Entertainment
What Now? Facing Life Without the Entertainment World
Published
6 years agoon
NEW YORK (AP) — Overheard as the entertainment world stalled in response to the coronavirus outbreak: “What are we gonna do now, read books?”
That’s exactly what Pamela Milam will be doing, and lots of them.
Milam is a selection reader for the Women’s National Book Association, a nonprofit established in 1917 to support, well, reading. She and her colleagues began a marathon this month to make it through as many as 100 books each as they help develop the organization’s annual Great Group Reads list for National Reading Group Month in October.
She’s also an avid theater goer. She lives in the heart of Times Square and goes to the theater about once a week, but when Broadway and many other entertainments canceled, cut back seating or postponed performances last week, Milam knew exactly how she’d fill the extra time.
“I’m happy snug on my couch. I’ll do my best to make the most of that,” she said.
Many concert tours, awards shows, festivals, museums, sporting events and more have shut down to help “flatten the curve” as the virus spreads around the globe. Bans on big and medium-size gatherings are proliferating, prompting more people to hunker down at home.
“We’re catching up on our reading. I just started `Love in the Time of Cholera.′ It seemed appropriate,” said Beverly Pfeiffer in Silver Spring, Maryland, of the Gabriel Garcia Marquez classic that, spoiler alert, doesn’t actually involve cholera.
Other people are working more, especially now that they’re doing it from home.
Some have upped their kitchen game by taking on fussy recipes and baking projects.
One company that offers online courses has seen a huge jump in business, as has another that sells digital photo scanning services.
Interior designer Genevieve Gorder, co-host of the Netflix series “Stay Here,” asked followers on Instagram to share home improvement goals that had been lingering at the bottom of to-do lists. Cleaning blinds, a basement sort-out and deck repairs are now on front burners.
Nicole Schaefer in Portland, Oregon, is usually out doing something. Now, she almost feels guilty about all the free time. Almost.
“I feel like now I have time to relax, if that makes sense. With my evenings freed up, I’m learning to make my own macarons. I’m making a present for my boyfriend. I’m knitting. I’m exercising as long as I want to. There’s so many things to do without concerts and plays and shows to go to,” she said.
There’s binge-watching galore, of course, and devotees of opera and art are being treated to special live streams and virtual tours. Museums have joined a social media movement started by the Museum of the City of New York to offer art and other imagery using the hashtag #MuseumMomentofZen.
Melanie Musson isn’t focused on any of that, and social distancing shouldn’t be a problem. She and her husband, along with their four children, love to spend time in the mountains surrounding their Belgrade, Montana, home.
“I have so many plans that I’m actually looking forward to being forced out of social gatherings,” she said. “We plan to spend time outdoors camping, hiking and fishing. The sunshine and exercise will help us be as healthy as we can be.”
While Musson and others head outdoors, some folks who are shunning or shut out of their exercise classes are working out new routines at home.
Linda Johnson Mandell in Los Angeles is going another route with her giant white Labradoodle, Frankie Feldman. The 5-year-old fur ball is a therapy dog who routinely visits patients at care centers. With new restrictions, those visits are on hold.
“So instead we’re staying home, brushing up on obedience, and I’m teaching him some new tricks to amuse folks when the quarantines are lifted,” Mandell said.
Cynthia Shaw in Brooklyn is a classical pianist and piano teacher who regularly gathers with students and friends who play for each other. Since many in their group of eight or so are older, including some in their 80s, they’re giving up their monthly home gatherings for now, but played Sunday using a video conferencing platform instead.
“Some of the older members had a hard time figuring it out, but they did,” she said. “I had my computer set up next to the piano. I played the first movement of a Beethoven sonata. People played Chopin. There was some Gershwin. I think we’ll do it again.”
Elsewhere, the TV binge is definitely on with some new gems on offer.
The Walt Disney Co. will release “Frozen 2” on Disney-Plus several months early to give families cooped up by the coronavirus a welcome distraction, and give its streaming service a boost.
For documentary lovers, Netflix is rolling out new features and series from acclaimed creators, including “The Innocence Files” by Liz Garbus, Alex Gibney and Roger Ross Williams; “Jeffrey Epstein: Filthy Rich” by Lisa Bryant and Joe Berlinger; and “David Attenborough: A Life on Our Planet.”
“We subscribe to nearly every streaming service, or so it seems. I’m hoping to find some gold in there,” said Julie Crislip in Pennington, New Jersey.
For most people, the new coronavirus causes only mild or moderate symptoms, such as fever and cough. For some, especially older adults and people with existing health problems, it can cause more severe illness, including pneumonia. The vast majority of people recover.
Psychotherapist Jeff Larsen in San Diego has a plan, for himself and his clients.
