Entertainment

With King Kong, a Little Swagger Returns to the Box Office

Published

4 years ago

April 3, 2021

NEW YORK (AP) — Once again, mayhem and mass destruction is back at the box office. It’s almost like old times.

“Godzilla vs. Kong,” one of the few tentpoles to dare release during COVID times, is poised this weekend to set a new high in ticket sales during the pandemic. It won’t be the kind of blockbuster business such a big-budget release would typically manage, but experts forecast a launch of at least $25 million.

Opening-day ticket sales on Wednesday for “Godzilla vs. Kong” totaled $9.6 million, Warner Bros. said Thursday — a single-day pandemic record and more than most 2020-2021 opening weekend hauls. Last weekend, the monster mash pulled in an impressive $123.1 million internationally. In China, where moviegoing is close to pre-pandemic levels, the movie made about $70 million, double the debut of 2014′s “Godzilla.”

For the first time in a long time, there’s the faint hint of a hit at the box office.

“It’s a good omen that the tastes of the consumer have not shifted so much that there’s no possibility of restarting the movie business,” says Joshua Grode, chief executive of Legendary Entertainment, which produced “Godzilla vs. Kong.” “This tells everybody: the moviegoing business is here, and, yes, it may be different post-pandemic. But there is a viable industry there.”

Huge challenges remain to the revival of moviegoing. With so many cinemas shuttered for nearly an entire year, many moviegoers are out of the habit. Some are unlikely to return to sitting indoors with strangers until they’re vaccinated or the pandemic has ebbed. And even those who have been convinced of the safety of moviegoing by theaters’ health protocols, they now have only more in-home options. “Godzilla vs. Kong” is streaming simultaneously on HBO Max in North America.

But few scream big screen as much as King Kong and Godzilla. To help kickstart moviegoing and bring back a little chest-thumping swagger to theaters, the industry is counting on two of the movies’ most iconic, long-running leviathans. Laying another metropolis to waste might help movie theaters build themselves back up.

MORE ON “GODZILLA VS. KONG”

“The issue is less convincing consumers to go to the movies than it is convincing studios to open their movies,” says Rich Gelfond, IMAX’S chief executive. “There’s been a hesitancy on the part of Hollywood studios to release movies because they haven’t been convinced the demand is there. What I really hope this weekend shows is that there is a lot of demand there and it convinces them to open a lot of movies that have been sitting on the shelf.”

Since the launch of “Tenet” fizzled last August, and virus cases soared, most studios have been postponing or rerouting their biggest releases to streaming services. But as vaccinations have ramped up and restrictions have eased, more theaters have opened. About 60% of theaters will be open this weekend, according to data firm Comscore. On Monday, Los Angeles County will expand cinema capacity from 25% to 50%. For the first time since last winter, wide release will mean playing in more than 3,000 theaters. That’s still about 1,200 shy of typical for a title like “Godzilla vs. Kong.”

Recently, ticket sales, while still far below their usual levels, are ticking upward. The best debut of 2021 was “Tom & Jerry,” with $13.7 million in late February. The pandemic-high belongs to “Wonder Woman 1984,” which launched with $16.7 million in December. Each were Warner Bros. releases that landed simultaneously on HBO Max — a once controversial release plan that has helped theaters stay afloat and proved an interesting test case for how viewers prefer to see, and pay for, a movie.

Nevertheless, the Walt Disney Co. recently delayed the planned summer-kickoff of “Black Widow” to July, while pushing a number of titles to its streaming platform, Disney+. Part of what’s holding blockbusters back is the need for a global release to make back their sizable production budgets and marketing spend. (“Godzilla vs. Kong” cost about $160 million to make.) While moviegoing in much of Asia is rejuvenated, rising cases in Europe and in countries like Brazil have, for now, made a full worldwide rollout impossible.

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Paul Dergarabedian, senior media analyst for Comscore, believes “Godzilla vs. Kong” will be “another building block in our education in where the industry is heading.”

“The theatrical experience will prove to be viable and resilient as it always has,” says Dergarabedian. “But it’s going to be a different world, no question. I think it’s going to be a leaner, meaner business going forward.”

Some of the old standard practices that have governed blockbusters aren’t coming back. Studios like Warner Bros. and Universal Pictures have made deals to shorten exclusive theatrical windows. Warner Bros. next year will hold movies in theaters for a minimum of 45 days, or half of the traditional window, before moving releases to at-home platforms. Such new models mean a recalibrating of what movies get greenlit and how much they’re worth.

“The value of those streaming/pay-TV rights are more valuable now because you’re getting access to them much, much earlier than you did before,” says Grode. “So you kind of have to rerun your model of how the movie is going to perform over its lifetime.”

It’s also meant some tense negotiations over profit participation. When Warner Bros. surprised with its hybrid release plans for 2021, Legendary — whose highly anticipated “Dune” is to be released in the fall by Warner Bros. — considered legal action before arriving at an agreement.

“We obviously didn’t like the way they announced what they were doing in 2021, and I think they would admit they didn’t handle it perfectly,” says Grode. “But when you look at the state of the world, the facts as we all knew them at the time, their decision made a lot of sense.”

