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Celebrities reveal new sides during virus, but face backlash

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Portia de Rossi has been teaching herself how to cook during the coronavirus lockdown. It’s been an eye-opening experience for the actress — and for her fans.

She’s cut herself and been burned, yes. She’s also discovered she doesn’t like some Indian flavors and that her longtime wife, talk show host Ellen Degeneres, isn’t a fan of curry and garbanzo beans.

“We’re learning a lot about each other in quarantine!” she admits on Instagram.

We are indeed learning a lot about each other these days, and that’s especially true with our celebrities. Social distancing has meant they have no army of publicists or glam squad. They’re bored and unfiltered — and often incredibly relatable.

Cardi B recently inexplicably ran headfirst into a massive Jenga tower and a daffy Madonna sang her hit “Vogue” into a hairbrush but changed the lyrics to include fried fish. Hillary Swank learned to crochet — and now has a new knit hat to prove it. Ariana Grande showed off her natural hair and Marlee Matlin put on her old wedding dress. “I’m losing my mind but what else is there to do?” she wrote.

Stuck inside, Justin Bieber reverted to a childhood objective. Clad in a onesie and a winter hat, the singer attempted a round of “ The Floor Is Lava ” in his massive living room, leaping onto cushions, chairs, foot stools, two skateboard and a roller. The video has been seen over 9 million times.

“I think now people need the human touch even more, and I think celebrities really understand that,” says Neal Schaffer, a social media strategy consultant whose new book is “ The Age of Influence.” “People want to relate to real things, real people.”

While some influencers and stars continue to post a flood of flattering, carefully stage-managed images with every hair in place, others are indeed mirroring us — unshaven, unwashed and not ashamed.

“When I drink, I get really, really brilliant ideas,” the singer Pink confessed recently. “And last night, I got an idea — I can cut hair.” She then reveals some choppy, shaved spots on her head.

Celebrities, it turns out, really are just like us: They get drunk and do stupid stuff, too. And they’re like us in another way, too: Pink later announced that she also had contracted the virus.

The coronavirus has also unlocked places we never expected to go, like Selena Gomez’s bathroom and inside Broadway star Adrienne Warren’s bathtub. We’ve gotten to inspect Rosie O’Donnell’s messy garage/art studio.

Theater icon Patti LuPone was taking part in a livestreamed benefit led by O’Donnell when theater fans grew enchanted by something they’d never seen before: Lupone’s cool basement. They could see a colorful, light-up vintage jukebox and a wall rack stacked with cassette tapes.

So LuPone leaned into the interest, later making little video tours on Twitter that include her subterranean one-armed bandit, a massage table, mementos, her desk and a pinball machine. “I have so much to show you,” she says.

Yuval Ben-Itzhak, the CEO of Socialbakers, a social media marketing company, has noticed the trend and encourages it. He suspects fans will reward the more honest of celebrities at the other end of this crisis.

“By giving their audience a glimpse into their lives — from showing their homes, their families or themselves looking casual, like people typically do at home — celebrities are likely to actually increase their engagement,” Ben-Itzhak says. “Users seem to really engage with natural, authentic-looking content, especially right now. It gives a feeling of ‘We’re all in this together.’”

We may be all in this together, but we’re not equal. After all, celebs may be just like us, except they’re usually much richer. The new intimate view we have of the famous reveals a chasm: Bieber’s living room is large enough to fit several regular living rooms. Not everyone can self-isolate on a yacht.

A few weeks into the virus’ onslaught in America, some commentators had soured on the shenanigans of celebrities. “I don’t care what celebs are doing in their mansions,” one wrote on Instagram. Another posted a warning: “Funny how irrelevant they become when real problems curse us.”

The first real sign that celebrity exposure was curdling was when “Wonder Woman” star Gal Gadot led a sing-along of “Imagine” with such stars as James Marsden, Zoe Kravitz, Amy Adams and Mark Ruffalo. Pushback came quickly, with some commentators calling it “cringeworthy” and “out of touch.” They asked for donations, not songs.

Akshaya Sreenivasan, a social media marketing expert at Texas A&M University’s Mays Business School, says as the COVID-19 crisis drags on, celebrities are bound to face more online hate.

“Even Oprah is not going to be immune,” she says. “The big guys in Hollywood are going to be shredded to pieces, especially if they continue to post on Instagram, ‘Oh my God, I’m so bored. I’m drinking martinis in my private pool.’”

Sreenivasan anticipates some celebs will lose followers if they continue posting without sensitivity to the losses outside their mansions. And she thinks many will open their wallets to compensate for all the years of Instagram glam. “They need to do something to protect that brand,” she says.

There’s also danger if celebrities unartfully choose to profit off the virus. Social media experts warn that this may not be the time to be pushing products for gain.

