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Princess Cruises Announces Finalists for Seventh Annual Entertainer of the Year Competition

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SANTA CLARITA, Calif., (FNN NEWS) / Princess Cruises / — Princess Cruises will soon crown the top guest entertainer for 2017 during the cruise line’s seventh annual Entertainer of the Year competition. Four talented finalists have been carefully chosen from the vast array of onboard performers — including vocalists, comedians, magicians, tribute bands and other specialty acts — who delight guests each year, and will compete for the title during Princess’ upcoming Entertainer of the Year cruise.

Guests aboard the March 25, 2018 Regal Princess seven-day cruise to the Caribbean will be able to cast their vote for their favorite performer after viewing several live performances from each act during the cruise vacation.

The four nominees for the title of Entertainer of the Year are:

The Modern Gentlemen — Individually, Landon Beard (San Diego, CA), Todd Fournier (Toledo, OH), and brothers Brian and Brandon Bingham (West Covina, CA), were all in-demand singers prior to being brought together as a quartet by the legendary Frankie Valli. For well over a decade now, they’ve been wowing audiences worldwide providing all the background vocals and choreography alongside the rock & roll icon. Since then, they’ve developed their own signature sound blending modern voices together with four part harmonies performing the classic hits of Pop, rock and Doo-Wop. They’ve toured all over the world on the biggest stages from Royal Albert Hall with the London Symphony Orchestra, and BBC Proms in the park for an audience of over 40,000 people. They’ve appeared onstage with The Beach Boys, The Manhattan Transfer, Tony Bennett and Smokey Robinson, and in front of U.S. Presidents, as well as Prince William, the Duke of Cambridge at the esteemed Arts Club in London.

Tom Franek Hailing from Minneapolis, Minnesota, Tom Franek is a rising star whose talents are celebrated by over a quarter million fans online, with a debut role on ABC in 2017. His stage shows are performed around the world and combine clean comedy, genuine charisma, dynamic piano playing, singing, dancing, quick wit, and contortionist acrobatics in an unforgettable experience that leaves audiences’ jaws dropped and people talking. There is something special to his particular brand of entertainment that makes him a must see.

Jo LittleKnown as “Yorkshire’s Queen of Comedy”, Jo Little began her career in the United Kingdom as a DJ and vocalist, and found her true passion on stage to be comedy. Little has performed around the world, including engagements across Europe for Thomson’s and Choice Holidays. She is currently appearing as support to British Show Business Legend Joe Longthorne, on his UK theatre tour appearing at most major theatres throughout the UK.

Michael Barron Michael Barron is one of America’s hottest illusionists, with over 7,000 performances and 300 television appearances in 35 countries. After attending DePaul University in Chicago to study theatre, he was invited to perform a long running illusion show at Arabian Nights Arena in Orlando, Florida. After five years and 2,200 performances, Michael left the show and was cast to star in a multi-million dollar touring show produced by Kenneth Feld. In addition to his busy touring schedule, Michael performs all over the world at colleges, theaters, corporate functions, and arenas with his own show “Michael Barron: Magic Unhinged,” a tradition shattering blend of magic, sarcastic comedy, epic illusions, dangerous stunts, and shocking performance art.

“For a seventh year in a row, we have a fantastic docket of finalists for our Entertainer of the Year competition,” said Denise Saviss, Princess Cruises vice president, entertainment experience. “With such an array of talent, our guests are sure to be entertained on board, but might have a difficult time casting their final vote for a winner.”

The finalists were selected by the Princess Cruises entertainment department based on guest surveys and onboard audience response. View the highlight video featuring this year’s finalists here.

The 2017 Princess Cruises Entertainer of the Year winner will be announced on the final evening of the cruise at a celebratory event in the Piazza and will receive a $5,000 cash prize.

Previous Princess Cruises Entertainer of the Year winners include comedian Carlos Oscar, vocalists Tony Tillman and Zach Winningham, comedic magician Ben Seidman, singer, dancer and musician Nathan Foley, and comedian Robbie Printz.

The seventh annual Entertainer of the Year voyage will depart on March 25, 2018 aboard Regal Princess on a Western Caribbean cruise, with port calls including Princess Cays, Jamaica, Grand Cayman, and Cozumel, Mexico. The seven-day sailing from Ft. Lauderdale is currently available for booking with fares starting at $­­­­849 per person, during our Cyber Sale now through November 29, 2017.

SOURCE | Princess Cruises

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Central Florida News

FNN Honors Teen Reporter Isabella Schmitt as She Graduates and Pursues Communications Degree

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ORLANDO, Fla. (FNN) — Florida National News proudly celebrates Isabella Schmitt as she marks an important milestone with her high school graduation and prepares to begin an exciting new chapter pursuing Communications in college.

