Los Angeles
Facebook tightens political ad rules, but leaves loopholes
Published
6 years agoon

SAN FRANCISCO (AP) — Facebook is tightening its rules around political advertising ahead of the 2020 U.S. presidential election, acknowledging previous misuse. But it’s not clear if it will be enough to stop bad actors from abusing its system.
The changes include a tightened verification process that will require anyone wanting to run ads pertaining to elections, politics or big social issues like guns and immigration to confirm their identity and prove they are in the U.S. Beginning in mid-September, such advertisers confirm their group’s identity using their organization’s tax identification number or other government ID.
The verified group name will be listed on the “paid for by” disclaimers that disclose the backers of ads. Facebook says it will verify this information against government records and will note in the disclaimer for confirmed ads that they’re placed by a “confirmed organization.”
That process won’t apply to everyone, as Facebook says it would bar some smaller but legitimate groups from advertising. But a loophole that will allow small grassroots groups and local politicians to run political ads could also continue to allow bad actors to take advantage of the process.
Advertisers who don’t have tax ID numbers, government websites or registrations with the Federal Election Commission will still be able to post ads by providing an address, verifiable phone number, business email and website. These advertisers won’t get a “confirmed” designation. Previously, only a U.S. address was required. But it’s not inconceivable that bad actors will find a way to spoof phone numbers and email addresses.
“We’ve acknowledged that these tools will not be perfect,” Sarah Schiff, a Facebook product manager, said in an email. “But we are committed to making it more difficult for bad actors to misuse and abuse our platform” without penalizing smaller organizations.
Schiff also reiterated the company’s calls for regulation of online political advertising. Critics have said that Facebook’s attempts at self-regulation are merely a way for the company to pre-empt stricter government crackdowns.
Last month, Facebook was ordered to pay a $5 billion fine to the Federal Trade Commission over privacy violations. It also faces a series of other investigations into its privacy practices in Europe and across the U.S., in addition to new investigations into its allegedly anticompetitive behavior, such as the social network’s habit of buying would-be rivals like Instagram and blatantly duplicating features introduced by competing services.
While the company has beefed up its fight against misinformation and coordinated attacks by malicious nation-states, the same can be said for those trying to game its systems. After revelations that that Russians bankrolled thousands of fake political ads during the 2016 elections, Facebook and other social networks faced intense pressure to ensure that doesn’t happen again.
In late 2017, Facebook said it will verify political ad buyers by requiring them to confirm their names and locations, the latter by receiving a postcard with a confirmation code at a U.S. address. Page administrators also had to be verified.
But critics said the rules were easy to evade. Last fall, for instance, Vice News was able to place ads on behalf of the likes of Vice President Mike Pence and the Islamic State, which were all approved by Facebook.
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Entertainment
GRAMMY Museum® Grant Program Awards $200,000 for Music Research and Sound Preservation
Published
3 years agoon
June 28, 2022
LOS ANGELES — The GRAMMY Museum® Grant Program announced today that $200,000 in grants will be awarded to 16 recipients in the United States to help facilitate a range of research on a variety of subjects, as well as support a number of archiving and preservation programs.
“This year marks the 35th year that the GRAMMY Museum and Recording Academy® have partnered to provide much deserved funding for music research and preservation projects across the United States and Canada. During that time, we have awarded more than $8.1 million to nearly 465 grantees,” said Michael Sticka, President/CEO of the GRAMMY Museum. “As an educational and cultural nonprofit institution, we know firsthand how critical grant funding is in order to deliver measurable results and impact through our mission. This is why we’re proud to support these impressive projects that are at the intersection of music and science, and work to maintain our shared musical legacy for generations to come.”
