Entertainment
Rush Limbaugh, ‘Voice of American Conservatism,’ Has Died
Published
5 years agoon
(AP) – Rush Limbaugh, the talk radio host who ripped into liberals and laid waste to political correctness with a merry brand of malice that made him one of the most powerful voices on the American right, influencing the rightward push of conservatism and the rise of Donald Trump, died Wednesday. He was 70.
Limbaugh said a year ago that he had lung cancer. His death was announced on his show by his wife, Kathryn.
Unflinchingly conservative, wildly partisan, bombastically self-promoting and larger than life, Limbaugh galvanized listeners for more than 30 years with his talent for vituperation and sarcasm.
He called himself an entertainer, but his rants during his three-hour weekday radio show broadcast on nearly 600 U.S. stations shaped the national political conversation, swaying ordinary Republicans and the direction of their party.
Blessed with a made-for-broadcasting voice, he delivered his opinions with such certainty that his followers, or “Ditto-heads,” as he dubbed them, took his words as sacred truth.
“In my heart and soul, I know I have become the intellectual engine of the conservative movement,” Limbaugh, with typical immodesty, told author Zev Chafets in the 2010 book “Rush Limbaugh: An Army of One.”
Forbes magazine estimated his 2018 income at $84 million, ranking him behind only Howard Stern among radio personalities.
Limbaugh took as a badge of honor the title “most dangerous man in America.” He said he was the “truth detector,” the “doctor of democracy,” a “lover of mankind,” a “harmless, lovable little fuzz ball” and an “all-around good guy.” He claimed he had “talent on loan from God.”
Long before Trump’s rise in politics, Limbaugh was pinning insulting names on his enemies and raging against the mainstream media, accusing it of feeding the public lies. He called Democrats and others on the left communists, wackos, feminazis, liberal extremists, homosexual slurs and radicals.
When actor Michael J. Fox, suffering from Parkinson’s disease, appeared in a Democratic campaign commercial, Limbaugh mocked his tremors. When a Washington advocate for the homeless killed himself, he cracked jokes. As the AIDS epidemic raged in the 1980s, he made the dying a punchline. He called 12-year-old Chelsea Clinton a dog.
He suggested that the Democrats’ stand on reproductive rights would have led to the abortion of Jesus Christ. When a woman accused Duke University lacrosse players of rape, he derided her as a “ho,” and when a Georgetown University law student supported expanded contraceptive coverage, he dismissed her as a “slut.” When Barack Obama was elected president in 2008, Limbaugh said: “I hope he fails.”
He was frequently accused of bigotry and blatant racism for such antics as playing the song “Barack the Magic Negro” on his show. The lyrics, set to the tune of “Puff, the Magic Dragon,” describe Obama as someone who “makes guilty whites feel good” and is “black, but not authentically.”
Limbaugh often enunciated the Republican platform better and more entertainingly than any party leader, becoming a GOP kingmaker whose endorsement and friendship were sought. Polls consistently found he was regarded as the voice of the party.
His idol, Ronald Reagan, wrote a letter of praise that Limbaugh proudly read on the air in 1992: “You’ve become the number one voice for conservatism.” In 1994, Limbaugh was so widely credited with the first Republican takeover of Congress in 40 years that the GOP made him an honorary member of the new class.
During the 2016 presidential primaries, Limbaugh said he realized early on that Trump would be the nominee, and he likened the candidate’s deep connection with his supporters to his own. In a 2018 interview, he conceded Trump is rude but said that is because he is “fearless and willing to fight against the things that no Republican has been willing to fight against.”
Trump, for his part, heaped praise on Limbaugh, and during last year’s State of the Union speech, awarded the broadcaster the Presidential Medal of Freedom, the nation’s highest civilian honor, calling his friend “a special man beloved by millions.”
Both men ultimately found Florida more comfortable than New York: The former president’s Mar-a-Lago estate is eight miles down the same Palm Beach boulevard as Limbaugh’s $50 million beachfront expanse.
Trump called into Fox News Channel to discuss his friend’s death, saying they last spoke three or four days ago. “You know, his fight was very very courageous. And he was very, very sick.”,
Trump lauded Limbaugh as “a legend” with impeccable political instincts. Former President George W. Bush said Wednesday that he “spoke his mind as a voice for millions of Americans.”
