Entertainment
Lionel Richie, Katy Perry sing for royal coronation concert
Published
3 years agoon
LONDON (AP) — A day after a gilded coronation ceremony watched by millions, King Charles III and Queen Camilla let others take the center stage Sunday as they took in a star-studded concert featuring Katy Perry, Lionel Richie and others at Windsor Castle.
The newly-crowned monarch and his wife appeared to enjoy the show as Richie performed “All Night Long,” at one point getting up on their feet and swaying along to the music. Other members of the royal family, including 8-year-old Princess Charlotte and Prince George, 9, waved Union flags along with a crowd of some 20,000 gathered on the castle’s east terrace.
Charlotte and her mother, Kate, the Princess of Wales, sang along as Perry, dressed in a gold foil ball gown, performed her pop hit “Roar.”
“Top Gun” star Tom Cruise appeared in a pre-recorded video message, saying: “Pilot to pilot. Your Majesty, you can be my wingman any time.” The mixed program also saw performances by the Royal Ballet, Nicole Scherzinger from the Pussycat Dolls, opera singer Andrea Bocelli and British band Take That.
Even Miss Piggy and Kermit the Frog made an appearance, joking with host Hugh Bonneville.
The entertainment was interspersed with more serious moments. A message from Charles on the importance of environmental conservation was played, and the show was accompanied by a light and drone display with a nature theme.
Prince William, heir to the throne, took to the stage to pay tribute to his father’s dedication to service. “Pa, we are all so proud of you,” he said.
Concert goers sang “God Save the King” as landmarks around the U.K. were lit up in colorful lights.
Earlier Sunday, thousands of picnics and street parties were held across the U.K. in Charles’ honor. The community get-togethers, part of a British tradition known as the Big Lunch, provided a down-to-earth counterpart to the gilded spectacle of the king’s crowning Saturday.
The events were intended to bring neighbors together to celebrate the crowning even as support for the monarchy wanes. Critics complained about the coronation’s cost at a time of exorbitant living expenses amid double-digit inflation.
But plenty others took the opportunity to enjoy a party with friends and family. In Regent’s Park in London, Valent Cheung and his girlfriend showed up to cheer the new king with the neighbors who embraced them when they moved from Hong Kong. They dolled up their loyal and “royal” fluffy white dog, Tino, with a tiny purple crown for the occasion.
“This is a new era for U.K,” Cheung said. “We didn’t have these things in Hong Kong. Now, we are embracing the culture. We want to enjoy it, we want to celebrate it.”
Charles and Camilla didn’t drop in on any of the picnics, leaving that duty to other members of the royal family.
William and his wife, Kate, surprised people picnicking outside the castle before the concert. Dressed far more casually than the day before, they shook hands and Kate embraced a crying girl in a hug.
The king’s siblings, Prince Edward and Princess Anne and their spouses took on lunch duty for the royal family at events across England. The king’s nieces, Princess Beatrice and Princess Eugenie, the daughters of Prince Andrew, joined a lunch in Windsor.
Prime Minister Rishi Sunak hosted U.S. first lady Jill Biden and her granddaughter Finnegan Biden at the Big Lunch party held in front of his office. Other guests included Ukrainian refugees and community activists.
Like the picnic in the park, Downing Street and Sunak’s spread — even his teapot — were festooned in the nation’s colors of blue, white and red.
Sausage rolls and salmon were served along with coronation chicken — a dish cooked up for Queen Elizabeth II’s coronation 70 years ago — and coronation quiche, which was picked to suit Charles’ taste and has been the buzz of social media. often for the wrong reasons.
The lower-key events followed regalia-laden pageantry that saw the king and queen crowned together in Westminster Abbey. They were presented with centuries-old swords, scepters and a jewel-encrusted golden orb symbolizing the monarch’s power in a medieval tradition celebrated with liturgy, song and hearty cheers of “God save the king.”
The couple then paraded through the streets in a gilded horse-drawn carriage led by the largest ceremonial military procession since the coronation of Charles’ mother. Some 4,000 troops marched in formation through the streets, their scarlet sleeves and white gloves swinging in unison to the sound of drums and bugles from marching bands, including one group of musicians on horseback.
Hundreds of thousands of spectators lined the route in the rain to see it in person. Nearly 19 million more watched on television in the U.K., according to ratings released by Barb, a research organization. That’s about 40% fewer viewers than had watched the funeral of Queen Elizabeth II in September.
Charles and Camilla said Sunday in a statement that they were “deeply touched” by the celebration and “profoundly grateful both to all those who helped to make it such a glorious occasion – and to the very many who turned out to show their support.”
Not everyone was there to celebrate, though, and criticism continued Sunday over arrests of more than 50 protesters, including members of a republican group shouting “Not my king” and environmentalists aiming to end the use of fossil fuels.
The Metropolitan Police said officers detained 64 people Saturday, with four suspects charged with offenses including a religiously aggravated public order offense and drug possession.
Graham Smith, leader of Republic, a group advocating for abolishing the monarchy, said he was arrested as he planned a peaceful protest and spent 16 hours in police custody.
