Entertainment
Riz Ahmed, Leslie Odom Jr, Vanessa Kirby React to Oscar Nods
Published
5 years agoon
LOS ANGELES (AP) — Reactions from some of the nominees for the 93rd Academy Awards:
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“I leaned into Sam Cooke’s signature confidence and signature swagger to make this believable. There were plenty of places that I felt like I might not measure up. But in those moments, I would reach for Sam’s confidence, because he knew how to measure up. There were times, there were moments that it felt like bringing him so close helped me find some of that magic in myself.” — Leslie Odom Jr., nominated for best supporting actor for his role as Sam Cooke in “One Night in Miami,” in an interview.
“When you hear your own name it’s a weird feeling, I just quietly gave thanks and felt some gratitude … but when I heard (names of fellow nominees including Paul Raci and Darius Marder) I was punching the air and jumping up and down in my bed and screaming! Everybody on this film was doing it because they wanted to push themselves and go farther than they have before. This was all of us trying to see how far could we go.” — Riz Ahmed, nominated for best actor for “Sound of Metal,” in an interview.
“Wow Wa We Waa! Thank you to the Academy for this honor! I really can’t believe this — to hear my name in the company of these remarkable women and their breathtaking performances is a dream come true! I am so grateful to Sacha Baron Cohen and my “Borat” family and congratulations to them for their adapted screenplay nomination.” — Maria Bakalova, nominated for best supporting actress for “Borat,” in a statement.
“As a writer this is hard for me to say but I’m beginning to think the performance of the cast may have something to do with the quality of the film. Showing up for work in the morning I felt like I was getting tossed the keys to a Formula One race car and as long as I didn’t put the car in the wall, these actors were going to win.” — Aaron Sorkin, director and screenwriter of “The Trial of the Chicago 7,” nominated in six categories including best picture, in an interview.
“As we were doing it I became aware of how rarely we see birth onscreen, yet it’s such a universal human experience. For that alone to be seen, let alone the subject we put onscreen … I learned really early on that one in four pregnancies ends in miscarriage, yet it’s never spoken about. So if this recognition means that the film gets seen and conversations start in even a few homes, I think that’s everything we could have wanted. — Vanessa Kirby, nominated for best actress for ”Pieces of a Woman,” in an interview.
“I recognize that our film stands on the success of ‘Black Panther,’ (co-producer) Ryan Coogler’s film. We wouldn’t have gotten this film made without his participation.” — Shaka King, nominated for best picture and best original screenplay for the film “Judas and the Black Messiah,” in an interview. He directed, co-produced and co-wrote the film, which earned six nominations and is the first best picture nominee with an all-Black producing team.
“Oh, no, never, ever even dreamt about it. No, it was just other side of the world, that story. So not to me.” — Yuh-Jung Youn, nominated for best supporting actress for “Minari,” said in an interview after arriving in Vancouver, Canada, and beginning a quarantine period.
“To be part of this historic year for the Academy, alongside so many exceptionally gifted filmmakers means more than I can possibly describe, and I’m particularly proud to be nominated beside the amazing Chloé Zhao. There have been so many exceptional female filmmakers this year, making such beautiful, inspiring, challenging, varied work, that I am truly honored and grateful to be among their number. — Emerald Fennell, nominated for best director and best original screenplay for “Promising Young Woman,” which also received nods for best picture and best actress, in a statement.
“I’m grateful to have gone on this journey with our talented team of filmmakers and to have met so many wonderful people who generously shared their stories with us. Thank you so much to my academy peers for recognizing this film that is very close to my heart.” — Zhao, in a statement.
“It was a complete surprise. We were in the middle of talking about something else because we, of course, never, ever saw that coming and that created more sort of a sense of ecstasy and and the element of celebration escalated drastically. … It’s midday here and I’ve already had my share of champagne, bubbles are good to start with. It accelerates things. And yes, I’ll have some drinks tonight.” — Thomas Vinterberg on his nomination for best director for “Another Round,” which was also nominated for best international feature film, in an interview.
“There’s kind of a moment when you see your movie appear that you were hoping for it but there it is, and you can’t believe it, and its an incredibly satisfying rewarding thing. This is the first time I have directed a feature so any kind of acknowledgment is really a wonderful honor… (Late screenwriter) Audrey Wells wrote a story knowing she would not live to see this movie, she put her heart and soul into this to communicate a message that was perfect for the world at this time … I am still amazed that I was given the opportunity to direct it.” — Glen Keane, director of “Over the Moon,” nominated for best animated feature, in an interview.
“For Tunisia it’s a historical moment. Tunisians needed the good news. So it was the news of the day and I’m very happy. — Kaouther Ban Hania, director of best international feature nominee “The Man Who Sold His Skin.”
