Articles
Coloring Under the Influence – How Pantone’s Color System Became Fashion Law
Published
9 years agoon
by Alexis Ansley
Have you ever wondered how the fashion industry determines the season’s “hottest” colors, or how interior designers know exactly how to pair colors and prints? In the world of art and design, Pantone Universal, an international color matching system and corporation, has established itself as the go-to entity for all things color. Over the last fifty years, Pantone has helped make color uniformly accessible for all artists.
The Beginning
Pantone began in the 1950’s by printing color guides for cosmetic companies. They utilized and mixed sixty different pigments to create the colors they wanted. This system of creating colors was not standard, however, and different printing locations created different versions of a specific color.
Pantone’s Rising Standard
In 1956, chemist Lawrence Herbert started working for Pantone to make some extra money before going off to medical school. Soon, he became extremely interested in his work at Pantone and decided to pursue a permanent career with the company. In 1962, Herbert bought the printing division of Pantone and began refining the color matching system.
Herbert found a way to reduce the Pantone color basics from sixty pigments to ten, which became the standard components of all colors. This advancement in color technology was called the Pantone Matching System.
Since the Pantone Matching System’s inception, colors have become more accessible to all. Imagine a color you choose at the Home Depot in hopes of giving your bedroom a face-lift. That specific color, since it’s now standardized, can be easily recreated for you or anyone who wants to use it.
Pantone + Fashion
Fashion, being one of the most intricate forms of art, naturally has a strong connection to the Pantone brand and its system of color-coding. More specifically, Pantone’s “Color of the Year” heavily influences fashion trends for the year.
Each year Pantone, in collaboration with heads of international color organizations, choose a color they feel will be most influential and used throughout the year, thus setting the tone for design and art designers everywhere. They also forecast color trends for each season. Many designers will wait for the official Pantone color forecast before producing a collection of work. This year’s color of the year is “Radiant Orchid,” which they describe as “an expressive, creative and embracing purple.”
One of the most culturally impactful colors in fashion history emerged in 2012 with Pantone’s “Tangerine Tango.” This vibrant color was seen in high fashion editorials, discount clothing, on couture runways and most notably a full line of cosmetics at Sephora done in direct collaboration with Pantone named the “Sephora + Pantone Universe Collection.”
A single color has the power to evoke different emotions in us, can help shape our moods and even represent our personalities. Pantone has helped to standardize the color making process, and in doing so has made way for endless creativity in terms of developing art in all its forms.
What are your thoughts on the 2014 color of the year? What color evokes the greatest reaction in you? Let me know in a comment below.
Image Sources:
Lawrence Herbert photo: Pantone
Pantone color books splayed: TPI Solutions Ink
Pantone’s 2014 Color of the Year: www.Pantone.com
Tangerine tango catwalk panel image: Vogue.com
About the Author:
Alexis Ansley is a Central Florida fashion blogger, fashion consultant and co-founder of Lex&Pooch Styling Co. An avid enthusiast for all things vintage, Alexis has made a name for herself by uniquely combining vintage and contemporary styles within her personal fashion choices and while styling clients. Alexis is a member of the Independent Fashion Bloggers (IFB) community and work towards bringing fresh and unique fashions to the forefront of all her style ventures.
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Articles
Mister Rogers’ Week of Kindness Coming March 2023
Published
6 months agoon
November 30, 2022By
Mike Brodsky
WINTER PARK, Fla. (Florida National News) – Mister Rogers’ Week of Kindness, inspired by the children’s TV host and icon, comes to Orlando in March 2023. This week-long series of events was announced today at the Edyth Bush Charitable Foundation in Winter Park.
“Fred McFeely Rogers devoted his entire life to reminding us of some of the most important ideas of what it means to be human among humans: love, respect and kindness,” explained Buena Vista Events & Management President & CEO Rich Bradley. “Many of us find that nearly 20 years after Fred’s passing, it is important to focus on his teachings once again, perhaps now more than ever. This is a week to re-engage with his massive body of work with some folks, and to introduce his teachings to others.”
Mister Rogers’ Week of Kindness begins March 20, 2023, the date which would have been Fred’s 95th birthday, and concludes on Saturday, March 26 with the Red Sweater Soiree, a community dinner to recognize ten ordinary members of the community who inspire and exemplify the affinity that Fred Rogers had for showing kindness to our “Neighbors”.

Mister Rogers Week of Kindness coming March 20-26, 2023. Photo Credit: Mike Brodsky (Florida National News)
Activities planned for the week will include early childhood education activities and faculty training, as well as events open to the public.
“The events will be offered free or at low cost,” continued Bradley. “This week-long celebration is not a series of fundraisers, but rather about once again remembering and sharing some of the great work that Fred Rogers created, not only in early childhood education, but in reminding us that we are all part of one big ‘neighborhood’. Fred taught us the importance of accepting our Neighbors just the way they are and engaging in kindness with our interactions. I can’t think of another period in my lifetime where we needed to reflect on those messages again more than today.”
“There are three ways to ultimate success,” Fred Rogers was once quoted as saying. “The first way is to be kind. The second way is to be kind. The third way is to be kind. Imagine what our neighborhoods would be like if each of us offered, as a matter of course, just one kind word to another person.”
Many of the activities of Mister Rogers’ Week of Kindness will be attended by members of the cast and crew of Mister Rogers Neighborhood, which ran from 1968 – 1975, and again from 1979 – 2001. David Newell, known as “Mr. McFeely,” the “Speedy Delivery” man, appeared at today’s media conference via video, and looks forward to visiting Central Florida next March.
