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Movie Review: Ryan Gosling and Emily Blunt are great fun in ‘The Fall Guy’

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One of the worst movie sins is when a comedy fails to at least match the natural charisma of its stars. Not all actors are capable of being effortlessly witty without a tightly crafted script and some excellent direction and editing. But Ryan Gosling and Emily Blunt seem, at least from afar, adept at that game. Just look at their charming press tour for “The Fall Guy.” Theirs is the kind of fun banter that can be a little worrisome — what if their riffing is better than the movie?

It comes as a great relief, then, that “The Fall Guy” lives up to its promise. Here is a delightful blend of action, comedy and romance that will make the audience feel like a Hollywood insider for a few hours (although there are perhaps one too many jokes about Comic-Con and Hall H).

Loosely based on the 1980s Lee Majors television series about a stuntman who made some extra cash on the side bounty hunting, Gosling takes up the mantle of said stunt guy, Colt Seavers.

Colt is a workaday stunt performer and longtime go-to for a major movie star, Tom Ryder (Aaron Taylor-Johnson). Tom is the kind of deeply egotistical and self-conscious A-lister who tells everyone he does his own stunts and worries out loud about Colt’s jawline being distractingly softer than his. I think the word “potato” is thrown around as a descriptor. Taylor-Johnson has quite a bit of fun playing up all his eccentricities that you hope, and fear, are at least somewhat inspired by real horror stories of stars behaving badly.

The film comes from director David Leitch, the Brad Pitt stuntman and stunt coordinator who helped bring “John Wick” to the world and directed “Atomic Blonde” and “Bullet Train.” He’s a guy who not only has the vision and know-how to bring the best in stunts to films and make them pop, but also has a vested interest in putting them in the spotlight. Forget the Oscar, how about just any acknowledgement? Perhaps “The Fall Guy” is just one tiny step on the path to making audiences more aware of some of the behind-the-scenes people who really make movies better and risk it all to do so.

It’s revealing that the movie starts with Colt suffering a terrible injury on a set. The stunt that goes wrong is one he’s just done and doesn’t seem remotely nervous about. The film cuts to his recovery and semi-reclusive retirement until he gets a call from Tom’s producer Gail (a delightfully over-the-top Hannah Waddingham) begging Colt to come back for a new film. They need him, she pleads, as does his longtime crush Jody (Blunt), who is making her directorial debut. She waits to inform him that Tom is missing and he’s the one who has to find him. On the quest, Colt encounters tough-guy goons, enablers, a sword-wielding actress, and a dead body on ice that all lead up to something big and rotten. And like a selfless stunt guy, he does it all out of sight of Jody — trying his best to save her movie without giving her something extra to worry about. Nothing about it is particularly plausible, but it’s not hard to get on board for the ride, and much of that is because of Gosling.

While he’s not quite underappreciated for his comedic timing, especially after “Barbie,” it’s fun to get to see him really embrace and lean into the goofiness — whether it’s crying and singing along to Taylor Swift’s “All Too Well” or quoting movie lines to his stunt coordinator pal (Winston Duke, always a good addition) in the midst of an actual fight.

There is something very juvenile and sweet about Jody and Colt’s will-they-won’t-they romance, with its mix of attraction, banter, misunderstandings and hurt feelings. It was a genius stroke to cast these two opposite each other and it leaves you wanting more scenes with the two.

This image released by Universal Pictures shows Aaron Taylor-Johnson in a scene from "The Fall Guy." (Universal Pictures via AP)
Aaron Taylor-Johnson. (Universal Pictures via AP)
This image released by Universal Pictures shows Winston Duke in a scene from "The Fall Guy." (Universal Pictures via AP)
Winston Duke. (Universal Pictures via AP)

Working with a script from Drew Pearce (“Hobbs & Shaw”), Leitch packs the film with wall-to-wall action, in both the film’s movie sets and its real world. And with the self-referential humor, the industry jokes and the promise of a little romance, it feels like one of those movies we all complain they don’t make anymore.

