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Review: In ‘Triple Frontier,’ a special-ops heist goes awry

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Job opportunities seldom diverge as greatly as they do for the former special forces operatives of J.C. Chandor’s “Triple Frontier.” There is selling condos or taking contract work in an African warzone. There’s stocking shelves at Walmart or taking down a South African drug lord. And you thought your LinkedIn profile had inconsistencies.

Yet those are exactly the kinds of choices facing a quartet of ex-military veterans who are rounded up, “Blues Brothers”-style, by Santiago “Pope” Garcia (Oscar Isaac), their former brother in arms who now works for a mysterious company contracted vaguely by “a foreign government.”

With the promise of that old temptation — “one last job” — and the potential for a major payday, Garcia gathers each old pal — Tom “Redfly” Davis (Ben Affleck), William “Ironhead” Miller (Charlie Hunnam), Ben Miller (Garrett Hedlund) and Francisco “Catfish” Morales (Pedro Pascal) — with little trouble. Once at the pinnacle of their profession, they’re all struggling to adapt to civilian life. Davis is a divorced, heavy-drinking real estate broker with little talent for it. Miller is getting his face kicked in as a cage fighter.

“I say we deserve better,” Garcia tells Davis. “You’ve been shot five times for your country and you can’t pay off your truck.”

“Triple Frontier,” a Netflix release playing in theaters for a week before streaming, was first scripted by Mark Boal with plans for Kathryn Bigelow to direct. Both remain executive producers and Boal is a co-writer alongside Chandor.

That “Triple Frontier” originated from the team behind “The Hurt Locker” and “Zero Dark Thirty” isn’t surprising. It’s similarly attuned to the under-rewarded sacrifice of elite American soldiers. But it’s also a larger leap into genre. Bountiful in dudes, guns and action scenes, “Triple Frontier” is the kind of proudly macho movie that’s perhaps too familiar to moviegoers — though such a starry, big-budget thriller is more novel for Netflix.

“Triple Frontier” is both more and less than what it seems. The crew heads south to an unspecified country in South America (the title refers to the junction of Brazil, Argentina and Paraguay) where they plot, with the help of an insider (Adria Arjona), to take down a long-elusive drug lord named Lorea at his jungle hideaway and make off with millions.

But “Triple Frontier” is only part heist movie. Its second half, a militaristic riff on “The Treasure of Sierra Madre,” tailspins into a existential, survivalist thriller about greed and combat addiction. For many of the guys, especially Affleck’s Redfly, being drawn back into the field is like relapsing. Trigger fingers again get itchy, to tragic ends.

Almost as soon as the mission — more ragtag than what they signed up for — gets started, regret begins to creep in. Launched with a mix of altruistic and capitalistic intentions, the expedition begins to mirror other American international overreaches, and, not unlike in Afghanistan or Iraq, the former soldiers find themselves leaving stacks of cash to compensate for the deaths of villagers. Things turn dark and in a frantic escape over the Andes, the value of money plummets.

Allegories of capitalism have proven a passion for Chandor, who has made money an ever-present subtext in crime dramas (“A Most Violent Year,” with Isaac as an ambitious heating-oil businessman) and survival tales (“All Is Lost”). His debut, “Margin Call,” was about a Wall Street investment bank in the tumult of a financial crisis.

With each film, Chandor’s scale has expanded, and part of the thrill of “Triple Frontier” is the finely staged set pieces (including Garcia’s opening siege of a discoteca) and the lush, wide-screen cinematography (via Roman Vasyanov). The balance of pulp and parable feels tenuously close to syncing, but never quite does.

Part of the problem is that the five guys (probably a few too many dudes, if we’re counting) — and every one of the Spanish-speaking locals — are too thinly sketched. Affleck draws the Bogart card from the “Sierra Madre” types, but the rest — talented as they are — don’t come through clearly. Only Isaac, with remorse creeping over his face, leaves a mark.

“Triple Frontier” has the good sense to take a macho, “Expendables”-like set-up and turn it inward. It just doesn’t go far enough.

“Triple Frontier,” a Netflix release, is rated R by the Motion Picture Association of America for “violence and language throughout.” Running time: 125 minutes. Two and a half stars out of four.

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Central Florida News

Orange County Arts & Cultural Affairs Presents ‘HYPE HAIR’ Exhibit by Peppermint Sandy in Downtown Orlando

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ORLANDO, Fla. (FNN) — Orange County Arts & Cultural Affairs will present “HYPE HAIR,” a new exhibition by multidisciplinary artist Peppermint Sandy, in the Atrium Gallery at the Orange County Administration Center in downtown Orlando.

The exhibit will be on display from June 11 through June 25, 2026, showcasing Sandy’s wearable sculptures and mixed-media works that explore beauty, fashion, culture, and identity through the lens of Black hair and lived experiences.

Opening Reception Scheduled June 11

An opening reception will be held Thursday, June 11, 2026, at the Orange County Administration Center.