Mister Rogers’ Week of Kindness is supported by the McFeely-Rogers Foundation, the Fred Rogers Institute, and Fred Rogers Productions. Details regarding the specific activities and venues will be released over the next few weeks.
For more information on the events, visit https://www.BuenaVistaEvents.com or https://www.MisterRogersWeekofKindness.com.
Articles
A Quick Primer on the Team Solving Orange County’s Affordable Housing Crisis
Published
4 years agoon
July 23, 2019
ORLANDO, Fla. (FNN NEWS) – Orange County faces a growing affordable housing crisis, and Mayor Jerry Demings has taken notice–and action. Shortly after his inauguration, he formed Housing For All, an affordable housing task force to face the challenge head-on.
The Housing For All task force doesn’t meet monthly like the County Commission–in fact, their next meeting won’t be until October 4, 2019–but they do work when they’re not meeting. The task force is made up of three subcommittees, Design and Infrastructure Subcommittee, Accessibility and Opportunity Subcommittee and Innovation and Sustainability Subcommittee. These three subcommittees meet twice a month to come up with ideas and plans to fix the affordable housing problem.
Each subcommittee has a specific focus on ways to help solve the problem of affordable housing. The Design and Infrastructure Subcommittee is focused on the design of new affordable housing projects, the renovation of current affordable housing that might need fixing and land development for affordable housing units. The Accessibility and Opportunity Subcommittee is focused on making sure affordable housing is accessible to the major economic zones of the city, develop partnerships with groups and focus on outreach in the county. The Innovation and Sustainability Subcommittee is focused on finding ways to increase the supply of affordable housing and how to preserve affordable housing.
At their next meeting in October these subcommittees will update the county on what they have accomplished and what they plan to do in the future. For information from previous Housing for All Task Force meetings or the meeting schedule, visit the Orange County Government website.
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Leyton Blackwell is a photojournalist and Florida National News contributor. | info@floridanationalnews.com
Articles
Opening Biopic ‘Te Ata’ Sets High Bar for 2016 Orlando Film Festival
Published
7 years agoon
October 19, 2016
ORLANDO (FNN NEWS) – Orlando Film Festival kicked off at Cobb Theaters in Downtown Orlando Wednesday night. The red carpet came alive with excited filmmakers and actors ready to showcase their projects to the Orlando community and, in some cases, to the world at large, including Nathan Frankowski, director of this year’s opening feature Te Ata.
About Te Ata
Frankowski’s biopic feature chronicles the true story of Chickasaw actress and storyteller Mary Frances Thompson, whose love of stories and the Chickasaw Nation fueled her to share the Chickasaw culture with new audiences in the early 1900s, a time when the United States was still growing as a nation and clashed with Native American peoples in the process.
Viewers are immediately swept into the saga from the film’s opening scene with a voice-over folk tale told by Mary Thompson’s father, T.B. Thompson (played by Gil Birmingham). Ironically, though his storytelling places the seed of inspiration in her, it slowly becomes a source of friction between them as she ages.
What makes the film engrossing is the sprawling backdrop upon which Thompson’s journey takes place. While young Te Ata (which means “The Morning”) flourishes with each solo performance and eventually sets her sights on Broadway, the Chickasaw Nation is fighting to secure the funding due them from the U.S. government in the face of ethnocentrism and religious bigotry–to the point that the government passed a law forbidding the sale of traditional Native American textiles and creations, which caused further financial struggle for the Chickasaw Nation. Viewers even experience the Thompsons’ fish-out-of-water feeling as the Chickasaw people’s territory, Tishomingo, shrinks significantly to become part of the newborn state of Oklahoma.
The political tensions are counterbalanced with Te Ata’s experience. Te Ata does her first performances among family, but chooses to leave home for the first time in her life to attend the Oklahoma College for Women (known today as University of Science and Arts of Oklahoma), despite her father’s wishes for her to find a job at home. Viewers immediately empathize with Te Ata’s awkward experience upon her arrival at the predominantly Caucasian-attended College, but cheer her on when that one connection is made, because all it ever takes is one.
Te Ata’s jumping off point occurs when she meets drama teacher Frances Dinsmore Davis, who encourages her to join her class and to share the Chickasaw stories for her senior presentation instead of the usual Shakespeare recitation. From there, Te Ata’s career blossoms from one serendipitous connection to another, taking her performances across the country. She eventually makes it to New York City, hustling to find her place on Broadway, and finds love in the process while performing privately for Eleanor Roosevelt, whose husband was then Governor of New York. The heroine’s journey continues with well-placed highs and lows, keeping the viewer visually and emotionally engaged.
Te Ata is touchingly channeled through lead actress Q’orianka Kilcher who, like Te Ata, has stage experience, and brought it to bear in the role. Kilcher’s magnetic singing, with the help of the film’s sweeping score and indigenous songs, imprints the true Te Ata’s passion for her people onto the viewer’s heart.
Frankowski, who worked closely with the Chickasaw Nation in creating the film, honors Te Ata’s memory and legacy in a cohesive, sweeping tale that will edify audiences everywhere.
Florida National News Editor Mellissa Thomas is an author and journalist, as well as a decorated U.S. Navy veteran with degrees in Entertainment Business and Film. She also helps business owners, CEOs, executives, and speakers double their income and clinch the credibility they deserve by walking them step by step through the process of developing, completing, marketing, and publishing their first book.
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