Generously funded by the Recording Academy, the GRAMMY Museum Grant Program provides funding annually to organizations and individuals to support efforts that advance the archiving and preservation of the recorded sound heritage of the Americas for future generations, in addition to research projects related to the impact of music on the human condition. In 2008, the GRAMMY Museum Grant Program expanded its categories to include assistance grants for individuals and small to mid-sized organizations to aid collections held by individuals and organizations that may not have access to the expertise needed to create a preservation plan. The assistance planning process, which may include inventorying and stabilizing a collection, articulates the steps to be taken to ultimately archive recorded sound materials for future generations.
More information about the program can be found at www.grammymuseum.org.
Scientific Research Grantees
University of Southern California— Los Angeles
Awarded: $20,000
Nostalgia-evoking music can temporarily improve autobiographical memory in individuals with Alzheimer’s Disease (AD), but the associated neural mechanisms are unknown. This project aims to use personalized music to identify neural systems involved in music-evoked nostalgia using fMRI, in healthy younger and older adults. Findings will be the basis for music-based AD interventions by demonstrating how music-evoked nostalgia is preserved neurally across the lifespan.
University Hospitals Health System, Inc — Cleveland
Awarded: $20,000
The purpose of this study is to determine the feasibility and acceptability of: 1) a tailored music-assisted relaxation and imagery intervention; 2) biological sample collection; and 3) mobile device patient-reported outcome collection in adults hospitalized for pancreatic surgery experiencing acute pain.
Towson University — Towson, Maryland
Awarded: $10,000
This project will help to determine whether “hidden hearing loss” exists in student musicians and, if so, to use clinically relevant diagnostic tools to detect the disorder early so that music-induced overt hearing loss can be prevented. The project will also assess whether the hidden hearing deficits contribute to increased difficulties in auditory scene analysis/speech sound processing in musicians.
Texas Christian University — Fort Worth, Texas
Awarded: $10,000
Musical training is associated with increased neural prediction response to a critical note that indicates mode in a melody. This neural response suggests an enhanced prediction mechanism in those with musical training and may reflect acquired sensitivity to statistical regularities in the environment. The goal of this project is to investigate whether musical training is also associated with enhanced neural prediction responses in those with dyslexia, who may have deficits in prediction.
Stanford University — Stanford, California
Awarded: $9,066
This project evaluates different strategies to promote empathy between audio engineers and cochlear-implant users empathy-promotion. The goal is to understand the existing empathy structures, identify the most effective promotion strategies, and develop tools and clear techniques to assist both cochlear implant users and audio engineers in creating music that can be enjoyed by a more diverse audience.
University of Miami— Coral Gables, Florida
Awarded: $19,973
This innovative project will explore the use of infant-directed singing (IDS) for self-regulation in infants with prenatal drug exposure. These infants may be at risk for poor self-regulation, leading to difficulty managing arousal and emotions. Through a coaching intervention, mothers will learn how to use IDS to match or modify infant state. Findings will inform clinical practice to improve parenting skills in mothers with substance use issues.
Preservation Assistance Grantees
Bill Doggett — Bakersfield, California
Awarded: $4,961
Bill Doggett will conduct a professional inventory and preservation needs assessment for the Doggett Race & Performing Arts Collection. Under this project, an archival consultant with expertise in audiovisual archives and preservation management will conduct a site visit and physical inspection of the Collection and prepare a Preservation Plan for future action.
T. Christopher Aplin — Pasadena, California
Awarded: $3,000
American Indian Soundchiefs was a Kiowa-owned record label owned by Linn D. Pauahty – the earliest, longest-running such label launched with an ear toward Indigenous aesthetics. This project will help Mary Helen Deer, the Linn D. Pauahty Foundation and Kiowa Tribe review existing Soundchiefs record catalogues; compile and inventory instantaneous disc, 78s, reel-to-reel, and cassettes; and prepare these recordings for future digitization and preservation.
The Kealakai Center for Pacific Strings — Kailua, Hawaii
Awarded: $3,000
The Kealakai Center for Pacific Strings will synthesize a decade of primary data collection, interviews, research, and exhibit production to develop a digital museum and audio archive designed to share the largest untold chapter in the history of modern American music. The website and archive will illuminate the pivotal role that Hawaiian music has played in the evolution of popular music, a legacy of innovation, and global influence that endures today.
