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American Black Film Festival Announces 2023 Spotlight Screenings Lineup

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LOS ANGELES, (April 27, 2023) – The 2023 American Black Film Festival (ABFF) today announced its lineup of spotlight screenings and world premieres. The festival will take place in Miami Beach June 14-18, followed by a virtual segment June 19-25 on ABFF PLAY (https://abffplay.com/), showcasing a selection of exclusive programs from networks and streamers at the forefront of diverse storytelling.

This year’s lineup includes features and series premieres plus a first look at some highly anticipated releases. World premieres include: HBO Documentary Film’s Donyale Luna: Supermodel, exploring the revolutionary life of the pioneering Black supermodel Donyale Luna. It is the second project from the initiative created jointly by Lightbox and Jeff Friday Media to foster diversity in documentary filmmaking and support emerging African American directing talent. NBC’s Found is a twisty and timely new drama that follows a PR specialist and her crisis management team as they search for missing people from marginalized groups all the while this everyday hero harbors a dark secret of her own. The series was created by Nkechi Okoro Carroll and stars Shanola Hampton and Mark-Paul Gosselaar and will premiere on NBC this fall. BET+’s world premiere of Average Joe, a darkly comedic intense one-hour drama starring Deon Cole. Warner Bros. Pictures unveils a sneak peek of a bold new take on a beloved classic, The Color Purple, produced by Oprah Winfrey, Steven Spielberg, Scott Sanders and Quincy Jones and starring Taraji P. Henson, Danielle Brooks, Colman Domingo, Corey Hawkins, H.E.R., Halle Bailey, Aunjanue Ellis-Taylor and Fantasia Barrino.

The program also features Prime Video’s upcoming series I’m A Virgo created, written, and directed by Boots Riley, starring Jharrel Jerome, Allius Barnes, Brett Gray, Kara Young, Olivia Washington, Walton Goggins, Carmen Ejogo, and Mike Epps; Time of Essence, a five-part docuseries celebrating 50 years of Essence Magazine presented by the Oprah Winfrey Network (OWN); A&E’s Exposing Parchman, an investigative documentary that explores the efforts to reform the Mississippi correctional system led by a team of attorneys on behalf of the inmates of Parchman Prison featuring Shawn “JAY-Z” Carter and Mario “Yo Gotti” Mims, with an encore virtual presentation; Lionsgate and MRC’s The Blackening , directed by Tim Story, starring Grace Byers, Sinqua Walls, Jay Pharoah, and Yvonne Orji, a horror comedy centering on a group of Black friends who reunite for a Juneteenth weekend getaway only to find themselves trapped in a remote cabin with a twisted killer – which poses the sardonic question: if the entire cast of a horror movie is Black, who dies first?; and Netflix’s centerpiece screening of The Perfect Find directed by ABFF alumnus, Numa Perrier, starring Gabrielle Union, Keith Powers, Aisha Hinds, DB Woodside, Janet Hubert, Alani, “La La” Anthony and Gina Torres.

Other festival highlights include TV One’s original film A Mother’s Intuition, directed by Cas Sigers-Beedles; YouTube Black Voices Film Showcase, highlighting original short films from Black Voices creators Baby Tate, Armani White, Conscious Lee and Glen’ Beleaf’ Henry; the return of Three Ways (known as Threesome), a bold, sexy drama written and directed by Jamal Dedeaux, made its feature film debut as an audience favorite among the official selections at last year’s ABFF was acquired by Andscape and premiered on Hulu; ALLBLK’s Judge Me Not, executive produced by Judge Lynn Toler, cast its leading man Javon Terrell from their 2022 Shoot Your Shot national casting call at ABFF. This year, the original series will screen during the virtual program. Other virtual programming includes OWN’s encore showing of Ready to Love 100th Episode Special and season 8 sneak peek produced by ABFF alumni Will Packer, Will Packer Media and Lighthearted Entertainment and hosted by Tommy Miles. Andscape’s The Conversations Project, a limited unscripted series of funny, fearless and far-ranging dinner parties among some of the most prominent figures in culture, hosted by Elaine Welteroth, David Lawrence and Andscape’s Senior NBA writer Marc Spears, debuting on Hulu in August.

“There’s a variety of projects from our network and streaming partners this year. We’re excited for our attendees to experience all of the great content both live and virtually. From conspiracy theories to romance and comedy horror, to learning about the first Black supermodel named Donyale Luna to grace the cover of British vogue. There really is something for everyone to see at the festival,” said festival producer and ABFF Ventures President/COO Nicole Friday. “It’s a thrill to be able to program provocative and captivating stories each year at ABFF.”

