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Michelle Yeoh, Angela Bassett, Jamie Lee Curtis, Lady Gaga, Rihanna Among 2023 Oscar® Nominees

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Jamie Lee Curtis and Michelle Yeoh in Everything Everywhere All at Once (2022). ALLYSON RIGGS
Jamie Lee Curtis and Michelle Yeoh in Everything Everywhere All at Once (2022). ALLYSON RIGGS

LOS ANGELES — Tuesday morning, Riz Ahmed and Allison Williams announced the nominations for the 95th Academy Awards. This year’s ceremony — emceed by late-night host Jimmy Kimmel (who also hosted in 2017 and 2018) — will be held on Sunday, March 12, at the Dolby Theatre in Hollywood and will be televised live on ABC.

This year’s winners in all 23 categories will be revealed live during the main show, according to Bill Kramer, CEO of the Academy of Motion Picture Arts and Sciences, who made that announcement back in November. Last year, eight categories were cut for time and given out prior to the ceremony, with pre-recorded moments from the acceptance speeches included in the broadcast.

Here’s the complete list of this year’s nominees.

Michelle Yeoh Rollout
Jamie Lee Curtis and Michelle Yeoh in Everything Everywhere All at Once (2022). ALLYSON RIGGS

Best Picture

All Quiet on the Western Front
Avatar: The Way of Water
The Banshees of Inisherin
Elvis
Everything Everywhere All at Once
The Fabelmans
Tár
Top Gun: Maverick
Triangle of Sadness
Women Talking

Best Actor

Austin Butler (Elvis)
Colin Farrell (The Banshees of Inisherin)
Brendan Fraser (The Whale)
Paul Mescal (Aftersun)
Bill Nighy (Living)

Best Actress

Cate Blanchett (Tár)
Ana de Armas (Blonde)
Andrea Riseborough (To Leslie)
Michelle Williams (The Fabelmans)
Michelle Yeoh (Everything Everywhere All at Once)

Best Supporting Actor

Brendan Gleeson (The Banshees of Inisherin)
Brian Tyree Henry (Causeway)
Judd Hirsch (The Fabelmans)
Barry Keoghan (The Banshees of Inisherin)
Ke Huy Quan (Everything Everywhere All at Once)

Best Supporting Actress

Angela Bassett (Black Panther: Wakanda Forever)
Hong Chau (The Whale)
Kerry Condon (The Banshees of Inisherin)
Jamie Lee Curtis (Everything Everywhere All at Once)
Stephanie Hsu (Everything Everywhere All at Once)

Angela Bassett as Ramonda in Marvel Studios' BLACK PANTHER: WAKANDA FOREVER.
Angela Bassett in Black Panther: Wakanda Forever. ANNETTE BROWN

Best Animated Film

Guillermo del Toro’s Pinocchio
Marcel the Shell with Shoes On
Puss in Boots: The Last Wish
The Sea Beast
Turning Red

Best Director

Martin McDonagh (The Banshees of Inisherin)
Daniel Kwan and Daniel Scheinert (Everything Everywhere All at Once)
Steven Spielberg (The Fabelmans)
Todd Field (Tár)
Ruben Östlund (Triangle of Sadness)

Best Adapted Screenplay

All Quiet on the Western Front – Edward Berger, Lesley Paterson, Ian Stokell
Glass Onion: A Knives Out Mystery – Rian Johnson
Living – Kazuo Ishiguro
Top Gun: Maverick – Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
Women Talking – Sarah Polley (based on the book by Miriam Toews)

Best Original Screenplay

The Banshees of Inisherin – Martin McDonagh
Everything Everywhere All at Once – Daniel Kwan, Daniel Scheinert
The Fabelmans – Steven Spielberg, Tony Kushner
Tár – Todd Field
Triangle of Sadness – Ruben Östlund

All Quiet on the Western Front
All Quiet on the Western Front. NETFLIX

Best Cinematography

All Quiet on the Western Front
Bardo, False Chronicle of a Handful of Truths
Elvis
Empire of Light
Tár