Dwayne “The Rock” Johnson walks toward that line when he relentlessly floods his Instagram account to highlight and hype the brand of tequila he owns.

“You really need to be sensitive to your audience, and you need to be very careful if you want to walk that line,” says Schaffer. “It is a dangerous subject. A celebrity is only as good as their community. It can work against them as quickly as it works for them.”

Despite this new and unvarnished look at celebs and the pushback it has triggered, Sreenivasan is skeptical that anything will really change once normal life resumes.

“We’ve had this conversation forever,” she says. “We’re going to move on until the next problem comes, and we’ll have this inequality conversation again.”

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160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

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160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

DAYTONA BEACH, Fla. (FNN) — Music set times have been released for the 15th anniversary of Welcome To Rockville, Florida’s largest rock, metal and punk festival, set for May 7–10, 2026 at Daytona International Speedway.

Produced by Danny Wimmer Presents, the four-day event will feature more than 160 bands performing across five stages, marking the festival’s largest lineup to date.

HEADLINERS AND DAILY LINEUP

This year’s festival will be headlined by Foo Fighters, My Chemical Romance, Guns N’ Roses and Bring Me The Horizon.

  • Thursday, May 7: Guns N’ Roses, Five Finger Death Punch, Godsmack, Staind
  • Friday, May 8: Foo Fighters, Turnstile, The Offspring, Parkway Drive
  • Saturday, May 9: Bring Me The Horizon, Breaking Benjamin, Motionless in White, Lamb of God
  • Sunday, May 10: My Chemical Romance, A Day To Remember, Rise Against, Yellowcard

FESTIVAL EXPANSION AND NEW FEATURES

Organizers announced several enhancements for 2026 aimed at improving the fan experience. A new “Pit Stop” fan zone near the Apex Stage will feature artist interviews, special performances and interactive experiences.

In addition, the Garage Stage will be fully tented for the first time, offering expanded shade coverage and upgraded production for attendees.

SPECIAL EVENTS AND EXPERIENCES

Festivalgoers can kick off the week with a pre-party on May 6 featuring performances by Fuel, Local H and others.

A new crossover event, “Blood4Blood,” will also take place at the Ocean Center, combining live music with bare-knuckle fighting, including a headline bout featuring Alex Terrible of Slaughter to Prevail.

TICKETS, ACCESS AND ATTENDANCE

Festival gates will open daily at 11:30 a.m. Organizers are offering a range of ticket options, including single-day, weekend, VIP and camping packages. A new Camp to Coast shuttle will provide transportation between the speedway and nearby beaches.

With expanded attractions, including rides, themed bars and interactive zones, Welcome To Rockville 2026 is expected to draw tens of thousands of fans to Daytona Beach, reinforcing its role as a major driver of Florida’s tourism and live entertainment economy.

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Orlando International Fashion Week Partners with Orlando Fringe Festival for 35th Anniversary Avant-Garde Showcase

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Orlando International Fashion Week

ORLANDO, Fla. (FNN)Orlando International Fashion Week (OIFW) has announced a new creative partnership with the Orlando International Fringe Theatre Festival as the festival celebrates its 35th anniversary this May.

As part of the collaboration, OIFW will present a special avant-garde fashion showcase on Saturday, May 16, 2026, from 5:30 p.m. to 6:30 p.m., during the two-week festival. The curated runway will feature bold, experimental designs that reflect Fringe’s spirit of artistic freedom, individuality and innovation.

PARTNERSHIP CELEBRATES CREATIVE COLLABORATION

Organizers say the partnership reflects a natural alignment between two nonprofit organizations committed to supporting artists and expanding access to creative spaces.

“Fringe and OIFW share a commitment to creating platforms where artists can take risks and express themselves freely,” said Rob Henlon, executive director and co-founder of OIFW. “This collaboration allows fashion to exist within a broader artistic conversation.”

John Payne-Rios, an OIFW advisory board member, added that the partnership strengthens Orlando’s creative ecosystem by bringing together fashion, theater and community engagement.

Festival organizers echoed that sentiment, noting the addition of fashion enhances the Outdoor Stage experience and introduces new artistic energy to the event.

DESIGNER CALL AND MODEL CASTING UNDERWAY

In conjunction with the partnership, OIFW has opened its designer registration call for creatives interested in participating in the Fringe showcase.

Designers are encouraged to submit collections that emphasize:

  • Avant-garde concepts
  • Artistic storytelling
  • Bold, experimental design

Models can also audition for both the Fringe showcase and upcoming OIFW runway shows. Casting calls are scheduled for April 12 and April 19 at CityArts Gallery in downtown Orlando from 11 a.m. to 3 p.m. The casting is open to ages 4 and up, with no prior experience required.