Over the years, Isabella has represented the next generation of young voices with professionalism, creativity, determination, and passion.

Through reporting opportunities, community involvement, and media experiences, she has continued to shine both on and off camera while inspiring others through her dedication and work ethic.

Jenny Rosario, Vice President of Florida National News, praised Isabella’s accomplishments and bright future ahead.

“Watching Isabella grow both personally and professionally has been truly inspiring,” Rosario said. “She represents the future of journalism, communications, and storytelling. Her passion, confidence, and commitment to making a positive impact through media are remarkable, and we are incredibly proud of all she has accomplished.”

Rosario added that Isabella’s decision to pursue Communications in college is a natural next step for someone with such strong talent and determination.

“The world of media and communications needs more young voices like Isabella’s,” Rosario said. “We know this is only the beginning of many great accomplishments to come.”

Florida National News congratulates Isabella Schmitt and the entire Class of 2026 on this exciting achievement.

“Keep dreaming big and telling stories that matter,” Rosario added.

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How Orlando International Fashion Week Builds Confidence: A Belonging-Driven Casting Experience

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By Dr. Jessica Henlon | Education Contributor for Florida National News

At Orlando International Fashion Week (OIFW), the runway does not begin on show day. It begins at casting.

Over two weekends this April, OIFW welcomed hundreds of aspiring and experienced models to CityArts Gallery in Downtown Orlando for official casting calls ahead of the June 6 runway shows. What unfolded was more than an audition process. It was a carefully designed experience rooted in a powerful truth: when people feel seen, supported, and welcomed, they are more likely to show up with confidence.

From first-time participants to returning talent, families, creatives, and industry professionals, the casting experience reflected what makes OIFW different. It was not just about selecting models. It was about creating a space where people felt confident enough to try.

Belonging First, Performance Second

In educational psychology, belonging is not a soft concept. It is a driver of motivation, persistence, and self-efficacy. Research in postsecondary education has consistently linked students’ sense of belonging to academic outcomes, engagement, and persistence (Fong et al., 2024; Gopalan & Brady, 2020). While OIFW is not a classroom, the same human principles apply. People perform differently when they feel safe, valued, and connected.

This also aligns with my doctoral research on online first-generation college students. In that study, participants described virtual extracurricular activities as affirming spaces that supported leadership development, motivation, self-efficacy, and belonging (Henlon, 2025). The findings affirmed that engagement spaces are not “extra.” They can be essential to how people build identity, confidence, and persistence.

OIFW reflects this same principle in a creative industry setting. People come back because of how they are treated.

Designing a Confidence-Building Experience

The atmosphere inside CityArts Gallery was intentional.

Models of all ages and backgrounds moved through the casting process in a space that felt structured, supportive, and human. Team members gave clear direction, answered questions, and offered encouragement in real time. Families felt comfortable. First-time participants felt included. Returning models felt valued.

Those details matter.

Social Cognitive Theory suggests that individuals build confidence through observation, encouragement, and successful participation in meaningful environments (Bandura, 1986). When a model sees others walk, receive feedback, and try again, the room becomes a learning space. Confidence is not simply demanded. It is modeled, practiced, and reinforced.

That approach also connects to the modeling and fashion curriculum I developed for youth and emerging talent, where self-esteem, work ethic, body language, preparation, and reflection were built directly into the learning experience. The curriculum framed self-esteem as confidence in one’s own worth and abilities, while encouraging participants to celebrate success, develop talents, practice positive self-talk, and treat themselves well. That same foundation was visible at casting: confidence grows when people are given structure, encouragement, and room to develop.

A Creative Ecosystem in Motion

Casting weekends brought together more than models.

Photographers, videographers, designers, media professionals, artists, families, and community members shared the same creative space. More than 20 photographers and videographers were present capturing content, building portfolios, and documenting the energy of the experience. Florida National News was also on-site, conducting interviews and helping tell the story of the event.

This kind of creative ecosystem matters because learning and confidence often grow through participation, not observation alone. Research on connected arts learning emphasizes the importance of linking creative practice to supportive relationships, cultural relevance, and opportunity pathways (Peppler et al., 2022). In other words, creative spaces become more powerful when they connect people to each other and to what comes next.

At OIFW, casting is not hidden behind closed doors. It is visible, collaborative, and alive. This is where relationships are built.

