Entertainment

Celia Cruz en Vivo – 100 Años de Azúcar Album, a Tribute to the Queen of Salsa, Takes Home 2024 Latin GRAMMY® Award

Published

1 year ago

December 2, 2024

MIAMI, Fla. (FNN) – Last night, the commemorative album “Celia Cruz En Vivo – 100 años de Azúcar”, which celebrates the life and musical legacy of the Queen of Salsa, Celia Cruz, won the Latin GRAMMY® for Best Recording Package at the 25th Annual Latin GRAMMY® Awards.

“This album is incredibly meaningful to me for several reasons. First, it honors Celia Cruz, the most iconic artist from Cuba and one of the first I had the privilege to work with. It also features live recordings from concerts in Miami, a city that holds a special place in my heart. My love for design, whether in graphics or advertising, has always been strong, and the packaging of this album stands out as a unique representation of Celia’s vibrant style,” says Nelson Albareda, CEO of Loud And Live and the album’s executive producer. “But above all, there’s the music, my greatest passion. As a Cuban-American, this album is a tribute to my roots, my culture, and my identity. Celia was a once-in-a-century artist, and that’s exactly what we’re celebrating: 100 Years of Azúcar,” he concludes.

The album was awarded for the limited edition Deluxe Collector’s Box Set, an artistic piece that captured the hearts of collectors, music lovers worldwide, and the members of The Latin Recording Academy, who chose this work as the winner.

The cover of this special edition has sentimental and historical value as it bears the authentic sequin-embroidered fabric of one of the textiles Celia used in her famed costumes. This award-winning Deluxe box set also includes a book containing one hundred photographs celebrating each year lived by the legendary artist and a series of printed plates.

The album and its packaging design art direction was spearheaded by multiple GRAMMY® and Latin GRAMMY® Award-winning producers Nelson Albareda and Omer Pardillo-Cid, as well as Kemelly Figueroa-Mouriz, Sebastián Aristizábal, and Albertico Rodríguez.

(Photo left to right – Sebastian Aristizabal -art director , Nelson Albareda – producer and art director, Kemelly Figueroa Mouriz – art director, Omer Pardillo Cid – producer and art director, and Albertico Rodriguez – art director, photo courtesy of Loud And Live)

“One of the greatest treasures of my life was accompanying Celia for so many years. Upon her passing, I set myself the mission of elevating the work she left us so that it would not be forgotten over time. This project is yet another example that Celia is immortal. Now it is she who accompanies me, and she will do so for eternity. In receiving this Latin GRAMMY® Award, thanks to the efforts of the Loud And Live Studios team, we officially kick off the celebration of her 100^th anniversary, which will be a resounding success for her legacy and for future generations to come,” commented Omer Pardillo-Cid, Celia Cruz’s last representative and universal executor of her legacy.

The album, released in June, was produced by Loud And Live Studios and distributed by InnerCat, and it marks the beginning of the commemoration of Celia Cruz’s 100th birthday, to be celebrated in 2025.

“Celia Cruz En Vivo – 100 años de Azúcar” contains previously unreleased recordings of the singer at a concert in Miami, FL, in the mid-1980s and was released digitally and on vinyl with special packaging – instantly becoming a global collector’s item.

The award adds to the omnipresent legacy of Celia Cruz at the Latin GRAMMYs®, who in her lifetime won four golden gramophones: Best Salsa Performance for “Celia Cruz and Friends: A Night of Salsa”, Best Traditional Tropical Album for “Siempre Viviré” and two-time Best Salsa Album awards for “La Negra Tiene Tumbao” and “Regalo Del Alma”.

Last August, Cruz was chosen and honored as one of five outstanding women to be celebrated as part of the U.S. Mint’s American Women Quarters Program, celebrating the achievements and positive contributions of women in this nation. The beloved Queen of Salsa, who passed away in 2003, appears on the embossed coin, dressed in a Cuban costume with her motto: ¡Azúcar!

Celia Cruz was born in Havana, Cuba in 1925, and until her death in 2003, she toured the world spreading her distinctive flair and joy in her wake. The impact of her mark is priceless. In the two decades since her passing, fame and affection for this iconic artist has grown and continues to grow daily. Celia Cruz has become the most idolized African-American Hispanic singer in history.

Entertainment

160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

Published

3 weeks ago

April 15, 2026

Willie David

160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

DAYTONA BEACH, Fla. (FNN) — Music set times have been released for the 15th anniversary of Welcome To Rockville, Florida’s largest rock, metal and punk festival, set for May 7–10, 2026 at Daytona International Speedway.