Best Film Editing

The Banshees of Inisherin
Elvis
Everything Everywhere All at Once
Tár
Top Gun: Maverick

Best Original Score

All Quiet on the Western Front
Babylon

The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans

Best Original Song

Applause” from Tell It Like a Woman (Music and Lyric by Diane Warren)
Hold My Hand from Top Gun: Maverick (Music and Lyric by Lady Gaga and BloodPop)
Lift Me Up from Black Panther: Wakanda Forever (Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler)
Naatu Naatu” from RRR (Music by M.M. Keeravaani; Lyric by Chandrabose)
This Is a Life” from Everything Everywhere All at Once (Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne)

Best Visual Effects

All Quiet on the Western Front
Avatar: The Way of Water
The Batman
Black Panther: Wakanda Forever
Top Gun: Maverick

Zoe Saldana and Sam Worthington Double Talk
Avatar: The Way of Water (2022). 20TH CENTURY STUDIOS

Best Sound

All Quiet on the Western Front
Avatar: The Way of Water
The Batman
Elvis
Top Gun: Maverick

Best Costume Design

Babylon
Black Panther: Wakanda Forever
Elvis
Everything Everywhere All at Once
Mrs. Harris Goes to Paris

Best Makeup & Hairstyling

All Quiet on the Western Front
The Batman
Black Panther: Wakanda Forever
Elvis
The Whale

Best Production Design

All Quiet on the Western Front
Avatar: The Way of Water
Babylon
Elvis
The Fabelmans

Margot Robbie plays Nellie LaRoy in Babylon
Babylon (2022). SCOTT GARFIELD/PARAMOUNT PICTURES

Best Documentary Feature

All That Breathes
All the Beauty and the Bloodshed
Fire of Love
A House Made of Splinters
Navalny

Best Documentary Short Subject

The Elephant Whisperers
Haulout
How Do You Measure a Year?
The Martha Mitchell Effect
Stranger at the Gate

Best Animated Short

The Boy, the Mole, the Fox, and the Horse
The Flying Sailor
Ice Merchants
My Year of Dicks
An Ostrich Told Me the World Is Fake and I Think I Believe It

Best Live-Action Short

An Irish Goodbye
Ivalu
Le Pupille
Night Ride
The Red Suitcase

Best International Film

All Quiet on the Western Front (Germany)
Argentina, 1985 (Argentina)
Close (Belgium)
EO (Poland)
The Quiet Girl (Ireland)

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Central Florida News

FNN Honors Teen Reporter Isabella Schmitt as She Graduates and Pursues Communications Degree

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ORLANDO, Fla. (FNN) — Florida National News proudly celebrates Isabella Schmitt as she marks an important milestone with her high school graduation and prepares to begin an exciting new chapter pursuing Communications in college.

Over the years, Isabella has represented the next generation of young voices with professionalism, creativity, determination, and passion.

Through reporting opportunities, community involvement, and media experiences, she has continued to shine both on and off camera while inspiring others through her dedication and work ethic.

Jenny Rosario, Vice President of Florida National News, praised Isabella’s accomplishments and bright future ahead.

“Watching Isabella grow both personally and professionally has been truly inspiring,” Rosario said. “She represents the future of journalism, communications, and storytelling. Her passion, confidence, and commitment to making a positive impact through media are remarkable, and we are incredibly proud of all she has accomplished.”

Rosario added that Isabella’s decision to pursue Communications in college is a natural next step for someone with such strong talent and determination.

“The world of media and communications needs more young voices like Isabella’s,” Rosario said. “We know this is only the beginning of many great accomplishments to come.”

Florida National News congratulates Isabella Schmitt and the entire Class of 2026 on this exciting achievement.

“Keep dreaming big and telling stories that matter,” Rosario added.