“You get over that pretty quickly and you get back to business,” he added.

Helping theaters get back to business, Gelfond believes, are large-format screens “that differentiate the couch as much as they can.” IMAX accounted for 14% of the Chinese box office for “Godzilla vs. Kong.” This weekend, the film will be playing on 1,170 IMAX screens worldwide. Showings in New York and Los Angeles, Gelfond said, are already sold out, albeit at lower capacity.

The box office might not quite roar again this weekend, but “Godzilla vs. Kong” may show it has a little bite left. Says Grode: “In years from now, when people write about coming back to the movies, I’m very proud that ‘Godzilla vs. Kong’ will be in that history.”

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Entertainment

Get Ready for a Soulful Night with Fantasia Barrino and Anthony Hamilton at Addition Financial Arena

Published

4 days ago

April 23, 2025

Kareen Kennedy

Source: Ticketmaster

ORLANDO, Fla. (FNN NEWS) –If you’re looking for a night filled with unforgettable music, deep emotions, and soul-stirring performances, mark your calendars for April 25, 2025. That’s when two of the most beloved voices in R&B, Fantasia Barrino and Anthony Hamilton, will take the stage at the Addition Financial Arena in Orlando, Florida. This concert isn’t just an event—it’s an experience that promises to move you, uplift you, and make you fall in love with music all over again.

Since her powerful rise to fame as the winner of American Idol, Fantasia Barrino has captivated audiences with her raw, emotional voice and the way she pours every ounce of her heart into her music. Whether it’s the gospel-infused ballads or her sassy, upbeat R&B anthems, Fantasia has a way of making you feel every note, every lyric. This concert will bring her signature mix of powerful classics like “When I See You” and “Free Yourself,” along with newer hits that showcase just how much she’s grown as an artist. Expect to see Fantasia perform with all the passion and energy she’s known for, creating a bond with her audience that feels personal and intimate, even in a large venue like the Addition Financial Arena.

Joining Fantasia is the incomparable Anthony Hamilton, whose velvety smooth voice and storytelling ability have made him a legend in his own right. Known for songs like “Charlene” and “The Point of It All,” Anthony has a rare gift for connecting with his listeners on a deeply emotional level. His music speaks of love, loss, healing, and everything in between, and when he performs, you feel every word as if it’s your own story being told. Fans can expect Anthony to take them on a journey with his soulful melodies, his heart-wrenching lyrics, and his unforgettable stage presence. There’s something about his voice that just resonates, and being able to experience it live is truly a gift.

While Fantasia and Anthony Hamilton are stars in their own right, there’s a special kind of magic that happens when they come together. The two have such distinct, powerful voices that blend beautifully when harmonized, and this concert will showcase that perfect synergy. Whether they’re performing separately or sharing the stage for some powerhouse duets, the energy between these two artists is electric—and the audience will feel it. This is the kind of concert where you’ll find yourself singing along, clapping, and maybe even getting a little emotional, as their voices tell stories that resonate with the heart.

This isn’t just another concert—it’s a chance to witness two of R&B’s finest share their music, their passion, and their stories with you in one unforgettable evening. The Addition Financial Arena in Orlando provides the perfect backdrop for this soulful night, giving fans the perfect setting to enjoy the music up close and personal. So whether you’re an old-school fan of Fantasia’s “I Believe” or you’ve been hooked on Anthony Hamilton’s soulful ballads, this is an event you won’t want to miss. It’s a chance to experience two of the most powerful voices in R&B live, and trust us—this night will be one to remember for years to come.

Tickets for this highly anticipated concert are already flying off the shelves, so don’t wait too long to grab yours at Ticketmaster.com This is the kind of event that you’ll want to experience in person, and once you hear Fantasia and Anthony Hamilton live, you’ll never forget the magic of the night. So, get ready to be swept away by the power of soul, love, and music—April 25, 2025 is the night to remember. Be there!

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Kareen Kennedy is the Assistant Editor for Florida National News
kareen.kennedy@floridanationalnews.com

Entertainment

Love, Culture, and Comedy Collide in The Wedding Banquet (2025)

Published

1 week ago

April 18, 2025

Kareen Kennedy

ORLANDO, Fla. (FNN NEWS)- Arriving in theaters April 18, The Wedding Banquet (2025) brings a fresh and heartfelt perspective to the classic romantic comedy, blending cultural tradition, modern relationships, and the complexities of identity. Directed by Andrew Ahn (Spa Night, Driveways, Fire Island), the film is a reimagining of the beloved 1993 movie of the same name, now updated for a new generation with humor, warmth, and a stellar cast.

At the center of the story is Min, portrayed by Bowen Yang (Saturday Night Live, Wicked), a gay man who finds himself under pressure to maintain appearances for his traditional family. In a mutually beneficial arrangement, he agrees to a green-card marriage with his best friend, played by Kelly Marie Tran (Raya and the Last Dragon, Star Wars: The Last Jedi), who is seeking access to in vitro fertilization. The plan is simple—on paper.

