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Kyle Patrick Alvarez, Trey Edward Shults, Selton Mello & Argentina’s “Best Director 2015” Headline Jury List for Miami Dade College’s Acclaimed Miami International Film Festival 33rd Edition

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Miami, FL (FNN NEWS) – The 33rd edition of Miami Dade College’s Miami International Film Festival scheduled for March 4 – 13, 2016, announced today the jury members of four competition categories including Knight Competition, Lexus Ibero-American Feature Film Competition, Jordan Alexander Ressler Screenwriting Award and Cinemaslam.

For the Festival’s signature Knight Competition, presented by The John S. & James L. Knight Foundation, the members of the jury will be:

Kyle Patrick Alvarez, writer and director. A native of Miami, Alvarez won the “Someone to Watch Award” at the Independent Spirit Awards in 2010 for his debut feature Easier with Practice. In 2015, The Stanford Prison Experiment, his third feature film, premiered at the Sundance Film Festival where it won the Alfred P. Sloan Feature Film Prize and the Waldo Salt Screenwriting Award.
Selton Mello, actor and filmmaker. As an actor, Mello has appeared in such Festival selections as Jean Charles (09) and Trash (15). Bananeira Filmes produced his first feature film, the award-winning December (08) and later The Clown (11), which received more than 50 awards in international festivals and was selected as Brazil’s official submission to the Academy Awards. His third film, A Movie Life, starring Vincent Cassel, is in post-production and will be workshopped at MIAMI ENCUENTROS at this year’s Festival.
Trey Edward Shults, writer and director. Shults began his filmmaking career at 19, working on Terrence Malick’s The Tree of Life. He transformed his 2014 short film “Krisha” into the feature film, Krisha, won both the Audience Award and Grand Jury Award at SXSW, played at Miami International Film Festival’s GEMS, and will be released in theaters by A24 Films this spring. Shults also worked on Malick’s Voyage of Time.

This year’s Knight Competition includes 28 feature films from around the world, directed by filmmakers who have directed at least one previous Official Selection (feature) of the Festival, competing for achievement awards totaling $40,000 in cash, courtesy of Knight Foundation.

For the Festival’s Lexus Ibero-American Feature Film Competition, the members of the jury include:

Carlos Lechuga, director. Lechuga is from Havana, Cuba and trained as a director at the University of Arts in Cuba and at the International School of Film and Television in San Antonio de los Baños. His first feature, Melaza (13) premiered at the Rotterdam International Film Festival and was screened in competition at Miami International Film Festival. His next project as writer-producer-director, Santa and Andrés, is currently in postproduction.
Leticia Tonos Paniagua, director. Paniagua directed several short films before becoming the first Dominican woman to solo direct a feature film with her debut film, Love Child (11). Her second film Cristo Rey (13) was an Official Selection of the Festival. Both of her films were chosen as Dominican Republic’s official submissions to the Academy Awards.
Kenny Riches, artist and filmmaker. Riches’ first feature film, Must Come Down (12), played at numerous film festivals, and his second, The Strongest Man (15), was screened at the Festival after world premiering at Sundance. Riches’ short film on artist Cara Despain is screening at this year’s Festival as part of the I’ve Never Not Been From Miami program. He is currently working on his third feature.

This year’s Lexus Ibero-American Feature Film Competition includes 35 feature films, representingall Ibero-American films in the Festival’s Official Selection, competing for an Achievement Award of $10,000, courtesy of Lexus.

For the Festival’s Jordan Alexander Ressler Foundation Screenwriting Prize (which was last year awarded to current Oscar nominee Theeb from Jordan), the jurors are:

Rosa Bosch, producer. Bosch’s producing credits include The Devil’s Backbone by Guillermo Del Toro, Buena Vista Social Club by Wim Wenders, Lost in La Mancha by Keith Fulton and Louise Pepe, London – The Modern Babylon by Julien Temple and White Lies by Dana Rotberg. Rosa has been a frequent tutor at EAVE, Media Business School, Sundance Mexico workshops and is currently a member of the European Film Academy and BAFTA. She runs Havana-based production company Cuban Star.
Jorge Guerricaechevarria, screenwriter. Guerricaechevarría is one of Spain’s most renowned screenwriters, working frequently with director Álex De la Iglesia, including co-writing the Festival’s opening night selection this year, My Big Night (15). His writing credits include collaborating with Pedro Almodóvar on the script for Live Flesh (97), and he has been nominated 6 times for Goya Awards. He won the Goya in 2010 for his script with Daniel Monzón, Cell 211 (09). He is a member of the European Film Academy and the Academy of Motion Pictures Arts and Sciences (AMPAS). His latest film, Daniel Calparsoro’s Cien años de perdón (16), is also an official selection at this year’s Festival.

