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Bengals and Rams Kick Off Super Bowl Opening Night

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The first Press Conferences for Super Bowl LVI were held virtually, today. The Cincinnati Bengals, who will fly into LAX tomorrow, are making their first Super Bowl appearance in 33 years. Meanwhile, the Los Angeles Rams are hosting the Super Bowl in their home, SoFi stadium. It’s the second straight year a team has hosted the big game, after the Buccaneers hosted last season at Raymond James Stadium in Tampa. This had never occurred in the first 54 Super Bowls.

Bengals QB Joe Burrow deflected questions about his style and swagger, though he was more willing to comment on his move from Ohio State to LSU, as well as the impact of Coach Ed Orgeron, who “gave me an opportunity to continue to build my skills and show them off to the world. I owe my whole career to him.” Burrow won the Heisman Trophy and a national championship with the Tigers as a senior, which led to being drafted with the first overall pick in the 2020 draft.

Cincinnati Bengals QB Joe Burrow

Bengals Rookie Kicker, Evan McPherson, who played three seasons at the University of Florida, spoke about the importance of his faith, as well as the importance of his mentors growing up, including his parents, his soccer coach, his brothers, and his fiancée. He also admitted that his celebrations look a little different from those of some of his teammates, as he usually “kicks back” with an iced tea and playing video games (primarily Fortnite) with his friends and brothers after a big victory.

Cincinnati Bengals K Evan McPherson

Bengals Head Coach Zac Taylor credits some great draft classes, including Joe Burrow and Ja’Marr Chase, combined with the consistency of the veteran players and their mindset, for bringing this team to the Super Bowl after winning only four games last season. Coach Taylor calls this young team “a very mature team” which was built “with a lot of guys who played in championships in college, whether it was LSU, or Clemson, or Alabama, or Ohio State, and a lot of these free agents we’ve signed have been part of playoff teams before, so these guys know they belong on this stage and we know we’re gonna get their best on Sunday.”

Cincinnati Bengals Head Coach Zac Taylor

Bengals Running Back Joe Mixon talked about how “it’s like a dream to be playing in this game. For me to be in this position, for my team to be in this position, you can never take this moment for granted, and you’ve got to count your blessings.” He also spoke of the team’s end zone celebrations. When Mixon started his rookie year in the NFL, the team “didn’t have guys here who got excited about making plays. I always wanted to bring excitement to the game. Now that we’ve got guys who want to put on a show, it’s a great thing to see. It’s infectious. It’s great for the players and great for the fans. Ja’Marr is the best on the team in doing that type of stuff.”

Cincinnati Bengals RB Joe Mixon

Bengals Wide Receiver Ja’Marr Chase commented on Joe Burrow’s change in his swagger since they first met at LSU. “He wasn’t a very social person, because he was around new people, I’m assuming. As practice went by, I saw how tough he was, I think his confidence grew as we started winning, his swag just started to take off.”

Cincinnati Bengals WR Ja’Marr Chase

Rams Quarterback Matthew Stafford spoke about how “Pressure is a privilege… because something is expected of you.” He also gave credit to “all the great players that got us here. Everybody has had such a huge role in this.” But he wasn’t limiting the thanks to just his current teammates. “We’re playing not only for the guys in this locker room, but also the people in Detroit. They supported me and pushed me. So many guys I’ve played with, I’m a representation of those experiences with those players, and everyone who helped get me here.” Today happened to be his birthday. How is he celebrating? He’s not. He explained he’ll have “plenty of time to celebrate after this week.”

Los Angeles Rams QB Matthew Stafford

Rams Head Coach Sean McVay commented on having the home team advantage. “We had two weeks of preparation. We got a lot of good stuff in, probably 80% of the game plan is in, now we’ll just put some final touches on it the rest of the way.” Coach McVay is also impressed with how his team has responded from some adversity. Reflecting on lessons he learned from his Super Bowl appearance with the Rams in 2019, he said you “look in the mirror, take accountability, and you keep moving. What are the things you learned, being able to make adjustments in the game. You’re always trying to learn, always trying to improve. Move forward from the good and from the bad. I’m very grateful for it, how difficult it is to be in these situations. I’m surrounded by great players and a great coaching staff. Let’s prepare to the best of our ability, and once the game is kicked off, let’s be in the moment and let’s see what happens.”

