Entertainment

Ned Beatty, titanic character actor of ‘Network,’ dies at 83

Published

5 years ago

June 14, 2021

NEW YORK (AP) — Ned Beatty, the Oscar-nominated character actor who in half a century of American movies, including “Deliverance,” “Network” and “Superman,” was a booming, indelible presence in even the smallest parts, has died. He was 83.

Beatty’s manager, Deborah Miller, said Beatty died Sunday of natural causes at his home in Los Angeles surrounded by friends and loved ones.

After years in regional theater, Beatty was cast in 1972′s “Deliverance” as Bobby Trippe, the happy-go-lucky member of a male river-boating party terrorized by backwoods thugs in “Deliverance.” The scene in which Trippe is brutalized and forced to “squeal like a pig” became the most memorable in the movie and established Beatty as an actor whose name moviegoers may not have known but whose face they always recognized.

“For people like me, there’s a lot of ‘I know you! I know you! What have I seen you in?’” Beatty remarked without rancor in 1992.

Beatty received only one Oscar nomination, as supporting actor for his role as corporate executive Arthur Jensen in 1976′s “Network,” but he contributed to some of the most popular movies of his time and worked constantly, his credits including more than 150 movies and TV shows.

Beatty’s appearance in “Network,” scripted by Paddy Chayefsky an directed by Sidney Lumet, was brief but titanic. His three-minute monologue ranks among the greatest in movies. Jensen summons anchorman Howard Beale (Peter Finch) to a long, dimly lit boardroom for a come-to-Jesus about the elemental powers of media.

“You have meddled with the primal forces of nature, Mr. Beale, and I won’t have it!” Beatty shouts from across the boardroom before explaining that there is no America, no democracy. “There is only IBM and ITT and AT&T and DuPont, Dow, Union Carbide, and Exxon. Those are the nations of the world today.”

He was equally memorable as Otis, the idiot henchman of villainous Lex Luthor in the first two Christopher Reeve “Superman” movies and as the racist sheriff in “White Lightning.” Other films included “All The President’s Men,” “The Front Page,” “Nashville,” and “The Big Easy.” In a 1977 interview, he had explained why he preferred being a supporting actor.

“Stars never want to throw the audience a curveball, but my great joy is throwing curveballs,” he told The New York Times. “Being a star cuts down on your effectiveness as an actor because you become an identifiable part of a product and somewhat predictable. You have to mind your P’s and Q’s and nurture your fans. But I like to surprise the audience, to do the unexpected.”

He landed a rare leading role in the Irish film “Hear My Song” in 1991. The true story of legendary Irish tenor Josef Locke, who disappeared at the height of a brilliant career, it was well reviewed but largely unseen in the United States. Between movies, Beatty worked often in TV and theater. He had recurring roles in “Roseanne” as John Goodman’s father and as a detective on “Homicide: Life on the Street.”

On Broadway he won critical praise (and a Drama Desk Award) for his portrayal of Big Daddy in a revival of “Cat on a Hot Tin Roof,” a role he had first played as a 21-year-old in a stock company production. His more recent movies included “Toy Story 3” (as the duplicitous stuffed bear Lotso) in 2010 and the villainous tortoise mayor in “Rango.” He retired in 2013.

Ned Thomas Beatty was born in 1937 in Louisville, Ky., and raised in Lexington, where he joined the Protestant Disciples of Christ Christian Church. “It was the theater I attended as a kid,” he told The Associated Press in 1992. “It was where people got down to their truest emotions and talked about things they didn’t talk about in everyday life. … The preaching was very often theatrical.” For a time he thought of becoming a priest, but changed his mind after he was cast in a high school production of “Harvey.”

He spent 10 summers at the Barter Theater in Abingdon, Virginia, and eight years at the Arena Stage Company in Washington, D.C. At the Arena Stage, he appeared in Chekhov’s “Uncle Vanya” and starred in Arthur Miller’s “Death of a Salesman.” Then his life changed forever when he took a train to New York to audition for director John Boorman for the role of Bobby Trippe. Boorman told him the role was cast, but changed his mind after seeing Beatty audition.