Produced by Danny Wimmer Presents, the four-day event will feature more than 160 bands performing across five stages, marking the festival’s largest lineup to date.

HEADLINERS AND DAILY LINEUP

This year’s festival will be headlined by Foo Fighters, My Chemical Romance, Guns N’ Roses and Bring Me The Horizon.

Thursday, May 7: Guns N’ Roses, Five Finger Death Punch, Godsmack, Staind
Friday, May 8: Foo Fighters, Turnstile, The Offspring, Parkway Drive
Saturday, May 9: Bring Me The Horizon, Breaking Benjamin, Motionless in White, Lamb of God
Sunday, May 10: My Chemical Romance, A Day To Remember, Rise Against, Yellowcard

FESTIVAL EXPANSION AND NEW FEATURES

Organizers announced several enhancements for 2026 aimed at improving the fan experience. A new “Pit Stop” fan zone near the Apex Stage will feature artist interviews, special performances and interactive experiences.

In addition, the Garage Stage will be fully tented for the first time, offering expanded shade coverage and upgraded production for attendees.

SPECIAL EVENTS AND EXPERIENCES

Festivalgoers can kick off the week with a pre-party on May 6 featuring performances by Fuel, Local H and others.

A new crossover event, “Blood4Blood,” will also take place at the Ocean Center, combining live music with bare-knuckle fighting, including a headline bout featuring Alex Terrible of Slaughter to Prevail.

TICKETS, ACCESS AND ATTENDANCE

Festival gates will open daily at 11:30 a.m. Organizers are offering a range of ticket options, including single-day, weekend, VIP and camping packages. A new Camp to Coast shuttle will provide transportation between the speedway and nearby beaches.

With expanded attractions, including rides, themed bars and interactive zones, Welcome To Rockville 2026 is expected to draw tens of thousands of fans to Daytona Beach, reinforcing its role as a major driver of Florida’s tourism and live entertainment economy.

Entertainment

Orlando International Fashion Week Partners with Orlando Fringe Festival for 35th Anniversary Avant-Garde Showcase

Published

4 weeks ago

April 12, 2026

FNN NEWS

Orlando International Fashion Week

ORLANDO, Fla. (FNN) — Orlando International Fashion Week (OIFW) has announced a new creative partnership with the Orlando International Fringe Theatre Festival as the festival celebrates its 35th anniversary this May.

As part of the collaboration, OIFW will present a special avant-garde fashion showcase on Saturday, May 16, 2026, from 5:30 p.m. to 6:30 p.m., during the two-week festival. The curated runway will feature bold, experimental designs that reflect Fringe’s spirit of artistic freedom, individuality and innovation.

PARTNERSHIP CELEBRATES CREATIVE COLLABORATION

Organizers say the partnership reflects a natural alignment between two nonprofit organizations committed to supporting artists and expanding access to creative spaces.

“Fringe and OIFW share a commitment to creating platforms where artists can take risks and express themselves freely,” said Rob Henlon, executive director and co-founder of OIFW. “This collaboration allows fashion to exist within a broader artistic conversation.”

John Payne-Rios, an OIFW advisory board member, added that the partnership strengthens Orlando’s creative ecosystem by bringing together fashion, theater and community engagement.

Festival organizers echoed that sentiment, noting the addition of fashion enhances the Outdoor Stage experience and introduces new artistic energy to the event.

DESIGNER CALL AND MODEL CASTING UNDERWAY

In conjunction with the partnership, OIFW has opened its designer registration call for creatives interested in participating in the Fringe showcase.

Designers are encouraged to submit collections that emphasize:

Avant-garde concepts
Artistic storytelling
Bold, experimental design

Models can also audition for both the Fringe showcase and upcoming OIFW runway shows. Casting calls are scheduled for April 12 and April 19 at CityArts Gallery in downtown Orlando from 11 a.m. to 3 p.m. The casting is open to ages 4 and up, with no prior experience required.

FRINGE FESTIVAL MARKS 35 YEARS OF ARTISTIC FREEDOM

For 35 years, the Orlando International Fringe Theatre Festival has provided an inclusive platform for artists to present original work in an unjuried and uncensored environment. The festival is the longest-running Fringe festival in the United States and returns 100% of ticket sales directly to artists.

Each May, the festival transforms Orlando into a hub of live performances, visual art, music and interactive experiences that celebrate diverse voices and creative expression.

What’s Next for OIFW?

