Los Angeles
32nd Annual NAMM TEC Awards Nominees Showcase the Best in Pro Audio and Sound Production
Published
10 years agoon
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Willie DavidCARLSBAD, Calif., (FNN NEWS) By The NAMM Foundation — The NAMM Foundation has announced nominees for its 32ndAnnual NAMM Technical Excellence & Creativity Awards in the categories of Outstanding Technical and Creative Achievement. Stand-up comedian and actor Sinbad will return for his third straight year as host. The NAMM TEC Awards are bestowed annually in celebration of the pro audio community by recognizing the individuals, companies and technical innovations behind today’s sound recordings, live sound, films, television, and video games.
More than 900 products and projects were considered during the highly-competitive nomination process. This year’s Outstanding Technical Achievement Nominees were chosen across twenty-three categories and include selections in two new categories: Audio Education Technology and DJ Production Technology – Hardware/Software.
Represented in many of the nominations for the 2017 show are the creators of more compact and mobile products that reflect the demands of an increasing number of independent and home studio musicians.
Examples in the DJ world include American Audio’s VMS5 Controller, which is both portable and compact with an all-in-one Midi Controller (DJ Production Technology – Hardware/Software); double-nominee Moog Music for their Model 15 App – a bonus for on-the-road creativity as the first Moog modular synthesizer and synthesis educational tool created exclusively for iPad and other Apple® devices (Audio Apps & Hardware/Peripherals for Smartphones/Tablets); Blue Microphones’ Bottle Mic Locker that offers studio musicians the flexibility and option of layering tracks with different capsules to find the right sound (Microphones – Recording); the Korg Minilogue (Music Instrument Hardware), which is a 37 slim-key fully programmable analog polyphonic synthesizer, reflecting yet another innovative product that helps fuel the 19.9% growth in total unit volume among analog synths in the last five years. Nominees will be recognized in an additional nineteen categories that range from Wireless Technology toMusical Instrument Amplification & Effects, Computer Audio Hardware and beyond.
“What makes all of the TEC Award nominees so special to us at NAMM is the fact that these results represent the voice of the professionals who are out in the field interfacing with the gear on a daily basis,” said Joe Lamond, President & CEO of NAMM. “And before we know it, we’ll all be together at the NAMM Show, where the TEC Awards represent the annual ‘family reunion’ of the world’s most technically-intuitive audio and recording inventors and developers. The incredible energy and passion these talented teams bring to our industry and to the world of music- making is simply priceless and it is gratifying to honor them for their contributions.”
Eight categories for Outstanding Creative Achievement represent household artists and projects that have long been embraced by the culture at large. They include multi-Platinum recordings by artists Adele (Adele Live 2016 for Tour & Event Sound Production) and Paul McCartney for the One on One Tour in the same category. “Downton Abbey” and “Game of Thrones” and others will battle it out for a Television Sound Production award. Geeks go head-to-head in the Film & Sound Productioncategory, which includes the perennial hits “Star Trek Beyond” and “Star Wars: The Force Awakens” films, among three other nominated projects that fully immerse the listener in realistic sound effects. Singles Recording Production, Interactive Entertainment (a growing sector), Remote Production and Sound Design categories will also be awarded.
Prior to the show, a Les Paul honoree and Hall of Fame inductee will also be announced and will include musical luminaries who have exhibited excellence in the creative and technical music recording fields.
Voting will begin in November. In total, winners from 31 categories will be selected from the 179 nominees by industry professionals across major music, sound and game audio associations, along with pro audio-focused media groups.
The Saturday, January 21 event begins with a VIP-only reception at 6PM, followed by the awards ceremony at 7PM, held in the Hilton Anaheim Hotel’s Pacific Ballroom. Tickets can be purchased on site or in advance here for $50 (General Admission) or$175 (VIP). The show will be available via a live event web stream during the NAMM Show.
Access previous TEC Award highlights here and contact NAMM@lippingroup.com for hi-res artwork.
A full list of nominees and categories are listed below.