Beatty, who married Sandra Johnson in 1999, had eight children from three previous marriages.

Entertainment

‘SPAMALOT’ Joins Dr. Phillips Center’s 2026-27 Broadway in Orlando Season

Published

3 days ago

August 10, 2026

FNN NEWS

Tony Award-winning musical will play Walt Disney Theater Nov. 3-5, 2026

ORLANDO, Fla. (FNN NEWS) — Dr. Phillips Center for the Performing Arts is expanding its 2026-27 Broadway in Orlando season with the addition of SPAMALOT, the Tony Award-winning Best Musical, scheduled for Nov. 3-5, 2026, at Walt Disney Theater.

Inspired by the classic comedy Monty Python and the Holy Grail, SPAMALOT brings Monty Python’s distinctly British humor to the stage through a comedic adventure following King Arthur and his quest for the Holy Grail.

The production comes to Orlando following a celebrated 2023 Broadway revival at the St. James Theatre, directed and choreographed by Josh Rhodes.

Monty Python Comedy Comes to Orlando

Described as “lovingly ripped” from Monty Python and the Holy Grail, the musical features British royalty, flying cows, dancing girls, shrubbery and the Lady of the Lake.

The 14-time Tony Award-nominated musical features well-known numbers including “Always Look on the Bright Side of Life,” “The Song That Goes Like This” and “Find Your Grail.”

SPAMALOT features a book and lyrics by Eric Idle, with music by John Du Prez and Idle.

Cast Announced for Orlando Production

The cast features Major Attaway, whose credits include Aladdin, as King Arthur; Sean Bell (Harmony) as Sir Robin; Chris Collins-Pisano (Forbidden Broadway) as Sir Lancelot; Ellis C. Dawson III (Hamilton) as Sir Bedevere; Leo Roberts (Les Misérables) as Sir Galahad; Amanda Robles as the Lady of the Lake; Blake Segal (Mary Poppins) as Patsy; and Steven Telsey (The Book of Mormon) as the Historian and Prince Herbert.

The company also includes Lindsay Lee Alhady, Delaney Benson, Jack Brewer, Connor Coughlin, L’ogan J’ones, Graham Keen, Claire Kennard, Ben Lanham, Nathaniel Mahone, Maddie Mossner, Emilie Renier, Mark Tran Russ and Meridien Terrell.

Creative Team

The production’s creative team includes scenic and projection designer Paul Tate dePoo III, costume designer Jen Caprio, lighting designer Cory Pattak, sound designers Kai Harada and Haley Parcher, and wig designer Tom Watson.

John Bell serves as music supervisor, with Jonathan Gorst as musical director and conductor.

Derek Kolluri is associate director, Michael Fatica is associate choreographer and casting is by Geoff Josselson, CSA. RCI Theatricals serves as general manager, and Jeffrey Finn is the producer.

Tickets on Sale Now

Single tickets for SPAMALOT are on sale now through Dr. Phillips Center.

Performances: Nov. 3-5, 2026
Venue: Walt Disney Theater at Dr. Phillips Center for the Performing Arts
Location: Orlando, Florida

Tickets and additional information are available through the Dr. Phillips Center website.

Central Florida News

Dr. Phillips Center Generates $227.6 Million Annual Economic Impact, Supports Nearly 2,500 Central Florida Jobs

Published

2 weeks ago

July 30, 2026

FNN NEWS

ORLANDO, Fla. (FNN NEWS) — The Dr. Phillips Center for the Performing Arts generated $227.6 million in annual economic impact, supporting 2,483 jobs and producing $13.2 million in state and local tax revenue, according to a newly released independent study by Tourism Economics.

The analysis, conducted by Tourism Economics, an Oxford Economics company specializing in economic impact and tourism research, measured the direct, indirect and induced economic activity generated by the arts center’s operations, performances, visitors and related spending throughout Central Florida.