Preservation Implementation
Arhoolie Foundation — El Cerrito, California
Awarded: $20,000
The Arhoolie Foundation will digitize Chris Strachwitz rare recordings of performances, festivals and concerts from 1950-2000. Artists include Lightnin’ Hopkins, Big Mama Thornton, Mississippi Fred McDowell, Flaco Jiménez, Ry Cooder, Lydia Mendoza, BeauSoleil, Clifton Chenier, Rev Gary Davis, Mance Lipscomb, Jesse Fuller, Rose Maddox, and others.
The Apollo Theater — New York
Awarded: $20,000
This funding will allow Harlem’s historic Apollo Theater to digitize, preserve and catalog more than 300 hours of video recordings of the theater’s famed Amateur Night program, spanning 1987-2016. These performances exist on obsolete, vulnerable media formats, and have mostly remained unseen since the time of their original recording. Amateur Night has launched the careers of numerous pioneering performers, and has ran at the Apollo since 1934.
Newark Public Radio (WBGO) — Newark, New Jersey
Awarded: $15,000
WBGO will digitize and make available to the public over 800 hours of rare jazz recordings from 1985-91 currently stored on at-risk DAT and Betamax tapes. Recordings include club and festival performances by some of jazz’s most iconic figures, as well as a trove of WBGO-produced, NPR-syndicated jazz programs. Recordings will be available online via the American Archive of Public Broadcasting, and onsite at the Library of Congress and GBH in Boston.
UC Santa Barbara — Santa Barbara, California
Awarded: $10,000
UCSB Library will digitize and make accessible recordings of the groundbreaking radio broadcasts of the CBS Symphony conducted by Bernard Herrmann in the 1930s and 1940s. Herrmann’s early career as a conductor is documented by 70 radio broadcasts on 200 lacquer discs held by UCSB.
Boston Symphony Orchestra — Boston
Awarded: $10,000
The BSO will preserve and make accessible 233 live concert radio broadcasts from 1979-1991 of John Williams conducting the Boston Pops. Recorded on quarter inch reel-to-reel audiotape, these historically significant tapes document his work with such artists as Marilyn Horne, Tony Bennett, John Denver, as well as his own film music yet are currently inaccessible. We will create preservation master files and access copies for public use both remotely and onsite.
Freight & Salvage — Berkeley, California
Awarded: $10,000
The grant to Freight & Salvage will continue preservation of recordings and sustain copyright research. This encompasses 70 percent of 2,500 recordings featuring historic musicianship collected over our 54-year history. Wrapping up the digitalization and documentation of analog formats, they will progress to transferring recordings dated 1989-2020 to include early digital formats, e.g., DAT and CD-R, thus archiving the remaining 30 percent of our collection.
New Orleans Jazz & Heritage Festival and Foundation, Inc. — New Orleans
Awarded: $15,000
The New Orleans Jazz & Heritage Foundation Archive will digitize, preserve, make accessible, and disseminate approximately 400 audio and video recordings originally recorded on highly fragile formats made between 1989 to 2006. The recordings were made at the world-renowned New Orleans Jazz & Heritage Festival and are comprised of superb interviews and performances in the genres of gospel, Cajun, zydeco, jazz, traditional jazz, Mardi Gras Indian, blues, R&B, international, pop, and rock by legendary and highly influential performers.
Business
National Football League, NFLPA and Mythical Team Up for Upcoming NFL Play-and-Own NFT Video Game
Published
3 years agoon
May 25, 2022By
FNN SPORTS
NEW YORK and LOS ANGELES – The National Football League (NFL), NFL Players Association (NFLPA) and next-generation gaming technology studio Mythical Games today announced a partnership to launch NFL Rivals, a new NFL video game that leverages blockchain technology, on the Mythical Platform in early 2023. Delivering on the fantasy of being a team General Manager, this fun, easy to play game will allow NFL fans and gamers alike to compete against other GMs with their assembled player rosters and teams, building, leveling up and improving their lineup. In addition, fans will be able to own, collect and trade non-fungible tokens (NFTs) of their favorite players through this play-and-own game experience.