“It’s all about slowing down,” he said. “So absolutely pick up that book that’s been gathering dust, watch that movie or binge-watch that TV show that you haven’t had time to watch. Most importantly, it’s the mindset that we, as humans, need to have going into this time period. It’s always a good thing when we can slow down and simplify our lives.”
Central Florida News
FNN Honors Teen Reporter Isabella Schmitt as She Graduates and Pursues Communications Degree
Published
2 weeks agoon
May 15, 2026ORLANDO, Fla. (FNN) — Florida National News proudly celebrates Isabella Schmitt as she marks an important milestone with her high school graduation and prepares to begin an exciting new chapter pursuing Communications in college.
Over the years, Isabella has represented the next generation of young voices with professionalism, creativity, determination, and passion.
Through reporting opportunities, community involvement, and media experiences, she has continued to shine both on and off camera while inspiring others through her dedication and work ethic.
Jenny Rosario, Vice President of Florida National News, praised Isabella’s accomplishments and bright future ahead.
“Watching Isabella grow both personally and professionally has been truly inspiring,” Rosario said. “She represents the future of journalism, communications, and storytelling. Her passion, confidence, and commitment to making a positive impact through media are remarkable, and we are incredibly proud of all she has accomplished.”
Rosario added that Isabella’s decision to pursue Communications in college is a natural next step for someone with such strong talent and determination.
“The world of media and communications needs more young voices like Isabella’s,” Rosario said. “We know this is only the beginning of many great accomplishments to come.”
Florida National News congratulates Isabella Schmitt and the entire Class of 2026 on this exciting achievement.
“Keep dreaming big and telling stories that matter,” Rosario added.
Entertainment
How Orlando International Fashion Week Builds Confidence: A Belonging-Driven Casting Experience
Published
3 weeks agoon
May 9, 2026By Dr. Jessica Henlon | Education Contributor for Florida National News
At Orlando International Fashion Week (OIFW), the runway does not begin on show day. It begins at casting.
Over two weekends this April, OIFW welcomed hundreds of aspiring and experienced models to CityArts Gallery in Downtown Orlando for official casting calls ahead of the June 6 runway shows. What unfolded was more than an audition process. It was a carefully designed experience rooted in a powerful truth: when people feel seen, supported, and welcomed, they are more likely to show up with confidence.
From first-time participants to returning talent, families, creatives, and industry professionals, the casting experience reflected what makes OIFW different. It was not just about selecting models. It was about creating a space where people felt confident enough to try.
Belonging First, Performance Second
In educational psychology, belonging is not a soft concept. It is a driver of motivation, persistence, and self-efficacy. Research in postsecondary education has consistently linked students’ sense of belonging to academic outcomes, engagement, and persistence (Fong et al., 2024; Gopalan & Brady, 2020). While OIFW is not a classroom, the same human principles apply. People perform differently when they feel safe, valued, and connected.
This also aligns with my doctoral research on online first-generation college students. In that study, participants described virtual extracurricular activities as affirming spaces that supported leadership development, motivation, self-efficacy, and belonging (Henlon, 2025). The findings affirmed that engagement spaces are not “extra.” They can be essential to how people build identity, confidence, and persistence.
OIFW reflects this same principle in a creative industry setting. People come back because of how they are treated.
Designing a Confidence-Building Experience
The atmosphere inside CityArts Gallery was intentional.
Models of all ages and backgrounds moved through the casting process in a space that felt structured, supportive, and human. Team members gave clear direction, answered questions, and offered encouragement in real time. Families felt comfortable. First-time participants felt included. Returning models felt valued.
Those details matter.
Social Cognitive Theory suggests that individuals build confidence through observation, encouragement, and successful participation in meaningful environments (Bandura, 1986). When a model sees others walk, receive feedback, and try again, the room becomes a learning space. Confidence is not simply demanded. It is modeled, practiced, and reinforced.
That approach also connects to the modeling and fashion curriculum I developed for youth and emerging talent, where self-esteem, work ethic, body language, preparation, and reflection were built directly into the learning experience. The curriculum framed self-esteem as confidence in one’s own worth and abilities, while encouraging participants to celebrate success, develop talents, practice positive self-talk, and treat themselves well. That same foundation was visible at casting: confidence grows when people are given structure, encouragement, and room to develop.
A Creative Ecosystem in Motion
Casting weekends brought together more than models.
Photographers, videographers, designers, media professionals, artists, families, and community members shared the same creative space. More than 20 photographers and videographers were present capturing content, building portfolios, and documenting the energy of the experience. Florida National News was also on-site, conducting interviews and helping tell the story of the event.
This kind of creative ecosystem matters because learning and confidence often grow through participation, not observation alone. Research on connected arts learning emphasizes the importance of linking creative practice to supportive relationships, cultural relevance, and opportunity pathways (Peppler et al., 2022). In other words, creative spaces become more powerful when they connect people to each other and to what comes next.
