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Toy Story 4 repeats at No. 1 over Annabelle, Yesterday

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LOS ANGELES (AP) — “Toy Story 4” hung onto the top spot in its second week in theaters and the horror sequel “Annabelle Comes Home” opened in line with expectations, but the Cinderella story of the weekend was actually the third place movie: “Yesterday.”

The Danny Boyle-directed musical romantic comedy featuring the music of the Beatles debuted well over industry expectations, earning an estimated $17 million from North American theaters. In a summer where most films have debuted either under or at industry tracking, which are often lowball projections, and original comedies have struggled to find audiences, “Yesterday” proved to be the exception.

Starring relative newcomer Himesh Patel, “Yesterday” imagines a world where only one man remembers the music of the Beatles and decides to present their catalog of hits as his own.

Although critics were mixed, audiences, who were mostly female (56 and over the age of 25 (75%) have embraced the film with an A- CinemaScore and a 90% audience score on Rotten Tomatoes.

Universal’s President of Domestic Theatrical Distribution Jim Orr says he tries to use the word “thrilled” judiciously, but that it applies here.

“Among all of the sequels and all of the explosions of the summer, this is a very charming, original, whimsical musical romance with iconic music and amazing performances… (and direction),” Orr said. “All of that adds up to a great, great run at the domestic box office.”

Even Warner Bros., which has the Bruce Springsteen-themed film “Blinded by the Light” coming later this summer was heartened by “Yesterday’s” launch, which motivated a solidly adult demographic to trek out to the movie theater on opening weekend.

As Comscore senior media analyst Paul Dergarabedian put it: “It’s not always the No. 1 film that’s the big story.”

The No. 1 film was once again “Toy Story 4,” which added $57.9 million from domestic theaters, down 52% from its debut last weekend. Globally the film has already netted $496.5 million.

Of the top grossing films of 2019, Disney now occupies the top four spots with “Avengers: Endgame,” ″Captain Marvel,” ″Aladdin” and “Toy Story 4.”

In second place was the third Annabelle film, “Annabelle Comes Home,” which debuted on over 3,500 screens Wednesday. The Warner Bros. horror earned $20.4 million over the weekend and $31.2 million in its first five days.

Although it is a franchise low — the first two opened over $35 million — with a budget of $27 million, it did well enough to justify its existence.

“This was a reasonable movie to make,” said Jeff Goldstein, Warner Bros.′ head of domestic distribution. “You don’t have to exceed on every one.”

He noted that the “Conjuring Universe” is the most successful horror franchise of all time with over $1.6 billion in ticket sales. And after a few back-to-back Conjuring spinoffs, the franchise is taking bit of a breather; “The Conjuring 3″ won’t hit theaters until after Labor Day next year.

“Aladdin” and “The Secret Life of Pets 2″ rounded out the top five. “Avengers: Endgame” also made it back into the top 10 after Disney added over 1,000 screens this weekend. It added an estimated $5.5 million, bringing its domestic total to $841.3 million. Globally, it’s now at $2.76 billion.

While some have viewed the “bring back” campaign as a naked “cash grab” to try to beat the “Avatar” record ($2.79 billion worldwide), Dergarabedian thinks it has more to do with “Spider-Man: Far From Home,” which opens next weekend and picks up right after the events of “Endgame.”

The weekend overall is down nearly 15% from last year and the year to date deficit is around 9.4%.

“We’ve been trying to dig our way out of this deficit for it seems like forever,” Dergarabedian said. “Some of the movies that were expected to be grand slam home runs were more like triples.”

But Sony and Marvel’s “Spider-Man: Far From Home,” which has already earned $111 million from China, Japan and Hong Kong, could help turn the year around.

“There’s a lot riding on Spider-Man’s shoulders,” Dergarabedian said. “I think this will be a real shot in the arm to the industry both financially and emotionally.”

He added: “If Spidey can’t do it, no one can.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.

1. “Toy Story 4,” $57.9 million ($80.6 million international).

2. “Annabelle Comes Home,” $20.4 million ($45 million international).

3. “Yesterday,” $17 million ($7.7 million international).

4. “Aladdin,” $9.3 million ($24.4 million international).

5. “The Secret Life of Pets 2,” $7.1 million ($11.8 million international).

6. “Men In Black: International,” $6.6 million ($11.5 million international).