Outstanding Technical Achievement
Amplification Hardware – Studio & Sound Reinforcement: Crown – XLS DriveCore 2, d&b Audiotechnik – 30D, dbx – DriveRack VENU360 Series, JBL – M-Patch, Lab.gruppen – E Series, Powersoft – Deva HD
Ancillary Equipment: Antelope Audio – OCX HD, Antelope Audio – 10MX, Dangerous Music – 2-BUS+, Little Labs – Monotor, Radial Engineering – DiNET TX & RX Dante direct boxes, Rupert Neve Designs – RNHP: Precision Headphone Amplifer
Audio Apps & Hardware/Peripherals for Smartphones/Tablets: Antelope Audio – Satori Remote, Avid – Pro Tools | Dock, iConnectivity – iConnectAUDIO2+, Moog Music – Model 15 App, Radial Engineering – BT-Pro, Sennheiser – Wireless System Remote
Audio Education Technology: EarMaster – Pro 6, Hal Leonard Performing Arts Publishing Group – Recording Unhinged, iZotope –Pro Audio Essentials , JBL – SpeakerPro, Neumann – Neumann in the Home Studio, NYU Music Experience Design Lab – Groove Pizza
Computer Audio Hardware: Antelope Audio – Orion32+, Apogee – Symphony I/O Mk II, Prism Sound – Callia, Focusrite – Red 4Pre, PreSonus – Studio 192 26×32 USB Interface, Universal Audio – Apollo Twin USB Interface
DJ Production Technology – Hardware/Software: American Audio – VM55 Controller, Denon – DJ MCX8000, Native Instruments –TRAKTOR Kontrol S5 controller, Numark – CDmix USB, Rane – MP2014 mixer, Reloop – Mixtour 2 mixer/controller
Headphone / Earpiece Technology: AKG – K182, Audio-Technica – ATH-M50xMG, Sennheiser – HD 25 Plus, Shure – KSE1500 Electrostatic Earphone System, Ultimate Ears Pro – UE Pro Reference Remastered, Waves – Nx Virtual Mix Room Plugin
Large Format Console Technology: Allen & Heath – dLive Series, AMS Neve – Neve 88RS, Avid – S6L, DiGiCo – Stealth Core2 , Solid State Logic – System T, Yamaha – Rivage PM10
Microphone Preamplifiers: AMS Neve – Neve 1073DPX, Antelope Audio – MP8D, Chandler Limited – TG Microphone Cassette, Grace, Design – m108 remote mic preamp / ADC, Kush Audio – Omega, Radial Engineering – Jensen Twin-Servo 500
Microphones – Recording: Aston – Spirit, Blue Microphones – Bottle Mic Locker, Bock Audio – U195, Lauten Audio – LA-320, Luke Audio – AL-X767, Mojave Audio – MA-1000 Signature Series, Schoeps – ORTF-3D
Microphones – Sound Reinforcement: AKG – C7, Audio-Technica – ATM230, Countryman – A3 podium mic, DPA Microphones – d:facto 4018VL, Electro-Voice – ND Series, Shure – KSM8 Dualdyne
Musical Instrument Amplification & Effects: Antelope Audio – Zen Tour, Blackstar – Artist Series, Line 6 – Firehawk 1500, Radial Engineering – JDX Direct-Drive, Softube – Marshall JMP 2203, Tech 21 – Bass Fly Rig
Musical Instrument Hardware: Casio – GP-400, Dave Smith Instruments – OB-6 Synthesizer, Korg – Minilogue, Line 6 – Helix / Helix Rack, Moog Music – Mother-32, Novation – Circuit Synthesizer / Drum Machine
Musical Instrument Software: IK Multimedia – Miroslav Philharmonik 2, Output – Exhale, PPG – Phonem, PreSonus – Notion 6 Music Notation Software, Softube – Marshall Bluesbreaker 1962, Tracktion – BioTek Organic Synthesizer
Signal Processing Hardware: A Designs – Hammer 2, Antelope Audio – Goliath, Chandler Limited – RS124 Compressor, Manley –Nu Mu, Warm Audio – WA-2A Tube Opto Compressor, CEDAR Audio Ltd – CEDAR DNS 2 Dialogue Noise Suppressor