Los Angeles Rams Head Coach Sean McVay

Rams Cornerback Jalen Ramsey played with the Jacksonville Jaguars from 2016-2019, including two Pro Bowl appearances and a trip to the Playoffs. The Jags traded Ramsey to the Rams midway through the 2019 season. When asked to reflect on the changes in his life over his career, he said, “I’m a father now. I’m in a different space in life right now. I went through a team that didn’t want me. I learned to trust the process, be completely present.”

Los Angeles Rams CB Jalen Ramsey

Rams Wide Receiver Cooper Kupp spoke about playing in his first Super Bowl. “Not being able to play in that 2019 Super Bowl. offered a pretty cool perspective for me of the importance of enjoying the process of what this NFL season is. This year, being able to play alongside the guys I get to play alongside, the coaches that come in here, just being about to enjoy the journey every step of the way. Being able to play for a world championship is an incredible thing, and I don’t take that lightly. The most important things were the people I got to spend that time around. That’s the stuff I really enjoyed.”

Los Angeles Rams WR Cooper Kupp

Rams OLB Von Miller talked about being able to share his own Super Bowl experiences with the younger players, having made it to the big game with the Broncos in 2015. He also reflected on how tough it is being a new parent, and being away from his son. “Every day, there’s a new sound, a new laugh. You don’t want to miss those days, but daddy has to be here to pay for college. It was hard to leave my firstborn son in Denver. The last time I saw him was Dec. 7, and before that was in October. These huge gaps are killing me, but we just have one more game. My whole offseason will be centered around my son. I want to put the golf clubs in his hand at ten months!”

Los Angeles Rams OLB Von Miller

Rams Wide Receiver O’Dell Beckham, Jr. talked about a tattoo he has which says: “Pressure: I live for it.” He also reflects on lessons he’s learned since he was drafted. “There’s been a lot, I always talk about living life without regrets. For me it’s been about the lessons, and how do you learn about the lessons. There have been a lot of moments where I look back as a 29 year old and reflect back how could I have acted differently.” He also spoke about the aftermath of “The Catch,” a one-handed grab early in his career with the Giants. He says he literally watched his life change after that catch, calling it “unreal.” To this day, he still has more Instagram followers than any other NFL player (even Tom Brady).

Los Angeles Rams WR O’Dell Beckham, Jr.

Florida National News is in Los Angeles to cover Super Bowl LVI. Stay tuned for coverage leading up to the big game on Sunday, 2/13.

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Entertainment

GRAMMY Museum® Grant Program Awards $200,000 for Music Research and Sound Preservation

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An exterior view of the GRAMMY Museum is seen at the GRAMMY Museum preview day at the GRAMMY Museum at Nokia Plaza at L.A. Live on Dec. 2, 2008 in Los Angeles. Charley Gallay/Getty Images

LOS ANGELES — The GRAMMY Museum® Grant Program announced today that $200,000 in grants will be awarded to 16 recipients in the United States to help facilitate a range of research on a variety of subjects, as well as support a number of archiving and preservation programs.

“This year marks the 35th year that the GRAMMY Museum and Recording Academy® have partnered to provide much deserved funding for music research and preservation projects across the United States and Canada. During that time, we have awarded more than $8.1 million to nearly 465 grantees,” said Michael Sticka, President/CEO of the GRAMMY Museum. “As an educational and cultural nonprofit institution, we know firsthand how critical grant funding is in order to deliver measurable results and impact through our mission. This is why we’re proud to support these impressive projects that are at the intersection of music and science, and work to maintain our shared musical legacy for generations to come.”