As previously announced, the American Black Film Festival opens with Juel Taylor’s directorial debut They Cloned Tyrone, a Netflix film that follows a series of events that thrusts an unlikely trio – John Boyega, Teyonah Parris and Jamie Foxx – onto a trail of nefarious government conspiracy.

Emmy Award-winning writer, producer and actor Lena Waithe is ABFF’s 2023 Festival Ambassador.

For more updates on programming follow @ABFF on Twitter and @AmericanBlackFilmFestival on Instagram and Facebook. To purchase passes for the 2023 American Black Film Festival, visit www.abff.com.

The Full Spotlight-Screenings Lineup:

A Mother’s Intuition
A young, pregnant woman grieving the sudden death of her husband is told that her baby was stillborn; but she suspects a switched-at-birth cover-up, implicating the very doctors trusted to care for her.
Cast: Denise Boutte, Matt Cedeño, Brély Evans, Hazel Renee, Tamar Braxton, Jeff Marchelletta and Karon Riley
Director: Cas Sigers-Beedles
Executive Producer: Dr. Holly Carter of Relevè Entertainment
Writer: Nicole D. Sconiers
Courtesy of: TV One Networks

Average Joe
Inspired by the life of creator Robb Cullen, “Average Joe” is a darkly comedic, intense one-hour drama set in “The Hill” district of Pittsburgh. Blue-collar plumber, Joe Washington, discovers his recently deceased father lived a secret second life and stole millions of dollars from dangerous people just before he died. Now those people think Joe knows where the money is. A bloody and violent confrontation triggers a chain of events that force Joe and his close-knit circle of family and friends out of their very average and mundane lives into a life-or-death race against time to find the truth and the millions.
Cast: Deon Cole, Tammy Townsend, Malcolm Barrett, Cynthia Kaye McWilliams, Michael Trucco, Ashley Olivia Fisher, Pasha Lychnikoff
Directors: Eric Dean Seaton, Christoph Schrewe, Marshall Tyler, David Katzenberg, Joy T. Lane
Writers: Robb Cullen, Scott Boden Hodges, Tyrone Finch, Arthur Harris, Bryce Ahart, Hawa Macalou, Paul McLalin, D.J. Ryan, Stephanie McFarlane, Jerron Horton, Kevin O’Hare
Executive Producers: Robb Cullen, McG, Mary Viola, Corey Marsh
Produced by: Wonderland Sound and Vision
Courtesy of: BET+

Donyale Luna: Supermodel
Donyale Luna: Supermodel explores the remarkable life and career of Donyale Luna, one of the first Black supermodels who graced the covers of both Vogue and Harper’s Bazaar in Europe. Today, most people have never heard of her. Born Peggy Anne Freeman in Detroit, Donyale Luna went on to revolutionize the fashion industry in the 1960s and 1970s, becoming the muse to some of the foremost photographers of the 20th century until her untimely death at the age of 33 in 1979.
Cast: Dream Cazzaniga, Beverly Johnson, Omar Boone, Kyle Hagler
Director: Nailah Jefferson
Producers: Melissa Kramer, Isoul Harris, Melanie Sharee
Executive Producers: Jonathan Chinn, Simon Chinn, Jeff Friday, Dream Cazzaniga
Courtesy of: HBO Documentary Films

Exposing Parchman
From A&E Network, Roc Nation, Good Caper Content, and Red Summer comes “Exposing Parchman,” an investigative documentary that explores the efforts to reform the Mississippi correctional system led by a team of attorneys on behalf of the inmates of Parchman Prison. The film tells the inside stories of the families, the legal team, and Roc Nation across three years of legal battles to end the deadly conditions for those incarcerated at Parchman.
Director: Rahman Ali Bugg
Writer and Producer: Jeanmarie Condon
Executive Producers: Rahman Ali Bugg (also director), Jordana Hochman, Jeanmarie Condon, Desiree Perez, Lori York, Elaine Frontain Bryant, Shelly Tatro, Brad Abramson. Alison Dammann serves as co-executive producer
Produced by: ITV America’s Good Caper Content, Roc Nation, and Red Summer TV for A&E Network. A+E Networks holds worldwide distribution rights for “Exposing Parchman.”
Courtesy of: A&E Network