Things take an unexpected turn when Min’s grandmother makes a surprise trip from Seoul and insists on throwing a full traditional Korean wedding banquet. What follows is a whirlwind of secrets, revelations, and genuine emotion as the pair tries to keep up the façade in front of loved ones while quietly confronting their own personal truths.

Rounding out the cast is Lily Gladstone, whose acclaimed, Oscar-nominated performance in Killers of the Flower Moon made her one of the most compelling actors to watch. Her role adds a grounded presence and emotional depth that further elevates the film’s dynamic ensemble.

This remake arrives at a particularly meaningful moment in cinematic history. The original The Wedding Banquet, directed by Ang Lee and released in 1993, was officially added to the U.S. National Film Registry by the Library of Congress in 2023. This prestigious recognition is reserved for films considered “culturally, historically, or aesthetically significant,” ensuring their preservation for future generations. The original broke new ground by bringing Asian American and LGBTQ+ stories into mainstream consciousness, and its selection by the Library of Congress underscores its enduring impact and relevance.

By reimagining The Wedding Banquet through a contemporary lens, Andrew Ahn not only honors the legacy of Ang Lee’s original but also introduces new audiences to a story that still resonates—one that navigates love, family, identity, and the universal human desire to be accepted. The 2025 version embraces both the comedic and emotional beats of the original while creating space for modern perspectives, representation, and storytelling.

With standout performances, sharp writing, and a balance of sincerity and laughter, The Wedding Banquet (2025) is more than just a romantic comedy—it’s a celebration of chosen family, cultural connection, and the beautifully messy ways we find love and acceptance.

Opening April 18—bring tissues, bring laughter, and don’t miss the invitation.

__________________________________________

Kareen Kennedy is the Assistant Editor for Florida National News
kareen.kennedy@floridanationalnews.com

Entertainment

Viola Davis Leads Amazon Prime’s G20 to #1 Streaming Spot, Redefines Action Hero as U.S. President

Published

2 weeks ago

April 16, 2025

FNN NEWS

LOS ANGELES, Calif. (FNN NEWS) – Oscar-winning actress Viola Davis has once again proven her star power and storytelling prowess in Amazon Prime Video’s newest blockbuster action-thriller G20, which has surged to become the platform’s most-watched movie since its release. Davis not only stars as U.S. President Danielle Sutton, but also served as a producer, helping bring this bold, global political thriller to life after seven years of development.

“This was a long road, but oh, so worth it!” Davis shared on Instagram, celebrating the film’s success. “@JuVeeProductions continues our mission to bring dynamic storytelling, characters, and actors that reflect the world—and, most importantly, to deliver a film that truly entertains.”

A GLOBAL CRISIS. A COMMANDER-IN-CHIEF LIKE NO OTHER.

In G20, President Danielle Sutton attends the G20 Summit in South Africa, but when a violent terrorist siege threatens the safety of world leaders and her own daughter, Sutton is thrust into a high-stakes survival mission. With communication lines cut and chaos unfolding, Sutton relies on her elite military background to outwit enemies and prevent a global catastrophe.

This isn’t your typical action flick—G20 is a pulse-pounding, character-driven political thriller that blends intense physical action with deep emotional gravitas. Davis’s portrayal brings raw humanity and strategic brilliance to the role, capturing a leader who is fearless, focused, and unshakably fierce.

BLACK-ISH REUNION, EMOTIONAL DEPTH

The film also features a compelling reunion of Anthony Anderson and Marsai Martin, best known as father and daughter in the hit sitcom Black-ish. In G20, they portray family in a much darker, higher-stakes environment, and their chemistry adds warmth, urgency, and authenticity to the story’s emotional core.

DAVIS’S CAREER MOMENTUM CONTINUES

Following her groundbreaking performance as General Nanisca in The Woman King (2022), Davis has continued to evolve her creative reach:

Narrated Disney’s Candlelight Processional (2022)
Portrayed Dr. Volumnia Gaul in The Hunger Games: The Ballad of Songbirds and Snakes
Voiced the villain in Kung Fu Panda 4 (2024)
Honored as a Barbie doll for International Women’s Day
Reprised her role as Amanda Waller in DC’s Creature Commandos animated series

“SEEING IT TO BELIEVE IT”: VIOLA’S MISSION FOR REPRESENTATION

To prepare for G20, Davis underwent intense physical training, but her purpose was clear.

“I did it to put every young Black girl in this story,” she explained.
“When you see it, you can believe it… So when you get the baton in your hand, that’s your new job—to pay it forward.”

G20 stars Viola Davis (Image via YouTube/Prime Video)

A MOVEMENT IN MOTION

G20 is more than a film—it’s a cultural statement. It proves that blockbuster action thrillers can be inclusive, thoughtful, and empowering while still delivering big on spectacle and suspense. Davis redefines the image of a global leader, showing the world that the face of power is diverse, capable, and here to stay.

Move over, Will Smith—Viola’s got the shades, the stance, and the state of emergency.

Once again, Viola Davis doesn’t just headline a movie—she leads a movement. And with G20 holding strong as Amazon Prime Video’s top-streamed film, the world is watching.

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Florida National News