Connect with us

Business

Gone in 6 minutes: an Ethiopian Airlines jet’s final journey

Published

on

From nearly the moment they roared down the runway and took off in their new Boeing jetliner, pilots of an Ethiopian Airlines flight encountered problems with the plane.

Almost immediately, a device called a stick shaker began vibrating the captain’s control column, warning him that the plane might be about to stall and fall from the sky.

For six minutes, the pilots were bombarded by alarms as they fought to fly the plane, at times pulling back in unison on their control columns in a desperate attempt to keep the huge jet aloft.

Ethiopian authorities issued a preliminary report Thursday on the March 10 crash that killed 157 people. They found that a malfunctioning sensor sent faulty data to the Boeing 737 Max 8′s anti-stall system and triggered a chain of events that ended in a crash so violent it reduced the plane to shards and pieces. The pilots’ struggle, and the tragic ending, mirrored an Oct. 29 crash of a Lion Air Max 8 off the coast of Indonesia, which killed 189 people.

The anti-stall system, called MCAS, automatically lowers the plane’s nose under some circumstances to prevent an aerodynamic stall. Boeing acknowledged that a sensor in the Ethiopian Airlines jet malfunctioned, triggering MCAS when it was not needed. The company repeated that it is working on a software upgrade to fix the problem in its best-selling plane.

“It’s our responsibility to eliminate this risk,” CEO Dennis Muilenburg said in a video. “We own it, and we know how to do it.”

Jim Hall, a former chairman of the National Transportation Safety Board, said the preliminary findings add urgency to re-examine the way that the Federal Aviation Administration uses employees of aircraft manufacturers to conduct safety-related tasks, including tests and inspections — a decades-old policy that raises questions about the agency’s independence and is now under review by the U.S. Justice Department, the Transportation Department’s inspector general and congressional committees.

Wreckage is piled at the crash scene of an Ethiopian Airlines flight crash near Bishoftu, Ethiopia, on March 11, 2019. (AP Photo/Mulugeta Ayene, File)

“It is clear now that the process itself failed to produce a safe aircraft,” Hall said. “The focus now is to see if there were steps that were skipped or tests that were not properly done.”

The 33-page preliminary report, which is subject to change in the coming months, is based on information from the plane’s flight data and cockpit voice recorders, the so-called black boxes. It includes a minute-by-minute narrative of a gripping and confusing scene in the cockpit.

Just one minute into Flight 302 from Addis Ababa to Nairobi in neighboring Kenya, the captain, Yared Getachew, reported that they were having flight-control problems.

Then the anti-stall system kicked in and pushed the nose of the plane down for nine seconds. Instead of climbing, the plane descended slightly. Audible warnings — “Don’t Sink” — sounded in the cockpit. The pilots fought to turn the nose of the plane up, and briefly they were able to resume climbing.

But the automatic anti-stall system pushed the nose down again, triggering more squawks of “Don’t Sink” from the plane’s ground-proximity warning system.

Following a procedure that Boeing reiterated after the Lion Air crash, the Ethiopian pilots flipped two switches and disconnected the anti-stall system, then tried to regain control. They asked to return to the Addis Ababa airport, but were continuing to struggle getting the plane to gain altitude.

Then they broke with Boeing procedure and returned power to controls including the anti-stall system, perhaps hoping to use power to adjust a tail surface that controls the pitch up or down of a plane, or maybe out of sheer desperation.

One final time, the automated system kicked in, pushing the plane into a nose dive, according to the report.

A half-minute later, the cockpit voice recording ended, the plane crashed, and all 157 people on board were killed. The plane’s impact left a crater 10 meters deep.

The Max is Boeing’s newest version of its workhorse single-aisle jetliner, the 737, which dates to the 1960s. Fewer than 400 Max jets have been sent to airlines around the world, but Boeing has taken orders for 4,600 more.

Boeing delivered this particular plane, tail number ET-AVJ, to Ethiopian Airlines in November. By the day of Flight 302, it had made nearly 400 flights and been in the air for 1,330 hours — still very new by airline standards.

The pilots were young, too, and between them they had a scant 159 hours of flying time on the Max.

The captain, Getachew, was just 29 but had accumulated more than 8,000 hours of flying since completing work at the airline’s training academy in 2010. He had flown more than 1,400 hours on Boeing 737s but just 103 hours on the Max. That may not be surprising, given that Ethiopian Airlines had just five of the planes, including ET-AVJ.

