Entertainment

Johnny Depp on stand: Ex-wife Heard’s allegations ‘heinous’

Published

4 years ago

April 20, 2022

FAIRFAX, Va. (AP) — Actor Johnny Depp told jurors Tuesday that he felt compelled to sue his ex-wife Amber Heard for libel out of an obsession for the truth after she accused him of domestic violence.

“My goal is the truth because it killed me that all these people I had met over the years … that these people would think that I was a fraud,” he said.

Depp flatly denied ever hitting Heard, calling the physical and sexual assault allegations against him disturbing, heinous and “not based in any species of truth.”

“Nothing of the kind ever happened,” Depp said in court.

Alluding to the fall his career has taken since Heard levied abuse allegations against him, the former “Pirates of the Caribbean” star said, “it’s been six years of trying times. It’s very strange when one day you’re Cinderella, so to speak, and then in 0.6 seconds you’re Quasimodo.”

For the first hour-plus of testimony Tuesday, Depp gave long, stream-of-consciousness answers to questions about his childhood and his early movie career, speaking in his signature deep baritone. After one long answer, he admitted: “I forgot what the original question was.”

Indeed, he acknowledged his meandering style, particularly as it relates to his writing style. He mentioned his long friendship and collaborations with the late gonzo journalist Hunter S. Thompson, and said he sought to emulate a style that often incorporated brash language and embellishing thoughts.

He said that led him at times to write text messages that he now finds embarrassing, and he apologized to the jury for the vulgar language he used in text messages introduced as evidence to describe Heard.

“In the heat of the moment, in the heat of the pain I was feeling, I went to dark places,” he said.

But he said he’d been waiting for six years to tell his side of the story after Heard filed for divorce against him in 2016 and sought a restraining order against him.

The trial began more than a week ago, but, prior to Tuesday, jurors had only seen the Hollywood star sitting silently with his team of lawyers as each side has tried to embarrass the other in a trial that Heard’s lawyers accurately predicted would turn into a mudslinging soap opera.

After denying Heard’s abuse allegations, Depp spoke at length about a childhood in which physical abuse from his mother was “constant.” When he became a father, Depp said, he made sure his children didn’t experience that kind of upbringing.

Depp will continue his testimony Wednesday. In Tuesday’s session, he testified primarily about the early years of his relationship with Heard, saying she seemed “too good to be true” at first.

“She was attentive,” Depp said of the woman he married in 2015. “She was loving. She was smart. She was kind. She was funny. She was understanding … We had many things in common, certain blues music … literature.”

He said there were little things, though, that gave him indications of a rocky relationship ahead. She became upset, he said, when he broke an established routine in which she took off his boots for him when he came home. And he said she was angry when he wouldn’t go to bed when she was ready.

“I didn’t understand why, as a 50-some-year-old man, I couldn’t go to sleep when I wanted to.” he said.

Depp, 58, said he was cognizant of the age difference between him and Heard, 35.

“I acknowledge the fact I was the old, craggy fogey and she was this beautiful, creature,” he said.

But Depp said that within a year and a half, it was as if Heard had become another person.

So far, Depp’s friends, family and employees have testified that Heard was the aggressor in the relationship, physically attacking him on multiple occasions. Heard’s former personal assistant testified that Heard spit in her face in a fit of rage.

Heard’s lawyers have said Depp physically and sexually assaulted her on multiple occasions, often in situations where he drank so much he later blacked out.

Depp said Heard’s allegations of his substance abuse have been “grossly embellished” and that there have been no moments where he’s been out of control.

“I’m not some maniac who needs to be high or loaded all the time,” Depp said, though he admitted to doing “a line or two” of cocaine with Heard’s sister, Whitney.

The actor said he was addicted to pain medication, which stemmed from an injury on the set of the fourth “Pirates of the Caribbean” movie. He also said he took his mother’s “nerve pills” when he was a kid.

But Depp said he detoxed from the pain medication and has experienced long periods of sobriety over the years.

“The characterization of my ‘substance abuse’ that’s been delivered by Ms. Heard is grossly embellished,” Depp said. “And I’m sorry to say, but a lot of it is just plainly false. I think that it was an easy target for her to hit.”