Signal Processing Hardware (500 Series Modules): API – 512V, BAE – 1066DL, Bettermaker – C502V, dbx – 555, elysia – karacter 500, Phoenix Audio – Tilt Tone Channel/500
Signal Processing Software (Dynamics / EQ / Utilities): Empirical Labs – , iZotope – Ozone 7 Advanced, iZotope – RX 5 Audio Editor, McDSP – 6050 Ultimate Channel Strip, SPL – Transient Designer Plus, Waves – Greg Wells Signature Series
Signal Processing Software (Effects): Eventide – Tverb, iZotope – VocalSynth, Melodyne – Studio 4, Softube – Fix Flanger and Doubler, Soundtoys – 5, Universal Audio – Fender ’55 Tweed Deluxe Plug-In
Small Format Console Technology: Allen & Heath – Chrome Qu Series, Lawo – Sapphire Compact, Mackie – AXIS Mixing System, Solid State Logic – Sigma Delta, Waves – LV1 Live Mixer, Yamaha – CL/QL V4.0
Sound Reinforcement Loudspeakers: Bose Professional – F1 Flexible Array, EAW – Anna, JBL – EON ONE, Meyer Sound – MJF-208 Stage Monitor, PreSonus – ULT Series , VUE Audiotechnik – al-12
Studio Monitors: Augspurger – Solo12MF, Dynaudio – LYD Series, Focal – Trio6 Be, Genelec – 8340A IP SAM, JBL – LSR7 Series, Ocean Way Audio – HR4
Wireless Technology: Audio-Technica – ATW-T1006 Boundary Mic Transmitter , Lectrosonics – Venue 2 Receiver System, MIPRO –ACT 2400 Series, Neutrik – Xirium Pro, Sennheiser – Evolution Wireless G3 A-1 Band, Line 6 – Relay G10
Workstation Technology / Recording Devices: Avid – Pro Tools 12.3, Celemony – Melodyne Studio 4, MOTU – Digital Performer 9.1, PreSonus – Studio One 3.2 Professional , Steinberg – Cubase 8.5, Tracktion – T7
Outstanding Creative Achievement
Film Sound Production: 13 Hours: The Secret Soldiers of Benghazi, Bridge of Spies, Star Trek Beyond, Star Wars: The Force Awakens, The Martian
Interactive Entertainment Sound Production: Call of Duty: Black Ops III, Fallout 4, Star Wars: Battlefront, Uncharted 4 A Thief’s End, World of Warcraft: Legion
Record Production – Album: Blackstar, David Bowie, A Head Full of Dreams, Coldplay, Culcha Vulcha, Snarky Puppy, Crosseyed Heart, Keith Richards, Hamilton, An American Musical, various artists
Record Production – Single: Blackstar, David Bowie, Can’t Stop the Feeling! Justin Timberlake, Empty, Garbage, Hello, Adele,Stare, Prince
Remote Production – Recording or Broadcast: 38th Annual Kennedy Center Honors, 58th GRAMMY Awards, 70th Annual Tony Awards, 88th Academy Awards, Superbowl halftime with Coldplay, Beyonce and Bruno Mars
Studio Design Project:
Boston Symphony Orchestra Control Room, Deadmau5 Mau5trap, Man Made Music, Valenzo Studios, VSL Synchron Stage
Television Sound Production:
Downton Abbey, Game of Thrones, Mr. Robot, The Walking Dead, Vikings
Tour/Event Sound Production:
Adele Live 2016, Dave Matthews Band 2016 Summer Tour, One on One Tour – Paul McCartney, Radiohead 2016 World Tour, Rock Paper Scissors North American Tour – Sting and Peter Gabriel
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Entertainment
GRAMMY Museum® Grant Program Awards $200,000 for Music Research and Sound Preservation
Published
4 years agoon
June 28, 2022LOS ANGELES — The GRAMMY Museum® Grant Program announced today that $200,000 in grants will be awarded to 16 recipients in the United States to help facilitate a range of research on a variety of subjects, as well as support a number of archiving and preservation programs.