The co-pilot, Ahmed Nur Mohammod Nur, was only 25 and was granted a license to fly the 737 and the Max on Dec. 12 of last year. He had logged just 361 flight hours — not enough to be hired as a pilot at a U.S. airline. Of those hours, 207 were on 737s, including 56 hours on Max jets.

A grieving relative who lost his wife in the crash is helped by a member of security forces and others at the scene where the Ethiopian Airlines Boeing jetliner crashed shortly after takeoff on March 13, 2019. (AP Photo/Mulugeta)

Thursday’s preliminary report found that both pilots performed all the procedures recommended by Boeing on the March 10 flight but still could not control the jet.

While Boeing continues to work on its software update, Max jets remain grounded worldwide. The CEO said the company is taking “a comprehensive, disciplined approach” to fixing the flight-control software.

But some critics, including Hall, the former NTSB chairman, question why the work has taken so long.

“Don’t you think if Boeing knew what the fix was, we would have the fix by now?” he said. “They said after the Lion Air accident there was going to be a fix, yet there was a second accident with no fix. Now, in response to the worldwide reaction, the plane is grounded and there is still not a fix.”

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Business

U.S. Hispanic Chamber of Commerce Brings 47th Annual National Conference to Fort Worth Sept. 14-16

Published

on

FORT WORTH, Texas (FNN NEWS) — The United States Hispanic Chamber of Commerce will bring its 47th Annual National Conference to Fort Worth, Texas, Sept. 14-16, 2026, convening Hispanic business leaders, corporate executives, policymakers and entrepreneurs from across the country.

The three-day conference will be held at the Fort Worth Convention Center and is expected to serve as a major national platform for business development, networking, economic opportunity and deal-making.

Nearly five decades after its launch, the USHCC National Conference has grown into what the organization describes as the nation’s largest gathering of Hispanic business decision-makers.

The selection of Fort Worth highlights the North Texas city’s growing position as a center for business, entrepreneurship and culture while providing a national stage for Hispanic-owned businesses and their economic impact.

Fort Worth Selected to Host 2026 National Conference

USHCC announced Fort Worth as the 2026 host following its 46th Annual National Conference in Atlanta.

“We are thrilled to bring the USHCC National Conference to Fort Worth in 2026,” said Jackie Puente, vice president of external affairs at Comcast and chairwoman of the United States Hispanic Chamber of Commerce. “This city showcases the innovation, diversity, and economic impact of Hispanic-owned businesses nationwide. At Comcast, we are proud to support the USHCC’s mission of opening doors and creating opportunities for our community to thrive.”

Fort Worth business leaders also welcomed the opportunity to host the national gathering.

“Fort Worth is proud to host the USHCC National Conference in 2026,” said Ericka Garza, president and CEO of the Fort Worth Hispanic Chamber of Commerce. “This event highlights our city’s vibrant culture and the impact of Hispanic-owned businesses in driving economic growth.”

Connecting Hispanic Businesses With Opportunities

Connection building will be a major focus of the 2026 conference, with programming designed to bring business owners directly together with corporate executives, policymakers, industry leaders and potential partners.

Through curated networking opportunities and informal gatherings, participants will have opportunities to establish relationships that could lead to collaborations, contracts, partnerships and long-term business growth.

The conference also provides companies and organizations seeking to expand their engagement with Hispanic-owned businesses an opportunity to connect with entrepreneurs and business leaders from markets across the United States.

National Leaders Take the Main Stage

The conference’s main-stage sessions will feature influential leaders and nationally recognized voices discussing major issues affecting business, entrepreneurship and economic advancement.

Sessions are expected to provide perspectives on economic trends, public policy, market opportunities and emerging challenges facing businesses.

The discussions are designed to help entrepreneurs and executives better understand changing markets and position their organizations for future opportunities.

Breakout Sessions Focus on Business Growth

Attendees will also have access to industry-focused breakout sessions featuring subject-matter experts addressing specific business challenges and opportunities.

The interactive sessions are designed to provide participants with practical strategies, tools and information they can apply to their companies and organizations.

Topics and speakers for the 2026 conference are expected to be announced as the event approaches.

