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Tom Sizemore, ‘Saving Private Ryan’ actor, dies at 61

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BURBANK, Calif. (AP) — Tom Sizemore, the “Saving Private Ryan” actor whose bright 1990s star burned out under the weight of his own domestic violence and drug convictions, died Friday at age 61.

The actor had suffered a brain aneurysm on Feb. 18 at his home in Los Angeles. He died in his sleep Friday at a hospital in Burbank, California, his manager Charles Lago said.

Sizemore became a star with acclaimed appearances in “Natural Born Killers” and the cult-classic crime thriller “Heat.” But serious substance dependency, abuse allegations and multiple run-ins with the law devastated his career, left him homeless and sent him to jail.

As the global #MeToo movement wave crested in late 2017, Sizemore was also accused of groping an 11-year-old Utah girl on set in 2003. He called the allegations “highly disturbing,” saying he would never inappropriately touch a child. Charges were not filed.

Despite the raft of legal trouble, Sizemore had scores of steady film and television credits — though his career never regained its onetime momentum. Aside from “Black Hawk Down” and “Pearl Harbor,” most of his 21st century roles came in low-budget, little-seen productions where he continued to play the gruff, tough guys he became famous for portraying.

“I was a guy who’d come from very little and risen to the top. I’d had the multimillion-dollar house, the Porsche, the restaurant I partially owned with Robert De Niro,” the Detroit-born Sizemore wrote in his 2013 memoir, “By Some Miracle I Made It Out of There.” “And now I had absolutely nothing.”

The book’s title was taken from a line uttered by his character in “Saving Private Ryan,” a role for which he garnered Oscar buzz. But he wrote that success turned him into a “spoiled movie star,” an “arrogant fool” and eventually “a hope-to-die addict.”

FILE - Actor Tom Sizemore salutes in honor of Memorial Day, a day early, at the Mexican-American All Wars Memorial in Los Angeles, Sunday, May, 29, 2011. Sizemore, the “Saving Private Ryan” actor whose bright 1990s star burned out under the weight of his own domestic violence and drug convictions, died Friday, March 3, 2023, at age 61. (AP Photo/Nick Ut, File)

Sizemore at a Memorial Day celebration in 2011. (AP Photo/Nick Ut

He racked up a string of domestic violence arrests. Sizemore was married once, to actor Maeve Quinlan, and was arrested on suspicion of beating her in 1997. While the charges were dropped, the couple divorced in 1999.

Sizemore was convicted of abusing ex-girlfriend Heidi Fleiss in 2003 — the same year he pleaded no contest and avoided trial in a separate abuse case — and sentenced to jail. The former Hollywood madam testified that he had punched her in the jaw at a Beverly Hills hotel, and beaten her in New York to the point where they couldn’t attend the “Black Hawk Down” premiere.

The sentencing judge said drug abuse was likely a catalyst but that testimony had revealed a man who had deep problems dealing with women. Fleiss called Sizemore “a zero” in a conversation with The Associated Press after his conviction.

Sizemore apologized in a letter, saying he was “chastened” and that “personal demons” had taken over his life, though he later denied abusing her and accused her of faking a picture showing her bruises.

Fleiss also sued Sizemore, saying she suffered emotional distress after he threatened to get her own probation revoked. Fleiss had been convicted in 1994 of running a high-priced call-girl ring. That lawsuit was settled on undisclosed terms.

Sizemore was the subject of two workplace sexual harassment lawsuits related to the 2002 CBS show “Robbery Homicide Division,” in which he played a police detective. He was arrested as recently as 2016 in another domestic violence case.

Sizemore ended up jailed from August 2007 to January 2009 for failing numerous drug tests while on probation and after Bakersfield, California, authorities found methamphetamine in his car.

“God’s trying to tell me he doesn’t want me using drugs because every time I use them I get caught,” Sizemore told The Bakersfield Californian in a jailhouse interview.

FILE - Tom Sizemore poses for a portrait at The Collective and Gibson Lounge Powered by CEG, during the Sundance Film Festival, on Friday, Jan. 17, 2014, in Park City, Utah. Sizemore, the “Saving Private Ryan” actor whose bright 1990s star burned out under the weight of his own domestic violence and drug convictions, died Friday, March 3, 2023, at age 61. (Photo by Victoria Will/Invision/AP, File)

Sizemore at the Sundance Film Festival in 2014. (Photo by Victoria Will/Invision/AP,)

Sizemore told the AP in 2013 that he believed his dependency was related to the trappings of success. He struggled to maintain his emotional composure as he described a low point looking in the mirror: “I looked like I was 100 years old. I had no relationship with my kids; I had no work to speak off. I was living in squat.”

