Entertainment
Celebrities reveal new sides during virus, but face backlash
Published
6 years agoon
Portia de Rossi has been teaching herself how to cook during the coronavirus lockdown. It’s been an eye-opening experience for the actress — and for her fans.
She’s cut herself and been burned, yes. She’s also discovered she doesn’t like some Indian flavors and that her longtime wife, talk show host Ellen Degeneres, isn’t a fan of curry and garbanzo beans.
“We’re learning a lot about each other in quarantine!” she admits on Instagram.
We are indeed learning a lot about each other these days, and that’s especially true with our celebrities. Social distancing has meant they have no army of publicists or glam squad. They’re bored and unfiltered — and often incredibly relatable.
Stuck inside, Justin Bieber reverted to a childhood objective. Clad in a onesie and a winter hat, the singer attempted a round of “ The Floor Is Lava ” in his massive living room, leaping onto cushions, chairs, foot stools, two skateboard and a roller. The video has been seen over 9 million times.
“I think now people need the human touch even more, and I think celebrities really understand that,” says Neal Schaffer, a social media strategy consultant whose new book is “ The Age of Influence.” “People want to relate to real things, real people.”
While some influencers and stars continue to post a flood of flattering, carefully stage-managed images with every hair in place, others are indeed mirroring us — unshaven, unwashed and not ashamed.
“When I drink, I get really, really brilliant ideas,” the singer Pink confessed recently. “And last night, I got an idea — I can cut hair.” She then reveals some choppy, shaved spots on her head.
Celebrities, it turns out, really are just like us: They get drunk and do stupid stuff, too. And they’re like us in another way, too: Pink later announced that she also had contracted the virus.
The coronavirus has also unlocked places we never expected to go, like Selena Gomez’s bathroom and inside Broadway star Adrienne Warren’s bathtub. We’ve gotten to inspect Rosie O’Donnell’s messy garage/art studio.
So LuPone leaned into the interest, later making little video tours on Twitter that include her subterranean one-armed bandit, a massage table, mementos, her desk and a pinball machine. “I have so much to show you,” she says.
Yuval Ben-Itzhak, the CEO of Socialbakers, a social media marketing company, has noticed the trend and encourages it. He suspects fans will reward the more honest of celebrities at the other end of this crisis.
“By giving their audience a glimpse into their lives — from showing their homes, their families or themselves looking casual, like people typically do at home — celebrities are likely to actually increase their engagement,” Ben-Itzhak says. “Users seem to really engage with natural, authentic-looking content, especially right now. It gives a feeling of ‘We’re all in this together.’”
We may be all in this together, but we’re not equal. After all, celebs may be just like us, except they’re usually much richer. The new intimate view we have of the famous reveals a chasm: Bieber’s living room is large enough to fit several regular living rooms. Not everyone can self-isolate on a yacht.
A few weeks into the virus’ onslaught in America, some commentators had soured on the shenanigans of celebrities. “I don’t care what celebs are doing in their mansions,” one wrote on Instagram. Another posted a warning: “Funny how irrelevant they become when real problems curse us.”
The first real sign that celebrity exposure was curdling was when “Wonder Woman” star Gal Gadot led a sing-along of “Imagine” with such stars as James Marsden, Zoe Kravitz, Amy Adams and Mark Ruffalo. Pushback came quickly, with some commentators calling it “cringeworthy” and “out of touch.” They asked for donations, not songs.
Akshaya Sreenivasan, a social media marketing expert at Texas A&M University’s Mays Business School, says as the COVID-19 crisis drags on, celebrities are bound to face more online hate.
“Even Oprah is not going to be immune,” she says. “The big guys in Hollywood are going to be shredded to pieces, especially if they continue to post on Instagram, ‘Oh my God, I’m so bored. I’m drinking martinis in my private pool.’”
Sreenivasan anticipates some celebs will lose followers if they continue posting without sensitivity to the losses outside their mansions. And she thinks many will open their wallets to compensate for all the years of Instagram glam. “They need to do something to protect that brand,” she says.
There’s also danger if celebrities unartfully choose to profit off the virus. Social media experts warn that this may not be the time to be pushing products for gain.