Generously funded by the Recording Academy, the GRAMMY Museum Grant Program provides funding annually to organizations and individuals to support efforts that advance the archiving and preservation of the recorded sound heritage of the Americas for future generations, in addition to research projects related to the impact of music on the human condition. In 2008, the GRAMMY Museum Grant Program expanded its categories to include assistance grants for individuals and small to mid-sized organizations to aid collections held by individuals and organizations that may not have access to the expertise needed to create a preservation plan. The assistance planning process, which may include inventorying and stabilizing a collection, articulates the steps to be taken to ultimately archive recorded sound materials for future generations.

More information about the program can be found at www.grammymuseum.org.

Scientific Research Grantees

University of Southern California— Los Angeles
Awarded: $20,000
Nostalgia-evoking music can temporarily improve autobiographical memory in individuals with Alzheimer’s Disease (AD), but the associated neural mechanisms are unknown. This project aims to use personalized music to identify neural systems involved in music-evoked nostalgia using fMRI, in healthy younger and older adults. Findings will be the basis for music-based AD interventions by demonstrating how music-evoked nostalgia is preserved neurally across the lifespan.

University Hospitals Health System, Inc — Cleveland
Awarded: $20,000
The purpose of this study is to determine the feasibility and acceptability of: 1) a tailored music-assisted relaxation and imagery intervention; 2) biological sample collection; and 3) mobile device patient-reported outcome collection in adults hospitalized for pancreatic surgery experiencing acute pain.

Towson University — Towson, Maryland
Awarded: $10,000
This project will help to determine whether “hidden hearing loss” exists in student musicians and, if so, to use clinically relevant diagnostic tools to detect the disorder early so that music-induced overt hearing loss can be prevented. The project will also assess whether the hidden hearing deficits contribute to increased difficulties in auditory scene analysis/speech sound processing in musicians.

Texas Christian University — Fort Worth, Texas
Awarded: $10,000
Musical training is associated with increased neural prediction response to a critical note that indicates mode in a melody. This neural response suggests an enhanced prediction mechanism in those with musical training and may reflect acquired sensitivity to statistical regularities in the environment. The goal of this project is to investigate whether musical training is also associated with enhanced neural prediction responses in those with dyslexia, who may have deficits in prediction.

Stanford University — Stanford, California
Awarded: $9,066
This project evaluates different strategies to promote empathy between audio engineers and cochlear-implant users empathy-promotion. The goal is to understand the existing empathy structures, identify the most effective promotion strategies, and develop tools and clear techniques to assist both cochlear implant users and audio engineers in creating music that can be enjoyed by a more diverse audience.

University of Miami— Coral Gables, Florida
Awarded: $19,973
This innovative project will explore the use of infant-directed singing (IDS) for self-regulation in infants with prenatal drug exposure. These infants may be at risk for poor self-regulation, leading to difficulty managing arousal and emotions. Through a coaching intervention, mothers will learn how to use IDS to match or modify infant state. Findings will inform clinical practice to improve parenting skills in mothers with substance use issues.

Preservation Assistance Grantees

Bill Doggett — Bakersfield, California
Awarded: $4,961
Bill Doggett will conduct a professional inventory and preservation needs assessment for the Doggett Race & Performing Arts Collection. Under this project, an archival consultant with expertise in audiovisual archives and preservation management will conduct a site visit and physical inspection of the Collection and prepare a Preservation Plan for future action.

T. Christopher Aplin — Pasadena, California
Awarded: $3,000
American Indian Soundchiefs was a Kiowa-owned record label owned by Linn D. Pauahty – the earliest, longest-running such label launched with an ear toward Indigenous aesthetics. This project will help Mary Helen Deer, the Linn D. Pauahty Foundation and Kiowa Tribe review existing Soundchiefs record catalogues; compile and inventory instantaneous disc, 78s, reel-to-reel, and cassettes; and prepare these recordings for future digitization and preservation.

The Kealakai Center for Pacific Strings — Kailua, Hawaii
Awarded: $3,000
The Kealakai Center for Pacific Strings will synthesize a decade of primary data collection, interviews, research, and exhibit production to develop a digital museum and audio archive designed to share the largest untold chapter in the history of modern American music. The website and archive will illuminate the pivotal role that Hawaiian music has played in the evolution of popular music, a legacy of innovation, and global influence that endures today.