“The Fall Guy,” a Universal Picture release in theaters Friday, is rated PG-13 by the Motion Picture Association of America for “action and violence, drug content and some strong language.” Running time: 126 minutes. Three stars out of four.

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Tom Cruise Announces ‘Days of Thunder’ 2 With Anne Hathaway, Surprises NASCAR Fans at Daytona

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DAYTONA BEACH, Fla. (FNN SPORTS) — Hollywood megastar Tom Cruise brought movie-star electricity to Daytona International Speedway, surprising NASCAR fans, meeting drivers and officially putting Cole Trickle back on the starting grid.

More than three decades after Cruise raced onto movie screens in the NASCAR classic “Days of Thunder,” the 64-year-old actor returned to the “World Center of Racing” during the 2026 Coke Zero Sugar 400 weekend to announce that he will reprise his iconic role in the highly anticipated sequel.

The new Paramount Pictures film is scheduled to race into theaters June 2, 2028, nearly 38 years after the original. Academy Award-winning actress Anne Hathaway will star opposite Cruise as a NASCAR team owner and engineer.

But Cruise did more than announce another Hollywood blockbuster at Daytona.

Florida National News cameras captured the excitement and energy surrounding Cruise’s surprise appearance, including the megastar connecting with NASCAR fans, posing for photos and selfies, sharing hugs and spending time around the racing community.

For fans who arrived expecting the speed and drama of the Coke Zero Sugar 400, suddenly seeing — and even talking with — one of Hollywood’s biggest stars became a dream-of-a-lifetime moment.

Cole Trickle Is Coming Back

Cruise first played talented but hotheaded NASCAR driver Cole Trickle in the original “Days of Thunder,” released in 1990.

Now, Cole Trickle is coming back.

Cruise announced the sequel from Daytona on Saturday, Aug. 29, hours before the NASCAR Cup Series regular-season finale.

Cruise will star and produce alongside longtime collaborator Jerry Bruckheimer and Tommy Harper. Bruckheimer also produced the original film.

Jonathan Levine, whose directing credits include “50/50,” “Warm Bodies” and “Long Shot,” is set to direct from a screenplay by Will Staples.

The film is being developed for a major theatrical release, including IMAX and other premium formats.

Paramount’s promotional materials currently call the film simply “Days of Thunder,” although the project is widely being referred to as “Days of Thunder 2.”

 

Anne Hathaway Joins Cruise at Daytona

Cruise won’t return to the NASCAR world alone.

Academy Award-winning actress Anne Hathaway will co-star as a NASCAR team owner and engineer, marking the first major on-screen collaboration between the two Hollywood stars.

Hathaway joined Cruise at Daytona for the announcement, with the two posing beside a green-and-yellow race car carrying Cole Trickle’s name and “Days of Thunder” branding.

Hathaway is known for blockbuster and critically acclaimed films including “The Devil Wears Prada,” “Les Misérables,” “The Dark Knight Rises,” “Interstellar” and “The Princess Diaries.”

Plot details remain under wraps, including where audiences will find Cole Trickle nearly four decades after the original movie.

Cruise Meets NASCAR Drivers

Cruise didn’t simply announce the movie and leave.

He attended the NASCAR Cup Series pre-race drivers’ meeting ahead of the Coke Zero Sugar 400, addressing a room filled with NASCAR drivers and racing industry figures.

Bruckheimer, Harper and Staples also attended.

Cruise reflected on filming the original movie at Daytona, including the risks of shooting racing sequences at high speeds.

He also made clear that the sequel will be about more than cars traveling nearly 200 mph.

Cruise told the NASCAR community that the original “Days of Thunder” sought to capture something special about racers and the culture surrounding them.

For the new film, Cruise said the filmmakers want audiences to understand NASCAR as a team, a community and a culture, while also experiencing the speed, excitement and danger of the sport.

That message could prove central to the sequel as Cruise and the filmmakers attempt to introduce a new generation of moviegoers to NASCAR.

Cruise Honors Late NASCAR Champion Kyle Busch

One of Cruise’s most poignant Daytona moments came during the drivers’ meeting.

Cruise sat beside an empty chair bearing the name of late two-time NASCAR Cup Series champion Kyle Busch, who died in May.