Diego Lerman, director. Lerman won Best Director at the 2015 Argentina Academy Awards for his fourth feature, Refugiado, which is screening at this year’s Festival. Refugiado won 3 other Academy Awards, including Best Picture and Best Adapted Screenplay. Lerman’s directorial credits include his feature debut Suddenly (02), Mientras tanto (06), and The Invisible Eye (10), which screened at the Festival. He produced Ana Katz’s My Friend From The Park (15), also screening at the Festival this year, and is the winner of the $12,500 grand prize of the Miami Film 2016 development grant from the Festival and The Related Group for his upcoming production of A Sort of Family (Una especie de familia).

Eleven screenplays are eligible for this year’s Jordan Alexander Ressler Screenwriting Prize, representing screenwriters from all feature films in the Festival that have a first-produced feature screenwriter, competing for an Achievement Award of $5,000, courtesy of the family of the late Jordan Alexander Ressler.

In all three of the above competition categories, a shortlist of finalists were chosen through a preliminary adjudication process by a selection committee of industry professionals. The Knight Competition committee consisted of Spanish producer Jessica Berman (The Dancer and the Thief; Madrid, 1987), Miami filmmaker Nicolas Calzada, and Miami Beach Cinematheque founder and programmer Dana Keith. The Lexus Ibero-American Feature Film Competition committee consisted of International Film Festival of Panama director of programming Diana Cadavid, TIFF programming associate and HotDocs industry programmer Kiva Reardon, and Toronto film critic and playwrite Jose Teodoro. The Jordan Alexander Ressler Screenwriting Prize committee consisted of Emmy and Goya nominated filmmaker and producer Stan Jakubowicz (The German Doctor), Miami-based writer and filmmaker Jason Fitzroy Jeffers (“Papa Machete”), and Miami Dade College chair of Film, Television and Digital Production, Matt Wohl.

The Festival’s CinemaSlam competition aims to discover, showcase, and celebrate the work of undergraduate and graduate students in Miami/South Florida film schools. Open to any student enrolled in a participating South Florida college/university upon the completion date of the film. In this edition, students from the following colleges from Miami /South Florida have submitted their shorts: Florida International University, Miami Dade College, University of Miami, Miami International University of Art and Design New World School of the Arts (University of Florida) and the Center of Cinematography, Arts and Television. The members of the jury include:

Carla Forte, performer, scriptwriter, film director and, Founder and Executive Director, Bistoury Physical Theatre and Film. Forte has directed Video-Art works featured at venues worldwide. Her cinematographic work includes the documentary The Holders, which World Premiered at the 2015 Festival, Short films “Imaginarium” and “Reset”, selected for Cannes Film Festival’s Short Film Corner; as well as the feature film Urban Stories, Winner of Best Screenplay, Best Cinematography, and Best Feature Film at Bootleg Film Festival in Toronto; and Honorable Mention at both Los Angeles Movies Awards and Lucerne International Film Festival, Switzerland.
Giancarlo Loffredo, filmmaker, Loffredo signifies what making movies in Miami, FL should stand for. From making home based viral music videos for tons of artists in Miami Dade at a young age, to producing world renowned short films for Borscht Corp. such as “C#ckfight”, and MTV other’s “No Seasons”, he now brings forward his directional debut short film “Stripper Wars” featured at this year’s Festival.
Alouishous San Gomma, artist, Ahol, whose raw yet instantly recognizable street murals evaporate the divide between high and low art, often jumbles disparate themes from mass media, popular culture and marginalized pockets of society. He often draws inspiration from the urban environment and systems of society which dehumanize its inhabitants. Ahol’s deceptively simple, yet complex renderings both portray the veneer of our everyday surroundings and the dull, job-related conflicts often encountered in a dysfunctional workplace. The South Florida native is best known for his soaring urban murals depicting expansive fields of drowsy eyes, reflecting his unique vision of life, labor and unrequited love of the mean streets of Miami. He is the subject of a short film directed by Swampdog, screening at this year’s Festival as part of the I’ve Never Not Been From Miami program.

Winners in all categories will be announced at the Festival’s Awards Night ceremony on Saturday, March 12th at the Olympia Theater, part of the CINEDWNTWN program presented by Miami Downtown Development Authority. The Festival’s closing night selection, the US premiere of Andrew Currie’s The Steps, will screen after the ceremony.