Dwayne “The Rock” Johnson walks toward that line when he relentlessly floods his Instagram account to highlight and hype the brand of tequila he owns.
“You really need to be sensitive to your audience, and you need to be very careful if you want to walk that line,” says Schaffer. “It is a dangerous subject. A celebrity is only as good as their community. It can work against them as quickly as it works for them.”
Despite this new and unvarnished look at celebs and the pushback it has triggered, Sreenivasan is skeptical that anything will really change once normal life resumes.
“We’ve had this conversation forever,” she says. “We’re going to move on until the next problem comes, and we’ll have this inequality conversation again.”
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Entertainment
‘SPAMALOT’ Joins Dr. Phillips Center’s 2026-27 Broadway in Orlando Season
Published
4 days agoon
August 10, 2026
Tony Award-winning musical will play Walt Disney Theater Nov. 3-5, 2026
ORLANDO, Fla. (FNN NEWS) — Dr. Phillips Center for the Performing Arts is expanding its 2026-27 Broadway in Orlando season with the addition of SPAMALOT, the Tony Award-winning Best Musical, scheduled for Nov. 3-5, 2026, at Walt Disney Theater.
Inspired by the classic comedy Monty Python and the Holy Grail, SPAMALOT brings Monty Python’s distinctly British humor to the stage through a comedic adventure following King Arthur and his quest for the Holy Grail.
The production comes to Orlando following a celebrated 2023 Broadway revival at the St. James Theatre, directed and choreographed by Josh Rhodes.
Monty Python Comedy Comes to Orlando
Described as “lovingly ripped” from Monty Python and the Holy Grail, the musical features British royalty, flying cows, dancing girls, shrubbery and the Lady of the Lake.
The 14-time Tony Award-nominated musical features well-known numbers including “Always Look on the Bright Side of Life,” “The Song That Goes Like This” and “Find Your Grail.”
SPAMALOT features a book and lyrics by Eric Idle, with music by John Du Prez and Idle.
Cast Announced for Orlando Production
The cast features Major Attaway, whose credits include Aladdin, as King Arthur; Sean Bell (Harmony) as Sir Robin; Chris Collins-Pisano (Forbidden Broadway) as Sir Lancelot; Ellis C. Dawson III (Hamilton) as Sir Bedevere; Leo Roberts (Les Misérables) as Sir Galahad; Amanda Robles as the Lady of the Lake; Blake Segal (Mary Poppins) as Patsy; and Steven Telsey (The Book of Mormon) as the Historian and Prince Herbert.
The company also includes Lindsay Lee Alhady, Delaney Benson, Jack Brewer, Connor Coughlin, L’ogan J’ones, Graham Keen, Claire Kennard, Ben Lanham, Nathaniel Mahone, Maddie Mossner, Emilie Renier, Mark Tran Russ and Meridien Terrell.
Creative Team
The production’s creative team includes scenic and projection designer Paul Tate dePoo III, costume designer Jen Caprio, lighting designer Cory Pattak, sound designers Kai Harada and Haley Parcher, and wig designer Tom Watson.
John Bell serves as music supervisor, with Jonathan Gorst as musical director and conductor.
Derek Kolluri is associate director, Michael Fatica is associate choreographer and casting is by Geoff Josselson, CSA. RCI Theatricals serves as general manager, and Jeffrey Finn is the producer.
Tickets on Sale Now
Single tickets for SPAMALOT are on sale now through Dr. Phillips Center.
Performances: Nov. 3-5, 2026
Venue: Walt Disney Theater at Dr. Phillips Center for the Performing Arts
Location: Orlando, Florida
Tickets and additional information are available through the Dr. Phillips Center website.
Central Florida News
Dr. Phillips Center Generates $227.6 Million Annual Economic Impact, Supports Nearly 2,500 Central Florida Jobs
Published
2 weeks agoon
July 30, 2026
ORLANDO, Fla. (FNN NEWS) — The Dr. Phillips Center for the Performing Arts generated $227.6 million in annual economic impact, supporting 2,483 jobs and producing $13.2 million in state and local tax revenue, according to a newly released independent study by Tourism Economics.