7. “Avengers: Endgame,” $5.5 million ($2.3 million international).

8. “Child’s Play,” $4.3 million ($1.4 million international).

9. “Rocketman,” $3.9 million ($2.6 million international).

10. “John Wick: Chapter 3 —Parabellum,” $3.2 million ($6.6 million international).
___

Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to Comscore:

1. “Spider-Man: Far From Home,” $111 million.

2. “Toy Story 4,” $80.6 million.

3. “Annabelle Comes Home,” $45 million.

4. “Aladdin,” $24.4 million.

5. “The Secret Life of Pets 2,” $11.8 million.

6. “Spirited Away,” $11.8 million.

7. “Men In Black: International,” $11.5 million.

8. “Yesterday,” $7.7 million.

9. “John Wick: Chapter 3 — Parbabellum,” $6.6 million.

10. “Parasite,” $3.8 million.

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Entertainment

Mary J. Blige Gives Her Fans Everything in Powerful Kia Center Performance

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KIA Center

ORLANDO, Fla. (FNN NEWS)- Mary J. Blige didn’t need an opener to ignite the Kia Center on Friday night, April 25. The Queen of Hip-Hop Soul delivered a commanding, no-frills performance that had the Orlando crowd on their feet from the moment she stepped on stage.

Kia Center

The evening kicked off with a 90-minute DJ set packed with throwback R&B and hip-hop anthems from the ’80s and ’90s. From SWV to Biggie and everything in between, the vibe was a perfect setup for what was to come: a night of unapologetic soul and timeless hits.

Blige’s setlist was a journey through her career, with classics like “Family Affair,” “Real Love,” and “No More Drama,” mixed with fresh material from her latest album Gratitude. Newer tracks like “Here I Am” and “Don’t F*ck Up” were met with just as much energy, showing that her voice and message still resonate deeply.

Serving high-glam looks throughout the night—think sleek bodysuits, leather shorts, and her signature thigh-high boots—Blige delivered fierce fashion that matched the intensity of her performance. The Kia Center was electric, and when she broke into her signature dance, the crowd erupted, chanting “Go Mary, Go Mary!” with infectious enthusiasm.

Her vocals were as raw and resonant as ever, cutting through every beat with emotion and precision. Before launching into “My Life,” she paused to connect with the audience, saying, “We’ve been through pain, through joy, and we’re still standing—together.” The response was thunderous.

For fans in Orlando, it wasn’t just a concert; it was an unforgettable experience, where they were reminded why Mary J. Blige remains an icon. She gave them everything—her voice, her heart, and a connection that transcended the stage.

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Kareen Kennedy is the Assistant Editor for Florida National News
kareen.kennedy@floridanationalnews.com

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Get Ready for a Soulful Night with Fantasia Barrino and Anthony Hamilton at Addition Financial Arena

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Source: Ticketmaster

ORLANDO, Fla. (FNN NEWS) –If you’re looking for a night filled with unforgettable music, deep emotions, and soul-stirring performances, mark your calendars for April 25, 2025. That’s when two of the most beloved voices in R&B, Fantasia Barrino and Anthony Hamilton, will take the stage at the Addition Financial Arena in Orlando, Florida. This concert isn’t just an event—it’s an experience that promises to move you, uplift you, and make you fall in love with music all over again.

Since her powerful rise to fame as the winner of American Idol, Fantasia Barrino has captivated audiences with her raw, emotional voice and the way she pours every ounce of her heart into her music. Whether it’s the gospel-infused ballads or her sassy, upbeat R&B anthems, Fantasia has a way of making you feel every note, every lyric. This concert will bring her signature mix of powerful classics like “When I See You” and “Free Yourself,” along with newer hits that showcase just how much she’s grown as an artist. Expect to see Fantasia perform with all the passion and energy she’s known for, creating a bond with her audience that feels personal and intimate, even in a large venue like the Addition Financial Arena.

Joining Fantasia is the incomparable Anthony Hamilton, whose velvety smooth voice and storytelling ability have made him a legend in his own right. Known for songs like “Charlene” and “The Point of It All,” Anthony has a rare gift for connecting with his listeners on a deeply emotional level. His music speaks of love, loss, healing, and everything in between, and when he performs, you feel every word as if it’s your own story being told. Fans can expect Anthony to take them on a journey with his soulful melodies, his heart-wrenching lyrics, and his unforgettable stage presence. There’s something about his voice that just resonates, and being able to experience it live is truly a gift.

