Entertainment

Johnny Depp on stand: Ex-wife Heard’s allegations ‘heinous’

Published

4 years ago

April 20, 2022

FAIRFAX, Va. (AP) — Actor Johnny Depp told jurors Tuesday that he felt compelled to sue his ex-wife Amber Heard for libel out of an obsession for the truth after she accused him of domestic violence.

“My goal is the truth because it killed me that all these people I had met over the years … that these people would think that I was a fraud,” he said.

Depp flatly denied ever hitting Heard, calling the physical and sexual assault allegations against him disturbing, heinous and “not based in any species of truth.”

“Nothing of the kind ever happened,” Depp said in court.

Alluding to the fall his career has taken since Heard levied abuse allegations against him, the former “Pirates of the Caribbean” star said, “it’s been six years of trying times. It’s very strange when one day you’re Cinderella, so to speak, and then in 0.6 seconds you’re Quasimodo.”

For the first hour-plus of testimony Tuesday, Depp gave long, stream-of-consciousness answers to questions about his childhood and his early movie career, speaking in his signature deep baritone. After one long answer, he admitted: “I forgot what the original question was.”

Indeed, he acknowledged his meandering style, particularly as it relates to his writing style. He mentioned his long friendship and collaborations with the late gonzo journalist Hunter S. Thompson, and said he sought to emulate a style that often incorporated brash language and embellishing thoughts.

He said that led him at times to write text messages that he now finds embarrassing, and he apologized to the jury for the vulgar language he used in text messages introduced as evidence to describe Heard.

“In the heat of the moment, in the heat of the pain I was feeling, I went to dark places,” he said.

But he said he’d been waiting for six years to tell his side of the story after Heard filed for divorce against him in 2016 and sought a restraining order against him.

The trial began more than a week ago, but, prior to Tuesday, jurors had only seen the Hollywood star sitting silently with his team of lawyers as each side has tried to embarrass the other in a trial that Heard’s lawyers accurately predicted would turn into a mudslinging soap opera.

After denying Heard’s abuse allegations, Depp spoke at length about a childhood in which physical abuse from his mother was “constant.” When he became a father, Depp said, he made sure his children didn’t experience that kind of upbringing.

Depp will continue his testimony Wednesday. In Tuesday’s session, he testified primarily about the early years of his relationship with Heard, saying she seemed “too good to be true” at first.

“She was attentive,” Depp said of the woman he married in 2015. “She was loving. She was smart. She was kind. She was funny. She was understanding … We had many things in common, certain blues music … literature.”

He said there were little things, though, that gave him indications of a rocky relationship ahead. She became upset, he said, when he broke an established routine in which she took off his boots for him when he came home. And he said she was angry when he wouldn’t go to bed when she was ready.

“I didn’t understand why, as a 50-some-year-old man, I couldn’t go to sleep when I wanted to.” he said.

Depp, 58, said he was cognizant of the age difference between him and Heard, 35.

“I acknowledge the fact I was the old, craggy fogey and she was this beautiful, creature,” he said.

But Depp said that within a year and a half, it was as if Heard had become another person.

So far, Depp’s friends, family and employees have testified that Heard was the aggressor in the relationship, physically attacking him on multiple occasions. Heard’s former personal assistant testified that Heard spit in her face in a fit of rage.

Heard’s lawyers have said Depp physically and sexually assaulted her on multiple occasions, often in situations where he drank so much he later blacked out.

Depp said Heard’s allegations of his substance abuse have been “grossly embellished” and that there have been no moments where he’s been out of control.

“I’m not some maniac who needs to be high or loaded all the time,” Depp said, though he admitted to doing “a line or two” of cocaine with Heard’s sister, Whitney.

The actor said he was addicted to pain medication, which stemmed from an injury on the set of the fourth “Pirates of the Caribbean” movie. He also said he took his mother’s “nerve pills” when he was a kid.

But Depp said he detoxed from the pain medication and has experienced long periods of sobriety over the years.

“The characterization of my ‘substance abuse’ that’s been delivered by Ms. Heard is grossly embellished,” Depp said. “And I’m sorry to say, but a lot of it is just plainly false. I think that it was an easy target for her to hit.”

The lawsuit itself is supposed to be over whether Heard libeled Depp when she wrote a 2018 op-ed piece in The Washington Post about domestic violence. In the article, Heard referred to herself as a “public figure representing domestic abuse.”

She never mentioned Depp by name, but Depp and his lawyers said it was a clear reference to accusations Heard made in 2016 when the couple divorced and she sought a restraining order against him.

Heard’s lawyers, who have filed their own countersuit against Depp, said nothing in the article libels him. They say the abuse allegations are true, and that the damage to Depp’s reputation — which he says got him booted from the lucrative “Pirates of the Caribbean” movie franchise — came from his own bad behavior.

