Entertainment
With King Kong, a Little Swagger Returns to the Box Office
Published
5 years agoon
NEW YORK (AP) — Once again, mayhem and mass destruction is back at the box office. It’s almost like old times.
“Godzilla vs. Kong,” one of the few tentpoles to dare release during COVID times, is poised this weekend to set a new high in ticket sales during the pandemic. It won’t be the kind of blockbuster business such a big-budget release would typically manage, but experts forecast a launch of at least $25 million.
Opening-day ticket sales on Wednesday for “Godzilla vs. Kong” totaled $9.6 million, Warner Bros. said Thursday — a single-day pandemic record and more than most 2020-2021 opening weekend hauls. Last weekend, the monster mash pulled in an impressive $123.1 million internationally. In China, where moviegoing is close to pre-pandemic levels, the movie made about $70 million, double the debut of 2014′s “Godzilla.”
For the first time in a long time, there’s the faint hint of a hit at the box office.
“It’s a good omen that the tastes of the consumer have not shifted so much that there’s no possibility of restarting the movie business,” says Joshua Grode, chief executive of Legendary Entertainment, which produced “Godzilla vs. Kong.” “This tells everybody: the moviegoing business is here, and, yes, it may be different post-pandemic. But there is a viable industry there.”
Huge challenges remain to the revival of moviegoing. With so many cinemas shuttered for nearly an entire year, many moviegoers are out of the habit. Some are unlikely to return to sitting indoors with strangers until they’re vaccinated or the pandemic has ebbed. And even those who have been convinced of the safety of moviegoing by theaters’ health protocols, they now have only more in-home options. “Godzilla vs. Kong” is streaming simultaneously on HBO Max in North America.
But few scream big screen as much as King Kong and Godzilla. To help kickstart moviegoing and bring back a little chest-thumping swagger to theaters, the industry is counting on two of the movies’ most iconic, long-running leviathans. Laying another metropolis to waste might help movie theaters build themselves back up.
“The issue is less convincing consumers to go to the movies than it is convincing studios to open their movies,” says Rich Gelfond, IMAX’S chief executive. “There’s been a hesitancy on the part of Hollywood studios to release movies because they haven’t been convinced the demand is there. What I really hope this weekend shows is that there is a lot of demand there and it convinces them to open a lot of movies that have been sitting on the shelf.”
Recently, ticket sales, while still far below their usual levels, are ticking upward. The best debut of 2021 was “Tom & Jerry,” with $13.7 million in late February. The pandemic-high belongs to “Wonder Woman 1984,” which launched with $16.7 million in December. Each were Warner Bros. releases that landed simultaneously on HBO Max — a once controversial release plan that has helped theaters stay afloat and proved an interesting test case for how viewers prefer to see, and pay for, a movie.
Nevertheless, the Walt Disney Co. recently delayed the planned summer-kickoff of “Black Widow” to July, while pushing a number of titles to its streaming platform, Disney+. Part of what’s holding blockbusters back is the need for a global release to make back their sizable production budgets and marketing spend. (“Godzilla vs. Kong” cost about $160 million to make.) While moviegoing in much of Asia is rejuvenated, rising cases in Europe and in countries like Brazil have, for now, made a full worldwide rollout impossible.
Paul Dergarabedian, senior media analyst for Comscore, believes “Godzilla vs. Kong” will be “another building block in our education in where the industry is heading.”
“The theatrical experience will prove to be viable and resilient as it always has,” says Dergarabedian. “But it’s going to be a different world, no question. I think it’s going to be a leaner, meaner business going forward.”
Some of the old standard practices that have governed blockbusters aren’t coming back. Studios like Warner Bros. and Universal Pictures have made deals to shorten exclusive theatrical windows. Warner Bros. next year will hold movies in theaters for a minimum of 45 days, or half of the traditional window, before moving releases to at-home platforms. Such new models mean a recalibrating of what movies get greenlit and how much they’re worth.
“The value of those streaming/pay-TV rights are more valuable now because you’re getting access to them much, much earlier than you did before,” says Grode. “So you kind of have to rerun your model of how the movie is going to perform over its lifetime.”
It’s also meant some tense negotiations over profit participation. When Warner Bros. surprised with its hybrid release plans for 2021, Legendary — whose highly anticipated “Dune” is to be released in the fall by Warner Bros. — considered legal action before arriving at an agreement.