The findings underscore the Dr. Phillips Center’s role as both a premier performing arts destination and a major contributor to the region’s economy.

“For more than a decade, we’ve seen firsthand how the arts inspire people, bring communities together and create lasting value,” said Kathy Ramsberger, president and CEO of Dr. Phillips Center for the Performing Arts. “This study confirms that our impact reaches far beyond our stages—supporting thousands of jobs, driving business growth, attracting visitors from around the world and helping position Central Florida as a more vibrant, competitive and connected region.”

Economic Impact by the Numbers

According to the Tourism Economics report, the Dr. Phillips Center generated:

$227.6 million in annual economic output
2,483 jobs supported across Central Florida
$70.8 million in total labor income in Orange County
$13.2 million in state and local tax revenue
$73.1 million in off-site spending by event attendees, performers and production crews
61,600 hotel room nights generated annually

The study highlights the ripple effect created by visitors attending performances, benefiting nearby hotels, restaurants, retailers and other local businesses.

A Global Destination for Arts and Entertainment

Now in its 11th year, the Dr. Phillips Center welcomes more than 910,000 guests annually, attracting visitors from all 50 states and more than 80 countries.

Since opening in 2014, the venue has hosted:

More than 6.2 million guests
More than 6,200 performances and events
Programming presented 99% of the year
Venue occupancy rates ranging from 82% to 97%

The center has become one of the world’s busiest performing arts destinations while helping position downtown Orlando as a leading hub for arts, culture and entertainment.

Community Investment Beyond the Stage

In addition to its economic impact, the Dr. Phillips Center continues investing in arts education, community outreach and cultural programming throughout Central Florida.

According to the organization, it has:

Served 935,920 students and community participants
Supported and hosted 202 regional arts organizations
Received support from 24,085 donors
Benefited from $256 million in philanthropic contributions since its inception

Through partnerships with schools, nonprofit organizations, community groups and touring productions, the center continues to expand access to the performing arts while strengthening the region’s cultural and economic vitality.

Looking Ahead

Eleven years after opening, the Dr. Phillips Center continues to demonstrate that investment in arts and culture produces measurable returns through tourism, employment, education and community engagement.

As Central Florida continues to grow, the independent analysis reinforces the performing arts center’s importance as both a cultural landmark and an economic engine for the region.

Additional information about the economic impact study is available through the Dr. Phillips Center for the Performing Arts.

Entertainment

Blue Man Group Orlando Launches $25 Kids Ticket Offer at ICON Park Through Dec. 31

Published

1 month ago

July 6, 2026

FNN NEWS

ORLANDO, Fla. (FNN NEWS) — Families can enjoy Blue Man Group Orlando for less this summer and fall thanks to a new ticket promotion that allows children to attend performances for $25 with the purchase of a full-priced adult ticket.

The limited-time offer is available for online purchases through Dec. 31, 2026, making one of Orlando’s newest live entertainment attractions more affordable for families.

Special Kids Ticket Offer

Under the promotion, guests who purchase a full-priced adult ticket may purchase a children’s ticket for $25.

The offer is valid for performances:

Monday through Thursday
Fridays at 5 p.m.

The promotion is not valid for:

Saturday performances
Sunday performances
Fridays at 8 p.m.

New Orlando Production at ICON Park

Blue Man Group opened its new resident production at ICON Park in May inside a custom-built theater located along Orlando’s International Drive entertainment district.

The production blends music, comedy, technology and audience participation, while featuring many of the signature moments fans expect from Blue Man Group alongside new material created exclusively for the Orlando production.

Global Entertainment Phenomenon

Since debuting in 1991 at New York’s Astor Place Theatre, Blue Man Group has entertained more than 50 million people worldwide through resident productions and international tours.

The show continues to expand with performances in Orlando, Las Vegas, touring productions across North America and an upcoming tour in Japan.

Blue Man Group is owned and operated by Cirque du Soleil Entertainment Group.