Entertainment

USF Credit Union Named Presenting Sponsor of ‘Rainbow To Your Door’ With $5,000 Challenge Match Grant

Published

2 days ago

June 1, 2026

FNN NEWS

ORLANDO, Fla. (FNN) — The production team behind Rainbow To Your Door announced that USF Credit Union has joined the upcoming theatrical production as its Presenting Sponsor, accompanied by a $5,000 Challenge Match Grant aimed at encouraging community support and helping fully fund the project.

The partnership reflects a shared commitment to arts, education, and community engagement across Central Florida. Organizers say the challenge grant will match community contributions dollar-for-dollar up to $5,000, helping expand public access and educational opportunities connected to the production.

Original Play Celebrates Florida’s Artistic Legacy

Rainbow To Your Door is an original stage production written by Los Angeles-based playwright Kenneth Brown. The play is inspired by the historic friendship and artistic exchange between acclaimed author and anthropologist Zora Neale Hurston and artist Jules André Smith.

Set in 1938 at the historic Maitland Art Center, the production explores the challenges, triumphs, and purpose of artists navigating a rapidly changing world while preserving their creative voices.

“This partnership represents more than sponsorship. It is an investment in storytelling, culture, and preserving the legacy of artistic voices that helped shape Florida’s creative identity,” Brown said. “We are incredibly grateful to USF Credit Union for believing in this vision and helping us create meaningful community impact through the arts.”

Challenge Match Campaign Aims to Fully Fund Production

As part of the sponsorship, USF Credit Union will provide a $5,000 Challenge Match Grant to encourage community participation and charitable giving. Production organizers say that once the matching goal is reached, Rainbow To Your Door will be fully funded.

Donations generated through the campaign will support expanded accessibility initiatives, educational programming, community outreach, and audience engagement efforts associated with the production.

“USF Credit Union is proud to support initiatives that enrich the communities we serve,” said Rick Skaggs, CEO of USF Credit Union. “Rainbow To Your Door reflects the power of culture, education, and the arts to inspire meaningful conversations and strengthen community connections.”

Production Scheduled for October 2026

Media relations and promotional efforts for the production are being coordinated by Fierce Entertainment.

Rainbow To Your Door is scheduled for Oct. 10–11, 2026, at the Timucua Arts Foundation in Orlando.

Additional information regarding ticket sales, sponsorship opportunities, and the community challenge campaign will be announced in the coming weeks.

Media Contact:
Rob Henlon
Fierce Entertainment
rob@alwaysfierce.com

For sponsorship information and production updates, visit Rainbow To Your Door.

Central Florida News

FNN Honors Teen Reporter Isabella Schmitt as She Graduates and Pursues Communications Degree

Published

3 weeks ago

May 15, 2026

FNN NEWS

ORLANDO, Fla. (FNN) — Florida National News proudly celebrates Isabella Schmitt as she marks an important milestone with her high school graduation and prepares to begin an exciting new chapter pursuing Communications in college.

Over the years, Isabella has represented the next generation of young voices with professionalism, creativity, determination, and passion.

Through reporting opportunities, community involvement, and media experiences, she has continued to shine both on and off camera while inspiring others through her dedication and work ethic.

Jenny Rosario, Vice President of Florida National News, praised Isabella’s accomplishments and bright future ahead.

“Watching Isabella grow both personally and professionally has been truly inspiring,” Rosario said. “She represents the future of journalism, communications, and storytelling. Her passion, confidence, and commitment to making a positive impact through media are remarkable, and we are incredibly proud of all she has accomplished.”

Rosario added that Isabella’s decision to pursue Communications in college is a natural next step for someone with such strong talent and determination.

“The world of media and communications needs more young voices like Isabella’s,” Rosario said. “We know this is only the beginning of many great accomplishments to come.”

Florida National News congratulates Isabella Schmitt and the entire Class of 2026 on this exciting achievement.

“Keep dreaming big and telling stories that matter,” Rosario added.

Entertainment

How Orlando International Fashion Week Builds Confidence: A Belonging-Driven Casting Experience

Published

4 weeks ago

May 9, 2026

Dr. Jessica Henlon

By Dr. Jessica Henlon | Education Contributor for Florida National News

At Orlando International Fashion Week (OIFW), the runway does not begin on show day. It begins at casting.

Over two weekends this April, OIFW welcomed hundreds of aspiring and experienced models to CityArts Gallery in Downtown Orlando for official casting calls ahead of the June 6 runway shows. What unfolded was more than an audition process. It was a carefully designed experience rooted in a powerful truth: when people feel seen, supported, and welcomed, they are more likely to show up with confidence.

From first-time participants to returning talent, families, creatives, and industry professionals, the casting experience reflected what makes OIFW different. It was not just about selecting models. It was about creating a space where people felt confident enough to try.