“These arrests are a direct attack on our democracy and the fundamental rights of every person in the country,” Smith said. “Each and every police officer involved on the ground should hang their heads in shame.”
The Metropolitan Police acknowledged concerns over the arrests, but defended the force’s actions.
“The coronation is a once-in-a-generation event and that is a key consideration in our assessment,” Commander Karen Findlay said.
At Regent’s Park, celebrants talked about the novelty of what they had witnessed. But the coronation was nothing new for Rosemary McIntosh, 95, just a lot more vivid than the one she saw televised while living in Zimbabwe in 1953.
“We didn’t have TV all day and it was black and white, so it wasn’t as wonderful as has been this one,” she said. ___
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Central Florida News
FNN Honors Teen Reporter Isabella Schmitt as She Graduates and Pursues Communications Degree
Published
1 week agoon
May 15, 2026ORLANDO, Fla. (FNN) — Florida National News proudly celebrates Isabella Schmitt as she marks an important milestone with her high school graduation and prepares to begin an exciting new chapter pursuing Communications in college.
Over the years, Isabella has represented the next generation of young voices with professionalism, creativity, determination, and passion.
Through reporting opportunities, community involvement, and media experiences, she has continued to shine both on and off camera while inspiring others through her dedication and work ethic.
Jenny Rosario, Vice President of Florida National News, praised Isabella’s accomplishments and bright future ahead.
“Watching Isabella grow both personally and professionally has been truly inspiring,” Rosario said. “She represents the future of journalism, communications, and storytelling. Her passion, confidence, and commitment to making a positive impact through media are remarkable, and we are incredibly proud of all she has accomplished.”
Rosario added that Isabella’s decision to pursue Communications in college is a natural next step for someone with such strong talent and determination.
“The world of media and communications needs more young voices like Isabella’s,” Rosario said. “We know this is only the beginning of many great accomplishments to come.”
Florida National News congratulates Isabella Schmitt and the entire Class of 2026 on this exciting achievement.
“Keep dreaming big and telling stories that matter,” Rosario added.
Entertainment
How Orlando International Fashion Week Builds Confidence: A Belonging-Driven Casting Experience
Published
2 weeks agoon
May 9, 2026By Dr. Jessica Henlon | Education Contributor for Florida National News
At Orlando International Fashion Week (OIFW), the runway does not begin on show day. It begins at casting.
Over two weekends this April, OIFW welcomed hundreds of aspiring and experienced models to CityArts Gallery in Downtown Orlando for official casting calls ahead of the June 6 runway shows. What unfolded was more than an audition process. It was a carefully designed experience rooted in a powerful truth: when people feel seen, supported, and welcomed, they are more likely to show up with confidence.
From first-time participants to returning talent, families, creatives, and industry professionals, the casting experience reflected what makes OIFW different. It was not just about selecting models. It was about creating a space where people felt confident enough to try.
Belonging First, Performance Second
In educational psychology, belonging is not a soft concept. It is a driver of motivation, persistence, and self-efficacy. Research in postsecondary education has consistently linked students’ sense of belonging to academic outcomes, engagement, and persistence (Fong et al., 2024; Gopalan & Brady, 2020). While OIFW is not a classroom, the same human principles apply. People perform differently when they feel safe, valued, and connected.
This also aligns with my doctoral research on online first-generation college students. In that study, participants described virtual extracurricular activities as affirming spaces that supported leadership development, motivation, self-efficacy, and belonging (Henlon, 2025). The findings affirmed that engagement spaces are not “extra.” They can be essential to how people build identity, confidence, and persistence.
OIFW reflects this same principle in a creative industry setting. People come back because of how they are treated.
Designing a Confidence-Building Experience
The atmosphere inside CityArts Gallery was intentional.
Models of all ages and backgrounds moved through the casting process in a space that felt structured, supportive, and human. Team members gave clear direction, answered questions, and offered encouragement in real time. Families felt comfortable. First-time participants felt included. Returning models felt valued.
Those details matter.
Social Cognitive Theory suggests that individuals build confidence through observation, encouragement, and successful participation in meaningful environments (Bandura, 1986). When a model sees others walk, receive feedback, and try again, the room becomes a learning space. Confidence is not simply demanded. It is modeled, practiced, and reinforced.
That approach also connects to the modeling and fashion curriculum I developed for youth and emerging talent, where self-esteem, work ethic, body language, preparation, and reflection were built directly into the learning experience. The curriculum framed self-esteem as confidence in one’s own worth and abilities, while encouraging participants to celebrate success, develop talents, practice positive self-talk, and treat themselves well. That same foundation was visible at casting: confidence grows when people are given structure, encouragement, and room to develop.
A Creative Ecosystem in Motion
Casting weekends brought together more than models.
Photographers, videographers, designers, media professionals, artists, families, and community members shared the same creative space. More than 20 photographers and videographers were present capturing content, building portfolios, and documenting the energy of the experience. Florida National News was also on-site, conducting interviews and helping tell the story of the event.