Hispanic Businesses Take Center Stage in Fort Worth

The conference comes as Hispanic-owned businesses continue to play an increasingly important role in entrepreneurship, job creation and economic development across the United States.

For Fort Worth, hosting the national conference provides an opportunity to showcase the city’s business community while connecting local entrepreneurs with corporate and government decision-makers from across the country.

47th Annual USHCC National Conference
Dates: Sept. 14-16, 2026
Location: Fort Worth Convention Center
City: Fort Worth, Texas

Continue Reading

Business

Historic Casements to Debut Mateo Blanco’s ‘Rockefeller Flag’ During The American Legacy Exhibition

Published

on

ORMOND BEACH, Fla. (FNN NEWS) — The Casements, the historic Ormond Beach residence where industrialist John D. Rockefeller spent the final years of his life, will host “The American Legacy,” a new exhibition by American artist Mateo Blanco opening Saturday, Aug. 1.

The exhibition brings together painting and photography to explore themes of American history, material, memory, innovation and the ideas that continue to shape the nation’s identity during its Semiquincentennial.

Public Premiere of Rockefeller Flag

The centerpiece of the exhibition is the public debut of “Rockefeller Flag,” a new oil-on-canvas painting created exclusively for The Casements.

Rather than depicting Rockefeller himself, the work examines the relationship between industry, history and artistic tradition. Executed entirely in black oil paint on canvas, Rockefeller Flag draws its conceptual inspiration from petroleum—the natural resource that transformed American industry and helped redefine the modern world.

Blanco notes that petroleum also returns to its artistic origins through oil paint, the medium that has shaped Western painting for more than five centuries, creating an intersection between industrial innovation and artistic expression.

Installed inside Rockefeller’s historic residence, the painting encourages visitors to reflect not only on one of America’s most influential business leaders but also on the broader themes of vision, enterprise, stewardship and the legacy each generation leaves behind.

“For many people, The Casements represents the final chapter of John D. Rockefeller’s life,” Blanco said. “For me, it represents the beginning of another conversation—one about legacy. Every generation inherits ideas, opportunities and responsibilities created by those who came before. What ultimately defines us is what we choose to build with that inheritance.”

Museum Exhibition Highlights

The exhibition also features paintings previously exhibited at The Butler Institute of American Art alongside a curated selection of photographs celebrating the American landscape, its people and the cultural narratives that have shaped the nation across generations.

Together, the works represent one of Blanco’s most comprehensive museum presentations to date, combining painting and photography in a reflection on the American experience.

According to exhibition organizers, The American Legacy is intended as a cultural reflection rather than a political statement, highlighting creativity, craftsmanship, imagination, innovation and the enduring ability of individuals to transform ideas and materials into lasting contributions.

By returning petroleum to the language of oil painting, Blanco creates a dialogue between one of America’s defining industrial achievements and one of the oldest artistic traditions in history.

About Mateo Blanco

Mateo Blanco is an American multidisciplinary artist whose work explores material transformation, cultural memory and the evolving narrative of American identity. Working across painting, photography, sculpture and mixed media, Blanco examines how everyday materials become symbols of history, belonging and collective memory.

His work has been exhibited by museums and cultural institutions throughout the United States, including The Butler Institute of American Art, the Orlando Museum of Art, the Boca Raton Museum of Art, the Museum of Art – DeLand, the Armory Art Center, the Cornell Art Museum and the Brick Store Museum.

His artwork is included in the permanent collections of several American museums, reflecting continued institutional recognition of his contributions to contemporary American art.

Blanco is represented by Rosenbaum Contemporary, with gallery locations in Palm Beach, Boca Raton and Hollywood, Florida.

Exhibition Information

The American Legacy: Featuring the Public Premiere of Rockefeller Flag

Opening Reception
Saturday, Aug. 1, 2026

3–7 p.m.

Location
The Casements

25 Riverside Drive

Ormond Beach, FL 32176

Continue Reading

Business

Essence Magazine Co-Founder Jonathan Blount Dies at 84, Leaving Enduring Legacy in Civil Rights and Black Media

Published

on

ORLANDO, Fla. (FNN NEWS) — Jonathan Sebastian Blount Dunn Morse, a visionary entrepreneur, one of the four founders of Essence magazine, pioneering civil rights activist, Black business leader, publisher, and community advocate, died peacefully Monday, July 20, 2026, at his Orlando home surrounded by family after a courageous battle with prostate cancer that later spread to his bones and liver. He was 84.