Limbaugh influenced the likes of Sean Hannity, Glenn Beck, Bill O’Reilly and countless other conservative commentators who pushed the boundaries of what passes as acceptable public discourse.
His brand of blunt, no-gray-area debate spread to cable TV, town hall meetings, political rallies and Congress itself, emerging during the battles over health care and the ascent of the tea party movement.
“What he did was to bring a paranoia and really mean, nasty rhetoric and hyperpartisanship into the mainstream,” said Martin Kaplan, a University of Southern California professor who is an expert on the intersection of politics and entertainment and a frequent critic of Limbaugh. “The kind of antagonism and vituperativeness that characterized him instantly became acceptable everywhere.”
In one breathless segment in 1991, he railed against the homeless, AIDS patients, criticism of Christopher Columbus, aid to the Soviet Union, condoms in schools, animal rights advocates, multiculturalism and the social safety net.
His foes accused him of trafficking in half-truths, bias and outright lies — the very tactics he decried in others. Al Franken, the comedian and one-time senator, came out with a book in 1996 called “Rush Limbaugh Is a Big Fat Idiot and Other Observations.”
In 2003, Limbaugh admitted an addiction to painkillers and went into rehab. Authorities opened an investigation into alleged “doctor shopping,” saying he received up to 2,000 pills from four doctors over six months.
He ultimately reached a deal with prosecutors in which they agreed to drop the charge if he continued with drug treatment and paid $30,000 toward the cost of the investigation.
He lost his hearing around that time. He said it was from an autoimmune disorder, while his critics said hearing loss is a known side effect of painkiller abuse. He received cochlear implants, which restored his hearing and saved his career.
A portly, cigar-chomping, round-faced figure, Limbaugh was divorced three times, after marrying Roxy Maxine McNeely in 1977, Michelle Sixta in 1983 and Marta Fitzgerald in 1994. He married his fourth wife, the former Kathryn Rogers, in a lavish 2010 ceremony featuring Elton John. He had no children.
Rush Hudson Limbaugh III was born Jan. 12, 1951, in Cape Girardeau, Missouri. His mother was the former Mildred Armstrong, and his father, Rush Limbaugh Jr., was a lawyer.
Rusty, as the younger Limbaugh was known, was chubby and shy, with little interest in school but a passion for broadcasting. He would turn down the radio during St. Louis Cardinals baseball games, offering play-by-play, and gave running commentary during the evening news. By high school, he had snagged a radio job.
Limbaugh dropped out of Southeast Missouri State University for a string of DJ gigs, from his hometown, to McKeesport, Pennsylvania, to Pittsburgh and then Kansas City. Known as Rusty Sharpe and then Jeff Christie on the air, he mostly spun Top 40 hits and sprinkled in glimpses of his wit and conservatism.
“One of the early reasons radio interested me was that I thought it would make me popular,” he once wrote.
But he didn’t gain the following he craved and gave up on radio for several years, beginning in 1979, becoming promotions director for baseball’s Kansas City Royals. He ultimately returned to broadcasting, again in Kansas City and then Sacramento, California.
It was there in the early 1980s that Limbaugh really garnered an audience, broadcasting shows dripping with sarcasm and bravado. The stage name was gone.
Limbaugh began broadcasting nationally in 1988 from WABC in New York. While his know-it-all commentary quickly gained traction, he was dismayed by his reception in the big city. He thought he would be welcomed by Peter Jennings, Tom Brokaw and Dan Rather.
“I came to New York,” he wrote, “and I immediately became a nothing, a zero.”
Ultimately, Limbaugh moved his radio show to Palm Beach and bought his massive estate. Talkers Magazine, which covers the industry, said Limbaugh had the nation’s largest audience in 2019, with 15 million unique listeners each week.
“When Rush wants to talk to America, all he has to do is grab his microphone. He attracts more listeners with just his voice than the rest of us could ever imagine,” Beck wrote in Time magazine in 2009. “He is simply on another level.”
Limbaugh expounded on his world view in the best-selling books “The Way Things Ought to Be” and “See, I Told You So.”
He had a late-night TV show in the 1990s that got decent ratings but lackluster advertising because of his divisive message. When he guest-hosted “The Pat Sajak Show” in 1990, audience members called him a Nazi and repeatedly shouted at him.