Inclusion as Strategy, Not Statement

OIFW continues to prioritize an inclusive casting approach that welcomes models across ages, sizes, backgrounds, and experience levels. This is more than a value statement. It is part of the structure.

Research on organized activities shows that participation in supportive group settings can help young people build social capital, strengthen relationships, and develop confidence through meaningful interaction (Boat et al., 2024). Similarly, studies of extracurricular activities have found that participation can strengthen self-efficacy, identity, and skill development when activities are structured with purpose and support (Griffiths et al., 2021).

That is why inclusive casting matters. When a young person, a first-time model, or a returning participant sees a range of people welcomed into the process, the message is clear: there is room for you here.

For families, this creates trust.
For designers, it creates range.
For sponsors and media, it tells a deeper story.
For participants, it builds confidence.

Safety, Structure, and Trust

With a strong presence of youth participants, OIFW maintains clear expectations around professionalism, age-appropriate presentation, and safety. Families can trust that the environment is monitored, structured, and designed with care.

That trust is part of why participants return season after season.

In youth development research, positive experiences in organized activities are strongest when young people experience supportive relationships, clear expectations, and opportunities to build skills (Boat et al., 2024; Heath et al., 2022). OIFW’s casting model reflects that kind of intentional design. The goal is not only to prepare people for the runway. It is to help them feel prepared to step into the room.

More Than a Casting Call

What happened over these two weekends was not only about who made the runway.

It was about creating a space where people felt confident enough to try, supported enough to grow, and inspired enough to return. It was about helping participants move from nervousness to possibility. It was about making sure that the first step toward the runway felt welcoming, not intimidating.

Creative participation can support well-being, identity development, and self-expression, especially when the environment is inclusive and relational (Mak & Fancourt, 2019; Peppler et al., 2022). OIFW’s casting experience shows how arts and fashion spaces can function as confidence-building environments when they are designed with care.

That is the OIFW difference.

Confidence is not built through pressure alone. It is built through belonging, visibility, preparation, and meaningful interaction.

Looking Ahead

Orlando International Fashion Week continues to build toward its summer season:

May 16, 2026: Avant Garde Showcase at Orlando Fringe Festival
June 5, 2026: VIP Mixer at Morse Code Lounge
June 6, 2026: “626 Euphoria” Runway Shows at Winter Park Events Center

Tickets are available at www.OIFW.org.

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Entertainment

160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

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160+ Bands, 5 Stages: Welcome To Rockville Returns to Daytona International Speedway May 7–10 with Expanded Fan Experience

DAYTONA BEACH, Fla. (FNN) — Music set times have been released for the 15th anniversary of Welcome To Rockville, Florida’s largest rock, metal and punk festival, set for May 7–10, 2026 at Daytona International Speedway.

Produced by Danny Wimmer Presents, the four-day event will feature more than 160 bands performing across five stages, marking the festival’s largest lineup to date.

HEADLINERS AND DAILY LINEUP

This year’s festival will be headlined by Foo Fighters, My Chemical Romance, Guns N’ Roses and Bring Me The Horizon.

  • Thursday, May 7: Guns N’ Roses, Five Finger Death Punch, Godsmack, Staind
  • Friday, May 8: Foo Fighters, Turnstile, The Offspring, Parkway Drive
  • Saturday, May 9: Bring Me The Horizon, Breaking Benjamin, Motionless in White, Lamb of God
  • Sunday, May 10: My Chemical Romance, A Day To Remember, Rise Against, Yellowcard

FESTIVAL EXPANSION AND NEW FEATURES

Organizers announced several enhancements for 2026 aimed at improving the fan experience. A new “Pit Stop” fan zone near the Apex Stage will feature artist interviews, special performances and interactive experiences.

In addition, the Garage Stage will be fully tented for the first time, offering expanded shade coverage and upgraded production for attendees.

SPECIAL EVENTS AND EXPERIENCES

Festivalgoers can kick off the week with a pre-party on May 6 featuring performances by Fuel, Local H and others.

A new crossover event, “Blood4Blood,” will also take place at the Ocean Center, combining live music with bare-knuckle fighting, including a headline bout featuring Alex Terrible of Slaughter to Prevail.

TICKETS, ACCESS AND ATTENDANCE

Festival gates will open daily at 11:30 a.m. Organizers are offering a range of ticket options, including single-day, weekend, VIP and camping packages. A new Camp to Coast shuttle will provide transportation between the speedway and nearby beaches.

With expanded attractions, including rides, themed bars and interactive zones, Welcome To Rockville 2026 is expected to draw tens of thousands of fans to Daytona Beach, reinforcing its role as a major driver of Florida’s tourism and live entertainment economy.

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