The analysis, conducted by Tourism Economics, an Oxford Economics company specializing in economic impact and tourism research, measured the direct, indirect and induced economic activity generated by the arts center’s operations, performances, visitors and related spending throughout Central Florida.
The findings underscore the Dr. Phillips Center’s role as both a premier performing arts destination and a major contributor to the region’s economy.
“For more than a decade, we’ve seen firsthand how the arts inspire people, bring communities together and create lasting value,” said Kathy Ramsberger, president and CEO of Dr. Phillips Center for the Performing Arts. “This study confirms that our impact reaches far beyond our stages—supporting thousands of jobs, driving business growth, attracting visitors from around the world and helping position Central Florida as a more vibrant, competitive and connected region.”
Economic Impact by the Numbers
According to the Tourism Economics report, the Dr. Phillips Center generated:
- $227.6 million in annual economic output
- 2,483 jobs supported across Central Florida
- $70.8 million in total labor income in Orange County
- $13.2 million in state and local tax revenue
- $73.1 million in off-site spending by event attendees, performers and production crews
- 61,600 hotel room nights generated annually
The study highlights the ripple effect created by visitors attending performances, benefiting nearby hotels, restaurants, retailers and other local businesses.
A Global Destination for Arts and Entertainment
Now in its 11th year, the Dr. Phillips Center welcomes more than 910,000 guests annually, attracting visitors from all 50 states and more than 80 countries.
Since opening in 2014, the venue has hosted:
- More than 6.2 million guests
- More than 6,200 performances and events
- Programming presented 99% of the year
- Venue occupancy rates ranging from 82% to 97%
The center has become one of the world’s busiest performing arts destinations while helping position downtown Orlando as a leading hub for arts, culture and entertainment.
Community Investment Beyond the Stage
In addition to its economic impact, the Dr. Phillips Center continues investing in arts education, community outreach and cultural programming throughout Central Florida.
According to the organization, it has:
- Served 935,920 students and community participants
- Supported and hosted 202 regional arts organizations
- Received support from 24,085 donors
- Benefited from $256 million in philanthropic contributions since its inception
Through partnerships with schools, nonprofit organizations, community groups and touring productions, the center continues to expand access to the performing arts while strengthening the region’s cultural and economic vitality.
Looking Ahead
Eleven years after opening, the Dr. Phillips Center continues to demonstrate that investment in arts and culture produces measurable returns through tourism, employment, education and community engagement.
As Central Florida continues to grow, the independent analysis reinforces the performing arts center’s importance as both a cultural landmark and an economic engine for the region.
Additional information about the economic impact study is available through the Dr. Phillips Center for the Performing Arts.
Entertainment
Blue Man Group Orlando Launches $25 Kids Ticket Offer at ICON Park Through Dec. 31
Published
1 month agoon
July 6, 2026
ORLANDO, Fla. (FNN NEWS) — Families can enjoy Blue Man Group Orlando for less this summer and fall thanks to a new ticket promotion that allows children to attend performances for $25 with the purchase of a full-priced adult ticket.
The limited-time offer is available for online purchases through Dec. 31, 2026, making one of Orlando’s newest live entertainment attractions more affordable for families.
Special Kids Ticket Offer
Under the promotion, guests who purchase a full-priced adult ticket may purchase a children’s ticket for $25.
The offer is valid for performances:
- Monday through Thursday
- Fridays at 5 p.m.
The promotion is not valid for:
- Saturday performances
- Sunday performances
- Fridays at 8 p.m.
New Orlando Production at ICON Park
Blue Man Group opened its new resident production at ICON Park in May inside a custom-built theater located along Orlando’s International Drive entertainment district.
The production blends music, comedy, technology and audience participation, while featuring many of the signature moments fans expect from Blue Man Group alongside new material created exclusively for the Orlando production.
Global Entertainment Phenomenon
Since debuting in 1991 at New York’s Astor Place Theatre, Blue Man Group has entertained more than 50 million people worldwide through resident productions and international tours.
The show continues to expand with performances in Orlando, Las Vegas, touring productions across North America and an upcoming tour in Japan.
Blue Man Group is owned and operated by Cirque du Soleil Entertainment Group.
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