For tickets, membership opportunities or more information about Miami International Film Festival, please visit www.miamifilmfestival.com or call 305-237-FILM (3456).

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160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

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160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

DAYTONA BEACH, Fla. (FNN) — Music set times have been released for the 15th anniversary of Welcome To Rockville, Florida’s largest rock, metal and punk festival, set for May 7–10, 2026 at Daytona International Speedway.

Produced by Danny Wimmer Presents, the four-day event will feature more than 160 bands performing across five stages, marking the festival’s largest lineup to date.

HEADLINERS AND DAILY LINEUP

This year’s festival will be headlined by Foo Fighters, My Chemical Romance, Guns N’ Roses and Bring Me The Horizon.

  • Thursday, May 7: Guns N’ Roses, Five Finger Death Punch, Godsmack, Staind
  • Friday, May 8: Foo Fighters, Turnstile, The Offspring, Parkway Drive
  • Saturday, May 9: Bring Me The Horizon, Breaking Benjamin, Motionless in White, Lamb of God
  • Sunday, May 10: My Chemical Romance, A Day To Remember, Rise Against, Yellowcard

FESTIVAL EXPANSION AND NEW FEATURES

Organizers announced several enhancements for 2026 aimed at improving the fan experience. A new “Pit Stop” fan zone near the Apex Stage will feature artist interviews, special performances and interactive experiences.

In addition, the Garage Stage will be fully tented for the first time, offering expanded shade coverage and upgraded production for attendees.

SPECIAL EVENTS AND EXPERIENCES

Festivalgoers can kick off the week with a pre-party on May 6 featuring performances by Fuel, Local H and others.

A new crossover event, “Blood4Blood,” will also take place at the Ocean Center, combining live music with bare-knuckle fighting, including a headline bout featuring Alex Terrible of Slaughter to Prevail.

TICKETS, ACCESS AND ATTENDANCE

Festival gates will open daily at 11:30 a.m. Organizers are offering a range of ticket options, including single-day, weekend, VIP and camping packages. A new Camp to Coast shuttle will provide transportation between the speedway and nearby beaches.

With expanded attractions, including rides, themed bars and interactive zones, Welcome To Rockville 2026 is expected to draw tens of thousands of fans to Daytona Beach, reinforcing its role as a major driver of Florida’s tourism and live entertainment economy.

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Orlando International Fashion Week Partners with Orlando Fringe Festival for 35th Anniversary Avant-Garde Showcase

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Orlando International Fashion Week

ORLANDO, Fla. (FNN)Orlando International Fashion Week (OIFW) has announced a new creative partnership with the Orlando International Fringe Theatre Festival as the festival celebrates its 35th anniversary this May.

As part of the collaboration, OIFW will present a special avant-garde fashion showcase on Saturday, May 16, 2026, from 5:30 p.m. to 6:30 p.m., during the two-week festival. The curated runway will feature bold, experimental designs that reflect Fringe’s spirit of artistic freedom, individuality and innovation.

PARTNERSHIP CELEBRATES CREATIVE COLLABORATION

Organizers say the partnership reflects a natural alignment between two nonprofit organizations committed to supporting artists and expanding access to creative spaces.

“Fringe and OIFW share a commitment to creating platforms where artists can take risks and express themselves freely,” said Rob Henlon, executive director and co-founder of OIFW. “This collaboration allows fashion to exist within a broader artistic conversation.”

John Payne-Rios, an OIFW advisory board member, added that the partnership strengthens Orlando’s creative ecosystem by bringing together fashion, theater and community engagement.

Festival organizers echoed that sentiment, noting the addition of fashion enhances the Outdoor Stage experience and introduces new artistic energy to the event.

DESIGNER CALL AND MODEL CASTING UNDERWAY

In conjunction with the partnership, OIFW has opened its designer registration call for creatives interested in participating in the Fringe showcase.

Designers are encouraged to submit collections that emphasize:

  • Avant-garde concepts
  • Artistic storytelling
  • Bold, experimental design

Models can also audition for both the Fringe showcase and upcoming OIFW runway shows. Casting calls are scheduled for April 12 and April 19 at CityArts Gallery in downtown Orlando from 11 a.m. to 3 p.m. The casting is open to ages 4 and up, with no prior experience required.

FRINGE FESTIVAL MARKS 35 YEARS OF ARTISTIC FREEDOM

For 35 years, the Orlando International Fringe Theatre Festival has provided an inclusive platform for artists to present original work in an unjuried and uncensored environment. The festival is the longest-running Fringe festival in the United States and returns 100% of ticket sales directly to artists.