Preservation Implementation

Arhoolie Foundation — El Cerrito, California
Awarded: $20,000
The Arhoolie Foundation will digitize Chris Strachwitz rare recordings of performances, festivals and concerts from 1950-2000. Artists include Lightnin’ Hopkins, Big Mama Thornton, Mississippi Fred McDowell, Flaco Jiménez, Ry Cooder, Lydia Mendoza, BeauSoleil, Clifton Chenier, Rev Gary Davis, Mance Lipscomb, Jesse Fuller, Rose Maddox, and others.

The Apollo Theater — New York
Awarded: $20,000
This funding will allow Harlem’s historic Apollo Theater to digitize, preserve and catalog more than 300 hours of video recordings of the theater’s famed Amateur Night program, spanning 1987-2016. These performances exist on obsolete, vulnerable media formats, and have mostly remained unseen since the time of their original recording. Amateur Night has launched the careers of numerous pioneering performers, and has ran at the Apollo since 1934.

Newark Public Radio (WBGO) — Newark, New Jersey
Awarded: $15,000
WBGO will digitize and make available to the public over 800 hours of rare jazz recordings from 1985-91 currently stored on at-risk DAT and Betamax tapes. Recordings include club and festival performances by some of jazz’s most iconic figures, as well as a trove of WBGO-produced, NPR-syndicated jazz programs. Recordings will be available online via the American Archive of Public Broadcasting, and onsite at the Library of Congress and GBH in Boston.

UC Santa Barbara — Santa Barbara, California
Awarded: $10,000
UCSB Library will digitize and make accessible recordings of the groundbreaking radio broadcasts of the CBS Symphony conducted by Bernard Herrmann in the 1930s and 1940s. Herrmann’s early career as a conductor is documented by 70 radio broadcasts on 200 lacquer discs held by UCSB.

Boston Symphony Orchestra — Boston
Awarded: $10,000
The BSO will preserve and make accessible 233 live concert radio broadcasts from 1979-1991 of John Williams conducting the Boston Pops. Recorded on quarter inch reel-to-reel audiotape, these historically significant tapes document his work with such artists as Marilyn Horne, Tony Bennett, John Denver, as well as his own film music yet are currently inaccessible. We will create preservation master files and access copies for public use both remotely and onsite.

Freight & Salvage — Berkeley, California
Awarded: $10,000
The grant to Freight & Salvage will continue preservation of recordings and sustain copyright research. This encompasses 70 percent of 2,500 recordings featuring historic musicianship collected over our 54-year history. Wrapping up the digitalization and documentation of analog formats, they will progress to transferring recordings dated 1989-2020 to include early digital formats, e.g., DAT and CD-R, thus archiving the remaining 30 percent of our collection.

New Orleans Jazz & Heritage Festival and Foundation, Inc. — New Orleans

Awarded: $15,000
The New Orleans Jazz & Heritage Foundation Archive will digitize, preserve, make accessible, and disseminate approximately 400 audio and video recordings originally recorded on highly fragile formats made between 1989 to 2006. The recordings were made at the world-renowned New Orleans Jazz & Heritage Festival and are comprised of superb interviews and performances in the genres of gospel, Cajun, zydeco, jazz, traditional jazz, Mardi Gras Indian, blues, R&B, international, pop, and rock by legendary and highly influential performers.

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Business

National Football League, NFLPA and Mythical Team Up for Upcoming NFL Play-and-Own NFT Video Game

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Mythical Games and NFL NFT game "NFL Rivals" is set to release in early 2023. Photo: NFL.

NEW YORK and LOS ANGELESThe National Football League (NFL), NFL Players Association (NFLPA) and next-generation gaming technology studio Mythical Games today announced a partnership to launch NFL Rivals, a new NFL video game that leverages blockchain technology, on the Mythical Platform in early 2023. Delivering on the fantasy of being a team General Manager, this fun, easy to play game will allow NFL fans and gamers alike to compete against other GMs with their assembled player rosters and teams, building, leveling up and improving their lineup. In addition, fans will be able to own, collect and trade non-fungible tokens (NFTs) of their favorite players through this play-and-own game experience.