He appeared on the reality TV show “Celebrity Rehab” and its spinoff “Sober House,” telling the AP that he did the shows to receive help, but also partly to pay off accumulated debts that ran into the millions.

Many of Sizemore’s later-career films had a sci-fi, horror or action bent: In 2022 alone, he starred in movies with such titles as “Impuratus,” “Night of the Tommyknockers” and “Vampfather.” But Sizemore still nabbed a few meaty roles — including in the “Twin Peaks” revival — and guest spots on popular shows like “Entourage” and “Hawaii Five-O.”

A stuntman sued Sizemore and Paramount Pictures in 2016, saying he was injured when the allegedly intoxicated actor ran him over while filming USA’s “Shooter.” State records obtained by the AP showed that Sizemore was only supposed to be sitting in the unmoving car and that he “improvised at the end of the scene and drove away in his car.” Sizemore was fired from “Shooter” and the stuntman’s lawsuit was settled on undisclosed terms.

In addition to his film and TV credits, he was part of the voice cast for 2002′s “Grand Theft Auto: Vice City” video game. He also taught classes at the LA West Acting Studio, according to recent advertisements.

He is survived by his 17-year-old twin sons, Jayden and Jagger, and his brother Paul, all of whom were by his side when he died.

“I’ve led an interesting life, but I can’t tell you what I’d give to be the guy you didn’t know anything about,” Sizemore wrote in his memoir.

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Entertainment

‘SPAMALOT’ Joins Dr. Phillips Center’s 2026-27 Broadway in Orlando Season

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Tony Award-winning musical will play Walt Disney Theater Nov. 3-5, 2026

ORLANDO, Fla. (FNN NEWS) — Dr. Phillips Center for the Performing Arts is expanding its 2026-27 Broadway in Orlando season with the addition of SPAMALOT, the Tony Award-winning Best Musical, scheduled for Nov. 3-5, 2026, at Walt Disney Theater.

Inspired by the classic comedy Monty Python and the Holy Grail, SPAMALOT brings Monty Python’s distinctly British humor to the stage through a comedic adventure following King Arthur and his quest for the Holy Grail.

The production comes to Orlando following a celebrated 2023 Broadway revival at the St. James Theatre, directed and choreographed by Josh Rhodes.

Monty Python Comedy Comes to Orlando

Described as “lovingly ripped” from Monty Python and the Holy Grail, the musical features British royalty, flying cows, dancing girls, shrubbery and the Lady of the Lake.

The 14-time Tony Award-nominated musical features well-known numbers including “Always Look on the Bright Side of Life,” “The Song That Goes Like This” and “Find Your Grail.”

SPAMALOT features a book and lyrics by Eric Idle, with music by John Du Prez and Idle.

Cast Announced for Orlando Production

The cast features Major Attaway, whose credits include Aladdin, as King Arthur; Sean Bell (Harmony) as Sir Robin; Chris Collins-Pisano (Forbidden Broadway) as Sir Lancelot; Ellis C. Dawson III (Hamilton) as Sir Bedevere; Leo Roberts (Les Misérables) as Sir Galahad; Amanda Robles as the Lady of the Lake; Blake Segal (Mary Poppins) as Patsy; and Steven Telsey (The Book of Mormon) as the Historian and Prince Herbert.

The company also includes Lindsay Lee Alhady, Delaney Benson, Jack Brewer, Connor Coughlin, L’ogan J’ones, Graham Keen, Claire Kennard, Ben Lanham, Nathaniel Mahone, Maddie Mossner, Emilie Renier, Mark Tran Russ and Meridien Terrell.

Creative Team

The production’s creative team includes scenic and projection designer Paul Tate dePoo III, costume designer Jen Caprio, lighting designer Cory Pattak, sound designers Kai Harada and Haley Parcher, and wig designer Tom Watson.

John Bell serves as music supervisor, with Jonathan Gorst as musical director and conductor.

Derek Kolluri is associate director, Michael Fatica is associate choreographer and casting is by Geoff Josselson, CSA. RCI Theatricals serves as general manager, and Jeffrey Finn is the producer.

Tickets on Sale Now

Single tickets for SPAMALOT are on sale now through Dr. Phillips Center.

Performances: Nov. 3-5, 2026
Venue: Walt Disney Theater at Dr. Phillips Center for the Performing Arts
Location: Orlando, Florida

Tickets and additional information are available through the Dr. Phillips Center website.