Found
This twisty and timely drama follows PR specialist Gabi Mosely (Shanola Hampton) and her crisis management team as they search for missing people from marginalized groups who do not typically receive widespread media attention, as she was once one of the forgotten ones. But unbeknownst to anyone, this everyday hero is hiding a chilling secret of her own.
Cast: Shanola Hampton, Mark-Paul Gosselaar, Kelli Williams, Brett Dalton, Gabrielle Walsh, Arlen Escarpeta and Karan Oberoi
Creator: Nkechi Okoro Carroll
Showrunners: Nkechi Okoro Carroll and Sonay Hoffman
Courtesy of: Comcast NBCUniversal and NBC

I’m a Virgo
From visionary filmmaker Boots Riley, “I’m a Virgo” is a fantastical coming-of-age joyride about Cootie (Jharrel Jerome), a 13-foot-tall young Black man who lives in Oakland, California.
Creator, Writer, Director: Boots Riley
Cast: Jharrel Jerome, Allius Barnes, Brett Gray, Kara Young, Olivia Washington, Walton Goggins, Carmen Ejogo, and Mike Epps
Executive Producers: Boots Riley, Tze Chun, Michael Ellenberg, Lindsey Springer, Rebecca Rivo. and Jharrel Jerome
Showrunners: Boots Riley, Tze Chun
Courtesy of: Prime Video

The Blackening
“The Blackening” centers around a group of Black friends who reunite for a Juneteenth weekend getaway only to find themselves trapped in a remote cabin with a twisted killer. Forced to play by his rules, the friends soon realize this ain’t no motherf****** game. “The Blackening” skewers genre tropes and poses the sardonic question: if the entire cast of a horror movie is Black, who dies first?
Cast: Grace Byers, Jermaine Fowler, Melvin Gregg, X Mayo, Dewayne Perkins, Antoinette Robertson, Sinqua Walls, with Jay Pharoah, and Yvonne Orji
Director: Tim Story
Screenplay and screen story by: Tracy Oliver and Dewayne Perkins
Producers: Jason Clark, Marcei A. Brown, E. Brian Dobbins, Tracy Oliver, Tim Story, and Sharla Sumpter Bridgett Lionsgate and MRC present, a Story Company / Tracy Yvonne / Artists First / CatchLight Studios
Courtesy of: LIONSGATE

The Perfect Find
After a high-profile firing, Jenna’s (Gabrielle Union) fashion career comeback hits a snag when she falls for a charming, much younger coworker (Keith Powers) who happens to be her boss’ son. As sparks fly, Jenna must decide if she’ll risk it all on a secret romance.
Cast: Gabrielle Union, Keith Powers, Aisha Hinds, DB Woodside, Janet Hubert, Alani “La La” Anthony, Gina Torres
Director: Numa Perrier from a screenplay by Leigh Davenport
Producers: Glendon Palmer, Gabrielle Union, Jeff Morrone, Codie Elaine Oliver, Tommy Oliver
Based on the book of the same title, by Tia Williams
Courtesy of: Netflix

Three Ways
A sex comedy told in “Three Ways” … Sexually awkward Stacey Johnson decides to take control of her life, cancel her ex, and conquer her fears by having a threesome with her new beau and a mysterious woman she’s never met. What could possibly go wrong? Previously titled “Threesome,” “Three Ways” was an ABFF 2022 official film selection.
Cast: Andrea Lewis, Brittany S. Hall, Jerrel O’Neal
Writer & Director: Jamal Dedeaux
Producers: Jaleel Ghafur, Rebecca Haze, Jamal Dedeaux
Courtesy of: Andscape

Time of Essence
“Time Of Essence” is a five-part documentary series highlighting how ESSENCE Magazine has informed and reflected Black culture in America over the past 50 years. Each episode covers a different decade – from the ’70s to today – and features first-hand commentary on that era’s biggest moments from the icons, trailblazers, staffers, and leaders who lived and defined them. This candid commentary is coupled with never-before-seen footage and exclusive behind-the-scenes moments from the worlds of entertainment, sports, politics, fashion, and beauty.
Executive Producers: Christian Sarabia, Nicole Elliott, Raymond Garcia, Emmet Dennis, Sidra Smith, Barkue Tubman-Zawolo, and Stephanie Hodges-Dunivan
Produced by: 51 Minds and ESSENCE Studios, LLC
Courtesy of: OWN