Each May, the festival transforms Orlando into a hub of live performances, visual art, music and interactive experiences that celebrate diverse voices and creative expression.

What’s Next for OIFW?

The Fringe collaboration serves as a lead-in to OIFW’s signature summer event, Orlando International Fashion Week Presents: 626 Euphoria, scheduled for June 6, 2026, at the Winter Park Events Center.

Organizers say the upcoming season will continue to focus on:

  • Expanding fashion as a cultural platform
  • Strengthening cross-industry partnerships
  • Elevating emerging and diverse designers

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Trick Daddy Threatens Tiffany Moore Russell Mayoral Race After AKA Show Shut Down

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ORLANDO, Fla. (FNN) — A performance by Miami street legend rapper Trick Daddy ended abruptly Friday night during the 73rd South Atlantic Regional Conference of Alpha Kappa Alpha Sorority, Incorporated after event organizers said the artist ignored agreed-upon performance guidelines.

The incident, which occurred after the conference’s Step and Stroll competition, has sparked debate online about event vetting, audience expectations, and artistic responsibility.

The event was overseen by South Atlantic Regional Director Tiffany Moore Russell, who also serves as the elected Clerk of Courts for Orange County, Florida and is currently a candidate for Orange County mayor.

Conference Performance Ends Early

Conference attendees from across the South Atlantic region gathered in Orlando for the sorority’s five-day leadership and networking event.

Friday evening’s program featured step teams and strolling performances before transitioning to live entertainment. Organizers booked Trick Daddy, the Miami rapper known for hits including “Nann” and “Thug Matrimony,” to perform a curated list of songs.

However, the performance ended mid-set after organizers said the rapper used language and lyrics that violated previously discussed guidelines.

Russell addressed the incident in a statement distributed to conference attendees.

“We met several times with him and his team to detail our requirements, including attire, language, and specific songs,” Russell said. “Unfortunately, our requirements were ignored. The language, lyrics, and comments made by the artist were not acceptable. I ended the performance because of the disrespect for our organization and our brand.”

Viral Video Fuels Online Debate

Videos posted on social media showed audience members reacting with surprise and discomfort during the performance.

In one clip, attendees could be seen leaving the room as the rapper used explicit language and interacted with the crowd in a manner some attendees described as inappropriate for the event.

The video quickly spread online, fueling debate over whether the performer or the event organizers were responsible for the mismatch between the artist and the audience.

Some critics argued the booking itself raised questions about vetting.

Questions About Booking and Vetting

The controversy has prompted broader discussion about event planning and audience expectations.

Alpha Kappa Alpha Sorority, Incorporated is one of the nation’s oldest historically Black sororities, known for its emphasis on scholarship, leadership, and community service.

Critics on social media questioned why an artist known for explicit hip-hop lyrics was booked for a conference audience largely composed of professional women and long-time sorority members.

Supporters of the organizers say the issue was not the booking itself but whether the performer honored the agreed-upon content guidelines.

Russell emphasized that the step teams and conference participants represented “creativity, discipline, and excellence,” adding that she regretted the performance overshadowed their work.

Trick Daddy Responds: “They Booked Me, Trick Daddy Dollars” [VIDEO]

Following the incident, Trick Daddy posted a video response denying that he violated the agreement and accusing organizers of damaging his reputation.

Trick Daddy video responding to AKA Director statement telling her not to give him a playlist, this isn’t her wedding and not to defame his characte, according to the video.

the video further that he states that anybody in there that was saddity and sanctified should not have been in there once I grabbed the MF’in mic.

He also referenced Russell’s political ambitions, saying: “I heard you’re running for some type of office or something. I’ll get on you every day until you don’t win. Don’t play with me.”

The comments intensified the controversy as the incident shifted from a performance dispute to a potential political crisis for Russell’s Orange County mayoral campaign.

What Happens Next? Reputation, Politics and Public Reaction

For Trick Daddy, the dispute raises questions about how the controversy could affect his public image and performance bookings.

For Tiffany Moore Russell, the issue arrives as she prepares for a campaign for mayor in Orange County, Florida, potentially drawing political scrutiny to the situation.

Whether the rapper follows through on his pledge to publicly attrack Russell’s mayoral campaign remains unclear.

For now, the moment stands as a cautionary tale about entertainment programming at professional events—where audience expectations, artist identity, and brand reputation must align.

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