Central Florida News
FNN Honors Teen Reporter Isabella Schmitt as She Graduates and Pursues Communications Degree
Published
2 weeks agoon
May 15, 2026ORLANDO, Fla. (FNN) — Florida National News proudly celebrates Isabella Schmitt as she marks an important milestone with her high school graduation and prepares to begin an exciting new chapter pursuing Communications in college.
Over the years, Isabella has represented the next generation of young voices with professionalism, creativity, determination, and passion.
Through reporting opportunities, community involvement, and media experiences, she has continued to shine both on and off camera while inspiring others through her dedication and work ethic.
Jenny Rosario, Vice President of Florida National News, praised Isabella’s accomplishments and bright future ahead.
“Watching Isabella grow both personally and professionally has been truly inspiring,” Rosario said. “She represents the future of journalism, communications, and storytelling. Her passion, confidence, and commitment to making a positive impact through media are remarkable, and we are incredibly proud of all she has accomplished.”
Rosario added that Isabella’s decision to pursue Communications in college is a natural next step for someone with such strong talent and determination.
“The world of media and communications needs more young voices like Isabella’s,” Rosario said. “We know this is only the beginning of many great accomplishments to come.”
Florida National News congratulates Isabella Schmitt and the entire Class of 2026 on this exciting achievement.
“Keep dreaming big and telling stories that matter,” Rosario added.
Entertainment
How Orlando International Fashion Week Builds Confidence: A Belonging-Driven Casting Experience
Published
3 weeks agoon
May 9, 2026By Dr. Jessica Henlon | Education Contributor for Florida National News
At Orlando International Fashion Week (OIFW), the runway does not begin on show day. It begins at casting.
Over two weekends this April, OIFW welcomed hundreds of aspiring and experienced models to CityArts Gallery in Downtown Orlando for official casting calls ahead of the June 6 runway shows. What unfolded was more than an audition process. It was a carefully designed experience rooted in a powerful truth: when people feel seen, supported, and welcomed, they are more likely to show up with confidence.
From first-time participants to returning talent, families, creatives, and industry professionals, the casting experience reflected what makes OIFW different. It was not just about selecting models. It was about creating a space where people felt confident enough to try.
Belonging First, Performance Second
In educational psychology, belonging is not a soft concept. It is a driver of motivation, persistence, and self-efficacy. Research in postsecondary education has consistently linked students’ sense of belonging to academic outcomes, engagement, and persistence (Fong et al., 2024; Gopalan & Brady, 2020). While OIFW is not a classroom, the same human principles apply. People perform differently when they feel safe, valued, and connected.
This also aligns with my doctoral research on online first-generation college students. In that study, participants described virtual extracurricular activities as affirming spaces that supported leadership development, motivation, self-efficacy, and belonging (Henlon, 2025). The findings affirmed that engagement spaces are not “extra.” They can be essential to how people build identity, confidence, and persistence.
OIFW reflects this same principle in a creative industry setting. People come back because of how they are treated.
Designing a Confidence-Building Experience
The atmosphere inside CityArts Gallery was intentional.
Models of all ages and backgrounds moved through the casting process in a space that felt structured, supportive, and human. Team members gave clear direction, answered questions, and offered encouragement in real time. Families felt comfortable. First-time participants felt included. Returning models felt valued.
Those details matter.
Social Cognitive Theory suggests that individuals build confidence through observation, encouragement, and successful participation in meaningful environments (Bandura, 1986). When a model sees others walk, receive feedback, and try again, the room becomes a learning space. Confidence is not simply demanded. It is modeled, practiced, and reinforced.
That approach also connects to the modeling and fashion curriculum I developed for youth and emerging talent, where self-esteem, work ethic, body language, preparation, and reflection were built directly into the learning experience. The curriculum framed self-esteem as confidence in one’s own worth and abilities, while encouraging participants to celebrate success, develop talents, practice positive self-talk, and treat themselves well. That same foundation was visible at casting: confidence grows when people are given structure, encouragement, and room to develop.
A Creative Ecosystem in Motion
Casting weekends brought together more than models.
Photographers, videographers, designers, media professionals, artists, families, and community members shared the same creative space. More than 20 photographers and videographers were present capturing content, building portfolios, and documenting the energy of the experience. Florida National News was also on-site, conducting interviews and helping tell the story of the event.
This kind of creative ecosystem matters because learning and confidence often grow through participation, not observation alone. Research on connected arts learning emphasizes the importance of linking creative practice to supportive relationships, cultural relevance, and opportunity pathways (Peppler et al., 2022). In other words, creative spaces become more powerful when they connect people to each other and to what comes next.