This kind of creative ecosystem matters because learning and confidence often grow through participation, not observation alone. Research on connected arts learning emphasizes the importance of linking creative practice to supportive relationships, cultural relevance, and opportunity pathways (Peppler et al., 2022). In other words, creative spaces become more powerful when they connect people to each other and to what comes next.
At OIFW, casting is not hidden behind closed doors. It is visible, collaborative, and alive. This is where relationships are built.
Inclusion as Strategy, Not Statement
OIFW continues to prioritize an inclusive casting approach that welcomes models across ages, sizes, backgrounds, and experience levels. This is more than a value statement. It is part of the structure.
Research on organized activities shows that participation in supportive group settings can help young people build social capital, strengthen relationships, and develop confidence through meaningful interaction (Boat et al., 2024). Similarly, studies of extracurricular activities have found that participation can strengthen self-efficacy, identity, and skill development when activities are structured with purpose and support (Griffiths et al., 2021).
That is why inclusive casting matters. When a young person, a first-time model, or a returning participant sees a range of people welcomed into the process, the message is clear: there is room for you here.
For families, this creates trust.
For designers, it creates range.
For sponsors and media, it tells a deeper story.
For participants, it builds confidence.
Safety, Structure, and Trust
With a strong presence of youth participants, OIFW maintains clear expectations around professionalism, age-appropriate presentation, and safety. Families can trust that the environment is monitored, structured, and designed with care.
That trust is part of why participants return season after season.
In youth development research, positive experiences in organized activities are strongest when young people experience supportive relationships, clear expectations, and opportunities to build skills (Boat et al., 2024; Heath et al., 2022). OIFW’s casting model reflects that kind of intentional design. The goal is not only to prepare people for the runway. It is to help them feel prepared to step into the room.
More Than a Casting Call
What happened over these two weekends was not only about who made the runway.
It was about creating a space where people felt confident enough to try, supported enough to grow, and inspired enough to return. It was about helping participants move from nervousness to possibility. It was about making sure that the first step toward the runway felt welcoming, not intimidating.
Creative participation can support well-being, identity development, and self-expression, especially when the environment is inclusive and relational (Mak & Fancourt, 2019; Peppler et al., 2022). OIFW’s casting experience shows how arts and fashion spaces can function as confidence-building environments when they are designed with care.
That is the OIFW difference.
Confidence is not built through pressure alone. It is built through belonging, visibility, preparation, and meaningful interaction.
Looking Ahead
Orlando International Fashion Week continues to build toward its summer season:
May 16, 2026: Avant Garde Showcase at Orlando Fringe Festival
June 5, 2026: VIP Mixer at Morse Code Lounge
June 6, 2026: “626 Euphoria” Runway Shows at Winter Park Events Center
Tickets are available at www.OIFW.org.
Entertainment
160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience
Published
1 month agoon
April 15, 2026By
Willie DavidDAYTONA BEACH, Fla. (FNN) — Music set times have been released for the 15th anniversary of Welcome To Rockville, Florida’s largest rock, metal and punk festival, set for May 7–10, 2026 at Daytona International Speedway.
Produced by Danny Wimmer Presents, the four-day event will feature more than 160 bands performing across five stages, marking the festival’s largest lineup to date.
HEADLINERS AND DAILY LINEUP
This year’s festival will be headlined by Foo Fighters, My Chemical Romance, Guns N’ Roses and Bring Me The Horizon.
- Thursday, May 7: Guns N’ Roses, Five Finger Death Punch, Godsmack, Staind
- Friday, May 8: Foo Fighters, Turnstile, The Offspring, Parkway Drive
- Saturday, May 9: Bring Me The Horizon, Breaking Benjamin, Motionless in White, Lamb of God
- Sunday, May 10: My Chemical Romance, A Day To Remember, Rise Against, Yellowcard
FESTIVAL EXPANSION AND NEW FEATURES
Organizers announced several enhancements for 2026 aimed at improving the fan experience. A new “Pit Stop” fan zone near the Apex Stage will feature artist interviews, special performances and interactive experiences.
In addition, the Garage Stage will be fully tented for the first time, offering expanded shade coverage and upgraded production for attendees.
SPECIAL EVENTS AND EXPERIENCES
Festivalgoers can kick off the week with a pre-party on May 6 featuring performances by Fuel, Local H and others.
A new crossover event, “Blood4Blood,” will also take place at the Ocean Center, combining live music with bare-knuckle fighting, including a headline bout featuring Alex Terrible of Slaughter to Prevail.
TICKETS, ACCESS AND ATTENDANCE
Festival gates will open daily at 11:30 a.m. Organizers are offering a range of ticket options, including single-day, weekend, VIP and camping packages. A new Camp to Coast shuttle will provide transportation between the speedway and nearby beaches.
With expanded attractions, including rides, themed bars and interactive zones, Welcome To Rockville 2026 is expected to draw tens of thousands of fans to Daytona Beach, reinforcing its role as a major driver of Florida’s tourism and live entertainment economy.