The lawsuit itself is supposed to be over whether Heard libeled Depp when she wrote a 2018 op-ed piece in The Washington Post about domestic violence. In the article, Heard referred to herself as a “public figure representing domestic abuse.”

She never mentioned Depp by name, but Depp and his lawyers said it was a clear reference to accusations Heard made in 2016 when the couple divorced and she sought a restraining order against him.

Heard’s lawyers, who have filed their own countersuit against Depp, said nothing in the article libels him. They say the abuse allegations are true, and that the damage to Depp’s reputation — which he says got him booted from the lucrative “Pirates of the Caribbean” movie franchise — came from his own bad behavior.

Entertainment

‘SPAMALOT’ Joins Dr. Phillips Center’s 2026-27 Broadway in Orlando Season

Published

3 days ago

August 10, 2026

FNN NEWS

Tony Award-winning musical will play Walt Disney Theater Nov. 3-5, 2026

ORLANDO, Fla. (FNN NEWS) — Dr. Phillips Center for the Performing Arts is expanding its 2026-27 Broadway in Orlando season with the addition of SPAMALOT, the Tony Award-winning Best Musical, scheduled for Nov. 3-5, 2026, at Walt Disney Theater.

Inspired by the classic comedy Monty Python and the Holy Grail, SPAMALOT brings Monty Python’s distinctly British humor to the stage through a comedic adventure following King Arthur and his quest for the Holy Grail.

The production comes to Orlando following a celebrated 2023 Broadway revival at the St. James Theatre, directed and choreographed by Josh Rhodes.

Monty Python Comedy Comes to Orlando

Described as “lovingly ripped” from Monty Python and the Holy Grail, the musical features British royalty, flying cows, dancing girls, shrubbery and the Lady of the Lake.

The 14-time Tony Award-nominated musical features well-known numbers including “Always Look on the Bright Side of Life,” “The Song That Goes Like This” and “Find Your Grail.”

SPAMALOT features a book and lyrics by Eric Idle, with music by John Du Prez and Idle.

Cast Announced for Orlando Production

The cast features Major Attaway, whose credits include Aladdin, as King Arthur; Sean Bell (Harmony) as Sir Robin; Chris Collins-Pisano (Forbidden Broadway) as Sir Lancelot; Ellis C. Dawson III (Hamilton) as Sir Bedevere; Leo Roberts (Les Misérables) as Sir Galahad; Amanda Robles as the Lady of the Lake; Blake Segal (Mary Poppins) as Patsy; and Steven Telsey (The Book of Mormon) as the Historian and Prince Herbert.

The company also includes Lindsay Lee Alhady, Delaney Benson, Jack Brewer, Connor Coughlin, L’ogan J’ones, Graham Keen, Claire Kennard, Ben Lanham, Nathaniel Mahone, Maddie Mossner, Emilie Renier, Mark Tran Russ and Meridien Terrell.

Creative Team

The production’s creative team includes scenic and projection designer Paul Tate dePoo III, costume designer Jen Caprio, lighting designer Cory Pattak, sound designers Kai Harada and Haley Parcher, and wig designer Tom Watson.

John Bell serves as music supervisor, with Jonathan Gorst as musical director and conductor.

Derek Kolluri is associate director, Michael Fatica is associate choreographer and casting is by Geoff Josselson, CSA. RCI Theatricals serves as general manager, and Jeffrey Finn is the producer.

Tickets on Sale Now

Single tickets for SPAMALOT are on sale now through Dr. Phillips Center.

Performances: Nov. 3-5, 2026
Venue: Walt Disney Theater at Dr. Phillips Center for the Performing Arts
Location: Orlando, Florida

Tickets and additional information are available through the Dr. Phillips Center website.

Central Florida News

Dr. Phillips Center Generates $227.6 Million Annual Economic Impact, Supports Nearly 2,500 Central Florida Jobs

Published

2 weeks ago

July 30, 2026

FNN NEWS

ORLANDO, Fla. (FNN NEWS) — The Dr. Phillips Center for the Performing Arts generated $227.6 million in annual economic impact, supporting 2,483 jobs and producing $13.2 million in state and local tax revenue, according to a newly released independent study by Tourism Economics.

