Entertainment
Review: Michael B. Jordan delivers a brawler in ‘Creed III’
Published
4 years agoon
It must be a daunting prospect to pick up a franchise on the third movie. Add in the pressure of following filmmakers like Ryan Coogler and Steven Caple Jr. in your directorial debut that you’re also starring in and it’s enough to make you wonder what on earth Michael B. Jordan was thinking.
But “ Creed III,” in theaters nationwide Friday, is a new start for Adonis Creed. He’s finally out of the shadow of his father Apollo and Rocky Balboa, whose legacy loomed large over the first two films (Sylvester Stallone decided “Creed II” would be his last). With Rocky out of the way, and the younger Creed solidly in place as the best in the world, the franchise can breathe a little and grow.
Enter the Dame (not that kind of dame).
This one is in the form of Jonathan Majors, an old buddy from their teenage years in a group home in the early 2000s. Dame, or Damian Anderson, is a bit older than Creed. He’s the one who’s boxing in the underground matches at night. The young Creed (Thaddeus J. Mixon), a little awkward, a little too eager to please and a little too ready for trouble, is the one carrying water (and bags and gloves) and helping him strategize. There is a palpable menace established early on with these two — an unequal power and age dynamic, sure, but also the implication that Dame (Spence Moore II) is more than willing to play dirty. He carries a gun. He fixes games. And he has a hold on young Adonis. The flashback ends with a violent altercation outside a convenience store. Dame goes away. Creed becomes Creed.
This flashback is important but does get the film off to a bit of a slow start, jumping forward chronologically to Creed’s last fight and then to his present-day retirement life — a luxurious and tranquil existence in the Hollywood Hills in a modernist mansion with his daughter Amara (Mila Davis Kent) and wife Bianca (Tessa Thompson), who has given up singing mostly to produce hit records. Life is nice for the obscenely rich in LA: The clothes are expensive, the cars are price upon request, the house always spotless and the staff unseen (save for a chef in one scene). At the gym run by Duke (Wood Harris), he’s trying to mentor the next generation of champions.
Then Dame re-appears and the movies gets its urgency back. His old pal was locked up for 18 years after that incident and is freshly out of prison, wanting to pick up his life and his boxing aspirations where he left off. Creed is pleasant but guarded — for much of the film he acts like an aloof celebrity, hyper conscious of not letting anyone in too close and compartmentalizing the uglier aspects of his past. Still, he takes him out to lunch and offers to help him in any way he can. This is both the right thing to do and also a huge mistake.
“Creed III” is, among other things, about what happens when men don’t talk about their feelings (and ignore Duke’s advice).
At times, it also feels more like a thriller than a sports film as you watch Dame infiltrate Creed’s world. It’s always Creed’s idea, there’s always an invitation, but Dame’s sudden omnipresence starts to feel unavoidable and ominous. Dame has a bit of Eve Harrington in him, but also a very real, very relatable chip on his shoulder for the time he lost. In another movie, he could very well be the underdog we’re rooting for — some of the audience may be rooting for him even so.
Lurking behind everything is the madness that comes from not being able to do what you were born to do. It’s something athletes grapple with earlier than most other professionals. An injury at 23 could take you out when you’re just getting started and in this film Creed, Dame and Bianca are having similar existential crises — though Dame’s desperation is the driving force behind everything that happens.
Jordan and his filmmaking team craft two particularly stunning matches full of suspense, drama and slow motion sweat beads flying through the air. These are only lessened by the cheesy, unhelpful announcers spouting cliches and no actually helpful exposition or explanation outside the ring. And ultimately, it’s a promising debut for the 36-year-old, who shows here that he’ll never let his own star ego get in the way of a film: Majors steals the show, and Jordan is there to capture it.
There’s a comforting but predictable rhythm to a boxing franchise like Rocky and now Creed. The movies must keep justifying themselves, inventing new challenges that make them all feel different enough. But most essentially boil down to the same framework: You have to knock the champion down to a believable underdog again. While there is a case to be made for the final fight to, let’s just say, go a different way than it does, “Creed III” is still a knockout.
“Creed III,” an MGM release, is rated PG-13 by the Motion Picture Association for, “Violence, some strong language and intense sports action.” Running Time: 116 minutes. Three stars out of four. —- MPA Definition of PG-13: Parents strongly cautioned. Some material may be inappropriate for children under 13.
