’s “30 for 30” documentary series. But you can’t watch most major league sports games on the service.
MIX AND MATCH
If you’re a sports fan who also loves movies and has a family, you’ll have to mix and match services while trying to stay within your budget. It is still possible to stay below the monthly cost of cable, says the NFCC’s McClary.
“The acceptable threshold for spending is up to each household, but most ‘live’ and ‘on demand’ streaming services would be on the low end of the scale compared to traditional cable packages,” he said. “One good measuring stick is to compare the monthly rate to your monthly content consumption patterns and what it would cost if you paid movie rental rates each time you watch a program.”
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Entertainment
Angela Bassett Reclaims Power in Mission: Impossible – The Final Reckoning as Tom Cruise Pushes Stunt Limits
Published
10 months agoon
June 6, 2025ORLANDO, Fla. (FNN NEWS) –Angela Bassett makes a triumphant return to the Mission: Impossible franchise in its eighth installment, Mission: Impossible – The Final Reckoning, which debuted in U.S. theaters on May 23, 2025. Reprising her role as Erika Sloane, Bassett’s character has taken on a commanding new role: President of the United States.
Last seen in Mission: Impossible – Fallout (2018), Sloane’s absence from Dead Reckoning Part One is now explained by her meteoric rise to the nation’s highest office. In her return, she steps off Air Force One with steely presence, bringing gravitas to a storyline that pits the IMF against their most formidable adversary yet—a rogue AI known as “The Entity.” Her character’s strategic insight and moral compass ground the team amid global chaos, adding depth and intelligence to the espionage spectacle.
But no Mission: Impossible film is complete without Tom Cruise defying gravity—and expectations. Cruise, returning as Ethan Hunt, delivers what is perhaps his most jaw-dropping performance to date. Known for performing his own stunts, Cruise tops his previous feats by hanging off a WWII-era biplane in flight, racing a motorcycle off a cliff (yes, again), and free climbing the jagged cliffs of Iceland—all without a stunt double.
Director Christopher McQuarrie described Cruise’s latest aerial antics as “a ballet with death,” while fans erupted in applause during early screenings. One of the most talked-about sequences involves Cruise leaping from a speeding train as it crashes through a collapsing mountain tunnel—a scene reportedly shot using a mix of practical effects and precision stunt rigging.
The chemistry between Bassett and Cruise brings a grounded realism to the high-concept chaos. As President Sloane and Ethan Hunt navigate the political and physical minefields ahead of them, their shared sense of duty and courage anchors the emotional weight of the film.
With stunning visuals, powerful performances, and heart-stopping action, Mission: Impossible – The Final Reckoning delivers on every front—combining high-stakes diplomacy, rogue-tech suspense, and death-defying stunts into one explosive cinematic experience. Bassett’s return only elevates the franchise, proving once again that power, poise, and purpose are the most thrilling forces of all.
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Kareen Kennedy is the Assistant Editor for Florida National News
kareen.kennedy@floridanationalnews.com
Entertainment
Love, Culture, and Comedy Collide in The Wedding Banquet (2025)
Published
12 months agoon
April 18, 2025ORLANDO, Fla. (FNN NEWS)- Arriving in theaters April 18, The Wedding Banquet (2025) brings a fresh and heartfelt perspective to the classic romantic comedy, blending cultural tradition, modern relationships, and the complexities of identity. Directed by Andrew Ahn (Spa Night, Driveways, Fire Island), the film is a reimagining of the beloved 1993 movie of the same name, now updated for a new generation with humor, warmth, and a stellar cast.
At the center of the story is Min, portrayed by Bowen Yang (Saturday Night Live, Wicked), a gay man who finds himself under pressure to maintain appearances for his traditional family. In a mutually beneficial arrangement, he agrees to a green-card marriage with his best friend, played by Kelly Marie Tran (Raya and the Last Dragon, Star Wars: The Last Jedi), who is seeking access to in vitro fertilization. The plan is simple—on paper.
Things take an unexpected turn when Min’s grandmother makes a surprise trip from Seoul and insists on throwing a full traditional Korean wedding banquet. What follows is a whirlwind of secrets, revelations, and genuine emotion as the pair tries to keep up the façade in front of loved ones while quietly confronting their own personal truths.
Rounding out the cast is Lily Gladstone, whose acclaimed, Oscar-nominated performance in Killers of the Flower Moon made her one of the most compelling actors to watch. Her role adds a grounded presence and emotional depth that further elevates the film’s dynamic ensemble.