For more than seven decades, Morse dedicated his life to advancing civil rights, expanding opportunities for Black-owned businesses, strengthening independent Black media, and empowering communities through economic opportunity, education, and public service.

His life’s work stretched from the front lines of the Civil Rights Movement in North Carolina to the boardrooms of Wall Street and, ultimately, to the neighborhoods of Central Florida, where he remained a tireless advocate until his final days.

Jonathan Morse at a Glance

1930s–1940s

  • Born in Monroe, North Carolina.
  • Adopted and raised by Carrie Blount.

1950s

  • Civil Rights activist under Robert F. Williams.
  • Survived an attempted lynching while challenging segregation.

Late 1960s

  • Conceived the vision that became Essence magazine.

1970

  • Co-founded Essence magazine.
  • Became its first President and Chairman of the Board.

1970s–1990s

  • Helped raise more than $1 million in Wall Street investment capital.
  • Founded additional Black publications.
  • Consulted nationally with Black-owned businesses.

2000s–2026

  • Relocated to Orlando.
  • Founded the African American Art and Heritage Museum.
  • Led Operation Clean Sweep.
  • Mentored Caribbean American Passport News Magazine and celebrated its evolution into CAP Village.

July 20, 2026

  • Passed away at age 84.

A Vision That Changed Black Media

Morse is best known as one of the four founders of Essence magazine, the publication that forever changed how Black women were represented in American media.

While history remembers him as a co-founder, Morse often smiled and described himself as the magazine’s “ideational and conceptual founder,” explaining that the original vision for a fashion and lifestyle publication devoted specifically to Black women was his.

That vision became Essence, now one of the world’s most influential media brands serving Black women.

Known affectionately by many as “The Father of Essence,” Morse served as the publication’s first President and Chairman of the Board, helping transform an ambitious idea into a nationally recognized institution.

Under his leadership, the founders became among the first Black-owned businesses to raise more than $1 million on Wall Street, an unprecedented accomplishment during an era when Black entrepreneurs faced enormous barriers to investment capital.

Although philosophical differences over preserving majority Black ownership eventually led Morse and fellow founder Cecil Hollingsworth to leave the company, he remained proud of the publication’s continued success.

Years later, fellow founder Clarence O. Smith publicly acknowledged that Morse had been right in advocating for Essence to remain Black-owned.

A Freedom Fighter Before He Was a Publisher

Long before changing American media, Jonathan Morse was risking his life for civil rights.

Growing up in Monroe, North Carolina, he came under the mentorship of legendary civil rights leader Robert F. Williams, whom Morse affectionately called “Uncle Rob.”

Together with other young activists, Morse helped defend Monroe’s Black neighborhoods from Ku Klux Klan violence while challenging segregation.

At only 14 years old, he nearly lost his life after participating in an effort to integrate a segregated county swimming pool, surviving an encounter with a lynch mob.

More than six decades later, in 2022, the North Carolina African American Heritage Commission honored Morse and his fellow activists with a historical marker recognizing their courage and sacrifice.

Building Black Business

Following his years with Essence, Morse continued creating opportunities for Black entrepreneurs.

He launched several publishing ventures, including:

  • In Advance
  • Eagle and Swan
  • Élan

He later became one of the nation’s most respected consultants to Black-owned businesses and advertising firms.

Among the accomplishments he valued most was helping secure what was then the largest contract ever awarded to a Black advertising agency—a $10 million U.S. Census Bureau contract.

Economic empowerment remained one of his life’s defining passions.

His favorite Frederick Douglass quotation became his guiding philosophy:

“Power concedes nothing without demand.”

Transforming Orlando

When Morse made Orlando his home, he quickly became one of Central Florida’s most recognizable community advocates.

Among his many accomplishments, he:

  • Founded the African American Art and Heritage Museum.
  • Organized Operation Clean Sweep.
  • Served as President of the Parramore Business Association.
  • Created a community tool library.
  • Coordinated free paint and home improvement supplies.
  • Helped secure the first corporate funding for Orlando’s SALT hygiene program.
  • Successfully challenged diversity issues within public broadcasting.
  • Helped relocate Orlando’s Martin Luther King Jr. Parade onto Orange Avenue’s Main Street.

