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Oregon Blockbuster outlasts others to become last on Earth

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BEND, Ore. (AP) — There are challenges that come with running the last Blockbuster Video on the planet.

The computer system must be rebooted using floppy disks that only the general manager — a solid member of Gen X — knows how to use. The dot-matrix printer broke, so employees write out membership cards by hand. And the store’s business transactions are backed up on a reel-to-reel tape that can’t be replaced because Radio Shack went out of business.

Yet none of that has kept this humble franchise in an Oregon strip mall from thriving as the advent of on-demand movie streaming laid waste all around it. When a Blockbuster in Australia shuts its doors for the last time on March 31, the Bend store will be the only one left on Earth.

“It’s pure stubbornness, for one. We didn’t want to give in,” said general manager Sandi Harding, who has worked at the franchise for 15 years and receives a lot of the credit for keeping it alive well past its expiration date. “We did everything we could to cut costs and keep ourselves relevant.”

The store was once one of five Blockbusters owned by the same couple, Ken and Debbie Tisher, in three central Oregon towns. But by last year, the Bend franchise was the last local Blockbuster standing.

A Blockbuster Video in Bend, Oregon is the last one on the planet after the only other Blockbuster in Australia announced it’s closing on March 31. The store is now booming with business from long-time locals as well as tourists. (March 18)

A Blockbuster Video in Bend, Oregon, is the last one on the planet after the only other Blockbuster, in Australia, announced it’s closing this month. (March 18)

A tight budget meant no money to update the surviving store. That’s paying off now with a nostalgia factor that stops first-time visitors of a certain age in their tracks: the popcorn ceilings, low fluorescent lighting, wire metal video racks and the ubiquitous yellow-and-blue ticket stub logo that was a cultural touchstone for a generation.

“Most people, I think, when they think about renting videos — if they’re the right age — they don’t remember the movie that they went to pick, but they remember who they went with and that freedom of walking the aisles,” said Zeke Kamm, a local resident who is making a documentary about the store called “The Last Blockbuster” with a friend.

“In a lot of towns, the Blockbuster was the only place that was open past nine o’clock, and a lot of them stayed open until midnight, so kids who weren’t hoodlums would come here and look at movies and fall in love with movies.”

The Bend store had eight years under its belt as a local video store before it converted to a Blockbuster in 2000, a time when this high desert city was still a sleepy community with a small-town feel to match.

Customers kept coming back, drawn by special touches like staff recommendations, a “wish list” for videos to add to the rental selection and even home delivery for a few special customers who couldn’t drive in. Dozens of local teens have worked there over the years.

Then, in 2010, Blockbuster declared bankruptcy, and by 2014, all corporate-owned stores had shuttered. That left locally owned franchises to fend for themselves, and one by one, they closed.

When stores in Anchorage and Fairbanks, Alaska, shut down last summer — barely outlasting a Redmond, Oregon, store — Bend’s Blockbuster was the only U.S. location left.

Tourists started stopping by to snap selfies, and business picked up. Harding ordered up blue-and-yellow sweat shirts, T-shirts, cups, magnets, bumper stickers, hats and stocking caps from local vendors emblazoned with the words “The Last Blockbuster in America,” and they flew off the shelves.

A sign advertising locally made souvenirs from the last Blockbuster store on the planet sits in the store in Bend, Ore., in this Tuesday, March 12, 2019 photo. When a Blockbuster in Perth, Australia, shuts its doors for the last time on March 31, the store in Bend, Ore., will be the only one left on Earth, and most likely in the universe. (AP Photo/Gillian Flaccus)

Then, this month, she got a phone call: The world’s only other Blockbuster, in Perth, Australia, would soon close its doors. A new T-shirt order went out — this time with the slogan “The Last Blockbuster on the Planet” — and the store is already getting a new wave of selfie-snapping visitors from as far away as Europe and Asia.

On a recent weekday, Michael Trovato of Melbourne, Australia, stopped by while visiting his twin sister in Bend.

After posing for a photo, Trovato said he misses a time when choosing a movie meant browsing hundreds of titles and asking a video clerk for insight instead of letting a movie-streaming service recommend one for him based on a computer algorithm.

“I miss quite a bit being able to walk into a Blockbuster or CD store and have that social experience and see people looking at stuff and talking to people,” Trovato said. “It’s something you don’t get from the slick presentation of a music service or, you know, from the internet.”

The Bend store doesn’t seem to be in danger of closing anytime soon.

Its newfound fame has been a shot in the arm, and customers stream in to buy $40 sweat shirts, $20 T-shirts and even $15 yellow-and-blue beanies hand-knit by Harding herself. The store pays Dish Network for the right to use the Blockbuster logo and has several years left on its lease.

People regularly send the store boxes of old VHS tapes and DVDs. They also donate Blockbuster memorabilia: a corporate jean jacket, key chains and old membership cards.

Employees always send a thank-you note, store manager Dan Montgomery said.