Belonging First, Performance Second

In educational psychology, belonging is not a soft concept. It is a driver of motivation, persistence, and self-efficacy. Research in postsecondary education has consistently linked students’ sense of belonging to academic outcomes, engagement, and persistence (Fong et al., 2024; Gopalan & Brady, 2020). While OIFW is not a classroom, the same human principles apply. People perform differently when they feel safe, valued, and connected.

This also aligns with my doctoral research on online first-generation college students. In that study, participants described virtual extracurricular activities as affirming spaces that supported leadership development, motivation, self-efficacy, and belonging (Henlon, 2025). The findings affirmed that engagement spaces are not “extra.” They can be essential to how people build identity, confidence, and persistence.

OIFW reflects this same principle in a creative industry setting. People come back because of how they are treated.

Designing a Confidence-Building Experience

The atmosphere inside CityArts Gallery was intentional.

Models of all ages and backgrounds moved through the casting process in a space that felt structured, supportive, and human. Team members gave clear direction, answered questions, and offered encouragement in real time. Families felt comfortable. First-time participants felt included. Returning models felt valued.

Those details matter.

Social Cognitive Theory suggests that individuals build confidence through observation, encouragement, and successful participation in meaningful environments (Bandura, 1986). When a model sees others walk, receive feedback, and try again, the room becomes a learning space. Confidence is not simply demanded. It is modeled, practiced, and reinforced.

That approach also connects to the modeling and fashion curriculum I developed for youth and emerging talent, where self-esteem, work ethic, body language, preparation, and reflection were built directly into the learning experience. The curriculum framed self-esteem as confidence in one’s own worth and abilities, while encouraging participants to celebrate success, develop talents, practice positive self-talk, and treat themselves well. That same foundation was visible at casting: confidence grows when people are given structure, encouragement, and room to develop.

A Creative Ecosystem in Motion

Casting weekends brought together more than models.

Photographers, videographers, designers, media professionals, artists, families, and community members shared the same creative space. More than 20 photographers and videographers were present capturing content, building portfolios, and documenting the energy of the experience. Florida National News was also on-site, conducting interviews and helping tell the story of the event.

This kind of creative ecosystem matters because learning and confidence often grow through participation, not observation alone. Research on connected arts learning emphasizes the importance of linking creative practice to supportive relationships, cultural relevance, and opportunity pathways (Peppler et al., 2022). In other words, creative spaces become more powerful when they connect people to each other and to what comes next.

At OIFW, casting is not hidden behind closed doors. It is visible, collaborative, and alive. This is where relationships are built.

Inclusion as Strategy, Not Statement

OIFW continues to prioritize an inclusive casting approach that welcomes models across ages, sizes, backgrounds, and experience levels. This is more than a value statement. It is part of the structure.

Research on organized activities shows that participation in supportive group settings can help young people build social capital, strengthen relationships, and develop confidence through meaningful interaction (Boat et al., 2024). Similarly, studies of extracurricular activities have found that participation can strengthen self-efficacy, identity, and skill development when activities are structured with purpose and support (Griffiths et al., 2021).

That is why inclusive casting matters. When a young person, a first-time model, or a returning participant sees a range of people welcomed into the process, the message is clear: there is room for you here.

For families, this creates trust.
For designers, it creates range.
For sponsors and media, it tells a deeper story.
For participants, it builds confidence.

Safety, Structure, and Trust

With a strong presence of youth participants, OIFW maintains clear expectations around professionalism, age-appropriate presentation, and safety. Families can trust that the environment is monitored, structured, and designed with care.

That trust is part of why participants return season after season.

In youth development research, positive experiences in organized activities are strongest when young people experience supportive relationships, clear expectations, and opportunities to build skills (Boat et al., 2024; Heath et al., 2022). OIFW’s casting model reflects that kind of intentional design. The goal is not only to prepare people for the runway. It is to help them feel prepared to step into the room.

More Than a Casting Call

What happened over these two weekends was not only about who made the runway.

It was about creating a space where people felt confident enough to try, supported enough to grow, and inspired enough to return. It was about helping participants move from nervousness to possibility. It was about making sure that the first step toward the runway felt welcoming, not intimidating.

Creative participation can support well-being, identity development, and self-expression, especially when the environment is inclusive and relational (Mak & Fancourt, 2019; Peppler et al., 2022). OIFW’s casting experience shows how arts and fashion spaces can function as confidence-building environments when they are designed with care.

That is the OIFW difference.

Confidence is not built through pressure alone. It is built through belonging, visibility, preparation, and meaningful interaction.

Looking Ahead

Orlando International Fashion Week continues to build toward its summer season:

May 16, 2026: Avant Garde Showcase at Orlando Fringe Festival
June 5, 2026: VIP Mixer at Morse Code Lounge
June 6, 2026: “626 Euphoria” Runway Shows at Winter Park Events Center

Tickets are available at www.OIFW.org.