Entertainment
Tom Cruise Brings Hollywood Star Power to Daytona as ‘Days of Thunder’ Sequel Energizes NASCAR
Published
22 hours agoon
September 6, 2026Cruise’s Daytona appearance puts NASCAR in the global entertainment spotlight as Cole Trickle prepares to return to the track in 2028
DAYTONA BEACH, Fla. (FNN SPORTS) — Tom Cruise brought Hollywood star power to Daytona International Speedway, energizing the NASCAR garage and putting one of racing’s most recognizable movie characters back on the starting grid.
The global superstar’s appearance during the Coke Zero Sugar 400 weekend was more than a celebrity visit. Cruise came to Daytona to reconnect with NASCAR, meet today’s drivers and team owners, and introduce the next chapter of Days of Thunder, with Cruise returning as Cole Trickle and Anne Hathaway joining the franchise.
Florida National News was at Daytona capturing Cruise’s interaction with drivers, teams and fans as Hollywood and NASCAR came together at the World Center of Racing.
Cruise Brings Hollywood Star Power to Daytona
Cruise’s presence immediately became one of the biggest stories surrounding the NASCAR weekend.
The actor attended the pre-race drivers meeting and spent time with competitors and team owners as he learned more about how NASCAR has changed since the original Days of Thunder was released in 1990.
Cruise told NASCAR competitors that he wants the new movie to capture more than racing. His interest extends to the teams, people and culture surrounding the sport — an approach that could give NASCAR significant exposure beyond its traditional fan base.
For NASCAR, that star power matters.
Cruise is one of the world’s most recognizable movie stars, and a major theatrical production built around stock-car racing could introduce NASCAR’s drivers, teams and tracks to audiences who may rarely, if ever, watch a Cup Series race.
Tom Cruise and Anne Hathaway pose alongside a “Cole Trickle” Days of Thunder race car in a promotional image for Days of Thunder 2.
Photo Credit: Courtesy Photo: Tom Cruise’s X social media
‘Days of Thunder’ Returns for a New NASCAR Generation
Cruise will reprise his role as Cole Trickle, the fearless young driver at the center of the original movie.
Hathaway will co-star as a race-team owner and engineer. Jonathan Levine is set to direct from a screenplay by Will Staples, while Cruise, Jerry Bruckheimer and Tommy Harper are producing.
Paramount Pictures has scheduled the movie for June 2, 2028.
The sequel arrives nearly four decades after the original Days of Thunder brought NASCAR racing to movie theaters around the world.
The 1990 film starred Cruise alongside Robert Duvall, Nicole Kidman, Michael Rooker, Randy Quaid and Cary Elwes. Real NASCAR personalities were also incorporated into the production, establishing a connection between Hollywood fiction and the actual racing community.
Now Cruise is returning to a NASCAR that is dramatically different from the sport Cole Trickle entered in 1990.
NASCAR Drivers Already Want In
Cruise’s Daytona appearance also created another storyline: Which NASCAR stars will make it into the movie?
Three-time Cup Series champion Joey Logano, along with Chase Briscoe and Kyle Larson, has expressed interest in appearing in the sequel. Production is expected to begin in early 2027, leaving casting and potential NASCAR cameos among the major developments still ahead.
Their enthusiasm illustrates the cultural reach of the original film within NASCAR itself.
Many of today’s drivers grew up in an era when Days of Thunder had already become part of racing’s popular culture. Appearing alongside Cruise could now give a new generation of NASCAR competitors the opportunity once held by drivers who appeared in the original movie.
Dale Earnhardt Jr. Helps Connect Hollywood With Modern NASCAR
NASCAR’s involvement may extend well beyond cameos.
Dale Earnhardt Jr. has said he has been communicating with people developing the story, including discussions about how the movie can authentically portray today’s NASCAR while respecting what made the original memorable.
That input could prove valuable.
NASCAR has changed dramatically since 1990 — from its race cars and safety technology to team operations, media coverage and the way fans experience the sport. Capturing modern NASCAR while preserving the personality of the original movie will be one of the sequel’s central challenges.
Rick Hendrick Sees a Major Opportunity for NASCAR
Few people have a stronger connection to both chapters than legendary NASCAR team owner Rick Hendrick.