He was fired from a short-lived job as an NFL commentator on ESPN in 2003 after he said the media had made a star out of Philadelphia Eagles quarterback Donovan McNabb because it was “very desirous that a black quarterback do well.” His racial remarks also derailed a 2009 bid to become one of the owners of the NFL’s St. Louis Rams.
“Do you ever wake up in the middle of the night and just think to yourself, `I am just full of hot gas?’” David Letterman asked him in 1993 on “The Late Show.”
“I am a servant of humanity,” Limbaugh replied. “I am in the relentless pursuit of the truth. I actually sit back and think that I’m just so fortunate to have this opportunity to tell people what’s really going on.”
___
Associated Press writer Terry Spencer contributed to this report.
Entertainment
‘SPAMALOT’ Joins Dr. Phillips Center’s 2026-27 Broadway in Orlando Season
Published
3 days agoon
August 10, 2026Tony Award-winning musical will play Walt Disney Theater Nov. 3-5, 2026
ORLANDO, Fla. (FNN NEWS) — Dr. Phillips Center for the Performing Arts is expanding its 2026-27 Broadway in Orlando season with the addition of SPAMALOT, the Tony Award-winning Best Musical, scheduled for Nov. 3-5, 2026, at Walt Disney Theater.
Inspired by the classic comedy Monty Python and the Holy Grail, SPAMALOT brings Monty Python’s distinctly British humor to the stage through a comedic adventure following King Arthur and his quest for the Holy Grail.
The production comes to Orlando following a celebrated 2023 Broadway revival at the St. James Theatre, directed and choreographed by Josh Rhodes.
Monty Python Comedy Comes to Orlando
Described as “lovingly ripped” from Monty Python and the Holy Grail, the musical features British royalty, flying cows, dancing girls, shrubbery and the Lady of the Lake.
The 14-time Tony Award-nominated musical features well-known numbers including “Always Look on the Bright Side of Life,” “The Song That Goes Like This” and “Find Your Grail.”
SPAMALOT features a book and lyrics by Eric Idle, with music by John Du Prez and Idle.
Cast Announced for Orlando Production
The cast features Major Attaway, whose credits include Aladdin, as King Arthur; Sean Bell (Harmony) as Sir Robin; Chris Collins-Pisano (Forbidden Broadway) as Sir Lancelot; Ellis C. Dawson III (Hamilton) as Sir Bedevere; Leo Roberts (Les Misérables) as Sir Galahad; Amanda Robles as the Lady of the Lake; Blake Segal (Mary Poppins) as Patsy; and Steven Telsey (The Book of Mormon) as the Historian and Prince Herbert.
The company also includes Lindsay Lee Alhady, Delaney Benson, Jack Brewer, Connor Coughlin, L’ogan J’ones, Graham Keen, Claire Kennard, Ben Lanham, Nathaniel Mahone, Maddie Mossner, Emilie Renier, Mark Tran Russ and Meridien Terrell.
Creative Team
The production’s creative team includes scenic and projection designer Paul Tate dePoo III, costume designer Jen Caprio, lighting designer Cory Pattak, sound designers Kai Harada and Haley Parcher, and wig designer Tom Watson.
John Bell serves as music supervisor, with Jonathan Gorst as musical director and conductor.
Derek Kolluri is associate director, Michael Fatica is associate choreographer and casting is by Geoff Josselson, CSA. RCI Theatricals serves as general manager, and Jeffrey Finn is the producer.
Tickets on Sale Now
Single tickets for SPAMALOT are on sale now through Dr. Phillips Center.
Performances: Nov. 3-5, 2026
Venue: Walt Disney Theater at Dr. Phillips Center for the Performing Arts
Location: Orlando, Florida
Tickets and additional information are available through the Dr. Phillips Center website.
Central Florida News
Dr. Phillips Center Generates $227.6 Million Annual Economic Impact, Supports Nearly 2,500 Central Florida Jobs
Published
2 weeks agoon
July 30, 2026ORLANDO, Fla. (FNN NEWS) — The Dr. Phillips Center for the Performing Arts generated $227.6 million in annual economic impact, supporting 2,483 jobs and producing $13.2 million in state and local tax revenue, according to a newly released independent study by Tourism Economics.