“We obviously didn’t like the way they announced what they were doing in 2021, and I think they would admit they didn’t handle it perfectly,” says Grode. “But when you look at the state of the world, the facts as we all knew them at the time, their decision made a lot of sense.”
“You get over that pretty quickly and you get back to business,” he added.
Helping theaters get back to business, Gelfond believes, are large-format screens “that differentiate the couch as much as they can.” IMAX accounted for 14% of the Chinese box office for “Godzilla vs. Kong.” This weekend, the film will be playing on 1,170 IMAX screens worldwide. Showings in New York and Los Angeles, Gelfond said, are already sold out, albeit at lower capacity.
The box office might not quite roar again this weekend, but “Godzilla vs. Kong” may show it has a little bite left. Says Grode: “In years from now, when people write about coming back to the movies, I’m very proud that ‘Godzilla vs. Kong’ will be in that history.”
Entertainment
Chaka Khan, Q Parker to Lead Living Legends Foundation’s 35th Anniversary Gala in Atlanta
Published
2 days agoon
September 12, 2026Milestone celebration will recognize the executives, radio personalities, entrepreneurs and cultural leaders who helped shape Black music and entertainment
ATLANTA, Ga. (FNN) — Ten-time Grammy Award winner Chaka Khan will serve as honorary ambassador and Grammy-winning singer and founding 112 member Q Parker as honorary gala chair for the Living Legends Foundation’s 35th Anniversary Awards Dinner & Gala, the organization announced.
The milestone celebration is scheduled for Friday, Oct. 2, in Atlanta and will bring together artists, music executives, radio personalities, creatives, entrepreneurs and cultural leaders to recognize the people whose work has helped shape Black music, media and entertainment.
For Khan, the role marks a return to an organization that recognized her more than three decades ago. She was among the artists honored by the Living Legends Foundation in 1992.
“When you cross a bridge, you don’t think about all the hands that built it. Some of the most important contributions are the ones we never see,” Khan said in the announcement. “Thank you, Living Legends Foundation, for seeing that every story matters and for honoring those hands and hearts that helped build the way for all of us.”
Chaka Khan Returns for Milestone Anniversary
Living Legends Foundation Chairman David C. Linton said Khan’s connection to the organization makes her participation especially significant during its 35th anniversary.
“Having Chaka Khan serve as our Honorary Ambassador during this milestone year is incredibly meaningful,” Linton said. “Chaka’s history with the Foundation reaches back to our earliest years, and her extraordinary career represents the excellence, longevity and cultural impact we have worked to celebrate for 35 years.”
Khan’s appearance also comes as she prepares for another chapter in her recording career. According to the foundation’s announcement, her new album, “Chakzilla,” is scheduled for release Sept. 18. The project, described as her first full-length album in seven years, includes collaborations with Sia, Snoop Dogg and Lenny Kravitz.
The combination of Khan’s new music and her honorary role highlights one of the gala’s central themes: connecting the legacy of Black music with the people continuing to move the industry forward.
Q Parker to Serve as Honorary Gala Chair
Joining Khan is Q Parker, a founding member of Grammy-winning R&B group 112. Parker will serve as honorary gala chair and help promote the foundation’s work recognizing and supporting music industry professionals.
“Black music has given me a career, a community, and an opportunity to use my gifts to impact people around the world, so serving as Honorary Chair for the Living Legends Foundation’s 35th anniversary is truly an honor,” Parker said.
Parker said the industry’s success extends far beyond the artists audiences see on stage.
“This organization understands that our industry is bigger than the names we see on the marquee,” Parker said. “There are countless people behind the scenes who have dedicated their lives to moving our culture forward.”
Parker recently released the single “Stare,” from his forthcoming album, “Evolution of Romance, Volume Two,” expected this fall, according to the announcement.
Honoring the People Behind Black Music and Culture
Founded in 1991, the Living Legends Foundation has built its mission around recognizing professionals whose work has helped bring Black music and culture to audiences around the world.
Beyond its annual honors, the nonprofit provides support to music industry professionals with confirmed needs and invests in future generations through mentorship, scholarships and other assistance.