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Entertainment

How Orlando International Fashion Week Builds Confidence: A Belonging-Driven Casting Experience

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By Dr. Jessica Henlon | Education Contributor for Florida National News

At Orlando International Fashion Week (OIFW), the runway does not begin on show day. It begins at casting.

Over two weekends this April, OIFW welcomed hundreds of aspiring and experienced models to CityArts Gallery in Downtown Orlando for official casting calls ahead of the June 6 runway shows. What unfolded was more than an audition process. It was a carefully designed experience rooted in a powerful truth: when people feel seen, supported, and welcomed, they are more likely to show up with confidence.

From first-time participants to returning talent, families, creatives, and industry professionals, the casting experience reflected what makes OIFW different. It was not just about selecting models. It was about creating a space where people felt confident enough to try.

Belonging First, Performance Second

In educational psychology, belonging is not a soft concept. It is a driver of motivation, persistence, and self-efficacy. Research in postsecondary education has consistently linked students’ sense of belonging to academic outcomes, engagement, and persistence (Fong et al., 2024; Gopalan & Brady, 2020). While OIFW is not a classroom, the same human principles apply. People perform differently when they feel safe, valued, and connected.

This also aligns with my doctoral research on online first-generation college students. In that study, participants described virtual extracurricular activities as affirming spaces that supported leadership development, motivation, self-efficacy, and belonging (Henlon, 2025). The findings affirmed that engagement spaces are not “extra.” They can be essential to how people build identity, confidence, and persistence.

OIFW reflects this same principle in a creative industry setting. People come back because of how they are treated.

Designing a Confidence-Building Experience

The atmosphere inside CityArts Gallery was intentional.

Models of all ages and backgrounds moved through the casting process in a space that felt structured, supportive, and human. Team members gave clear direction, answered questions, and offered encouragement in real time. Families felt comfortable. First-time participants felt included. Returning models felt valued.

Those details matter.

Social Cognitive Theory suggests that individuals build confidence through observation, encouragement, and successful participation in meaningful environments (Bandura, 1986). When a model sees others walk, receive feedback, and try again, the room becomes a learning space. Confidence is not simply demanded. It is modeled, practiced, and reinforced.

That approach also connects to the modeling and fashion curriculum I developed for youth and emerging talent, where self-esteem, work ethic, body language, preparation, and reflection were built directly into the learning experience. The curriculum framed self-esteem as confidence in one’s own worth and abilities, while encouraging participants to celebrate success, develop talents, practice positive self-talk, and treat themselves well. That same foundation was visible at casting: confidence grows when people are given structure, encouragement, and room to develop.

A Creative Ecosystem in Motion

Casting weekends brought together more than models.

Photographers, videographers, designers, media professionals, artists, families, and community members shared the same creative space. More than 20 photographers and videographers were present capturing content, building portfolios, and documenting the energy of the experience. Florida National News was also on-site, conducting interviews and helping tell the story of the event.

This kind of creative ecosystem matters because learning and confidence often grow through participation, not observation alone. Research on connected arts learning emphasizes the importance of linking creative practice to supportive relationships, cultural relevance, and opportunity pathways (Peppler et al., 2022). In other words, creative spaces become more powerful when they connect people to each other and to what comes next.

At OIFW, casting is not hidden behind closed doors. It is visible, collaborative, and alive. This is where relationships are built.

Inclusion as Strategy, Not Statement

OIFW continues to prioritize an inclusive casting approach that welcomes models across ages, sizes, backgrounds, and experience levels. This is more than a value statement. It is part of the structure.

Research on organized activities shows that participation in supportive group settings can help young people build social capital, strengthen relationships, and develop confidence through meaningful interaction (Boat et al., 2024). Similarly, studies of extracurricular activities have found that participation can strengthen self-efficacy, identity, and skill development when activities are structured with purpose and support (Griffiths et al., 2021).

That is why inclusive casting matters. When a young person, a first-time model, or a returning participant sees a range of people welcomed into the process, the message is clear: there is room for you here.