The YouTube Black Voices Festival Showcase
“The YouTube Black Voices Festival Showcase” features highlights of original short films from Black Voices creators. In Black Girl Day Off, Baby Tate wants Black women to take a day off and imagines how the world would crumble if they all did simultaneously. Armani White revisits his home and past mistakes in Proud of You. Conscious Lee explores the world of Black fine art through the lens of Afrofuturism. June’s Crown, a short film by Glen’ Beleaf’ Henry, follows a young girl’s journey to loving her hair.
Courtesy of: YouTube Black Voices

Spotlight Screenings That Will Appear Virtually on ABFF PLAY Are:

Exposing Parchman (see description above)
Courtesy of: A&E Network

Judge Me Not
Loosely based on the life of the famed Judge Lynn Toler, “Judge Me Not” is the story of Zelma Jay Johnson (Chyna Lane), an exceptionally bright, young Black woman who struggles with mental health issues, a ludicrous family, and volatile love life. We join her as she takes on her new role as a judge in a court full of outrageous characters both in front of and behind the bench. As her passionate relationship with her live-in lover takes them both on a ride, she finds herself caught in the crosshairs a psychological thriller that puts her life at risk.
Cast: Chyna Lane, Javon Terrell, Terrence Green, Jonathan Chase, Gena Shaw and Bonita Brisker.
Executive Producer: Judge Lynn Toler
Courtesy of: ALLBLK

Makeup x Breakup Season Two
This season on “Makeup x Breakup,” both Brooke (Nicolette Ellis) and Spencer (Kamel Goffin) work to adapt to their new environment. However, in a matter of months there’s a shift with impulsive decisions causing turmoil in their personal and professional lives. Blake (Omar Salmon) tries love again with Shannon (Olivia Grey) and the two work to build a stronger foundation of trust. Meanwhile, Laura (Karmia Berry) works to rebuild her self-confidence exploring a new relationship. In the end, will happiness work out in everyone’s favor?
Courtesy of: ALLBLK

Ready to Love
Record-breaking Hollywood producer Will Packer’s popular dating series hosted by Thomas “Nephew Tommy” Miles explores the real-life dating interactions of sexy, successful, and grown Black men and Black women in their 30s and 40s who are each looking for lasting love and an authentic relationship.
Producers: Will Packer Media and Lighthearted Entertainment produce the Ready to Love series “Ready to Love” 100th Episode Special Producers: Tara Montgomery and Brian Piotrowicz
Courtesy of: OWN

The Conversations Project
Thirty-minute episodes of prominent cultural figures, from athletes and entertainers to astronauts, Michelin-starred chefs and philosophers, engaging in candid conversations over some of the best food and wine this country has to offer. Topics tap into the vastness of the culture and the people within it through funny, fearless and far-ranging anecdotes.
Cast: Hosts Elaine Welteroth, David Lawrence and Marc Spears joined by numerous credentialed guests
Executive Producers; Raina Kelley, Tracey Baker-Simmons, AC Roe
Courtesy of: Andscape

Since its inception, the highly regarded American Black Film Festival has become a cornerstone for diversity in Hollywood. It has premiered the work and supported the careers of many of today’s most successful filmmakers, actors, writers and stand-up comedians, and is recognized as a standard-bearer of excellence for Black creativity. Continuing its legacy to empower Black artists and showcase a wide range of entertainment content, the ABFF features studio premieres, independent films, master classes, panels, talent showcases, networking and hospitality events.

ABFF sponsors and partners to date are Warner Bros. Discovery and HBO® (Founding), Andscape, Ally, Comcast NBCUniversal, Walmart, Cadillac (Presenting), City of Miami Beach, Greater Miami Convention & Visitors Bureau (GMCVB), UPS, TV One Networks, Netflix, Meta, Prime Video (Major), American Airlines, IMDb, Sony Pictures Entertainment, Variety, YouTube Black Voices, Prudential Financial, ALLBLK, Bounce TV, OWN, Warner Bros. Television (Official), A&E Network, BET Media Group, Motion Picture Association (MPA), Confluential Films, Miami Beach Visitor and Convention Authority, Pfizer, Procter & Gamble, Fulton Films GA, ESPN Films, Lionsgate (Supporting).

Central Florida News

FNN Honors Teen Reporter Isabella Schmitt as She Graduates and Pursues Communications Degree

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ORLANDO, Fla. (FNN) — Florida National News proudly celebrates Isabella Schmitt as she marks an important milestone with her high school graduation and prepares to begin an exciting new chapter pursuing Communications in college.