The anniversary gala will continue that mission by placing executives, broadcasters, advocates, entrepreneurs and other behind-the-scenes leaders alongside some of the most recognizable figures in entertainment.
2026 Living Legends Foundation Honorees
This year’s honorees include:
- Ray Harris Lifetime Achievement Award: Louis Carr, president of BET
- A.D. Washington Chairman’s Award: Black Promoters Collective
- Jerry Boulding Radio Executive Award: Kenny Smoov, vice president of urban programming, Cumulus
- Frankie Crocker Radio Personality Award: Greg Street, air personality, V-103 Atlanta
- Impact Player Award: Juliette Jones, COO, Alamo Records
- Music Executive Award: Tim Reid, senior vice president, repertoire and marketing, BMG Recorded Music
- Mike Bernardo Female Executive Award: Phylicia Fant, global director, Black Music + Culture, Amazon Music
- Kendall Minter Entertainment Advocate Award: James McMillan, Esq., CEO, ART@WAR Entertainment
- Hip-Hop Visionary Award: Ted Lucas, founder and CEO, Slip-N-Slide Records
- Entrepreneur Award: Ralph McDaniels, executive producer, “Video Music Box”
Why the 35th Anniversary Matters
The anniversary reflects more than three decades of recognizing people whose contributions to Black music and entertainment have not always received the same public attention as the artists they helped build, promote and sustain.
That history is reflected in Khan’s return. After being recognized by the foundation in its early years, she will now help honor another generation of industry leaders.
The 35th Anniversary Awards Dinner & Gala will continue the Living Legends Foundation’s tradition of celebrating achievement, leadership, innovation and service while preserving the stories of the people who helped build the business and culture surrounding Black music.
Entertainment
Regan Hutsell of Texas Crowned Miss America 2027 in West Palm Beach
Published
1 week agoon
September 7, 2026The former Radio City Rockette and Birmingham Royal Ballet performer captured the national title in West Palm Beach after winning preliminary fitness and talent awards.
WEST PALM BEACH, Fla. (FNN) — Regan Hutsell, representing Texas, has been crowned the 99th Miss America, capturing the national title following several days of competition in West Palm Beach.
Hutsell emerged from a field of 52 delegates representing the 50 states, the District of Columbia and Puerto Rico. Her victory makes her the fourth Miss Texas to win the Miss America title in the organization’s 105-year history, according to the Miss America Organization.
The final competition was held at the Palm Beach County Convention Center.
From Radio City Rockette to Miss America
Hutsell entered the competition with an extensive professional dance background.
At 18, she began her professional dance career as a Radio City Rockette and later performed internationally with the Birmingham Royal Ballet, traveling throughout Europe.
Her dance background proved significant during Miss America competition. Hutsell captured preliminary awards in both fitness and talent, earning the talent honor for her jazz dance performance to “Le Jazz Hot.”
Personal Journey Inspires Service Initiative
Hutsell has also publicly discussed overcoming an eating disorder and struggles involving perfectionism and body image while pursuing her professional dance career.
Those experiences became the foundation for her community service initiative, “Your Body Is Your Home.”
Through the initiative, Hutsell seeks to encourage positive self-worth, healthier internal dialogue and the message that a person’s value should not be determined by physical appearance.
Her personal experience gives the initiative a direct connection to the challenges she encountered while working in elite performing arts.
Hutsell Marks Historic Milestone
According to the Miss America Organization, Hutsell also made history as the first woman of color to win the Miss America crown while wearing her natural hair.
The milestone adds another chapter to the evolution of a competition that has increasingly emphasized education, service, leadership and professional development alongside its longstanding traditions.
Hutsell received a distinctive crown featuring red and blue stones commemorating America’s semiquincentennial, the nation’s 250th anniversary.
Nearly $90,000 in Scholarships
Education will remain a major component of Hutsell’s year as Miss America.
According to the organization, she has earned nearly $90,000 in scholarships through the Miss America Opportunity.
Hutsell is pursuing a Bachelor of Science in health sciences and plans to become a physical therapist.
“Miss America has always represented hope and inspiration,” Hutsell said in a statement.
She said she looks forward to using the title to encourage people “to walk boldly in their purpose, pursue their wildest dreams, and never give up on themselves.”