“This year marks the 35th year that the GRAMMY Museum and Recording Academy® have partnered to provide much deserved funding for music research and preservation projects across the United States and Canada. During that time, we have awarded more than $8.1 million to nearly 465 grantees,” said Michael Sticka, President/CEO of the GRAMMY Museum. “As an educational and cultural nonprofit institution, we know firsthand how critical grant funding is in order to deliver measurable results and impact through our mission. This is why we’re proud to support these impressive projects that are at the intersection of music and science, and work to maintain our shared musical legacy for generations to come.”
Generously funded by the Recording Academy, the GRAMMY Museum Grant Program provides funding annually to organizations and individuals to support efforts that advance the archiving and preservation of the recorded sound heritage of the Americas for future generations, in addition to research projects related to the impact of music on the human condition. In 2008, the GRAMMY Museum Grant Program expanded its categories to include assistance grants for individuals and small to mid-sized organizations to aid collections held by individuals and organizations that may not have access to the expertise needed to create a preservation plan. The assistance planning process, which may include inventorying and stabilizing a collection, articulates the steps to be taken to ultimately archive recorded sound materials for future generations.
More information about the program can be found at www.grammymuseum.org.
Scientific Research Grantees
University of Southern California— Los Angeles
Awarded: $20,000
Nostalgia-evoking music can temporarily improve autobiographical memory in individuals with Alzheimer’s Disease (AD), but the associated neural mechanisms are unknown. This project aims to use personalized music to identify neural systems involved in music-evoked nostalgia using fMRI, in healthy younger and older adults. Findings will be the basis for music-based AD interventions by demonstrating how music-evoked nostalgia is preserved neurally across the lifespan.
University Hospitals Health System, Inc — Cleveland
Awarded: $20,000
The purpose of this study is to determine the feasibility and acceptability of: 1) a tailored music-assisted relaxation and imagery intervention; 2) biological sample collection; and 3) mobile device patient-reported outcome collection in adults hospitalized for pancreatic surgery experiencing acute pain.
Towson University — Towson, Maryland
Awarded: $10,000
This project will help to determine whether “hidden hearing loss” exists in student musicians and, if so, to use clinically relevant diagnostic tools to detect the disorder early so that music-induced overt hearing loss can be prevented. The project will also assess whether the hidden hearing deficits contribute to increased difficulties in auditory scene analysis/speech sound processing in musicians.
Texas Christian University — Fort Worth, Texas
Awarded: $10,000
Musical training is associated with increased neural prediction response to a critical note that indicates mode in a melody. This neural response suggests an enhanced prediction mechanism in those with musical training and may reflect acquired sensitivity to statistical regularities in the environment. The goal of this project is to investigate whether musical training is also associated with enhanced neural prediction responses in those with dyslexia, who may have deficits in prediction.
Stanford University — Stanford, California
Awarded: $9,066
This project evaluates different strategies to promote empathy between audio engineers and cochlear-implant users empathy-promotion. The goal is to understand the existing empathy structures, identify the most effective promotion strategies, and develop tools and clear techniques to assist both cochlear implant users and audio engineers in creating music that can be enjoyed by a more diverse audience.
University of Miami— Coral Gables, Florida
Awarded: $19,973
This innovative project will explore the use of infant-directed singing (IDS) for self-regulation in infants with prenatal drug exposure. These infants may be at risk for poor self-regulation, leading to difficulty managing arousal and emotions. Through a coaching intervention, mothers will learn how to use IDS to match or modify infant state. Findings will inform clinical practice to improve parenting skills in mothers with substance use issues.
Preservation Assistance Grantees
Bill Doggett — Bakersfield, California
Awarded: $4,961
Bill Doggett will conduct a professional inventory and preservation needs assessment for the Doggett Race & Performing Arts Collection. Under this project, an archival consultant with expertise in audiovisual archives and preservation management will conduct a site visit and physical inspection of the Collection and prepare a Preservation Plan for future action.
T. Christopher Aplin — Pasadena, California
Awarded: $3,000
American Indian Soundchiefs was a Kiowa-owned record label owned by Linn D. Pauahty – the earliest, longest-running such label launched with an ear toward Indigenous aesthetics. This project will help Mary Helen Deer, the Linn D. Pauahty Foundation and Kiowa Tribe review existing Soundchiefs record catalogues; compile and inventory instantaneous disc, 78s, reel-to-reel, and cassettes; and prepare these recordings for future digitization and preservation.