Photos from the gathering showed Cruise reaching over and patting the empty seat before looking down in a quiet gesture of respect.

The moment resonated with NASCAR fans as tributes to Busch have continued throughout the racing community.

It also carried an added connection to Cruise’s racing movie legacy: “Days of Thunder” was reportedly one of Busch’s favorite racing films.

Amid the excitement surrounding a major Hollywood announcement, Cruise’s simple gesture provided a solemn moment of remembrance for one of NASCAR’s biggest stars.

FNN Captures Cruise Showing NASCAR Fans Love

Outside the drivers’ meeting, Cruise’s interaction with fans became one of the most memorable parts of his Daytona appearance.

Florida National News video and photo coverage captured Cruise up close as he greeted NASCAR fans, stopped for selfies, shared hugs and talked with spectators.

The reaction was immediate.

Phones went up. Fans gathered. Smiles spread through the crowd.

Cruise wasn’t simply a Hollywood celebrity watching the race from a distance. Fans got an opportunity to see one of the world’s most recognizable movie stars up close.

Some got photographs.

Others got a handshake, a hug or a few words with the megastar.

For longtime Cruise fans who have watched him on movie screens for decades, suddenly standing face-to-face with him at Daytona transformed an already memorable NASCAR weekend into something personal.

A selfie. A hug. A handshake. A conversation with Tom Cruise.

For many, it was the kind of dream-of-a-lifetime encounter they never expected when they arrived at Daytona International Speedway.

And FNN cameras were there to capture it.

Cruise Takes in the NASCAR Experience

Cruise immersed himself in NASCAR’s pre-race atmosphere after addressing the drivers.

He made his way toward the starting grid for pre-race ceremonies, getting an up-close look at the drivers, teams, cars and crews preparing for one of NASCAR’s biggest nights.

The experience offered Cruise and the filmmakers another opportunity to observe modern NASCAR firsthand as they prepare to bring Cole Trickle back to the big screen.

That authenticity could become especially important for a movie Cruise says will focus not only on racing, but also on the people and teamwork behind it.

From ‘Risky Business’ to ‘Top Gun: Maverick’

Cruise’s Daytona appearance brought one of the world’s most successful movie stars directly into the heart of NASCAR.

Over more than four decades, Cruise has starred in some of Hollywood’s most recognizable films, including:

  • “Risky Business”
  • “Top Gun”
  • “Rain Man”
  • “A Few Good Men”
  • “Jerry Maguire”
  • the blockbuster “Mission: Impossible” franchise
  • “Top Gun: Maverick”
  • and “Days of Thunder.”

His reputation for high-energy action movies and performing ambitious practical stunts makes his return to a racing film particularly intriguing.

Cruise even recalled at Daytona how dangerous filming the original could become, describing an incident in which the race car he was driving caught fire while cameras were rolling.

 

‘Days of Thunder’ Became a NASCAR Favorite

Directed by the late Tony Scott, the original “Days of Thunder” followed Trickle as he entered NASCAR and learned to harness his raw talent and aggression with the help of veteran crew chief Harry Hogge, played by Robert Duvall.

The movie also starred Nicole Kidman, Randy Quaid, Michael Rooker, Cary Elwes and John C. Reilly.

Although its initial critical reception was mixed, the movie developed an enduring following, particularly among NASCAR fans.

More than three decades later, Cole Trickle, his No. 46 race car and the movie’s depiction of NASCAR remain recognizable pieces of racing pop culture.

Can Cruise Repeat the ‘Top Gun: Maverick’ Magic?

Cruise’s decision to return as Cole Trickle inevitably draws comparisons with another enormously successful return to one of his signature roles.

In 2022, Cruise returned as Capt. Pete “Maverick” Mitchell in “Top Gun: Maverick,” 36 years after the original “Top Gun.”

The sequel became a worldwide blockbuster and the biggest box-office success of Cruise’s career.

Now Cruise and Bruckheimer are returning to another movie from their past.

“Days of Thunder” will arrive nearly 38 years after the original — giving Cruise another opportunity to introduce an iconic character to a new generation while bringing longtime fans back to the theater.