Hendrick Motorsports provided technical support for the original movie, beginning a relationship among Hendrick, Cruise and producer Jerry Bruckheimer that stretches back decades.
Hendrick believes the sequel could provide a significant boost for NASCAR, saying the movie could do the sport “a tremendous amount of good.”
That assessment gets to the larger significance of Cruise’s Daytona appearance.
A Days of Thunder sequel isn’t simply another Hollywood production using racing as a backdrop. If NASCAR teams, drivers and tracks become part of the production, the movie could function as a global showcase for the sport.
From ‘Top Gun’ to ‘Days of Thunder’
Cruise has already demonstrated the potential of revisiting a signature movie decades later.
Top Gun: Maverick introduced the Top Gun franchise to a new generation while bringing longtime fans back to theaters. There is no guarantee Days of Thunder will duplicate that success, but NASCAR offers many of the elements associated with Cruise’s biggest action films — speed, technology, competition, danger and spectacle.
The difference this time is that NASCAR itself could share the spotlight.
Cruise isn’t simply returning to the fictional world of Cole Trickle. He is immersing himself in the real NASCAR garage before cameras begin rolling.
Daytona Becomes the Starting Line
That makes Daytona an important part of the sequel’s developing story.
Daytona International Speedway represents generations of NASCAR history. Cruise’s decision to bring Days of Thunder back into that environment connected the original film, today’s NASCAR and Hollywood’s upcoming sequel in one place.
For longtime NASCAR fans, Cruise’s return revives memories of Cole Trickle.
For younger audiences, the new film could provide their first introduction to the character — and potentially their first meaningful exposure to NASCAR.
For the sport itself, the possibilities are considerably larger.
Cruise and Hathaway give the production international star power. NASCAR provides the speed, personalities, rivalries and authenticity. Daytona provided the stage where those worlds came together.
And NASCAR drivers are already lining up to become part of it.
What’s Next for ‘Days of Thunder’
Attention now turns toward production, which is expected to begin in early 2027. Additional casting, filming locations, participating NASCAR organizations and driver cameos remain among the biggest unanswered questions.
The finished movie is scheduled to arrive in theaters June 2, 2028.
Between now and then, NASCAR has an unusual opportunity: allow one of Hollywood’s biggest stars to take audiences behind the wheel and into the culture of American stock-car racing.
At Daytona, Cruise provided the first taste of what that combination could generate.
The thunder is coming back — and NASCAR could be one of its biggest stars.
Entertainment
Miss Utah’s Teen Elle Anderson Crowned Miss America’s Teen 2027
Published
22 hours agoon
September 6, 2026Anderson makes history as Utah’s first Miss America’s Teen winner, earning the national crown after preliminary wins in talent and evening wear
WEST PALM BEACH, Fla. (FNN) — Miss Utah’s Teen Elle Anderson was crowned Miss America’s Teen 2027 on Saturday, becoming the first representative from Utah to win the national title and the 21st young woman to wear the Miss America’s Teen crown.
Anderson emerged from a field of 52 state delegates representing all 50 states, the District of Columbia and Puerto Rico during the national competition in West Palm Beach.
Her victory follows preliminary awards in talent and evening wear. Anderson earned the talent recognition for her violin performance of “Czardas” by Vittorio Monti.
Elle Anderson Makes History for Utah
Anderson’s victory marks a milestone for the Miss Utah organization as its first Miss America’s Teen national title.
Beyond competition, Anderson has focused her platform on youth leadership, service and emergency preparedness.
Her Community Service Initiative, Every Beat Matters, was created in honor of her late brother and promotes teen-focused CPR training and emergency readiness.
The initiative centers on three principles — Confidence, Preparation and Rescue — with the goal of giving young people practical skills that could help save lives.
More Than $40,000 in Scholarships
Anderson has earned more than $40,000 in scholarships through the Miss America Opportunity.
She is enrolled at Brigham Young University, where she plans to study journalism and business. Anderson also plans to pursue law school.
Her combination of academic goals, community service and performing arts experience helped distinguish her throughout the national competition.
Anderson: ‘You Don’t Need a Crown to Be a Leader’
As Miss America’s Teen 2027, Anderson will serve as a national ambassador for the program, traveling and encouraging young women to pursue leadership and community service.
“I want every young person I meet this year to walk away knowing that their voice matters, their choices matter, and most importantly, they matter,” Anderson said in a statement.