FRINGE FESTIVAL MARKS 35 YEARS OF ARTISTIC FREEDOM

For 35 years, the Orlando International Fringe Theatre Festival has provided an inclusive platform for artists to present original work in an unjuried and uncensored environment. The festival is the longest-running Fringe festival in the United States and returns 100% of ticket sales directly to artists.

Each May, the festival transforms Orlando into a hub of live performances, visual art, music and interactive experiences that celebrate diverse voices and creative expression.

What’s Next for OIFW?

The Fringe collaboration serves as a lead-in to OIFW’s signature summer event, Orlando International Fashion Week Presents: 626 Euphoria, scheduled for June 6, 2026, at the Winter Park Events Center.

Organizers say the upcoming season will continue to focus on:

  • Expanding fashion as a cultural platform
  • Strengthening cross-industry partnerships
  • Elevating emerging and diverse designers

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Trick Daddy Threatens Tiffany Moore Russell Mayoral Race After AKA Show Shut Down

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ORLANDO, Fla. (FNN) — A performance by Miami street legend rapper Trick Daddy ended abruptly Friday night during the 73rd South Atlantic Regional Conference of Alpha Kappa Alpha Sorority, Incorporated after event organizers said the artist ignored agreed-upon performance guidelines.

The incident, which occurred after the conference’s Step and Stroll competition, has sparked debate online about event vetting, audience expectations, and artistic responsibility.

The event was overseen by South Atlantic Regional Director Tiffany Moore Russell, who also serves as the elected Clerk of Courts for Orange County, Florida and is currently a candidate for Orange County mayor.

Conference Performance Ends Early

Conference attendees from across the South Atlantic region gathered in Orlando for the sorority’s five-day leadership and networking event.

Friday evening’s program featured step teams and strolling performances before transitioning to live entertainment. Organizers booked Trick Daddy, the Miami rapper known for hits including “Nann” and “Thug Matrimony,” to perform a curated list of songs.

However, the performance ended mid-set after organizers said the rapper used language and lyrics that violated previously discussed guidelines.

Russell addressed the incident in a statement distributed to conference attendees.

“We met several times with him and his team to detail our requirements, including attire, language, and specific songs,” Russell said. “Unfortunately, our requirements were ignored. The language, lyrics, and comments made by the artist were not acceptable. I ended the performance because of the disrespect for our organization and our brand.”

Viral Video Fuels Online Debate

Videos posted on social media showed audience members reacting with surprise and discomfort during the performance.

In one clip, attendees could be seen leaving the room as the rapper used explicit language and interacted with the crowd in a manner some attendees described as inappropriate for the event.

The video quickly spread online, fueling debate over whether the performer or the event organizers were responsible for the mismatch between the artist and the audience.

Some critics argued the booking itself raised questions about vetting.

Questions About Booking and Vetting

The controversy has prompted broader discussion about event planning and audience expectations.

Alpha Kappa Alpha Sorority, Incorporated is one of the nation’s oldest historically Black sororities, known for its emphasis on scholarship, leadership, and community service.

Critics on social media questioned why an artist known for explicit hip-hop lyrics was booked for a conference audience largely composed of professional women and long-time sorority members.

Supporters of the organizers say the issue was not the booking itself but whether the performer honored the agreed-upon content guidelines.

Russell emphasized that the step teams and conference participants represented “creativity, discipline, and excellence,” adding that she regretted the performance overshadowed their work.

Trick Daddy Responds: “They Booked Me, Trick Daddy Dollars” [VIDEO]

Following the incident, Trick Daddy posted a video response denying that he violated the agreement and accusing organizers of damaging his reputation.

Trick Daddy video responding to AKA Director statement telling her not to give him a playlist, this isn’t her wedding and not to defame his characte, according to the video.

the video further that he states that anybody in there that was saddity and sanctified should not have been in there once I grabbed the MF’in mic.

He also referenced Russell’s political ambitions, saying: “I heard you’re running for some type of office or something. I’ll get on you every day until you don’t win. Don’t play with me.”

The comments intensified the controversy as the incident shifted from a performance dispute to a potential political crisis for Russell’s Orange County mayoral campaign.

What Happens Next? Reputation, Politics and Public Reaction

For Trick Daddy, the dispute raises questions about how the controversy could affect his public image and performance bookings.

For Tiffany Moore Russell, the issue arrives as she prepares for a campaign for mayor in Orange County, Florida, potentially drawing political scrutiny to the situation.

Whether the rapper follows through on his pledge to publicly attrack Russell’s mayoral campaign remains unclear.

For now, the moment stands as a cautionary tale about entertainment programming at professional events—where audience expectations, artist identity, and brand reputation must align.

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