Recently, Harding has noticed another type of customer that’s giving her hope: a new generation of kids dragged in by their nostalgic parents who later leave happy, holding stacks of rented movies and piles of candy.

Jerry Gilless and his wife, Elizabeth, brought their two kids, John, 3, and Ellen, 5, and watched with a smile as the siblings bounced from row to row, grabbing “Peter Pan” and “The Lion King” and surveying dinosaur cartoons.

“How could we not stop? It’s the last one,” said Gilless, of their detour to the store while on vacation from Memphis, Tennessee. “They need to see that not everything’s on the iPad.”

 

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Entertainment

Dr. Phillips Center’s Free Frontyard Holiday Festival Returns to Downtown Orlando Nov. 27

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ORLANDO, Fla. (FNN) — The holidays are returning to downtown Orlando as the Dr. Phillips Center for the Performing Arts brings back its free Frontyard Holiday Festival, transforming the Frontyard and Seneff Arts Plaza into a holiday destination from Nov. 27 through Dec. 31.

The Frontyard Holiday Festival at Dr. Phillips Center, supported by AdventHealth, will feature nightly snowfall, live entertainment, holiday movies, themed nights, firepits, seasonal food and beverages, interactive experiences, light displays and performances by local artists and community groups.

Admission is free.

“This festival is part of our vision to create more free experiences in the Frontyard, one of the 1,000 annual free events planned as part of our master plan,” Dr. Phillips Center President and CEO Kathy Ramsberger said. “These events are designed to bring our community together while creating new opportunities that attract visitors and contribute to Orlando’s vibrant tourism economy.”

Nightly Snowfall Returns to Downtown Orlando

The festival opens Friday, Nov. 27, and runs through New Year’s Eve, giving Central Florida residents and visitors more than a month to experience the celebration.

Nightly snowfall will return as one of the festival’s signature attractions, along with holiday movie screenings and seasonal performances.

A rare musical attraction will also return this year: the only transportable carillon in North America.

The instrument features nearly four tons of bronze bells and will bring traditional holiday sounds to the outdoor festival.

Free Holiday Experience for Orlando Families

Organizers said the festival is part of the Dr. Phillips Center’s broader effort to increase free arts and cultural programming while creating a gathering place for residents and visitors in downtown Orlando.

AdventHealth returns as a major supporter of the event.

“The holidays invite us to slow down, reconnect and make memories with the people who matter most,” said Sharon Line Clary, AdventHealth’s senior vice president of community impact and partnership engagement.

Clary said the partnership is designed to help create a welcoming community space centered on celebration and connection.

Holiday Shows Coming Inside Dr. Phillips Center

The outdoor festival will coincide with a separate lineup of holiday entertainment inside the performing arts center.

The 2026 holiday schedule includes Lindsey Stirling, “The Nutcracker,” Vienna Light Orchestra, Irish Christmas in America, Straight No Chaser and “A Very Broadway Christmas.”

Other scheduled productions include “The Unauthorized Hallmarkish Parody” and “Adam Biner: A Jewish Boy’s Love Letter to Christmas.”

The lineup includes dance, orchestral music, comedy and other live performances throughout the holiday season.

More Festival Programming Coming

Additional details about performances, themed nights, movie screenings and interactive experiences are expected to be announced as the opening date approaches.

The festival is supported by AdventHealth, the city of Orlando’s Downtown Development Board, The Main Law Firm, OUC — The Reliable One, Massey Services Inc. and a donation from Neal and Jan Dempsey.

The project also receives funding from Orange County government through its Arts & Cultural Affairs Program.

Event Details

What: Frontyard Holiday Festival at Dr. Phillips Center supported by AdventHealth
When: Nov. 27-Dec. 31, 2026
Where: Dr. Phillips Center for the Performing Arts, Frontyard and Seneff Arts Plaza, downtown Orlando
Admission: Free

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Entertainment

‘SPAMALOT’ Joins Dr. Phillips Center’s 2026-27 Broadway in Orlando Season

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Tony Award-winning musical will play Walt Disney Theater Nov. 3-5, 2026

ORLANDO, Fla. (FNN NEWS) — Dr. Phillips Center for the Performing Arts is expanding its 2026-27 Broadway in Orlando season with the addition of SPAMALOT, the Tony Award-winning Best Musical, scheduled for Nov. 3-5, 2026, at Walt Disney Theater.

Inspired by the classic comedy Monty Python and the Holy Grail, SPAMALOT brings Monty Python’s distinctly British humor to the stage through a comedic adventure following King Arthur and his quest for the Holy Grail.

The production comes to Orlando following a celebrated 2023 Broadway revival at the St. James Theatre, directed and choreographed by Josh Rhodes.

Monty Python Comedy Comes to Orlando

Described as “lovingly ripped” from Monty Python and the Holy Grail, the musical features British royalty, flying cows, dancing girls, shrubbery and the Lady of the Lake.

The 14-time Tony Award-nominated musical features well-known numbers including “Always Look on the Bright Side of Life,” “The Song That Goes Like This” and “Find Your Grail.”