Louisiana’s Shelby Bordelon Finishes First Runner-Up
Hutsell advanced to the Top 5 alongside four finalists:
- Shelby Bordelon, Louisiana — First runner-up
- Kate Dimmett, Illinois — Second runner-up
- Sharlize True Trujillo, California — Third runner-up
- Evelyn Smith, District of Columbia — Fourth runner-up
The semifinalists were Carly Yoshida of Hawaii, Erika Dalton of Utah, Madison Oh of New York, Lindsay Jones of South Carolina, McKenzie Kerry of Iowa and Jane Granberry of Mississippi.
Celebrity Panel Selects Miss America
The final night was hosted by Jennifer Hale and Billy Gilman.
The celebrity judging panel included Kate Shindle, former U.S. Surgeon General Dr. Regina Benjamin, Vicki Vlahos, Hal Rubenstein, Ubah Hassan and Ellen Latham.
The competition followed two nights of preliminary events before the field was narrowed for the final rounds.
Scholarships Remain Central to Miss America
The Miss America Organization says its national, state and local programs provide more than $5 million in tuition scholarships annually, along with an additional $35 million in in-kind scholarship opportunities.
Hutsell’s nearly $90,000 in scholarship earnings will help support her health sciences education as she works toward her goal of becoming a physical therapist.
What’s Next for the New Miss America?
As Miss America, Hutsell begins a year of appearances, community engagement and advocacy centered on the organization’s mission of “Empowering Women to Lead with Purpose.”
Her year of service is also expected to expand the reach of Your Body Is Your Home, combining her personal experience with her focus on self-worth and healthy body image.
From professional dancer to national titleholder, Hutsell now takes her message to a national audience while representing Miss America during its 105th anniversary era.
Follow Florida National News for continuing coverage from West Palm Beach and major entertainment, lifestyle and cultural events across Florida.
Entertainment
Tom Cruise Brings Hollywood Star Power to Daytona as ‘Days of Thunder’ Sequel Energizes NASCAR
Published
1 week agoon
September 6, 2026Cruise’s Daytona appearance puts NASCAR in the global entertainment spotlight as Cole Trickle prepares to return to the track in 2028
DAYTONA BEACH, Fla. (FNN SPORTS) — Tom Cruise brought Hollywood star power to Daytona International Speedway, energizing the NASCAR garage and putting one of racing’s most recognizable movie characters back on the starting grid.
The global superstar’s appearance during the Coke Zero Sugar 400 weekend was more than a celebrity visit. Cruise came to Daytona to reconnect with NASCAR, meet today’s drivers and team owners, and introduce the next chapter of Days of Thunder, with Cruise returning as Cole Trickle and Anne Hathaway joining the franchise.
Florida National News was at Daytona capturing Cruise’s interaction with drivers, teams and fans as Hollywood and NASCAR came together at the World Center of Racing.
Cruise Brings Hollywood Star Power to Daytona
Cruise’s presence immediately became one of the biggest stories surrounding the NASCAR weekend.
The actor attended the pre-race drivers meeting and spent time with competitors and team owners as he learned more about how NASCAR has changed since the original Days of Thunder was released in 1990.
Cruise told NASCAR competitors that he wants the new movie to capture more than racing. His interest extends to the teams, people and culture surrounding the sport — an approach that could give NASCAR significant exposure beyond its traditional fan base.
For NASCAR, that star power matters.
Cruise is one of the world’s most recognizable movie stars, and a major theatrical production built around stock-car racing could introduce NASCAR’s drivers, teams and tracks to audiences who may rarely, if ever, watch a Cup Series race.
Tom Cruise and Anne Hathaway pose alongside a “Cole Trickle” Days of Thunder race car in a promotional image for Days of Thunder 2.
Photo Credit: Courtesy Photo: Tom Cruise’s X social media
‘Days of Thunder’ Returns for a New NASCAR Generation
Cruise will reprise his role as Cole Trickle, the fearless young driver at the center of the original movie.
Hathaway will co-star as a race-team owner and engineer. Jonathan Levine is set to direct from a screenplay by Will Staples, while Cruise, Jerry Bruckheimer and Tommy Harper are producing.
Paramount Pictures has scheduled the movie for June 2, 2028.