The Kealakai Center for Pacific Strings — Kailua, Hawaii
Awarded: $3,000
The Kealakai Center for Pacific Strings will synthesize a decade of primary data collection, interviews, research, and exhibit production to develop a digital museum and audio archive designed to share the largest untold chapter in the history of modern American music. The website and archive will illuminate the pivotal role that Hawaiian music has played in the evolution of popular music, a legacy of innovation, and global influence that endures today.
Preservation Implementation
Arhoolie Foundation — El Cerrito, California
Awarded: $20,000
The Arhoolie Foundation will digitize Chris Strachwitz rare recordings of performances, festivals and concerts from 1950-2000. Artists include Lightnin’ Hopkins, Big Mama Thornton, Mississippi Fred McDowell, Flaco Jiménez, Ry Cooder, Lydia Mendoza, BeauSoleil, Clifton Chenier, Rev Gary Davis, Mance Lipscomb, Jesse Fuller, Rose Maddox, and others.
The Apollo Theater — New York
Awarded: $20,000
This funding will allow Harlem’s historic Apollo Theater to digitize, preserve and catalog more than 300 hours of video recordings of the theater’s famed Amateur Night program, spanning 1987-2016. These performances exist on obsolete, vulnerable media formats, and have mostly remained unseen since the time of their original recording. Amateur Night has launched the careers of numerous pioneering performers, and has ran at the Apollo since 1934.
Newark Public Radio (WBGO) — Newark, New Jersey
Awarded: $15,000
WBGO will digitize and make available to the public over 800 hours of rare jazz recordings from 1985-91 currently stored on at-risk DAT and Betamax tapes. Recordings include club and festival performances by some of jazz’s most iconic figures, as well as a trove of WBGO-produced, NPR-syndicated jazz programs. Recordings will be available online via the American Archive of Public Broadcasting, and onsite at the Library of Congress and GBH in Boston.
UC Santa Barbara — Santa Barbara, California
Awarded: $10,000
UCSB Library will digitize and make accessible recordings of the groundbreaking radio broadcasts of the CBS Symphony conducted by Bernard Herrmann in the 1930s and 1940s. Herrmann’s early career as a conductor is documented by 70 radio broadcasts on 200 lacquer discs held by UCSB.
Boston Symphony Orchestra — Boston
Awarded: $10,000
The BSO will preserve and make accessible 233 live concert radio broadcasts from 1979-1991 of John Williams conducting the Boston Pops. Recorded on quarter inch reel-to-reel audiotape, these historically significant tapes document his work with such artists as Marilyn Horne, Tony Bennett, John Denver, as well as his own film music yet are currently inaccessible. We will create preservation master files and access copies for public use both remotely and onsite.
Freight & Salvage — Berkeley, California
Awarded: $10,000
The grant to Freight & Salvage will continue preservation of recordings and sustain copyright research. This encompasses 70 percent of 2,500 recordings featuring historic musicianship collected over our 54-year history. Wrapping up the digitalization and documentation of analog formats, they will progress to transferring recordings dated 1989-2020 to include early digital formats, e.g., DAT and CD-R, thus archiving the remaining 30 percent of our collection.
New Orleans Jazz & Heritage Festival and Foundation, Inc. — New Orleans
Awarded: $15,000
The New Orleans Jazz & Heritage Foundation Archive will digitize, preserve, make accessible, and disseminate approximately 400 audio and video recordings originally recorded on highly fragile formats made between 1989 to 2006. The recordings were made at the world-renowned New Orleans Jazz & Heritage Festival and are comprised of superb interviews and performances in the genres of gospel, Cajun, zydeco, jazz, traditional jazz, Mardi Gras Indian, blues, R&B, international, pop, and rock by legendary and highly influential performers.