Daytona Provides the Perfect Stage

Few places could have provided a more fitting backdrop for Cruise’s announcement than Daytona International Speedway.

Daytona played an important role in the original movie, and Cruise filmed racing sequences at the legendary track.

Nearly four decades later, he returned to the “World Center of Racing” to tell NASCAR that Cole Trickle is coming back.

Cruise met drivers, addressed the NASCAR community, honored Kyle Busch and connected personally with race fans before the Coke Zero Sugar 400.

Hours later, the real racing delivered its own Hollywood-style ending as Ryan Preece captured the Coke Zero Sugar 400 in overtime, earning his first points-paying NASCAR Cup Series victory.

From Daytona Back to the Big Screen

Many questions about the new “Days of Thunder” remain unanswered.

The complete cast has not been announced. The storyline remains under wraps. NASCAR’s precise role in the production has not been fully detailed.

But several major pieces are now on the starting grid:

Tom Cruise is returning as Cole Trickle.

Anne Hathaway is joining him as a NASCAR team owner and engineer.

Jerry Bruckheimer is producing.

Jonathan Levine is directing.

And “Days of Thunder” is scheduled to race into theaters June 2, 2028.

For NASCAR fans at Daytona, however, the movie announcement was only part of the story.

They got Tom Cruise in person.

They watched one of Hollywood’s biggest stars step into their racing world, meet NASCAR drivers, honor a fallen champion and show fans some love.

For some, the unexpected opportunity to see, hug, photograph or simply exchange a few words with Cruise became a memory of a lifetime.

And Florida National News was on the scene to capture the excitement, energy and star power as Hollywood met NASCAR at Daytona.

 

WATCH FNN VIDEO: Hollywood megastar Tom Cruise connects with NASCAR fans at Daytona International Speedway as he announces the highly anticipated return of “Days of Thunder.”

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Dr. Phillips Center’s Free Frontyard Holiday Festival Returns to Downtown Orlando Nov. 27

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ORLANDO, Fla. (FNN) — The holidays are returning to downtown Orlando as the Dr. Phillips Center for the Performing Arts brings back its free Frontyard Holiday Festival, transforming the Frontyard and Seneff Arts Plaza into a holiday destination from Nov. 27 through Dec. 31.

The Frontyard Holiday Festival at Dr. Phillips Center, supported by AdventHealth, will feature nightly snowfall, live entertainment, holiday movies, themed nights, firepits, seasonal food and beverages, interactive experiences, light displays and performances by local artists and community groups.

Admission is free.

“This festival is part of our vision to create more free experiences in the Frontyard, one of the 1,000 annual free events planned as part of our master plan,” Dr. Phillips Center President and CEO Kathy Ramsberger said. “These events are designed to bring our community together while creating new opportunities that attract visitors and contribute to Orlando’s vibrant tourism economy.”

Nightly Snowfall Returns to Downtown Orlando

The festival opens Friday, Nov. 27, and runs through New Year’s Eve, giving Central Florida residents and visitors more than a month to experience the celebration.

Nightly snowfall will return as one of the festival’s signature attractions, along with holiday movie screenings and seasonal performances.

A rare musical attraction will also return this year: the only transportable carillon in North America.

The instrument features nearly four tons of bronze bells and will bring traditional holiday sounds to the outdoor festival.

Free Holiday Experience for Orlando Families

Organizers said the festival is part of the Dr. Phillips Center’s broader effort to increase free arts and cultural programming while creating a gathering place for residents and visitors in downtown Orlando.

AdventHealth returns as a major supporter of the event.

“The holidays invite us to slow down, reconnect and make memories with the people who matter most,” said Sharon Line Clary, AdventHealth’s senior vice president of community impact and partnership engagement.

Clary said the partnership is designed to help create a welcoming community space centered on celebration and connection.

Holiday Shows Coming Inside Dr. Phillips Center

The outdoor festival will coincide with a separate lineup of holiday entertainment inside the performing arts center.