“You don’t need a crown to be a leader. You don’t need a title to serve. You don’t need to wait for someone to tell you that you’re ready. You are ready,” she added.
Anderson said she wants to spend her year as Miss America’s Teen reinforcing that message to young women across the country.
Miss America’s Teen 2027 Top Five
Anderson secured the crown after advancing through multiple rounds of competition and reaching the Top 5.
Madalyn Sullivan of Mississippi was named first runner-up, followed by Zoe Zogleman of Texas as second runner-up, Natalia Yurecko of Minnesota as third runner-up and Logan Wells of South Carolina as fourth runner-up.
Semifinalists included Melony Tidmore of Georgia, Aria Christensen of Oregon, Tianna Lei Wailehua of Hawaii, Camdyn Lee of North Carolina, Lucille Esler of New York and Kendall Laroche of New Hampshire.
A New National Role Begins
With the crown, Anderson begins a yearlong national role representing Miss America’s Teen and promoting her Every Beat Matters initiative.
Her historic victory combines several elements of the Miss America Opportunity — scholarship, talent, service, education and leadership — while giving Utah its first Miss America’s Teen national title.
For Anderson, the crown also provides a national platform for a deeply personal mission: helping young people develop the confidence and preparation to respond when someone’s life may depend on them.
Entertainment
Miss Texas, Miss Utah and Miss New Jersey Win 2026 Miss America Preliminary Talent Awards
Published
2 days agoon
September 5, 2026Miss Texas, Miss Utah and Miss New Jersey earn Miss America talent honors as national competition heads into championship weekend
WEST PALM BEACH, Fla. (FNN) — The Miss America Organization announced the 2026 Miss America and Miss America’s Teen Kawai Pianos Preliminary Talent Award winners following the Miss America’s Got Talent competition at the Kravis Center for the Performing Arts in West Palm Beach.
The Sept. 3 competition showcased the talents of delegates competing for the Miss America and Miss America’s Teen titles, with performances spanning a range of artistic disciplines.
Miss America preliminary talent winners Miss Texas Regan Hutsell, Miss Utah Erika Dalton and Miss New Jersey Kylie Gene Wright celebrate after receiving Kawai Pianos Preliminary Talent Awards during the Miss America’s Got Talent competition in West Palm Beach, Florida. Source Miss America
Miss America Preliminary Talent Award Winners
Three Miss America delegates received Kawai Pianos Preliminary Talent Awards, with each winner earning a $3,000 scholarship:
- Miss Texas Regan Hutsell
- Miss Utah Erika Dalton
- Miss New Jersey Kylie Gene Wright
The awards recognize artistry, creativity, discipline and dedication demonstrated during the preliminary talent competition.
Miss America’s Teen preliminary talent winners Miss Utah’s Teen Elle Anderson, Miss Oregon’s Teen Aria Christensen and Miss New Hampshire’s Teen Kendall Laroche celebrate with their Kawai Pianos Preliminary Talent Awards during the national competition in West Palm Beach, Florida.
Miss America’s Teen Preliminary Talent Award Winners
Three Miss America’s Teen delegates also earned preliminary talent honors. Each receives a $1,500 scholarship:
- Miss Utah’s Teen Elle Anderson
- Miss Oregon’s Teen Aria Christensen
- Miss New Hampshire’s Teen Kendall Laroche
The six preliminary awards provide a combined $13,500 in scholarships.
Seven Judges Evaluate Miss America Talent Competition
The preliminary talent performances were evaluated by a seven-member judging panel representing entertainment and the performing arts.
Judges included Alida Michal, Brooklyn Mack, Jill Twiss, J. Harrison Ghee, Lora Drasner, Shelly Bramhall and Marisha Wallace.
The talent competition remains a central component of the Miss America program, giving delegates an opportunity to demonstrate performance ability while competing for scholarship awards.
Miss America Championship Weekend Continues in West Palm Beach
The national competition continues Saturday, Sept. 5, with the Miss America’s Teen Final at 7 p.m.
The Miss America Final follows Sunday, Sept. 6, at 7 p.m., when the organization is scheduled to crown the 99th Miss America.
Both events are being held at the Kravis Center for the Performing Arts in West Palm Beach as The Palm Beaches hosts the national competition.
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