 

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Central Florida News

Dr. Phillips Center Generates $227.6 Million Annual Economic Impact, Supports Nearly 2,500 Central Florida Jobs

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ORLANDO, Fla. (FNN NEWS) — The Dr. Phillips Center for the Performing Arts generated $227.6 million in annual economic impact, supporting 2,483 jobs and producing $13.2 million in state and local tax revenue, according to a newly released independent study by Tourism Economics.

The analysis, conducted by Tourism Economics, an Oxford Economics company specializing in economic impact and tourism research, measured the direct, indirect and induced economic activity generated by the arts center’s operations, performances, visitors and related spending throughout Central Florida.

The findings underscore the Dr. Phillips Center’s role as both a premier performing arts destination and a major contributor to the region’s economy.

“For more than a decade, we’ve seen firsthand how the arts inspire people, bring communities together and create lasting value,” said Kathy Ramsberger, president and CEO of Dr. Phillips Center for the Performing Arts. “This study confirms that our impact reaches far beyond our stages—supporting thousands of jobs, driving business growth, attracting visitors from around the world and helping position Central Florida as a more vibrant, competitive and connected region.”

Economic Impact by the Numbers

According to the Tourism Economics report, the Dr. Phillips Center generated:

  • $227.6 million in annual economic output
  • 2,483 jobs supported across Central Florida
  • $70.8 million in total labor income in Orange County
  • $13.2 million in state and local tax revenue
  • $73.1 million in off-site spending by event attendees, performers and production crews
  • 61,600 hotel room nights generated annually

The study highlights the ripple effect created by visitors attending performances, benefiting nearby hotels, restaurants, retailers and other local businesses.

A Global Destination for Arts and Entertainment

Now in its 11th year, the Dr. Phillips Center welcomes more than 910,000 guests annually, attracting visitors from all 50 states and more than 80 countries.

Since opening in 2014, the venue has hosted:

  • More than 6.2 million guests
  • More than 6,200 performances and events
  • Programming presented 99% of the year
  • Venue occupancy rates ranging from 82% to 97%

The center has become one of the world’s busiest performing arts destinations while helping position downtown Orlando as a leading hub for arts, culture and entertainment.

Community Investment Beyond the Stage

In addition to its economic impact, the Dr. Phillips Center continues investing in arts education, community outreach and cultural programming throughout Central Florida.

According to the organization, it has:

  • Served 935,920 students and community participants
  • Supported and hosted 202 regional arts organizations
  • Received support from 24,085 donors
  • Benefited from $256 million in philanthropic contributions since its inception

Through partnerships with schools, nonprofit organizations, community groups and touring productions, the center continues to expand access to the performing arts while strengthening the region’s cultural and economic vitality.

Looking Ahead

Eleven years after opening, the Dr. Phillips Center continues to demonstrate that investment in arts and culture produces measurable returns through tourism, employment, education and community engagement.

As Central Florida continues to grow, the independent analysis reinforces the performing arts center’s importance as both a cultural landmark and an economic engine for the region.

Additional information about the economic impact study is available through the Dr. Phillips Center for the Performing Arts.

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Entertainment

Blue Man Group Orlando Launches $25 Kids Ticket Offer at ICON Park Through Dec. 31

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ORLANDO, Fla. (FNN NEWS) — Families can enjoy Blue Man Group Orlando for less this summer and fall thanks to a new ticket promotion that allows children to attend performances for $25 with the purchase of a full-priced adult ticket.

The limited-time offer is available for online purchases through Dec. 31, 2026, making one of Orlando’s newest live entertainment attractions more affordable for families.

Special Kids Ticket Offer

Under the promotion, guests who purchase a full-priced adult ticket may purchase a children’s ticket for $25.

The offer is valid for performances:

  • Monday through Thursday
  • Fridays at 5 p.m.

The promotion is not valid for:

  • Saturday performances
  • Sunday performances
  • Fridays at 8 p.m.

New Orlando Production at ICON Park

Blue Man Group opened its new resident production at ICON Park in May inside a custom-built theater located along Orlando’s International Drive entertainment district.

The production blends music, comedy, technology and audience participation, while featuring many of the signature moments fans expect from Blue Man Group alongside new material created exclusively for the Orlando production.

Global Entertainment Phenomenon

Since debuting in 1991 at New York’s Astor Place Theatre, Blue Man Group has entertained more than 50 million people worldwide through resident productions and international tours.

The show continues to expand with performances in Orlando, Las Vegas, touring productions across North America and an upcoming tour in Japan.

Blue Man Group is owned and operated by Cirque du Soleil Entertainment Group.

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