The 2026 holiday schedule includes Lindsey Stirling, “The Nutcracker,” Vienna Light Orchestra, Irish Christmas in America, Straight No Chaser and “A Very Broadway Christmas.”

Other scheduled productions include “The Unauthorized Hallmarkish Parody” and “Adam Biner: A Jewish Boy’s Love Letter to Christmas.”

The lineup includes dance, orchestral music, comedy and other live performances throughout the holiday season.

More Festival Programming Coming

Additional details about performances, themed nights, movie screenings and interactive experiences are expected to be announced as the opening date approaches.

The festival is supported by AdventHealth, the city of Orlando’s Downtown Development Board, The Main Law Firm, OUC — The Reliable One, Massey Services Inc. and a donation from Neal and Jan Dempsey.

The project also receives funding from Orange County government through its Arts & Cultural Affairs Program.

Event Details

What: Frontyard Holiday Festival at Dr. Phillips Center supported by AdventHealth
When: Nov. 27-Dec. 31, 2026
Where: Dr. Phillips Center for the Performing Arts, Frontyard and Seneff Arts Plaza, downtown Orlando
Admission: Free

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‘SPAMALOT’ Joins Dr. Phillips Center’s 2026-27 Broadway in Orlando Season

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Tony Award-winning musical will play Walt Disney Theater Nov. 3-5, 2026

ORLANDO, Fla. (FNN NEWS) — Dr. Phillips Center for the Performing Arts is expanding its 2026-27 Broadway in Orlando season with the addition of SPAMALOT, the Tony Award-winning Best Musical, scheduled for Nov. 3-5, 2026, at Walt Disney Theater.

Inspired by the classic comedy Monty Python and the Holy Grail, SPAMALOT brings Monty Python’s distinctly British humor to the stage through a comedic adventure following King Arthur and his quest for the Holy Grail.

The production comes to Orlando following a celebrated 2023 Broadway revival at the St. James Theatre, directed and choreographed by Josh Rhodes.

Monty Python Comedy Comes to Orlando

Described as “lovingly ripped” from Monty Python and the Holy Grail, the musical features British royalty, flying cows, dancing girls, shrubbery and the Lady of the Lake.

The 14-time Tony Award-nominated musical features well-known numbers including “Always Look on the Bright Side of Life,” “The Song That Goes Like This” and “Find Your Grail.”

SPAMALOT features a book and lyrics by Eric Idle, with music by John Du Prez and Idle.

Cast Announced for Orlando Production

The cast features Major Attaway, whose credits include Aladdin, as King Arthur; Sean Bell (Harmony) as Sir Robin; Chris Collins-Pisano (Forbidden Broadway) as Sir Lancelot; Ellis C. Dawson III (Hamilton) as Sir Bedevere; Leo Roberts (Les Misérables) as Sir Galahad; Amanda Robles as the Lady of the Lake; Blake Segal (Mary Poppins) as Patsy; and Steven Telsey (The Book of Mormon) as the Historian and Prince Herbert.

The company also includes Lindsay Lee Alhady, Delaney Benson, Jack Brewer, Connor Coughlin, L’ogan J’ones, Graham Keen, Claire Kennard, Ben Lanham, Nathaniel Mahone, Maddie Mossner, Emilie Renier, Mark Tran Russ and Meridien Terrell.

Creative Team

The production’s creative team includes scenic and projection designer Paul Tate dePoo III, costume designer Jen Caprio, lighting designer Cory Pattak, sound designers Kai Harada and Haley Parcher, and wig designer Tom Watson.

John Bell serves as music supervisor, with Jonathan Gorst as musical director and conductor.

Derek Kolluri is associate director, Michael Fatica is associate choreographer and casting is by Geoff Josselson, CSA. RCI Theatricals serves as general manager, and Jeffrey Finn is the producer.

Tickets on Sale Now

Single tickets for SPAMALOT are on sale now through Dr. Phillips Center.

Performances: Nov. 3-5, 2026
Venue: Walt Disney Theater at Dr. Phillips Center for the Performing Arts
Location: Orlando, Florida

Tickets and additional information are available through the Dr. Phillips Center website.

 

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