The analysis, conducted by Tourism Economics, an Oxford Economics company specializing in economic impact and tourism research, measured the direct, indirect and induced economic activity generated by the arts center’s operations, performances, visitors and related spending throughout Central Florida.
The findings underscore the Dr. Phillips Center’s role as both a premier performing arts destination and a major contributor to the region’s economy.
“For more than a decade, we’ve seen firsthand how the arts inspire people, bring communities together and create lasting value,” said Kathy Ramsberger, president and CEO of Dr. Phillips Center for the Performing Arts. “This study confirms that our impact reaches far beyond our stages—supporting thousands of jobs, driving business growth, attracting visitors from around the world and helping position Central Florida as a more vibrant, competitive and connected region.”
Economic Impact by the Numbers
According to the Tourism Economics report, the Dr. Phillips Center generated:
- $227.6 million in annual economic output
- 2,483 jobs supported across Central Florida
- $70.8 million in total labor income in Orange County
- $13.2 million in state and local tax revenue
- $73.1 million in off-site spending by event attendees, performers and production crews
- 61,600 hotel room nights generated annually
The study highlights the ripple effect created by visitors attending performances, benefiting nearby hotels, restaurants, retailers and other local businesses.
A Global Destination for Arts and Entertainment
Now in its 11th year, the Dr. Phillips Center welcomes more than 910,000 guests annually, attracting visitors from all 50 states and more than 80 countries.
Since opening in 2014, the venue has hosted:
- More than 6.2 million guests
- More than 6,200 performances and events
- Programming presented 99% of the year
- Venue occupancy rates ranging from 82% to 97%
The center has become one of the world’s busiest performing arts destinations while helping position downtown Orlando as a leading hub for arts, culture and entertainment.
Community Investment Beyond the Stage
In addition to its economic impact, the Dr. Phillips Center continues investing in arts education, community outreach and cultural programming throughout Central Florida.
According to the organization, it has:
- Served 935,920 students and community participants
- Supported and hosted 202 regional arts organizations
- Received support from 24,085 donors
- Benefited from $256 million in philanthropic contributions since its inception
Through partnerships with schools, nonprofit organizations, community groups and touring productions, the center continues to expand access to the performing arts while strengthening the region’s cultural and economic vitality.
Looking Ahead
Eleven years after opening, the Dr. Phillips Center continues to demonstrate that investment in arts and culture produces measurable returns through tourism, employment, education and community engagement.
As Central Florida continues to grow, the independent analysis reinforces the performing arts center’s importance as both a cultural landmark and an economic engine for the region.
Additional information about the economic impact study is available through the Dr. Phillips Center for the Performing Arts.
Entertainment
Blue Man Group Orlando Launches $25 Kids Ticket Offer at ICON Park Through Dec. 31
Published
1 month agoon
July 6, 2026ORLANDO, Fla. (FNN NEWS) — Families can enjoy Blue Man Group Orlando for less this summer and fall thanks to a new ticket promotion that allows children to attend performances for $25 with the purchase of a full-priced adult ticket.
The limited-time offer is available for online purchases through Dec. 31, 2026, making one of Orlando’s newest live entertainment attractions more affordable for families.
Special Kids Ticket Offer
Under the promotion, guests who purchase a full-priced adult ticket may purchase a children’s ticket for $25.
The offer is valid for performances:
- Monday through Thursday
- Fridays at 5 p.m.
The promotion is not valid for:
- Saturday performances
- Sunday performances
- Fridays at 8 p.m.
New Orlando Production at ICON Park
Blue Man Group opened its new resident production at ICON Park in May inside a custom-built theater located along Orlando’s International Drive entertainment district.
The production blends music, comedy, technology and audience participation, while featuring many of the signature moments fans expect from Blue Man Group alongside new material created exclusively for the Orlando production.
Global Entertainment Phenomenon
Since debuting in 1991 at New York’s Astor Place Theatre, Blue Man Group has entertained more than 50 million people worldwide through resident productions and international tours.
The show continues to expand with performances in Orlando, Las Vegas, touring productions across North America and an upcoming tour in Japan.
Blue Man Group is owned and operated by Cirque du Soleil Entertainment Group.
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