The Fringe collaboration serves as a lead-in to OIFW’s signature summer event, Orlando International Fashion Week Presents: 626 Euphoria, scheduled for June 6, 2026, at the Winter Park Events Center.

Organizers say the upcoming season will continue to focus on:

Expanding fashion as a cultural platform
Strengthening cross-industry partnerships
Elevating emerging and diverse designers

Entertainment

Trick Daddy Threatens Tiffany Moore Russell Mayoral Race After AKA Show Shut Down

Published

4 weeks ago

April 9, 2026

Willie David

ORLANDO, Fla. (FNN) — A performance by Miami street legend rapper Trick Daddy ended abruptly Friday night during the 73rd South Atlantic Regional Conference of Alpha Kappa Alpha Sorority, Incorporated after event organizers said the artist ignored agreed-upon performance guidelines.

The incident, which occurred after the conference’s Step and Stroll competition, has sparked debate online about event vetting, audience expectations, and artistic responsibility.

The event was overseen by South Atlantic Regional Director Tiffany Moore Russell, who also serves as the elected Clerk of Courts for Orange County, Florida and is currently a candidate for Orange County mayor.

Conference Performance Ends Early

Conference attendees from across the South Atlantic region gathered in Orlando for the sorority’s five-day leadership and networking event.

Friday evening’s program featured step teams and strolling performances before transitioning to live entertainment. Organizers booked Trick Daddy, the Miami rapper known for hits including “Nann” and “Thug Matrimony,” to perform a curated list of songs.

However, the performance ended mid-set after organizers said the rapper used language and lyrics that violated previously discussed guidelines.

Russell addressed the incident in a statement distributed to conference attendees.

“We met several times with him and his team to detail our requirements, including attire, language, and specific songs,” Russell said. “Unfortunately, our requirements were ignored. The language, lyrics, and comments made by the artist were not acceptable. I ended the performance because of the disrespect for our organization and our brand.”

Trick Daddy’s performance during an Alpha Kappa Alpha conference was shut down early due to “disrespect for our organization and our brand” pic.twitter.com/AX8xsELyP4
— philip lewis (@Phil_Lewis_) April 4, 2026

Viral Video Fuels Online Debate

Videos posted on social media showed audience members reacting with surprise and discomfort during the performance.

In one clip, attendees could be seen leaving the room as the rapper used explicit language and interacted with the crowd in a manner some attendees described as inappropriate for the event.

The video quickly spread online, fueling debate over whether the performer or the event organizers were responsible for the mismatch between the artist and the audience.

Some critics argued the booking itself raised questions about vetting.

Questions About Booking and Vetting

The controversy has prompted broader discussion about event planning and audience expectations.

Alpha Kappa Alpha Sorority, Incorporated is one of the nation’s oldest historically Black sororities, known for its emphasis on scholarship, leadership, and community service.

Critics on social media questioned why an artist known for explicit hip-hop lyrics was booked for a conference audience largely composed of professional women and long-time sorority members.

Supporters of the organizers say the issue was not the booking itself but whether the performer honored the agreed-upon content guidelines.

Russell emphasized that the step teams and conference participants represented “creativity, discipline, and excellence,” adding that she regretted the performance overshadowed their work.

Trick Daddy Responds: “They Booked Me, Trick Daddy Dollars” [VIDEO]

Following the incident, Trick Daddy posted a video response denying that he violated the agreement and accusing organizers of damaging his reputation.

Trick Daddy video responding to AKA Director statement telling her not to give him a playlist, this isn’t her wedding and not to defame his characte, according to the video.

the video further that he states that anybody in there that was saddity and sanctified should not have been in there once I grabbed the MF’in mic.

He also referenced Russell’s political ambitions, saying: “I heard you’re running for some type of office or something. I’ll get on you every day until you don’t win. Don’t play with me.”

The comments intensified the controversy as the incident shifted from a performance dispute to a potential political crisis for Russell’s Orange County mayoral campaign.

What Happens Next? Reputation, Politics and Public Reaction

For Trick Daddy, the dispute raises questions about how the controversy could affect his public image and performance bookings.

For Tiffany Moore Russell, the issue arrives as she prepares for a campaign for mayor in Orange County, Florida, potentially drawing political scrutiny to the situation.

Whether the rapper follows through on his pledge to publicly attrack Russell’s mayoral campaign remains unclear.

For now, the moment stands as a cautionary tale about entertainment programming at professional events—where audience expectations, artist identity, and brand reputation must align.