For families, this creates trust.
For designers, it creates range.
For sponsors and media, it tells a deeper story.
For participants, it builds confidence.

Safety, Structure, and Trust

With a strong presence of youth participants, OIFW maintains clear expectations around professionalism, age-appropriate presentation, and safety. Families can trust that the environment is monitored, structured, and designed with care.

That trust is part of why participants return season after season.

In youth development research, positive experiences in organized activities are strongest when young people experience supportive relationships, clear expectations, and opportunities to build skills (Boat et al., 2024; Heath et al., 2022). OIFW’s casting model reflects that kind of intentional design. The goal is not only to prepare people for the runway. It is to help them feel prepared to step into the room.

More Than a Casting Call

What happened over these two weekends was not only about who made the runway.

It was about creating a space where people felt confident enough to try, supported enough to grow, and inspired enough to return. It was about helping participants move from nervousness to possibility. It was about making sure that the first step toward the runway felt welcoming, not intimidating.

Creative participation can support well-being, identity development, and self-expression, especially when the environment is inclusive and relational (Mak & Fancourt, 2019; Peppler et al., 2022). OIFW’s casting experience shows how arts and fashion spaces can function as confidence-building environments when they are designed with care.

That is the OIFW difference.

Confidence is not built through pressure alone. It is built through belonging, visibility, preparation, and meaningful interaction.

Looking Ahead

Orlando International Fashion Week continues to build toward its summer season:

May 16, 2026: Avant Garde Showcase at Orlando Fringe Festival
June 5, 2026: VIP Mixer at Morse Code Lounge
June 6, 2026: “626 Euphoria” Runway Shows at Winter Park Events Center

Tickets are available at www.OIFW.org.

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Entertainment

160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

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160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

DAYTONA BEACH, Fla. (FNN) — Music set times have been released for the 15th anniversary of Welcome To Rockville, Florida’s largest rock, metal and punk festival, set for May 7–10, 2026 at Daytona International Speedway.

Produced by Danny Wimmer Presents, the four-day event will feature more than 160 bands performing across five stages, marking the festival’s largest lineup to date.

HEADLINERS AND DAILY LINEUP

This year’s festival will be headlined by Foo Fighters, My Chemical Romance, Guns N’ Roses and Bring Me The Horizon.

  • Thursday, May 7: Guns N’ Roses, Five Finger Death Punch, Godsmack, Staind
  • Friday, May 8: Foo Fighters, Turnstile, The Offspring, Parkway Drive
  • Saturday, May 9: Bring Me The Horizon, Breaking Benjamin, Motionless in White, Lamb of God
  • Sunday, May 10: My Chemical Romance, A Day To Remember, Rise Against, Yellowcard

FESTIVAL EXPANSION AND NEW FEATURES

Organizers announced several enhancements for 2026 aimed at improving the fan experience. A new “Pit Stop” fan zone near the Apex Stage will feature artist interviews, special performances and interactive experiences.

In addition, the Garage Stage will be fully tented for the first time, offering expanded shade coverage and upgraded production for attendees.

SPECIAL EVENTS AND EXPERIENCES

Festivalgoers can kick off the week with a pre-party on May 6 featuring performances by Fuel, Local H and others.

A new crossover event, “Blood4Blood,” will also take place at the Ocean Center, combining live music with bare-knuckle fighting, including a headline bout featuring Alex Terrible of Slaughter to Prevail.

TICKETS, ACCESS AND ATTENDANCE

Festival gates will open daily at 11:30 a.m. Organizers are offering a range of ticket options, including single-day, weekend, VIP and camping packages. A new Camp to Coast shuttle will provide transportation between the speedway and nearby beaches.

With expanded attractions, including rides, themed bars and interactive zones, Welcome To Rockville 2026 is expected to draw tens of thousands of fans to Daytona Beach, reinforcing its role as a major driver of Florida’s tourism and live entertainment economy.

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