At OIFW, casting is not hidden behind closed doors. It is visible, collaborative, and alive. This is where relationships are built.
Inclusion as Strategy, Not Statement
OIFW continues to prioritize an inclusive casting approach that welcomes models across ages, sizes, backgrounds, and experience levels. This is more than a value statement. It is part of the structure.
Research on organized activities shows that participation in supportive group settings can help young people build social capital, strengthen relationships, and develop confidence through meaningful interaction (Boat et al., 2024). Similarly, studies of extracurricular activities have found that participation can strengthen self-efficacy, identity, and skill development when activities are structured with purpose and support (Griffiths et al., 2021).
That is why inclusive casting matters. When a young person, a first-time model, or a returning participant sees a range of people welcomed into the process, the message is clear: there is room for you here.
For families, this creates trust.
For designers, it creates range.
For sponsors and media, it tells a deeper story.
For participants, it builds confidence.
Safety, Structure, and Trust
With a strong presence of youth participants, OIFW maintains clear expectations around professionalism, age-appropriate presentation, and safety. Families can trust that the environment is monitored, structured, and designed with care.
That trust is part of why participants return season after season.
In youth development research, positive experiences in organized activities are strongest when young people experience supportive relationships, clear expectations, and opportunities to build skills (Boat et al., 2024; Heath et al., 2022). OIFW’s casting model reflects that kind of intentional design. The goal is not only to prepare people for the runway. It is to help them feel prepared to step into the room.
More Than a Casting Call
What happened over these two weekends was not only about who made the runway.
It was about creating a space where people felt confident enough to try, supported enough to grow, and inspired enough to return. It was about helping participants move from nervousness to possibility. It was about making sure that the first step toward the runway felt welcoming, not intimidating.
Creative participation can support well-being, identity development, and self-expression, especially when the environment is inclusive and relational (Mak & Fancourt, 2019; Peppler et al., 2022). OIFW’s casting experience shows how arts and fashion spaces can function as confidence-building environments when they are designed with care.
That is the OIFW difference.
Confidence is not built through pressure alone. It is built through belonging, visibility, preparation, and meaningful interaction.
Looking Ahead
Orlando International Fashion Week continues to build toward its summer season:
May 16, 2026: Avant Garde Showcase at Orlando Fringe Festival
June 5, 2026: VIP Mixer at Morse Code Lounge
June 6, 2026: “626 Euphoria” Runway Shows at Winter Park Events Center
Tickets are available at www.OIFW.org.
Entertainment
160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience
Published
1 month agoon
April 15, 2026By
Willie DavidDAYTONA BEACH, Fla. (FNN) — Music set times have been released for the 15th anniversary of Welcome To Rockville, Florida’s largest rock, metal and punk festival, set for May 7–10, 2026 at Daytona International Speedway.
Produced by Danny Wimmer Presents, the four-day event will feature more than 160 bands performing across five stages, marking the festival’s largest lineup to date.
HEADLINERS AND DAILY LINEUP
This year’s festival will be headlined by Foo Fighters, My Chemical Romance, Guns N’ Roses and Bring Me The Horizon.
- Thursday, May 7: Guns N’ Roses, Five Finger Death Punch, Godsmack, Staind
- Friday, May 8: Foo Fighters, Turnstile, The Offspring, Parkway Drive
- Saturday, May 9: Bring Me The Horizon, Breaking Benjamin, Motionless in White, Lamb of God
- Sunday, May 10: My Chemical Romance, A Day To Remember, Rise Against, Yellowcard
FESTIVAL EXPANSION AND NEW FEATURES
Organizers announced several enhancements for 2026 aimed at improving the fan experience. A new “Pit Stop” fan zone near the Apex Stage will feature artist interviews, special performances and interactive experiences.
In addition, the Garage Stage will be fully tented for the first time, offering expanded shade coverage and upgraded production for attendees.
SPECIAL EVENTS AND EXPERIENCES
Festivalgoers can kick off the week with a pre-party on May 6 featuring performances by Fuel, Local H and others.
A new crossover event, “Blood4Blood,” will also take place at the Ocean Center, combining live music with bare-knuckle fighting, including a headline bout featuring Alex Terrible of Slaughter to Prevail.
TICKETS, ACCESS AND ATTENDANCE
Festival gates will open daily at 11:30 a.m. Organizers are offering a range of ticket options, including single-day, weekend, VIP and camping packages. A new Camp to Coast shuttle will provide transportation between the speedway and nearby beaches.
With expanded attractions, including rides, themed bars and interactive zones, Welcome To Rockville 2026 is expected to draw tens of thousands of fans to Daytona Beach, reinforcing its role as a major driver of Florida’s tourism and live entertainment economy.