At OIFW, casting is not hidden behind closed doors. It is visible, collaborative, and alive. This is where relationships are built.
Inclusion as Strategy, Not Statement
OIFW continues to prioritize an inclusive casting approach that welcomes models across ages, sizes, backgrounds, and experience levels. This is more than a value statement. It is part of the structure.
Research on organized activities shows that participation in supportive group settings can help young people build social capital, strengthen relationships, and develop confidence through meaningful interaction (Boat et al., 2024). Similarly, studies of extracurricular activities have found that participation can strengthen self-efficacy, identity, and skill development when activities are structured with purpose and support (Griffiths et al., 2021).
That is why inclusive casting matters. When a young person, a first-time model, or a returning participant sees a range of people welcomed into the process, the message is clear: there is room for you here.
For families, this creates trust.
For designers, it creates range.
For sponsors and media, it tells a deeper story.
For participants, it builds confidence.
Safety, Structure, and Trust
With a strong presence of youth participants, OIFW maintains clear expectations around professionalism, age-appropriate presentation, and safety. Families can trust that the environment is monitored, structured, and designed with care.
That trust is part of why participants return season after season.
In youth development research, positive experiences in organized activities are strongest when young people experience supportive relationships, clear expectations, and opportunities to build skills (Boat et al., 2024; Heath et al., 2022). OIFW’s casting model reflects that kind of intentional design. The goal is not only to prepare people for the runway. It is to help them feel prepared to step into the room.
More Than a Casting Call
What happened over these two weekends was not only about who made the runway.
It was about creating a space where people felt confident enough to try, supported enough to grow, and inspired enough to return. It was about helping participants move from nervousness to possibility. It was about making sure that the first step toward the runway felt welcoming, not intimidating.
Creative participation can support well-being, identity development, and self-expression, especially when the environment is inclusive and relational (Mak & Fancourt, 2019; Peppler et al., 2022). OIFW’s casting experience shows how arts and fashion spaces can function as confidence-building environments when they are designed with care.
That is the OIFW difference.
Confidence is not built through pressure alone. It is built through belonging, visibility, preparation, and meaningful interaction.
Looking Ahead
Orlando International Fashion Week continues to build toward its summer season:
May 16, 2026: Avant Garde Showcase at Orlando Fringe Festival
June 5, 2026: VIP Mixer at Morse Code Lounge
June 6, 2026: “626 Euphoria” Runway Shows at Winter Park Events Center
Tickets are available at www.OIFW.org.
Entertainment
160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience
Published
1 month agoon
April 15, 2026By
Willie DavidDAYTONA BEACH, Fla. (FNN) — Music set times have been released for the 15th anniversary of Welcome To Rockville, Florida’s largest rock, metal and punk festival, set for May 7–10, 2026 at Daytona International Speedway.
Produced by Danny Wimmer Presents, the four-day event will feature more than 160 bands performing across five stages, marking the festival’s largest lineup to date.
HEADLINERS AND DAILY LINEUP
This year’s festival will be headlined by Foo Fighters, My Chemical Romance, Guns N’ Roses and Bring Me The Horizon.
- Thursday, May 7: Guns N’ Roses, Five Finger Death Punch, Godsmack, Staind
- Friday, May 8: Foo Fighters, Turnstile, The Offspring, Parkway Drive
- Saturday, May 9: Bring Me The Horizon, Breaking Benjamin, Motionless in White, Lamb of God
- Sunday, May 10: My Chemical Romance, A Day To Remember, Rise Against, Yellowcard
FESTIVAL EXPANSION AND NEW FEATURES
Organizers announced several enhancements for 2026 aimed at improving the fan experience. A new “Pit Stop” fan zone near the Apex Stage will feature artist interviews, special performances and interactive experiences.
In addition, the Garage Stage will be fully tented for the first time, offering expanded shade coverage and upgraded production for attendees.
SPECIAL EVENTS AND EXPERIENCES
Festivalgoers can kick off the week with a pre-party on May 6 featuring performances by Fuel, Local H and others.
A new crossover event, “Blood4Blood,” will also take place at the Ocean Center, combining live music with bare-knuckle fighting, including a headline bout featuring Alex Terrible of Slaughter to Prevail.
TICKETS, ACCESS AND ATTENDANCE
Festival gates will open daily at 11:30 a.m. Organizers are offering a range of ticket options, including single-day, weekend, VIP and camping packages. A new Camp to Coast shuttle will provide transportation between the speedway and nearby beaches.
With expanded attractions, including rides, themed bars and interactive zones, Welcome To Rockville 2026 is expected to draw tens of thousands of fans to Daytona Beach, reinforcing its role as a major driver of Florida’s tourism and live entertainment economy.