Whether attending City Council meetings, neighborhood forums, NAACP events, or nonprofit gatherings, Jonathan Morse became known as someone who consistently showed up—not for recognition, but to serve.

A Champion of Independent Black Journalism

Journalism remained one of Jonathan Morse’s greatest passions.

He became a trusted mentor and advisor to Caribbean American Passport News Magazine, working closely with founders Sam and Guenet Roberts as the publication expanded throughout Central Florida and the Caribbean diaspora.

He later celebrated its transformation into CAP Village, where he proudly participated in filming portions of his own documentary.

Morse believed independent Black media preserved history, amplified underrepresented voices, and held institutions accountable.

He encouraged young journalists to pursue difficult stories, ask challenging questions, and never underestimate the value of community journalism.

Family First

Despite a remarkable public career, Jonathan Morse considered family his greatest achievement.

He rarely missed a grandchild’s recital, athletic event, school performance, Easter program, or talent show.

Opening night at the Central Florida Fair became a cherished annual tradition shared with his family.

To Morse, family extended far beyond blood relatives.

Many who knew him referred to him as a brother whose friendship, wisdom, and generosity changed their lives forever.

Courage Through Every Challenge

Later in life, Morse publicly shared his diagnosis of bipolar disorder, hoping his openness would encourage others to seek treatment without fear or shame.

During his battle with cancer, he again chose transparency, believing honesty could inspire hope and reduce stigma for others facing serious illness.

His willingness to discuss deeply personal challenges reflected the same courage that defined his life’s work.

Finding His Roots

Born in Monroe, North Carolina, Morse was adopted at birth by Carrie Blount.

After her passing, he began searching for his biological family through an appeal published in Jet magazine.

That search ultimately reunited him with his birth parents and siblings, completing a deeply personal chapter that remained among the most meaningful experiences of his life.

Comments and Reflections

Family Statement

“Jonathan believed every generation has a responsibility to leave the world better than it found it. We will forever cherish his love, wisdom, humor, and unwavering commitment to family, community, and justice.”

Florida National News

“Jonathan Morse leaves behind more than an extraordinary résumé. He leaves stronger institutions, empowered communities, inspired journalists, successful entrepreneurs, and generations of leaders who benefited from his mentorship. His impact will continue to be felt wherever courageous journalism and community leadership thrive.”

Community Reflection

“Jonathan never measured success by titles or recognition. He measured it by how many people he helped, how many doors he opened, and whether the next generation had greater opportunities than his own.”

Why Jonathan Morse Still Matters

Jonathan Morse’s vision remains remarkably relevant today.

Long before diversity became a corporate priority, he insisted Black voices deserved their own media platforms.

Long before conversations about media ownership became commonplace, he warned of the importance of preserving Black ownership of Black institutions.

Long before community journalism faced unprecedented economic pressures, he championed independent local news organizations as essential pillars of democracy.

His ideas continue to shape conversations about journalism, entrepreneurship, civil rights, economic opportunity, and community empowerment.

Life and Legacy

Jonathan Sebastian Blount Dunn Morse helped shape modern Black America.

He stood against segregation as a teenager.

He helped create one of America’s most influential Black-owned media companies.

He championed Black entrepreneurship.

He strengthened independent journalism.

He revitalized Orlando neighborhoods.

He mentored generations of journalists, civic leaders, entrepreneurs, and community advocates.

His influence extended from Monroe to Manhattan, from Wall Street to Washington, and from Central Florida to communities across the nation.

His legacy is measured not only by the organizations he helped build, but by the countless lives he inspired.

As Jonathan Morse often demonstrated, history is not written only by those who hold public office or corporate titles—it is written by those with the courage to imagine a better future and the determination to build it.

Rest in Peace and Power, Jonathan Sebastian Blount Dunn Morse.

Thank you for believing that ordinary people, united by courage, conviction, and compassion, truly can change the world.

Continue Reading
Advertisement
Advertisement Ticket Time Machine ad
Advertisement Orlando Regional REALTOR Association logo
Advertisement Parts Pass App
Advertisement Hispanic Chamber of Commerce of Metro Orlando
Advertisement
Advertisement African American Chamber of Commerce of Central Florida
Advertisement FNN News en Español
Advertisement Indian American Chamber of Commerce logo
Advertisement Florida Sports Channel

FNN Newsletter

Trending