This remake arrives at a particularly meaningful moment in cinematic history. The original The Wedding Banquet, directed by Ang Lee and released in 1993, was officially added to the U.S. National Film Registry by the Library of Congress in 2023. This prestigious recognition is reserved for films considered “culturally, historically, or aesthetically significant,” ensuring their preservation for future generations. The original broke new ground by bringing Asian American and LGBTQ+ stories into mainstream consciousness, and its selection by the Library of Congress underscores its enduring impact and relevance.
By reimagining The Wedding Banquet through a contemporary lens, Andrew Ahn not only honors the legacy of Ang Lee’s original but also introduces new audiences to a story that still resonates—one that navigates love, family, identity, and the universal human desire to be accepted. The 2025 version embraces both the comedic and emotional beats of the original while creating space for modern perspectives, representation, and storytelling.
With standout performances, sharp writing, and a balance of sincerity and laughter, The Wedding Banquet (2025) is more than just a romantic comedy—it’s a celebration of chosen family, cultural connection, and the beautifully messy ways we find love and acceptance.
Opening April 18—bring tissues, bring laughter, and don’t miss the invitation.
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Kareen Kennedy is the Assistant Editor for Florida National News
kareen.kennedy@floridanationalnews.com
Entertainment
Viola Davis Leads Amazon Prime’s G20 to #1 Streaming Spot, Redefines Action Hero as U.S. President
Published
1 year agoon
April 16, 2025LOS ANGELES, Calif. (FNN NEWS) – Oscar-winning actress Viola Davis has once again proven her star power and storytelling prowess in Amazon Prime Video’s newest blockbuster action-thriller G20, which has surged to become the platform’s most-watched movie since its release. Davis not only stars as U.S. President Danielle Sutton, but also served as a producer, helping bring this bold, global political thriller to life after seven years of development.
“This was a long road, but oh, so worth it!” Davis shared on Instagram, celebrating the film’s success. “@JuVeeProductions continues our mission to bring dynamic storytelling, characters, and actors that reflect the world—and, most importantly, to deliver a film that truly entertains.”
A GLOBAL CRISIS. A COMMANDER-IN-CHIEF LIKE NO OTHER.
In G20, President Danielle Sutton attends the G20 Summit in South Africa, but when a violent terrorist siege threatens the safety of world leaders and her own daughter, Sutton is thrust into a high-stakes survival mission. With communication lines cut and chaos unfolding, Sutton relies on her elite military background to outwit enemies and prevent a global catastrophe.
This isn’t your typical action flick—G20 is a pulse-pounding, character-driven political thriller that blends intense physical action with deep emotional gravitas. Davis’s portrayal brings raw humanity and strategic brilliance to the role, capturing a leader who is fearless, focused, and unshakably fierce.
BLACK-ISH REUNION, EMOTIONAL DEPTH
The film also features a compelling reunion of Anthony Anderson and Marsai Martin, best known as father and daughter in the hit sitcom Black-ish. In G20, they portray family in a much darker, higher-stakes environment, and their chemistry adds warmth, urgency, and authenticity to the story’s emotional core.
DAVIS’S CAREER MOMENTUM CONTINUES
Following her groundbreaking performance as General Nanisca in The Woman King (2022), Davis has continued to evolve her creative reach:
Narrated Disney’s Candlelight Processional (2022)
Portrayed Dr. Volumnia Gaul in The Hunger Games: The Ballad of Songbirds and Snakes
Voiced the villain in Kung Fu Panda 4 (2024)
Honored as a Barbie doll for International Women’s Day
Reprised her role as Amanda Waller in DC’s Creature Commandos animated series
“SEEING IT TO BELIEVE IT”: VIOLA’S MISSION FOR REPRESENTATION
To prepare for G20, Davis underwent intense physical training, but her purpose was clear.
“I did it to put every young Black girl in this story,” she explained.
“When you see it, you can believe it… So when you get the baton in your hand, that’s your new job—to pay it forward.”
A MOVEMENT IN MOTION
G20 is more than a film—it’s a cultural statement. It proves that blockbuster action thrillers can be inclusive, thoughtful, and empowering while still delivering big on spectacle and suspense. Davis redefines the image of a global leader, showing the world that the face of power is diverse, capable, and here to stay.
Move over, Will Smith—Viola’s got the shades, the stance, and the state of emergency.
Once again, Viola Davis doesn’t just headline a movie—she leads a movement. And with G20 holding strong as Amazon Prime Video’s top-streamed film, the world is watching.
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Florida National News
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