“With the rise of blockchain technology, we are thrilled to partner with Mythical Games on a blockchain-enabled game that delivers new play-to-own NFT capabilities, creating a new adventure for fans who love to play football games,” said Joe Ruggiero, SVP of Consumer Products at the NFL. “The interest in NFTs and video gaming amongst current and prospective fans continues to grow and combined have accelerated the NFL’s exploration of new gaming models that can deliver an unmatched experience to fans.”

Ahead of the NFL Rivals game launch, 32 limited-quantity collections of unique generative 3D NFL franchise-themed NFTs will be released in a series of drops called “Rarity League.” This officially licensed collection will provide owners access to special events, in-game rewards and other unique features.

“NFTs are revolutionizing the fan experience, and we’re excited to collaborate with the imaginative team at Mythical Games to create a whole new blockchain-based world in which NFL players take center stage.” said Terése Whitehead, Vice President, Consumer Products & Strategy at NFL Players Inc., the marketing and licensing arm of the NFLPA.

“Partnering with the NFL to drive new fan and player engagement through fresh game design and the benefits of Web3 is an exciting moment for us,” said Jamie Jackson, Chief Creative Officer, Mythical Games. “NFTs with utility can add value to players in-game, and we can’t wait to bring these concepts to NFL Rivals to evolve the team management genre by adding the advantages of play-and-own games, offering the community new ways to engage with their favorite teams and players both in and outside this virtual world.”

NFL Rivals will launch globally for web and mobile web in early 2023. Interested players can join the Discord or visit the NFL Rivals website now for more information and to stay updated.

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Lifestyle

The Wolf Man, Dracula and The Mummy Unite for the First Time Ever for Universal’s Newest Haunted House

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Universal's Halloween Horror Nights Legends Collide Haunted House poster featuring The Mummy, Dracula, and The Wolf Man. Image: Universal Pictures.

ORLANDO, Fla., UNIVERSAL CITY, Ca. (FNN) – Universal Pictures’ most notorious horror icons, The Wolf Man, Dracula and The Mummy, come together for the first time ever in the all-new “Universal Monsters: Legends Collide” haunted houses as part of Halloween Horror Nights at Universal Studios Hollywood and Universal Orlando Resort – where these infamous classic monsters invite guests to join them in an epic battle beginning this September.

Halloween Horror Nights continues to expand on the thrilling legacy from Universal Pictures – the movie studio that birthed the classic horror monsters on screen – with this original haunted house debuting at Universal Studios’ theme parks from coast-to-coast. Inspired by the event’s previous Universal Monsters attractions, this year’s unique experience resurrects the monstrous triple threat of The Wolf Man, Dracula and The Mummy for one harrowing haunted house.

This bi-coastal experience will transport guests to the 19th century with the trio of monsters seeking one thing: The Amulet of Ra. The Wolf Man believes this ancient relic contains the power to finally lift his dreaded curse, while Dracula and The Mummy have nefarious plans to use it to bring humankind to its knees. With the full moon on the rise and a race against time, guests find themselves entangled in a bloodthirsty battle between the terrifying titans – and only one will survive.

Elevating the mayhem, GRAMMY® Award-winning musician, SLASH, returns to collaborate with Universal Studios Hollywood with an original composition for their haunted house.

Halloween Horror Nights begins on Friday, September 2 in Orlando with 10 terrifying haunted houses and Thursday, September 8 in Hollywood with eight frightening haunted houses. Both events will run select nights through Monday, October 31, and additional details will be revealed soon.

Tickets and vacation packages are now on sale for Halloween Horror Nights at Universal Orlando Resort, and tickets for Universal Studios Hollywood will be available soon. For more information and to purchase tickets, visit www.HalloweenHorrorNights.com.

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