The analysis, conducted by Tourism Economics, an Oxford Economics company specializing in economic impact and tourism research, measured the direct, indirect and induced economic activity generated by the arts center’s operations, performances, visitors and related spending throughout Central Florida.

The findings underscore the Dr. Phillips Center’s role as both a premier performing arts destination and a major contributor to the region’s economy.

“For more than a decade, we’ve seen firsthand how the arts inspire people, bring communities together and create lasting value,” said Kathy Ramsberger, president and CEO of Dr. Phillips Center for the Performing Arts. “This study confirms that our impact reaches far beyond our stages—supporting thousands of jobs, driving business growth, attracting visitors from around the world and helping position Central Florida as a more vibrant, competitive and connected region.”

Economic Impact by the Numbers

According to the Tourism Economics report, the Dr. Phillips Center generated:

$227.6 million in annual economic output
2,483 jobs supported across Central Florida
$70.8 million in total labor income in Orange County
$13.2 million in state and local tax revenue
$73.1 million in off-site spending by event attendees, performers and production crews
61,600 hotel room nights generated annually

The study highlights the ripple effect created by visitors attending performances, benefiting nearby hotels, restaurants, retailers and other local businesses.

A Global Destination for Arts and Entertainment

Now in its 11th year, the Dr. Phillips Center welcomes more than 910,000 guests annually, attracting visitors from all 50 states and more than 80 countries.

Since opening in 2014, the venue has hosted:

More than 6.2 million guests
More than 6,200 performances and events
Programming presented 99% of the year
Venue occupancy rates ranging from 82% to 97%

The center has become one of the world’s busiest performing arts destinations while helping position downtown Orlando as a leading hub for arts, culture and entertainment.

Community Investment Beyond the Stage

In addition to its economic impact, the Dr. Phillips Center continues investing in arts education, community outreach and cultural programming throughout Central Florida.

According to the organization, it has:

Served 935,920 students and community participants
Supported and hosted 202 regional arts organizations
Received support from 24,085 donors
Benefited from $256 million in philanthropic contributions since its inception

Through partnerships with schools, nonprofit organizations, community groups and touring productions, the center continues to expand access to the performing arts while strengthening the region’s cultural and economic vitality.

Looking Ahead

Eleven years after opening, the Dr. Phillips Center continues to demonstrate that investment in arts and culture produces measurable returns through tourism, employment, education and community engagement.

As Central Florida continues to grow, the independent analysis reinforces the performing arts center’s importance as both a cultural landmark and an economic engine for the region.

Additional information about the economic impact study is available through the Dr. Phillips Center for the Performing Arts.

Entertainment

Blue Man Group Orlando Launches $25 Kids Ticket Offer at ICON Park Through Dec. 31

Published

1 month ago

July 6, 2026

FNN NEWS

ORLANDO, Fla. (FNN NEWS) — Families can enjoy Blue Man Group Orlando for less this summer and fall thanks to a new ticket promotion that allows children to attend performances for $25 with the purchase of a full-priced adult ticket.

The limited-time offer is available for online purchases through Dec. 31, 2026, making one of Orlando’s newest live entertainment attractions more affordable for families.

Special Kids Ticket Offer

Under the promotion, guests who purchase a full-priced adult ticket may purchase a children’s ticket for $25.

The offer is valid for performances:

Monday through Thursday
Fridays at 5 p.m.

The promotion is not valid for:

Saturday performances
Sunday performances
Fridays at 8 p.m.

New Orlando Production at ICON Park

Blue Man Group opened its new resident production at ICON Park in May inside a custom-built theater located along Orlando’s International Drive entertainment district.

The production blends music, comedy, technology and audience participation, while featuring many of the signature moments fans expect from Blue Man Group alongside new material created exclusively for the Orlando production.

Global Entertainment Phenomenon

Since debuting in 1991 at New York’s Astor Place Theatre, Blue Man Group has entertained more than 50 million people worldwide through resident productions and international tours.

The show continues to expand with performances in Orlando, Las Vegas, touring productions across North America and an upcoming tour in Japan.

Blue Man Group is owned and operated by Cirque du Soleil Entertainment Group.