While Fantasia and Anthony Hamilton are stars in their own right, there’s a special kind of magic that happens when they come together. The two have such distinct, powerful voices that blend beautifully when harmonized, and this concert will showcase that perfect synergy. Whether they’re performing separately or sharing the stage for some powerhouse duets, the energy between these two artists is electric—and the audience will feel it. This is the kind of concert where you’ll find yourself singing along, clapping, and maybe even getting a little emotional, as their voices tell stories that resonate with the heart.

This isn’t just another concert—it’s a chance to witness two of R&B’s finest share their music, their passion, and their stories with you in one unforgettable evening. The Addition Financial Arena in Orlando provides the perfect backdrop for this soulful night, giving fans the perfect setting to enjoy the music up close and personal. So whether you’re an old-school fan of Fantasia’s “I Believe” or you’ve been hooked on Anthony Hamilton’s soulful ballads, this is an event you won’t want to miss. It’s a chance to experience two of the most powerful voices in R&B live, and trust us—this night will be one to remember for years to come.

Tickets for this highly anticipated concert are already flying off the shelves, so don’t wait too long to grab yours at Ticketmaster.com This is the kind of event that you’ll want to experience in person, and once you hear Fantasia and Anthony Hamilton live, you’ll never forget the magic of the night. So, get ready to be swept away by the power of soul, love, and music—April 25, 2025 is the night to remember. Be there!

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Kareen Kennedy is the Assistant Editor for Florida National News
kareen.kennedy@floridanationalnews.com

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Love, Culture, and Comedy Collide in The Wedding Banquet (2025)

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ORLANDO, Fla. (FNN NEWS)- Arriving in theaters April 18, The Wedding Banquet (2025) brings a fresh and heartfelt perspective to the classic romantic comedy, blending cultural tradition, modern relationships, and the complexities of identity. Directed by Andrew Ahn (Spa Night, Driveways, Fire Island), the film is a reimagining of the beloved 1993 movie of the same name, now updated for a new generation with humor, warmth, and a stellar cast.

At the center of the story is Min, portrayed by Bowen Yang (Saturday Night Live, Wicked), a gay man who finds himself under pressure to maintain appearances for his traditional family. In a mutually beneficial arrangement, he agrees to a green-card marriage with his best friend, played by Kelly Marie Tran (Raya and the Last Dragon, Star Wars: The Last Jedi), who is seeking access to in vitro fertilization. The plan is simple—on paper.

Things take an unexpected turn when Min’s grandmother makes a surprise trip from Seoul and insists on throwing a full traditional Korean wedding banquet. What follows is a whirlwind of secrets, revelations, and genuine emotion as the pair tries to keep up the façade in front of loved ones while quietly confronting their own personal truths.

Rounding out the cast is Lily Gladstone, whose acclaimed, Oscar-nominated performance in Killers of the Flower Moon made her one of the most compelling actors to watch. Her role adds a grounded presence and emotional depth that further elevates the film’s dynamic ensemble.

This remake arrives at a particularly meaningful moment in cinematic history. The original The Wedding Banquet, directed by Ang Lee and released in 1993, was officially added to the U.S. National Film Registry by the Library of Congress in 2023. This prestigious recognition is reserved for films considered “culturally, historically, or aesthetically significant,” ensuring their preservation for future generations. The original broke new ground by bringing Asian American and LGBTQ+ stories into mainstream consciousness, and its selection by the Library of Congress underscores its enduring impact and relevance.

By reimagining The Wedding Banquet through a contemporary lens, Andrew Ahn not only honors the legacy of Ang Lee’s original but also introduces new audiences to a story that still resonates—one that navigates love, family, identity, and the universal human desire to be accepted. The 2025 version embraces both the comedic and emotional beats of the original while creating space for modern perspectives, representation, and storytelling.

With standout performances, sharp writing, and a balance of sincerity and laughter, The Wedding Banquet (2025) is more than just a romantic comedy—it’s a celebration of chosen family, cultural connection, and the beautifully messy ways we find love and acceptance.

Opening April 18—bring tissues, bring laughter, and don’t miss the invitation.

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Kareen Kennedy is the Assistant Editor for Florida National News
kareen.kennedy@floridanationalnews.com

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