“With the rise of blockchain technology, we are thrilled to partner with Mythical Games on a blockchain-enabled game that delivers new play-to-own NFT capabilities, creating a new adventure for fans who love to play football games,” said Joe Ruggiero, SVP of Consumer Products at the NFL. “The interest in NFTs and video gaming amongst current and prospective fans continues to grow and combined have accelerated the NFL’s exploration of new gaming models that can deliver an unmatched experience to fans.”
Ahead of the NFL Rivals game launch, 32 limited-quantity collections of unique generative 3D NFL franchise-themed NFTs will be released in a series of drops called “Rarity League.” This officially licensed collection will provide owners access to special events, in-game rewards and other unique features.
“NFTs are revolutionizing the fan experience, and we’re excited to collaborate with the imaginative team at Mythical Games to create a whole new blockchain-based world in which NFL players take center stage.” said Terése Whitehead, Vice President, Consumer Products & Strategy at NFL Players Inc., the marketing and licensing arm of the NFLPA.
“Partnering with the NFL to drive new fan and player engagement through fresh game design and the benefits of Web3 is an exciting moment for us,” said Jamie Jackson, Chief Creative Officer, Mythical Games. “NFTs with utility can add value to players in-game, and we can’t wait to bring these concepts to NFL Rivals to evolve the team management genre by adding the advantages of play-and-own games, offering the community new ways to engage with their favorite teams and players both in and outside this virtual world.”
NFL Rivals will launch globally for web and mobile web in early 2023. Interested players can join the Discord or visit the NFL Rivals website now for more information and to stay updated.
Lifestyle
The Wolf Man, Dracula and The Mummy Unite for the First Time Ever for Universal’s Newest Haunted House
Published
3 years agoon
May 17, 2022
ORLANDO, Fla., UNIVERSAL CITY, Ca. (FNN) – Universal Pictures’ most notorious horror icons, The Wolf Man, Dracula and The Mummy, come together for the first time ever in the all-new “Universal Monsters: Legends Collide” haunted houses as part of Halloween Horror Nights at Universal Studios Hollywood and Universal Orlando Resort – where these infamous classic monsters invite guests to join them in an epic battle beginning this September.
Halloween Horror Nights continues to expand on the thrilling legacy from Universal Pictures – the movie studio that birthed the classic horror monsters on screen – with this original haunted house debuting at Universal Studios’ theme parks from coast-to-coast. Inspired by the event’s previous Universal Monsters attractions, this year’s unique experience resurrects the monstrous triple threat of The Wolf Man, Dracula and The Mummy for one harrowing haunted house.
This bi-coastal experience will transport guests to the 19th century with the trio of monsters seeking one thing: The Amulet of Ra. The Wolf Man believes this ancient relic contains the power to finally lift his dreaded curse, while Dracula and The Mummy have nefarious plans to use it to bring humankind to its knees. With the full moon on the rise and a race against time, guests find themselves entangled in a bloodthirsty battle between the terrifying titans – and only one will survive.
Elevating the mayhem, GRAMMY® Award-winning musician, SLASH, returns to collaborate with Universal Studios Hollywood with an original composition for their haunted house.
Halloween Horror Nights begins on Friday, September 2 in Orlando with 10 terrifying haunted houses and Thursday, September 8 in Hollywood with eight frightening haunted houses. Both events will run select nights through Monday, October 31, and additional details will be revealed soon.
Tickets and vacation packages are now on sale for Halloween Horror Nights at Universal Orlando Resort, and tickets for Universal Studios Hollywood will be available soon. For more information and to purchase tickets, visit www.HalloweenHorrorNights.com.
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