  • Doors open at 5 p.m.
  • Program begins at 5:45 p.m.
  • Admission is free
  • Advance registration is requested

Exploring Beauty, Culture and Identity

Peppermint Sandy is a multidisciplinary artist whose work incorporates fabric, hair, textiles, and mixed media to examine cultural and societal perceptions of beauty, fashion, and personal identity.

“HYPE HAIR is a series of wearable sculptures inspired by not just my relationship with Black hair, but a dedication and love letter to all Black women and girls everywhere with our hair as well,” Sandy said. “From the beginning of time, Black hair is not only art, but a form of communication.”

The exhibition highlights the artistic, historical, and cultural significance of Black hair while celebrating self-expression and identity through contemporary art.

Exhibit Information

The exhibition will remain on display through June 25, 2026, in the Atrium Gallery at the Orange County Administration Center, located at 201 S. Rosalind Ave. in downtown Orlando.

The Administration Center is open Monday through Friday from 8 a.m. to 5:30 p.m., excluding holidays.

The exhibit is presented by Orange County Arts & Cultural Affairs as part of its ongoing commitment to showcasing diverse artistic voices and cultural perspectives throughout Central Florida.

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Entertainment

USF Credit Union Named Presenting Sponsor of ‘Rainbow To Your Door’ With $5,000 Challenge Match Grant

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ORLANDO, Fla. (FNN) — The production team behind Rainbow To Your Door announced that USF Credit Union has joined the upcoming theatrical production as its Presenting Sponsor, accompanied by a $5,000 Challenge Match Grant aimed at encouraging community support and helping fully fund the project.

The partnership reflects a shared commitment to arts, education, and community engagement across Central Florida. Organizers say the challenge grant will match community contributions dollar-for-dollar up to $5,000, helping expand public access and educational opportunities connected to the production.

Original Play Celebrates Florida’s Artistic Legacy

Rainbow To Your Door is an original stage production written by Los Angeles-based playwright Kenneth Brown. The play is inspired by the historic friendship and artistic exchange between acclaimed author and anthropologist Zora Neale Hurston and artist Jules André Smith.

Set in 1938 at the historic Maitland Art Center, the production explores the challenges, triumphs, and purpose of artists navigating a rapidly changing world while preserving their creative voices.

“This partnership represents more than sponsorship. It is an investment in storytelling, culture, and preserving the legacy of artistic voices that helped shape Florida’s creative identity,” Brown said. “We are incredibly grateful to USF Credit Union for believing in this vision and helping us create meaningful community impact through the arts.”

Challenge Match Campaign Aims to Fully Fund Production

As part of the sponsorship, USF Credit Union will provide a $5,000 Challenge Match Grant to encourage community participation and charitable giving. Production organizers say that once the matching goal is reached, Rainbow To Your Door will be fully funded.

Donations generated through the campaign will support expanded accessibility initiatives, educational programming, community outreach, and audience engagement efforts associated with the production.

“USF Credit Union is proud to support initiatives that enrich the communities we serve,” said Rick Skaggs, CEO of USF Credit Union. “Rainbow To Your Door reflects the power of culture, education, and the arts to inspire meaningful conversations and strengthen community connections.”

Production Scheduled for October 2026

Media relations and promotional efforts for the production are being coordinated by Fierce Entertainment.

Rainbow To Your Door is scheduled for Oct. 10–11, 2026, at the Timucua Arts Foundation in Orlando.

Additional information regarding ticket sales, sponsorship opportunities, and the community challenge campaign will be announced in the coming weeks.

Media Contact:
Rob Henlon
Fierce Entertainment
rob@alwaysfierce.com

For sponsorship information and production updates, visit Rainbow To Your Door.

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Central Florida News

FNN Honors Teen Reporter Isabella Schmitt as She Graduates and Pursues Communications Degree

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ORLANDO, Fla. (FNN) — Florida National News proudly celebrates Isabella Schmitt as she marks an important milestone with her high school graduation and prepares to begin an exciting new chapter pursuing Communications in college.

Over the years, Isabella has represented the next generation of young voices with professionalism, creativity, determination, and passion.

Through reporting opportunities, community involvement, and media experiences, she has continued to shine both on and off camera while inspiring others through her dedication and work ethic.

Jenny Rosario, Vice President of Florida National News, praised Isabella’s accomplishments and bright future ahead.

“Watching Isabella grow both personally and professionally has been truly inspiring,” Rosario said. “She represents the future of journalism, communications, and storytelling. Her passion, confidence, and commitment to making a positive impact through media are remarkable, and we are incredibly proud of all she has accomplished.”

Rosario added that Isabella’s decision to pursue Communications in college is a natural next step for someone with such strong talent and determination.

“The world of media and communications needs more young voices like Isabella’s,” Rosario said. “We know this is only the beginning of many great accomplishments to come.”

Florida National News congratulates Isabella Schmitt and the entire Class of 2026 on this exciting achievement.

“Keep dreaming big and telling stories that matter,” Rosario added.

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