Over the years, Isabella has represented the next generation of young voices with professionalism, creativity, determination, and passion.

Through reporting opportunities, community involvement, and media experiences, she has continued to shine both on and off camera while inspiring others through her dedication and work ethic.

Jenny Rosario, Vice President of Florida National News, praised Isabella’s accomplishments and bright future ahead.

“Watching Isabella grow both personally and professionally has been truly inspiring,” Rosario said. “She represents the future of journalism, communications, and storytelling. Her passion, confidence, and commitment to making a positive impact through media are remarkable, and we are incredibly proud of all she has accomplished.”

Rosario added that Isabella’s decision to pursue Communications in college is a natural next step for someone with such strong talent and determination.

“The world of media and communications needs more young voices like Isabella’s,” Rosario said. “We know this is only the beginning of many great accomplishments to come.”

Florida National News congratulates Isabella Schmitt and the entire Class of 2026 on this exciting achievement.

“Keep dreaming big and telling stories that matter,” Rosario added.

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How Orlando International Fashion Week Builds Confidence: A Belonging-Driven Casting Experience

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By Dr. Jessica Henlon | Education Contributor for Florida National News

At Orlando International Fashion Week (OIFW), the runway does not begin on show day. It begins at casting.

Over two weekends this April, OIFW welcomed hundreds of aspiring and experienced models to CityArts Gallery in Downtown Orlando for official casting calls ahead of the June 6 runway shows. What unfolded was more than an audition process. It was a carefully designed experience rooted in a powerful truth: when people feel seen, supported, and welcomed, they are more likely to show up with confidence.

From first-time participants to returning talent, families, creatives, and industry professionals, the casting experience reflected what makes OIFW different. It was not just about selecting models. It was about creating a space where people felt confident enough to try.

Belonging First, Performance Second

In educational psychology, belonging is not a soft concept. It is a driver of motivation, persistence, and self-efficacy. Research in postsecondary education has consistently linked students’ sense of belonging to academic outcomes, engagement, and persistence (Fong et al., 2024; Gopalan & Brady, 2020). While OIFW is not a classroom, the same human principles apply. People perform differently when they feel safe, valued, and connected.

This also aligns with my doctoral research on online first-generation college students. In that study, participants described virtual extracurricular activities as affirming spaces that supported leadership development, motivation, self-efficacy, and belonging (Henlon, 2025). The findings affirmed that engagement spaces are not “extra.” They can be essential to how people build identity, confidence, and persistence.

OIFW reflects this same principle in a creative industry setting. People come back because of how they are treated.

Designing a Confidence-Building Experience

The atmosphere inside CityArts Gallery was intentional.

Models of all ages and backgrounds moved through the casting process in a space that felt structured, supportive, and human. Team members gave clear direction, answered questions, and offered encouragement in real time. Families felt comfortable. First-time participants felt included. Returning models felt valued.

Those details matter.

Social Cognitive Theory suggests that individuals build confidence through observation, encouragement, and successful participation in meaningful environments (Bandura, 1986). When a model sees others walk, receive feedback, and try again, the room becomes a learning space. Confidence is not simply demanded. It is modeled, practiced, and reinforced.

That approach also connects to the modeling and fashion curriculum I developed for youth and emerging talent, where self-esteem, work ethic, body language, preparation, and reflection were built directly into the learning experience. The curriculum framed self-esteem as confidence in one’s own worth and abilities, while encouraging participants to celebrate success, develop talents, practice positive self-talk, and treat themselves well. That same foundation was visible at casting: confidence grows when people are given structure, encouragement, and room to develop.

A Creative Ecosystem in Motion

Casting weekends brought together more than models.

Photographers, videographers, designers, media professionals, artists, families, and community members shared the same creative space. More than 20 photographers and videographers were present capturing content, building portfolios, and documenting the energy of the experience. Florida National News was also on-site, conducting interviews and helping tell the story of the event.

This kind of creative ecosystem matters because learning and confidence often grow through participation, not observation alone. Research on connected arts learning emphasizes the importance of linking creative practice to supportive relationships, cultural relevance, and opportunity pathways (Peppler et al., 2022). In other words, creative spaces become more powerful when they connect people to each other and to what comes next.

At OIFW, casting is not hidden behind closed doors. It is visible, collaborative, and alive. This is where relationships are built.