Business
National Football League, NFLPA and Mythical Team Up for Upcoming NFL Play-and-Own NFT Video Game
Published
4 years agoon
May 25, 2022By
FNN SPORTSNEW YORK and LOS ANGELES – The National Football League (NFL), NFL Players Association (NFLPA) and next-generation gaming technology studio Mythical Games today announced a partnership to launch NFL Rivals, a new NFL video game that leverages blockchain technology, on the Mythical Platform in early 2023. Delivering on the fantasy of being a team General Manager, this fun, easy to play game will allow NFL fans and gamers alike to compete against other GMs with their assembled player rosters and teams, building, leveling up and improving their lineup. In addition, fans will be able to own, collect and trade non-fungible tokens (NFTs) of their favorite players through this play-and-own game experience.
“With the rise of blockchain technology, we are thrilled to partner with Mythical Games on a blockchain-enabled game that delivers new play-to-own NFT capabilities, creating a new adventure for fans who love to play football games,” said Joe Ruggiero, SVP of Consumer Products at the NFL. “The interest in NFTs and video gaming amongst current and prospective fans continues to grow and combined have accelerated the NFL’s exploration of new gaming models that can deliver an unmatched experience to fans.”
Ahead of the NFL Rivals game launch, 32 limited-quantity collections of unique generative 3D NFL franchise-themed NFTs will be released in a series of drops called “Rarity League.” This officially licensed collection will provide owners access to special events, in-game rewards and other unique features.
“NFTs are revolutionizing the fan experience, and we’re excited to collaborate with the imaginative team at Mythical Games to create a whole new blockchain-based world in which NFL players take center stage.” said Terése Whitehead, Vice President, Consumer Products & Strategy at NFL Players Inc., the marketing and licensing arm of the NFLPA.
“Partnering with the NFL to drive new fan and player engagement through fresh game design and the benefits of Web3 is an exciting moment for us,” said Jamie Jackson, Chief Creative Officer, Mythical Games. “NFTs with utility can add value to players in-game, and we can’t wait to bring these concepts to NFL Rivals to evolve the team management genre by adding the advantages of play-and-own games, offering the community new ways to engage with their favorite teams and players both in and outside this virtual world.”
NFL Rivals will launch globally for web and mobile web in early 2023. Interested players can join the Discord or visit the NFL Rivals website now for more information and to stay updated.
Lifestyle
The Wolf Man, Dracula and The Mummy Unite for the First Time Ever for Universal’s Newest Haunted House
Published
4 years agoon
May 17, 2022ORLANDO, Fla., UNIVERSAL CITY, Ca. (FNN) – Universal Pictures’ most notorious horror icons, The Wolf Man, Dracula and The Mummy, come together for the first time ever in the all-new “Universal Monsters: Legends Collide” haunted houses as part of Halloween Horror Nights at Universal Studios Hollywood and Universal Orlando Resort – where these infamous classic monsters invite guests to join them in an epic battle beginning this September.
Halloween Horror Nights continues to expand on the thrilling legacy from Universal Pictures – the movie studio that birthed the classic horror monsters on screen – with this original haunted house debuting at Universal Studios’ theme parks from coast-to-coast. Inspired by the event’s previous Universal Monsters attractions, this year’s unique experience resurrects the monstrous triple threat of The Wolf Man, Dracula and The Mummy for one harrowing haunted house.
This bi-coastal experience will transport guests to the 19th century with the trio of monsters seeking one thing: The Amulet of Ra. The Wolf Man believes this ancient relic contains the power to finally lift his dreaded curse, while Dracula and The Mummy have nefarious plans to use it to bring humankind to its knees. With the full moon on the rise and a race against time, guests find themselves entangled in a bloodthirsty battle between the terrifying titans – and only one will survive.
Elevating the mayhem, GRAMMY® Award-winning musician, SLASH, returns to collaborate with Universal Studios Hollywood with an original composition for their haunted house.
Halloween Horror Nights begins on Friday, September 2 in Orlando with 10 terrifying haunted houses and Thursday, September 8 in Hollywood with eight frightening haunted houses. Both events will run select nights through Monday, October 31, and additional details will be revealed soon.
Tickets and vacation packages are now on sale for Halloween Horror Nights at Universal Orlando Resort, and tickets for Universal Studios Hollywood will be available soon. For more information and to purchase tickets, visit www.HalloweenHorrorNights.com.