SPAMALOT features a book and lyrics by Eric Idle, with music by John Du Prez and Idle.

Cast Announced for Orlando Production

The cast features Major Attaway, whose credits include Aladdin, as King Arthur; Sean Bell (Harmony) as Sir Robin; Chris Collins-Pisano (Forbidden Broadway) as Sir Lancelot; Ellis C. Dawson III (Hamilton) as Sir Bedevere; Leo Roberts (Les Misérables) as Sir Galahad; Amanda Robles as the Lady of the Lake; Blake Segal (Mary Poppins) as Patsy; and Steven Telsey (The Book of Mormon) as the Historian and Prince Herbert.

The company also includes Lindsay Lee Alhady, Delaney Benson, Jack Brewer, Connor Coughlin, L’ogan J’ones, Graham Keen, Claire Kennard, Ben Lanham, Nathaniel Mahone, Maddie Mossner, Emilie Renier, Mark Tran Russ and Meridien Terrell.

Creative Team

The production’s creative team includes scenic and projection designer Paul Tate dePoo III, costume designer Jen Caprio, lighting designer Cory Pattak, sound designers Kai Harada and Haley Parcher, and wig designer Tom Watson.

John Bell serves as music supervisor, with Jonathan Gorst as musical director and conductor.

Derek Kolluri is associate director, Michael Fatica is associate choreographer and casting is by Geoff Josselson, CSA. RCI Theatricals serves as general manager, and Jeffrey Finn is the producer.

Tickets on Sale Now

Single tickets for SPAMALOT are on sale now through Dr. Phillips Center.

Performances: Nov. 3-5, 2026
Venue: Walt Disney Theater at Dr. Phillips Center for the Performing Arts
Location: Orlando, Florida

Tickets and additional information are available through the Dr. Phillips Center website.

 

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Central Florida News

Dr. Phillips Center Generates $227.6 Million Annual Economic Impact, Supports Nearly 2,500 Central Florida Jobs

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ORLANDO, Fla. (FNN NEWS) — The Dr. Phillips Center for the Performing Arts generated $227.6 million in annual economic impact, supporting 2,483 jobs and producing $13.2 million in state and local tax revenue, according to a newly released independent study by Tourism Economics.

The analysis, conducted by Tourism Economics, an Oxford Economics company specializing in economic impact and tourism research, measured the direct, indirect and induced economic activity generated by the arts center’s operations, performances, visitors and related spending throughout Central Florida.

The findings underscore the Dr. Phillips Center’s role as both a premier performing arts destination and a major contributor to the region’s economy.

“For more than a decade, we’ve seen firsthand how the arts inspire people, bring communities together and create lasting value,” said Kathy Ramsberger, president and CEO of Dr. Phillips Center for the Performing Arts. “This study confirms that our impact reaches far beyond our stages—supporting thousands of jobs, driving business growth, attracting visitors from around the world and helping position Central Florida as a more vibrant, competitive and connected region.”

Economic Impact by the Numbers

According to the Tourism Economics report, the Dr. Phillips Center generated:

  • $227.6 million in annual economic output
  • 2,483 jobs supported across Central Florida
  • $70.8 million in total labor income in Orange County
  • $13.2 million in state and local tax revenue
  • $73.1 million in off-site spending by event attendees, performers and production crews
  • 61,600 hotel room nights generated annually

The study highlights the ripple effect created by visitors attending performances, benefiting nearby hotels, restaurants, retailers and other local businesses.

A Global Destination for Arts and Entertainment

Now in its 11th year, the Dr. Phillips Center welcomes more than 910,000 guests annually, attracting visitors from all 50 states and more than 80 countries.

Since opening in 2014, the venue has hosted:

  • More than 6.2 million guests
  • More than 6,200 performances and events
  • Programming presented 99% of the year
  • Venue occupancy rates ranging from 82% to 97%

The center has become one of the world’s busiest performing arts destinations while helping position downtown Orlando as a leading hub for arts, culture and entertainment.

Community Investment Beyond the Stage

In addition to its economic impact, the Dr. Phillips Center continues investing in arts education, community outreach and cultural programming throughout Central Florida.

According to the organization, it has:

  • Served 935,920 students and community participants
  • Supported and hosted 202 regional arts organizations
  • Received support from 24,085 donors
  • Benefited from $256 million in philanthropic contributions since its inception

Through partnerships with schools, nonprofit organizations, community groups and touring productions, the center continues to expand access to the performing arts while strengthening the region’s cultural and economic vitality.

Looking Ahead

Eleven years after opening, the Dr. Phillips Center continues to demonstrate that investment in arts and culture produces measurable returns through tourism, employment, education and community engagement.

As Central Florida continues to grow, the independent analysis reinforces the performing arts center’s importance as both a cultural landmark and an economic engine for the region.

Additional information about the economic impact study is available through the Dr. Phillips Center for the Performing Arts.

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