Inclusion as Strategy, Not Statement

OIFW continues to prioritize an inclusive casting approach that welcomes models across ages, sizes, backgrounds, and experience levels. This is more than a value statement. It is part of the structure.

Research on organized activities shows that participation in supportive group settings can help young people build social capital, strengthen relationships, and develop confidence through meaningful interaction (Boat et al., 2024). Similarly, studies of extracurricular activities have found that participation can strengthen self-efficacy, identity, and skill development when activities are structured with purpose and support (Griffiths et al., 2021).

That is why inclusive casting matters. When a young person, a first-time model, or a returning participant sees a range of people welcomed into the process, the message is clear: there is room for you here.

For families, this creates trust.
For designers, it creates range.
For sponsors and media, it tells a deeper story.
For participants, it builds confidence.

Safety, Structure, and Trust

With a strong presence of youth participants, OIFW maintains clear expectations around professionalism, age-appropriate presentation, and safety. Families can trust that the environment is monitored, structured, and designed with care.

That trust is part of why participants return season after season.

In youth development research, positive experiences in organized activities are strongest when young people experience supportive relationships, clear expectations, and opportunities to build skills (Boat et al., 2024; Heath et al., 2022). OIFW’s casting model reflects that kind of intentional design. The goal is not only to prepare people for the runway. It is to help them feel prepared to step into the room.

More Than a Casting Call

What happened over these two weekends was not only about who made the runway.

It was about creating a space where people felt confident enough to try, supported enough to grow, and inspired enough to return. It was about helping participants move from nervousness to possibility. It was about making sure that the first step toward the runway felt welcoming, not intimidating.

Creative participation can support well-being, identity development, and self-expression, especially when the environment is inclusive and relational (Mak & Fancourt, 2019; Peppler et al., 2022). OIFW’s casting experience shows how arts and fashion spaces can function as confidence-building environments when they are designed with care.

That is the OIFW difference.

Confidence is not built through pressure alone. It is built through belonging, visibility, preparation, and meaningful interaction.

Looking Ahead

Orlando International Fashion Week continues to build toward its summer season:

May 16, 2026: Avant Garde Showcase at Orlando Fringe Festival
June 5, 2026: VIP Mixer at Morse Code Lounge
June 6, 2026: “626 Euphoria” Runway Shows at Winter Park Events Center

Tickets are available at www.OIFW.org.

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160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

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160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

DAYTONA BEACH, Fla. (FNN) — Music set times have been released for the 15th anniversary of Welcome To Rockville, Florida’s largest rock, metal and punk festival, set for May 7–10, 2026 at Daytona International Speedway.

Produced by Danny Wimmer Presents, the four-day event will feature more than 160 bands performing across five stages, marking the festival’s largest lineup to date.

HEADLINERS AND DAILY LINEUP

This year’s festival will be headlined by Foo Fighters, My Chemical Romance, Guns N’ Roses and Bring Me The Horizon.

  • Thursday, May 7: Guns N’ Roses, Five Finger Death Punch, Godsmack, Staind
  • Friday, May 8: Foo Fighters, Turnstile, The Offspring, Parkway Drive
  • Saturday, May 9: Bring Me The Horizon, Breaking Benjamin, Motionless in White, Lamb of God
  • Sunday, May 10: My Chemical Romance, A Day To Remember, Rise Against, Yellowcard

FESTIVAL EXPANSION AND NEW FEATURES

Organizers announced several enhancements for 2026 aimed at improving the fan experience. A new “Pit Stop” fan zone near the Apex Stage will feature artist interviews, special performances and interactive experiences.

In addition, the Garage Stage will be fully tented for the first time, offering expanded shade coverage and upgraded production for attendees.

SPECIAL EVENTS AND EXPERIENCES

Festivalgoers can kick off the week with a pre-party on May 6 featuring performances by Fuel, Local H and others.

A new crossover event, “Blood4Blood,” will also take place at the Ocean Center, combining live music with bare-knuckle fighting, including a headline bout featuring Alex Terrible of Slaughter to Prevail.

TICKETS, ACCESS AND ATTENDANCE

Festival gates will open daily at 11:30 a.m. Organizers are offering a range of ticket options, including single-day, weekend, VIP and camping packages. A new Camp to Coast shuttle will provide transportation between the speedway and nearby beaches.

With expanded attractions, including rides, themed bars and interactive zones, Welcome To Rockville 2026 is expected to draw tens of thousands of fans to Daytona Beach, reinforcing its role as a major driver of Florida’s tourism and live entertainment economy.

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