The sequel arrives nearly four decades after the original Days of Thunder brought NASCAR racing to movie theaters around the world.
The 1990 film starred Cruise alongside Robert Duvall, Nicole Kidman, Michael Rooker, Randy Quaid and Cary Elwes. Real NASCAR personalities were also incorporated into the production, establishing a connection between Hollywood fiction and the actual racing community.
Now Cruise is returning to a NASCAR that is dramatically different from the sport Cole Trickle entered in 1990.
NASCAR Drivers Already Want In
Cruise’s Daytona appearance also created another storyline: Which NASCAR stars will make it into the movie?
Three-time Cup Series champion Joey Logano, along with Chase Briscoe and Kyle Larson, has expressed interest in appearing in the sequel. Production is expected to begin in early 2027, leaving casting and potential NASCAR cameos among the major developments still ahead.
Their enthusiasm illustrates the cultural reach of the original film within NASCAR itself.
Many of today’s drivers grew up in an era when Days of Thunder had already become part of racing’s popular culture. Appearing alongside Cruise could now give a new generation of NASCAR competitors the opportunity once held by drivers who appeared in the original movie.
Dale Earnhardt Jr. Helps Connect Hollywood With Modern NASCAR
NASCAR’s involvement may extend well beyond cameos.
Dale Earnhardt Jr. has said he has been communicating with people developing the story, including discussions about how the movie can authentically portray today’s NASCAR while respecting what made the original memorable.
That input could prove valuable.
NASCAR has changed dramatically since 1990 — from its race cars and safety technology to team operations, media coverage and the way fans experience the sport. Capturing modern NASCAR while preserving the personality of the original movie will be one of the sequel’s central challenges.
Rick Hendrick Sees a Major Opportunity for NASCAR
Few people have a stronger connection to both chapters than legendary NASCAR team owner Rick Hendrick.
Hendrick Motorsports provided technical support for the original movie, beginning a relationship among Hendrick, Cruise and producer Jerry Bruckheimer that stretches back decades.
Hendrick believes the sequel could provide a significant boost for NASCAR, saying the movie could do the sport “a tremendous amount of good.”
That assessment gets to the larger significance of Cruise’s Daytona appearance.
A Days of Thunder sequel isn’t simply another Hollywood production using racing as a backdrop. If NASCAR teams, drivers and tracks become part of the production, the movie could function as a global showcase for the sport.
From ‘Top Gun’ to ‘Days of Thunder’
Cruise has already demonstrated the potential of revisiting a signature movie decades later.
Top Gun: Maverick introduced the Top Gun franchise to a new generation while bringing longtime fans back to theaters. There is no guarantee Days of Thunder will duplicate that success, but NASCAR offers many of the elements associated with Cruise’s biggest action films — speed, technology, competition, danger and spectacle.
The difference this time is that NASCAR itself could share the spotlight.
Cruise isn’t simply returning to the fictional world of Cole Trickle. He is immersing himself in the real NASCAR garage before cameras begin rolling.
Daytona Becomes the Starting Line
That makes Daytona an important part of the sequel’s developing story.
Daytona International Speedway represents generations of NASCAR history. Cruise’s decision to bring Days of Thunder back into that environment connected the original film, today’s NASCAR and Hollywood’s upcoming sequel in one place.
For longtime NASCAR fans, Cruise’s return revives memories of Cole Trickle.
For younger audiences, the new film could provide their first introduction to the character — and potentially their first meaningful exposure to NASCAR.
For the sport itself, the possibilities are considerably larger.
Cruise and Hathaway give the production international star power. NASCAR provides the speed, personalities, rivalries and authenticity. Daytona provided the stage where those worlds came together.
And NASCAR drivers are already lining up to become part of it.
What’s Next for ‘Days of Thunder’
Attention now turns toward production, which is expected to begin in early 2027. Additional casting, filming locations, participating NASCAR organizations and driver cameos remain among the biggest unanswered questions.
The finished movie is scheduled to arrive in theaters June 2, 2028.
Between now and then, NASCAR has an unusual opportunity: allow one of Hollywood’s biggest stars to take audiences behind the wheel and into the culture of American stock-car racing.
At Daytona, Cruise provided the first taste of what that combination could generate.
The thunder is coming back — and NASCAR could be one of its biggest stars.
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